We all have been there. An artist you really like releases a Christmas record, and you get very excited. Overly excited, as it is not very often that someone you listen to on a regular basis ALSO releases a Christmas record. Immediately after, the dread sets in – it is quite an emotional rollercoaster, these record announcements. The expectation rarely matches the result, but you just cannot kick those glorious, glorious expectations. However, I’m not going to make you read any longer, worrying about whether my heart was broken or not, as it most certainly has grown two sizes larger after listening to this record. Hiss Golden Messenger (M.C. Taylor) has dipped his toes into seasonal sounds in the past, but O Come All Ye Faith is his first dedicated holiday release. The tracklist is certainly interesting enough to make me excited – three originals, three traditional songs, and three unexpected covers. M.C. recorded the album last fall and talks a bit about his motivation in the press release: “Big, brash holiday music—the type that we hear in big-box stores in the middle of December—has never resonated with me, and this past year it felt absolutely dissonant. I wanted to make a seasonal record that felt more in step with the way that I, and so many others, experience this time of year: quiet, contemplative, searching and bittersweet. The intention was to make a seasonal record with vibe.”
I am now awaiting my “Peak vinyl” version, which contains a 6-track dub reinterpretation of HGM titled The Sounding Joy: Hiss Golden Messenger Meets Revelators on South Robinson Street. However, I have jumped in and checked it out on Spotify, and you can probably already imagine my takeaways. First, you know I’m digging the originals. The lead track “Hung Fire” is lyrically haunting and beautiful, with life-affirming saxophones sprinkled throughout. “Grace” kicks in and you’ll be excused if you begin clapping your hands to the rhythm, as this is a spiritual, with a choir and everything. “By the Lights of St. Stephen” is a wonderful country trot, a story-song with a catchy chorus. All three are truly worthy of inclusion in any holiday mix, and the glutton inside me wants more, more, more. However, M.C. leaves us only with that snack. The rest of the meal might not have the spice of a brand-new holiday song, but don’t worry, his flavoring is truly inspired.
The first cover on the record is Spiritualized’s “Shine a Light,” is beautifully arranged and a welcome new track to be claimed by the holiday music canon. Woody Guthrie’s “Hanukkah Dance” is full of foot-stomping, hand-clapping, and fiddle solos – perfectly executed and joyous. If you haven’t already noticed the theme of light being at the fore of this record yet, then the cover of Creedence Clearwater Revival’s “As Long As I Can See the Light” will… “shine a light” (callback!) on that for you. The waves of warmth exuding from this song would be one of those goosebump-inducing moments, should we ever be able to experience it live.
Here at Christmas Underground, I admit I shy away from traditional covers. We’ve all heard them, and rarely are they dressed up in interesting clothes. M.C., however, does not disappoint. Oddly, it is the title track, “O Come All Ye Faithful,” that stays closest to the melody and phrasing we might expect, while “Joy to the World” and most especially (and astoundingly) “Silent Night” sound incredibly new and fresh. M.C. makes these small choices, highlighting one word or another or ending phrases in unexpected places so frequently, that you leave feeling invigorated. Despite the gentle, beautiful production, your brain is buzzing and delights in the unexpected. Truly lovely stuff.
I feel like M.C. is one of us.
Bottom Line: Put this on and let it play. This record is one of the best, most listenable Christmas records I’ve heard in a good while.