Les petits Mutins de Noël are a Christmas punk band, comprised of more French bands than you can count on one hand: Monster Mash, Supersports, Acid Gras, Die Vräcks, Louis Lingg and The Bombs, and The Flug. This new song, “La Bombe avant Noël” (The Bomb Before Christmas), piqued my interest simply based on their sound. This may be a whole mess of bands smashed together – and somehow they sound fucking great. The song itself, after some AI-magic translation, appears to be about coming into a family Christmas with the intention of blowing it up (metaphorically). That sounds like a perfect premise for a punk Christmas song – way better than pop-punkifying a Christmas carol…
I also really loved their intro to the song on Bandcamp, posted below in translation:
Oh Oh OooOoh Shit! For this end of the year, a little log to toss in your fireplace, on your screen (with a fake fireplace), or in a barricade (with a real bastard fire) to stoke things up. Short, slow-burning log cut by your favorite forest rangers: Monster Mash, Supersports, Acide Gras, Die Vräcks, Louis Lingg and The Bombs, and The Flug. With Love, Elf’s word
This is a record that’s been bouncing around my playlists for a long time. Many years ago, I got into moi Caprice, a Danish band that was geographically and sonically close enough to my Swedish pop obsession to get swept up in the search. Their song “The Art of Kissing Properly” became a playlist staple. I picked up a few CDs and very much consider myself a fan. How I managed to miss them releasing a Christmas EP in 2020 is beyond me. I’m only half joking when I say I consider this oversight a personal failure.
Yes, moi Caprice released a Christmas EP, Advent, in late December of 2020, and it is absolutely excellent. Four tracks, each of which could make a strong case for being the best song on the record. “Christmas, the Magic Is Back” has a wonderful rolling rhythm, peppered with evocative lines like, “’cause the magic is back / and I can do the whole thing from a child’s view.”
That song, along with the one that follows, “Year of the Rat,” are very much Christmas 2020 songs—COVID Christmas songs. However, neither suffers from being too firmly locked into that moment. Both retain a timeless quality, especially in the coda of “Year of the Rat,” where they repeat, “And our kids fall asleep to the sound of our heart.” It’s just ridiculously gorgeous. (It is also featured on my 2025 Christmas mix, A Bit of Christmas.)
The biggest song on the record, at least by streaming metrics, is the third track, “I’m Dreaming of a Christmas That Isn’t So Extremely White.” The concept is interesting, as it references familiar seasonal cultural touchstones like Home Alone and It’s a Wonderful Life, while hoping for new perspectives. A good song, but it somehow lacks the emotional pull of the other three tracks. We’re all different; this may be your favorite!
The final song, “Merry Christmas,” closes out the EP with a promise to make a Christmas song that “truly has the sound / of a Merry Christmas,” and it absolutely delivers. The melody is gorgeous as it floats along on lead singer Michael Møller’s wonderful voice. This is the bullseye—a song that could land on just about anyone’s Christmas mix, in any year they decide to dip into moi Caprice. It is undeniably delightful.
For those who love physical media, you can still hunt this record down on either 12″ vinyl or CD. And wouldn’t you know it—shipping from Germany isn’t terrible these days. I’m glad I can finally write about this now, as I’d been nervous about covering something I hadn’t yet picked up myself, fearing it might sell out before I could. But now I’ve got a 12″ on the way, thanks to the generosity of you all, after coveting it for nearly a year. Truly, thank you all.
Bottom Line: This entire release can be mined for mixworthy songs. It really is pretty damn spectacular.
Lord knows this song has been covered to death. But there are some songs that I don’t mind hearing cover after cover of… and Low’s “Just Like Christmas” is most certainly in that camp. Heck, Christmas A Gogo has a yearly post gathering the latest covers. So, another cover… what can you find in yet another cover of this song? Perpetual Doom is a label that I love, often releasing singer/songwriters who have a tendency for alt.country, but perhaps a bit more attitude than would suit the mainstream. I admit, I’m predisposed to be excited to hear something from this label, and thus I’m here chatting with you about Daphne’s Demise, and their new cover of “Just Like Christmas.” Daphne’s Demise (aka Zoë S-Bouffard) takes this song, nearly strips it of all adornment, and lets you bask in the simple beauty that is this classic song. This is my ultimate Christmas song… and when someone can find themselves in it… I’m here for it.
