Christmas Underground

Self Released
Buy: Bandcamp

T Swift has us all talking in eras lately, and I am not immune to the culture – so here we go. Kristian Noel Pedersen began his Saul McCartney era last year, with the stellar Saul McCartney’s Magical Holiday Season (AKKCXIV). The Evermore to that Folklore, KNP has gifted us with an unexpected and glorious follow-up, Christmas Around Town!. For those unfamiliar with the concept of these records, they are an imagined collaboration between KNP and imaginary 60’s pop icon Saul McCartney. This year’s record features an increasingly strained relationship between the two, as the voicemail messages from an annoyed Saul McCartney provide the delightful framework for some of KNP’s best work. From the wonderfully amusing “Waiting for Christmas” with its gorgeous guitar work, to the clever Polar Express-inspired “Dear Santa,” and the beautiful horns on the inspired “Hallmark Holiday,” there is so much to love here. Just press play and attempt to pick your favorite, I dare you.

Challenge accepted! The highlight for me has to be the two sides of “City Streets, Holiday Road.” I loved the amusing lead-in by Saul McCartney, threatening KNP not to make his song sound like “Morrissey-ass 80’s British beeeeep,” nearly as much as that absolutely perfect, Morrissey-ass 80’s British version of the song that of course, KNP makes. This song is some of KNP’s best writing to date – the nostalgia, the memories, while not becoming terribly sad… walking that razor’s edge of happiness and sadness that leaves me wholly impressed. “The city streets / echo the places that we go. / The memories / of playing outside in the snow / And you’re still there / Still see you underneath the lights / Your auburn hair / even if you’re not there anymore.” That’s just a small selection – the whole song has plenty of gorgeous lines. However, what I did not expect is to find myself wondering whether I would put KNP’s “City Streets, Holiday Road,” or the flip side to this track, the version of the song that ends the record, sung by Saul McCartney (aka the incredible Harlan Guthrie). This 60’s pop-crooner version is so warm and delightful, as Saul sings in conversation with these perfect trumpet melodies, so damn gorgeous that I became incredibly conflicted. That first section of the song is so impeccably produced, I found myself amazed it was new, and hadn’t existed for decades; It just FEELS like it should have. KNP has cracked the code for creating a lovable, believable fictional singer/band within another piece of art, a feat hard to explain other than by pointing to other successes like The Oneders in “That Thing You Do,” or Stillwater in “Almost Famous.” There is a quality to this character that makes you want to know more. Truly incredible.

Bottom Line: I feel some magic here… I hear the bells once again. Thanks Kristian.

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