I love pretty things. I hate pretty things. I find no contradiction in this. I can be both blown away by an amazing voice, and find another one boring as fuck. There is no rhyme or reason to what captures my ear, and Münster, Germany’s The Fisherman and his Soul are proof-positive of that. I am delighted by this song. I find his voice both unimpressive and perfect. “Christmas Tree Bright as a Lighthouse” is glorious indiepop, paired with dense lyrics that require the steady hands of a surgeon to dissect; A fascinating nut of a song that entices you to take a crack at it. But truly, I also love the visual of that title. I can picture that tree… and it makes me smile.
Bottom Line: I honestly don’t know who I would recommend this track to, but I’m pretty positive that some of you will feel the same way.
Faye and the Scrooges are one of those hidden gems that only our little community of weirdo Christmas music will ever know about. Why? Well, the band exists only in the context of these delicious, one-off Christmas singles, hopefully to be finished before the big day. 2019’s offering is classic Faye and the Scrooges, blending poppy melodies and profane language with equal parts of the bitterness and sugary sweetness found in the holiday season. I only wish I could have given them the last-minute PR bump “Christmas Is Lit” deserved… but alas, 2019 ended as a portent of things to come… with me quite sick and exhausted. Perhaps this little gem will help you claw your way out of the funk of 2020, as it has certainly helped me.
Bottom Line: Faye and the Scrooges don’t come out to play every year, but when they do, you know the song will certainly make it onto your playlist.
Well, hi. It has been a while.
Someone has managed the previously unimaginable… gotten me off my ass to write about Christmas music. Berlin’s The Romantidote drew me in with that clever-as-fuck name, then kept me listening with those clever-as-fuck lyrics. He hears the same old trite music, observes the fascist bloviating of his uncle and the drunkenness of his dad, and yet still finds that moment of hope and cheer.
“Change the channel over to a choir of children
Their voices singing faces smiling ear to ear
No that’s a snowflake melting just below my eye dear
It’s not a yearly drop of sentimental seasonal good cheer
See your drunken family round the dinner table
Look out through the window as the snowfall starts
There are so many other days to be a humbug
So maybe just for this one you could show the world a bit of heart”
The music is big, full of color and momentum. It is not like I don’t like the treatment, but I would love to hear a stripped-down version as well. After hearing his voice on some other tracks (check out his Soundcloud!), I feel like the sugary-sweet instrumentation can make his voice sound almost too sweet at times. I dunno… just a thought. This song could go from really good to fucking great with a tweak or two.
An added bonus to this track – all proceeds go to Tiny Changes, the mental health charity started in the memory of Frightened Rabbit frontman Scott Hutchinson, who I miss terribly.
Bottom Line: Isn’t it amazing that we live in a time where we are acknowledging the creep of fascism in Christmas songs? Crazy times. The Romantidote has crafted a really good track for your mix, which will lighten the sonic mood, as well as make a jab at any of your relatives who might have strayed from the path of our shared humanity.
I would normally either get their email, flip out, and post the new Christmas Aguilera song within the span of 20 minutes. This year, it came a bit late, when my time is in high demand to go get this out of the attic, to go to the store, to finish up that laundry before everyone gets here. So, while my post comes late, perhaps you’ve found “Icicle Trickle” before I’ve told you about it, and thus you have an extra day to enjoy it during the proper seasonal setting. This seventh release by one of the great Christmas bands working is also their most funky. While the very beginning has the boys channeling Queen, they quickly transition to cheeky Grapes & Friends’ boogie-down territory. The lyrics are a trip:
Be my tinsel
And wrap yourself around my tree
Make me grin so
Let’s keep it going for a week
I love you too much
Your foot’s on my clutch
Though Christmas is beyond my skillset
Stuck in this sweater
It’s scratchy as heck
Jump in that’s better
Gonna stay forever in this pickle
Until the Icicle Trickles
The overt sexual innuendo is nothing new to Christmas Aguilera, as that is part of what made me love them with their first self-titled EP, with the fantastic “I Wanna Give You a Present” setting a great, playful tone. However, then they manage to sneak this beautiful line in amongst the silliness, “Yeah Christmas holidays / Make them every day / And stretch this elastic band of love.” What a line! The production on this latest is a rich as ever, making you wonder how they heck they pull it together at the last minute like this – they only had a CA song meeting a few weeks ago! Be sure to check out their regular gig, Guilt Coins, who also recorded a remarkable cover of Joni Mitchell’s “River” this year.
Bottom Line: Bands like Christmas Aguilera are why I write this blog. A true pleasure every year that they bless us with a song.
Always a joy to find a new Saintseneca song in my mailbox, whether it is a holiday song or not. This Columbus, Ohio band have put out some of the most sonically and lyrically interesting Christmas songs over the past few years, nearly making this a holiday tradition. Unsurprisingly, “Winter Breaking” fits beautifully inside of their bespoke holiday soundtrack. The song takes place as everyone goes their own way for winter break. There are some beautiful passages here: “The night before you get picked up / I stop by your new place / you got a dog and a sawed-off / say they make you feel safe / some old soul song is changing all the air around the room / you say you hear the sadness in the singer’s voice / maybe I do too.” Man… that is a movie in my head. The music is warm, his voice is genuine, and the lyrics are interesting – a perfect Christmas blend.