Vermont’s Lonesome Doves have released a 4-song EP of original Christmas songs, the appropriately titled Lonesome Doves Christmas Album, all of which share a slow tempo, as well as the beautiful vocals of Scarlett… who truly does not miss a note. It is not often that an indie rock band is notable for the vocalist’s ability to sing… but Lonesome Doves are certainly an exception. You may find yourself attracted to the first track, “Peacegiving,” as you contemplate our current state of affairs. Perhaps you’ll connect with the vegan-leaning “Psyciatric Help 5 Cents,” which not only sings about not killing things that breathe, but also about dancing around like a cartoon, which we very much do in my house. These songs are the kind of songs I might want to listen to at night, drinking a spiked eggnog and looking at the fire. It’s not going to get you all amped up, it’s the kind of Christmas music that is going to leave you sitting… thinking…
Bottom Line: These aren’t pop hits, but they might touch something a bit deeper if you let them.
I’ve updated my Submissions page to try to be as explicit as possible as to what your expectations should be if you submit a song. I’m just one guy with a website and a few minutes to spare. I’m going to disappoint a lot of people, even people who put out music I’m into. I don’t mean to, but it is going to happen.
Hey! Is The Bret Tobias Set lining up to be a yearly Philadelphia Christmas tradition? Can I manifest this? We’ll see… (I missed 2024’s song… but go check it out!)
I wrote about The Bret Tobias Set’s excellent 2023 cover of Everything But the Girls’ “25th December” earlier this year, with what might be one of my shortest reviews of recent memory. I don’t know why I get sheepish about that kind of stuff – I just don’t want folks to think because I haven’t gone on and on about their record that I don’t really love it. Some days I just have a few minutes to spare, a headache, or existential ennui… you know… shit happens! Do all those words above count towards the review? I hope so!
The Bret Tobias Set is back with a reworking of a 2004 song that Bret wrote with his previous band, The Bigger Lovers, for their last record, This Affair Never Happened… And Here Are Eleven Songs About It. Bret calls the Lovers’ version “blue-eyed soul,” and I suppose I hear that – but it just sounds like a rock ballad to me. When I hear the term blue-eyed soul, I think about half the bands on Colemine Records, not The Bigger Lovers. But I am NO expert, despite this silly site.
Bret’s new version, which he calls a “country pop duet,” has Bret sharing vocals with Krista Umile, and man, these voices sound lovely together. The song lightens with the addition of Krista as well as the increased tempo, and as a result, the length shortens enough to leave you wanting more. I do hear the country twang, but I don’t know if I’d call this “country pop.” I would call it an “alt.country power pop ballad.” Gotta complicate things!
Bottom Line: This song’s arrangement feels like it has found its forever home.
I have to remind myself that I really make these mixes for me. I know I force them on people, such as yourselves, but when it comes down to it, I and only I, have to love these songs. I have to recognize this and accept it, or I will have nonstop waffling back and forth as to whether a song is “cool” enough, or whether it will surprise a listener, or whether the whole damn thing will feel expected and boring. Half the fun of giving it away is surprising folks, and I’m in the business of letting you all know what I’m thinking. So… maybe there’s stuff on here you might not expect from me, a band you might think is too big, or a singer who is too pop, but this is for me. I wish I could have a more distanced view, really curate a mix that would kill with an audience – that is a skill I don’t have. What I do have is an official acceptance into my family’s holiday tradition… and even if you know the song already, maybe hearing it within another context might feel different. I you find a song or two that you love, that would be beautiful.
I’ve been sick for a bit over a week now, which has delayed my work on this. There were some days I just couldn’t lift my head from the couch. I’m up now, coughing, with an extra week of releases feeding this beast. I wonder what it might have looked like, had I finished it last weekend as planned? There sure wouldn’t be an anarchist Christmas song on here, nor would there be that amazing Billy Bragg tune. Funny how things work out.
Well, have at it, folks. I hope you enjoy it as I do. Let’s finish out this new year happy and healthy, and keep your neighbor in your heart, wherever they may be from.
I have a tough time writing about songs you can’t actually go out and buy. A big part of why this site exists is not only to spread the best Christmas music I can find, but also to point you toward the best place to pay money for the hard work of these talented musicians. Art is work, and work deserves compensation. It really is that simple.
Because of that, I’ve been meaning to write about these two fantastic songs by Australia’s High Tropics for a while, but there’s never really been a place for you to purchase them—until today. I shot the band a note last night and, voilà: Bandcamp. So here we go.
