“Santa Claus is sponsored by / Applebees and Light Rock 105. / Coca-Cola bought the rights to Christmas. / Coca-Cola bought the rights to Christmas.”
That… fuckin… chorus. Hook… line… sinker. Boy, I do love some snark in my Christmas pudding.
Providence, Rhode Island’s Ratigan has written this scruffy, barely Christmas-adjacent song that just made me smile. The production and delivery had me thinking of a close neighbor of his, Boston’s wonderful Soltero (who also has at least one xmas gem too), as his clever lyrics and nearly talk-singing style would most certainly hang out in the same circle of friends. This is bedroom pop as I imagine bedroom pop should sound – intimate, clever, and just a little rough around the edges. Hopefully you’ll feel so too.
Bottom Line: Sup. Wanna hang out and listen to some tunes? Want to smile and not think about out impending doom? Niiiiiicccce.
Ah yes… one of those songs that I just couldn’t get off my ass to write about. One of the best songs of the year, perhaps? Don’t know what my deal was! “A Present for Me” by Swampmeat Family Band brings beautiful slide guitar with perfect brass accents, which make me want to listen to this song over and over again. The song is short, sweet and lovely… just like this review.
Bottom Line: A wonderful nugget of a song. FYI, I often call my son a nugget. I fucking love nuggets.
Richard Edwards, known in a previous life as the lead singer and songwriter for Margot & the Nuclear So and So’s, has been releasing some pretty beautiful records for the past few years (largely on Joyful Noise), and his latest, The Soft Ache and the Moon” is no exception. He has teased us with a Christmas-ish song in the past with a cover of Big Star’s “Jesus Christ” on the Joyful Noise Snowflathe series, but never quite so explicit as “Happy Christmas (the whole world has changed.” This song is raw emotion. The lyrics are vivid, brutal, and deeply personal. You can take it from me, or from Richard himself:
“Maybe my favorite song on the album and the most difficult to write in certain ways. It was a little too raw and painful for me, but Dave Palmer, the brilliant piano player got me to do it. And I’m glad he did, even if it hurts a little.”
This song is full of dream imagery, scenes filled with fog on the edges – suffering, atonement and just squeaking by. It is not your normal Christmas song, but this is not your normal Christmas site. Settle in.
Bottom Line: Some songs make you both wish the writer never had to write this song, while appreciating the beauty of what they created; This is one of those songs.
I was driving the other day listening to WNRN (one of our local nonprofit radio stations), and this track came on that I really liked. Honestly, I can’t tell you what song it was now… but I recall the DJ coming on saying “That was Alex the Astronaut giving us some really big Courtney Barnett vibes.” I wholly agreed, and found myself making a mental note of the singer so that I might later see if there was a vaguely Christmas song I could mine for my mix (and my blog). WHAT DO YOU KNOW? Not only is there a song, but it is a single as well. I don’t get the same Barnett vibes from “Christmas in July,” and I’m sure she wouldn’t appreciate her folktronic sensibilities to be lumped in with Courtney’s wordy indie guitar rock simply because they are both Australian. Initially, I expected the song to be more about celebrating Christmas in July, as many folks in the southern hemisphere wish to have a pop-culture-approved Christmas celebration during their winter. However, this is quite specifically a love song, and the reference to “Christmas in July” is very much in the “traditional” vein. Alex uses Christmas imagery to express how exuberant and lucky she feels to be with her love – as if she is getting a wonderful and unexpected gift outside of the holiday of Christmas. Alex’s voice brilliantly expresses emotion, fragile and powerful in equal parts. The simple piano lines build anticipation, leading us to drums that burst open the song like a brilliant flower. There is an energy, a physical and emotional motion to this song that I greatly appreciate. And yes, this is not specifically a Christmas song, but I have bent the rules for less. So… enjoy this bit of Christmas in September.
Bottom Line: It is a beautiful, emotional song that gets better with multiple listens, so hit that replay button a few times.
Glasgow’s Michael M. has written a “quick song about Santa Claus having an existential crisis,” and fuck if it isn’t one of my favorite little ditties of the year. Just bask in these lyrics and smile.
It’s Christmas time and a cold wind appears The snow isn’t falling down Because the Earth is misbehaving Humans are not worth saving
And it breaks my heart in two to know it’s down to you Humans are not worth saving
And it breaks my heart in two to know it’s down to you Resurrected annually to highlight wealth inequality Humans are not worth saving
Merry Christmas, please let me die
The song sounds like it should have been one of those coveted b-sides from Blue Album/Pinkerton-era Weezer, which I consider a high, high compliment. (Side note – It is so unfortunate that you have to designate which Weezer records as to not insult the band you like, because looooorrrrrdddd, they break my heart to this day.) You can’t listen to this thing and not smile – it is infectious (too soon?). Short, sharp perfection.
Bottom Line: The vibe, the lyrics, every damn thing about this song reminds me of why I started this silly blog – to bring weirdo Christmas songs like this to my weirdo friends. Enjoy.