Bottom Line: Saintseneca are just a fantastic band. I just assumed the song would be great when I saw it was released, and yup, it is.
If you buy this today on Bandcamp, BE SURE to download it. I have learned the hard way recently. Nothing is forever.
Buy: Soundcloud (FREE!)
After a long absence, Detroit’s The Strange Echo (fka Computer Perfection) have begun making fun noises again. Earlier in the year, they shared 2 tracks they recorded with Camelot Six, including a fantastic cover of the Talking Heads’ “This Must be the Place (Naive Melody).” I saw this come through my Soundcloud feed, got very excited, but then saw that they were originally recorded back in 2010. Crestfallen, I sunk back into the Soundcloud black hole… hoping for a light to flicker once more. Then, a few weeks back, some instrumental tracks began showing up on their profile (since deleted). From the title… it really suggested a holiday/Christmas song. Well.. what do you know. The indiepop goodness of “We Can Weather Winter” was released today, and I’m quite happy to have The Strange Echo grace my blog once more. The steady drum beat, the walking keyboard melody, and the slow swing of the bassline evoke the calming slow repetition of falling snow. What a lovely return – may we have many more visits from you.
Bottom Line: In a day of comebacks (Cherry Ghost), The Strange Echo has returned with a beautiful wintery gift.
THIS IS NOT WHAT YOU THINK IT IS.
Manchester’s Cherry Ghost is back with his first track in five years. Hell, Wikipedia has the entire entry in the past tense, so, apparently, this return is more unexpected than anticipated. Their return is a whopper though, with the cheekily-titled “Blue Christmas.” I know, you and I both thought… this must be another crap cover. NO! This is one of the more explicitly political songs of the season. Written only 24 hours before the announcement of the final results of the UK election, Cherry Ghost (Simon Aldred) lays down a song of sarcastic, fantastical hopes shouted into a bag and doused in jingle bells. Dig this first verse:
I hope that Santa Claus gets you a conscience this Christmas
I hope he leaves a beating heart underneath your tree
I hope you wake up to the taste of your hypocrisy
So when you proudly raise a toast to humanity
You realize you turned a blind eye to the cruelty
We all know that isn’t going to happen. But even as brutal as this song is, there is some hope at the end.
We’re only as strong as the weakest among us
We’ll be alright just as long as we have love
We have love
All proceeds go to Lifeshare, helping homeless and vulnerable people in Manchester and Salford. I’m sure Boris is quite concerned about those folks… (how do I properly express sarcasm in print…. hmmm…)
Bottom Line: A short, sharp, political gem indeed. I doubt it will shame anyone into changing their minds… but it is a cathartic listen nonetheless.
El Nébula Recordings
This time of year is always insanely busy. My day job keeps me working late into the night, and then I need to find time to write on this blog, and until that magical moment when it is done, work on my mix. With that, I apologize for the lack of content. You all demand content, and I need to deliver-ish. Thankfully, sometimes you get an easy one, hand-delivered to you and absolutely wonderful. Our friends over at Popcasting and El Nébula Recordings have released a new seasonal single by Oihana & Tamu. You may remember Tamu from the fantastic 2017 release, Cantan a la Navidad, which is SOMEHOW still available on vinyl – GO GET IT! Tamu (Tamu Tamurai) and Oihana (Oihana Herrera) are prolific members of the indiepop/indie rock/psych scene in Pamplona, Spain, and if Christmas is what it takes to bring these two together, then Merry Christmas, everyone. It only took me about 15 seconds to realize that I was going to love this release, but get past those first 15 seconds and you’ll get into all the sonic decor. Each side is drenched in beautiful dreampop synths, with their voices blending beautifully on the A-side, “Figuritas de Star Wars,” which is about the anticipation of Christmas, and waking up to new Star Wars figures. (Let’s just say Santa bought a bunch of Lego Star Wars for my 6-year old… I’m feeling this one big time.) The B-side, “Por fin Navidad” (Finally Christmas) features Oihana on vocals, and is pulsing with beauty. The song is about her love coming home for Christmas, and her promising to not let go. This release is destined for many future mixes (hi Tutti Time!)… no doubt about it.
Bottom Line: Dreampop perfection delivered by Pamplona’s best.
It is rare that a version of “Silent Night” will catch my attention. BUT THIS. This caught my attention. New Zealand indie/lofi artist Lucky Boy began by translating “Silent Night” into Te Reo Maori, which is interesting in itself, but then he goes and makes it SOUND AMAZING. The song builds until all this awesome shit jumps in with a distorted guitar solo bridge. You have to hear this song to believe it… it only gets better as it goes, which for a song I’m generally bored with, is somewhat astounding.
Bottom Line: THIS is how you put your stamp on a classic. Lucky Boy has demolished “Silent Night” and rebuilt it in spectacular fashion.
Buy: Bandcamp (NYOP)
Sometimes, a groove is all I need. Cambridge indiepop band Death to Slow Music dropped a 2-song single over the weekend, and I am finding myself really moving to the b-side, “Like Christmas.” It’s later-Pavement-era indie rock, which is a time that still holds a soft spot in my music criticism heart. There isn’t too much to the lyrics, but in all fairness, they hatched this whole “Christmas song” idea about two weeks ago. The groove works, so I’m digging it. I’ll take an original with great music over a boring cover any day.
Bottom Line: Sometimes I just need that SOUND, and Death to Slow Music deliver it.