I discovered High Tropics via the excellent Von Pip Musical Express podcast back in 2023 and was immediately smitten. Before diving into the songs, though, I have to address the elephant in the room: yes, these are the best Christmas songs the Strokes could ever wish to write. The similarity is undeniable, but that only serves to highlight the Strokes’ complete lack of original Christmas songs—and High Tropics’ absolute slam dunk in delivering two original seasonal gems.
2023’s “All I Need This Christmas” made my mix last year, thanks to its relaxed, synthy stroll through the well-worn “all I need for Christmas is you” territory. The lyrics are simple, essentially repeating the same verse twice, but even within that limited space, the song finds a way to feel fresh and new. Take the opening stanza:
Everybody’s talking ’bout a brand new year I’m still playing catch-up with the last one, baby I don’t wanna tell you how it ought to be I’m just tryna make it to tomorrow lately
There’s something so laid-back and assured about this song—a calm, effortless cool that’s hard to deny. As the song puts it near the end, “I know I could win you over,” and it absolutely has.
“Lonely Christmas” first appeared on SoundCloud back in 2021, along with a demo version, and it’s only a matter of time before one of those makes its way onto one of my mixes. The lo-fi vocals, the sticky chorus, and—once again—that feeling of effortless cool the Strokes helped reintroduce to rock music in 2001 all come together beautifully here. High Tropics have kept that flame alive and turned it into something genuinely special.
The two songs feel like siblings, sharing a similar structure of repeated verses and a catchy chorus. Somehow, High Tropics manage to make yet another classic Christmas trope feel anything but stale.
Bottom Line: I can’t think of an A/AA single that would be quite as good as these two.
Norwegian electropop band Flunk has just dropped Xmas EP, a very chill new five-song release that gathers four beautiful, sparse covers (all of which have appeared in some form before) alongside one reworking of a previous song, “Sanctuary,” reimagined as a stripped-down Christmas version.
I’ll touch briefly on the covers, if only to point out that while Flunk is commonly known as an electronic band, three of the four tracks are accompanied only by solo acoustic guitar, with the remaining track featuring a lone electric guitar. The guitars exist mainly to frame the true centerpiece of these songs: vocalist Anja Øyen Vister’s beautiful—and yes, I have to say it—Björk-esque vocals.
“Sanctuary,” in its original form, is a lovely, chilled electropop track. Here, it’s pulled apart and rebuilt with gentle bells and subtle textures, the drums removed entirely, creating something far more ethereal than the original. I can easily imagine this track closing out someone’s holiday mix.
Bottom Line: Some gorgeous stuff here – surprised I hadn’t sniffed it out before!
As the year winds down, I find my reviews get less introspective, less thoughtful, and frankly, shittier. Why mess with the formula! Here’s a crap review of a great little EP by Cleveland egg punks PAL.
Christmas Majic 2 is obviously the follow-up to their first Christmas release back in 2023. I have it in my “likes” in Bandcamp, which likely suggests that it came out when EVERYTHING was coming out, and I was frantically marking things to come back to. Thankfully, I’m not coming back to this second release and actually telling someone about it! This is the first time that PAL has written an original song, the leadoff track “One Starry Night,” and it is rawkus, synthy screed against Santa’s gift-giving fuckup. The interplay of the talk-singing and background screams is perfection. It is on my mix shortlist right now.
The next two tracks are covers, with the accordion-heavy “Must Be Santa Claus,” which I would normally dismiss as a kids’ song… but they somehow pull it out of that black hole. The attitude they bring to the track, along with choosing Bob Dylan’s version as the inspiration (the ending!), has me sitting here thinking, this might be the only version I’d listen to at a party.
The final track is notoriously my least favorite song. “Little Drummer Boy” is terrible. However….. PAL’s “Little Drummer Pal,” I rather enjoyed. This is their cover of the Red Aunts “Little Drummer Bitch,” which I am unfamiliar with, but perhaps I need to check out. Perhaps another day though… I have precious time, and seeking out more versions of “Little Drummer Boy” is just not at the top of my priorities for today.
You can also pick up a glittery cassette of both volumes of PAL’s Christmas Majic, with $5 from each cassette going to the Cleveland Area Food Bank. Solid!
Bottom Line: I think I need more egg punk in my life, and some more PAL. Also… that was kind of a long one for me right now. Wasn’t expecting to talk about all 3 songs when I started… but here we are.
Christmas Underground 