London’s Night Flowers are known for dropping excellent Christmas singles every yearor so, and last year was no different. Hey, I should have written about it! But that is the problem with running a Christmas music blog – everything comes out all at once. “Snowfall,” Night Flowers’ first original Christmas song since 2016, is an absolute joy of a song. Their jangly guitars light the spark, as the bass and drums feed the flames surrounding these beautiful harmonies, creating a warm feeling of nostalgia that is only heightened by the holiday season. This song is a pure winner, and a total layup had I had the sense to write about it last year.
Bottom Line: Night Flowers return with perhaps their greatest holiday track yet. There truly is something in the indiepop water over there in London… you gotta export that shit.
I love pretty things. I hate pretty things. I find no contradiction in this. I can be both blown away by an amazing voice, and find another one boring as fuck. There is no rhyme or reason to what captures my ear, and Münster, Germany’s The Fisherman and his Soul are proof-positive of that. I am delighted by this song. I find his voice both unimpressive and perfect. “Christmas Tree Bright as a Lighthouse” is glorious indiepop, paired with dense lyrics that require the steady hands of a surgeon to dissect; A fascinating nut of a song that entices you to take a crack at it. But truly, I also love the visual of that title. I can picture that tree… and it makes me smile.
Bottom Line: I honestly don’t know who I would recommend this track to, but I’m pretty positive that some of you will feel the same way.
Faye and the Scrooges are one of those hidden gems that only our little community of weirdo Christmas music will ever know about. Why? Well, the band exists only in the context of these delicious, one-off Christmas singles, hopefully to be finished before the big day. 2019’s offering is classic Faye and the Scrooges, blending poppy melodies and profane language with equal parts of the bitterness and sugary sweetness found in the holiday season. I only wish I could have given them the last-minute PR bump “Christmas Is Lit” deserved… but alas, 2019 ended as a portent of things to come… with me quite sick and exhausted. Perhaps this little gem will help you claw your way out of the funk of 2020, as it has certainly helped me.
Bottom Line: Faye and the Scrooges don’t come out to play every year, but when they do, you know the song will certainly make it onto your playlist.
Someone has managed the previously unimaginable… gotten me off my ass to write about Christmas music. Berlin’s The Romantidote drew me in with that clever-as-fuck name, then kept me listening with those clever-as-fuck lyrics. He hears the same old trite music, observes the fascist bloviating of his uncle and the drunkenness of his dad, and yet still finds that moment of hope and cheer.
“Change the channel over to a choir of children
Their voices singing faces smiling ear to ear
No that’s a snowflake melting just below my eye dear
It’s not a yearly drop of sentimental seasonal good cheer
See your drunken family round the dinner table
Look out through the window as the snowfall starts
There are so many other days to be a humbug
So maybe just for this one you could show the world a bit of heart”
The music is big, full of color and momentum. It is not like I don’t like the treatment, but I would love to hear a stripped-down version as well. After hearing his voice on some other tracks (check out his Soundcloud!), I feel like the sugary-sweet instrumentation can make his voice sound almost too sweet at times. I dunno… just a thought. This song could go from really good to fucking great with a tweak or two.
An added bonus to this track – all proceeds go to Tiny Changes, the mental health charity started in the memory of Frightened Rabbit frontman Scott Hutchinson, who I miss terribly.
Bottom Line: Isn’t it amazing that we live in a time where we are acknowledging the creep of fascism in Christmas songs? Crazy times. The Romantidote has crafted a really good track for your mix, which will lighten the sonic mood, as well as make a jab at any of your relatives who might have strayed from the path of our shared humanity.
I would normally either get their email, flip out, and post the new Christmas Aguilera song within the span of 20 minutes. This year, it came a bit late, when my time is in high demand to go get this out of the attic, to go to the store, to finish up that laundry before everyone gets here. So, while my post comes late, perhaps you’ve found “Icicle Trickle” before I’ve told you about it, and thus you have an extra day to enjoy it during the proper seasonal setting. This seventh release by one of the great Christmas bands working is also their most funky. While the very beginning has the boys channeling Queen, they quickly transition to cheeky Grapes & Friends’ boogie-down territory. The lyrics are a trip:
Be my tinsel
And wrap yourself around my tree
Make me grin so
Let’s keep it going for a week
I love you too much
Your foot’s on my clutch
Though Christmas is beyond my skillset
Stuck in this sweater
It’s scratchy as heck
Jump in that’s better
Gonna stay forever in this pickle
Until the Icicle Trickles
The overt sexual innuendo is nothing new to Christmas Aguilera, as that is part of what made me love them with their first self-titled EP, with the fantastic “I Wanna Give You a Present” setting a great, playful tone. However, then they manage to sneak this beautiful line in amongst the silliness, “Yeah Christmas holidays / Make them every day / And stretch this elastic band of love.” What a line! The production on this latest is a rich as ever, making you wonder how they heck they pull it together at the last minute like this – they only had a CA song meeting a few weeks ago! Be sure to check out their regular gig, Guilt Coins, who also recorded a remarkable cover of Joni Mitchell’s “River” this year.
Bottom Line: Bands like Christmas Aguilera are why I write this blog. A true pleasure every year that they bless us with a song.