Gainesville’s Rusty Spork has created this DIY folk Christmas EP that, in its simplicity and its subtle phrasing choices has made some very trite songs (Jingle Bells, Silver Bells, and Have Yourself a Merry Little Christmas) sound fresh and easy. The recordings are intimate, letting you hear the setup and the fuck-up, and it helps to draw you in, to maybe pull up a chair. A cover of the Jason Mraz & Justin Bieber mashup, “Mistletoe (I’m Yours),” is far less cloying than the saccharine sweet originals, rounding out a record that might not knock your socks off, but might certainly cause you to put on your most comfortable pair.
Bottom Line: There aren’t many ornaments on this tree, but it makes the room feel pretty damn cozy.
Ever since I first discovered Kid Canaveral about five years ago, Lost Map has been a label that I continue to obsess over. I covet their Visitations series, as well as nearly every release they put out – they just have excellent taste in music (and their graphic design is phenomenal too – RESPECT!) and I wish I had all the money in the world to buy everything and then pay the shipping to the States. International shipping is just a killer, and keeps on record blocking me… I shake my fist at you shipping costs! Thankfully their postcards do not cost as much to ship, as I have partaken in a limited-edition Pictish Trail Christmas postcard in the past. That is a deep cut that I relished putting on last year’s Christmas mix. This year was even better, with a full Christmas compilation postcard from our Scottish friends! So, you buy the postcard (or simply, the digital download) and you get nine tracks from Lost Map bands. First off, you may notice the similarity between three tracks, all with the same title, “I Remember Xmas.” This song may even SOUND familiar to longtime readers of the blog, as I covered it back during the song’s first incarnation, as performed by Marble Gods. Marble Gods soon became Happy Spendy, and Happy Spendy’s woodwind wing, Happy Clarinetty, grabbed the song as well. Thus the compilation features THREE versions of the same great song! I’m totally OK with this, as obviously, I’m a fan of the song. The Happy Clarinetty is, as you might imagine, the most sonically distinct of the three, and a welcome addition.
A.R. Pinewood features quite heavily on this release with three songs on the record… and while I would like to give you some background on him as well, I’m just going to defer to the press release:
A.R. Pinewood is the heartbroken cyber-cowboy you’ve been dreaming of. Fully loaded with a baseline encyclopaedia of American musical influences from Abner Jay to Woody Guthrie and Buckweat Zydeco, built with a harmonica for an oesophagus, a pitch-perfect auto-tuned voice, double-denim as standard and a strangely human heart, this machine writes classics, every time.
This cyber-cowboy indeed does write classics, every time, as my favorite track off an already fantastic record is the beautiful “Tis the Season.” The pitch modification on A.R.’s tracks is initially sonically curious, but I quickly settled in to the lyrics: “Tis the season for lovesick fools.” That is one incredible line. A.R.’s cover of “Silent Night” is solid, with his vocal tweaks being the most interesting aspect of the performance until his lonely guitar is joined by a heavenly host of additional voices and instrumental colors. The song most certainly gets better as it progresses, just as a song should – especially one you already know so well. A.R.’s final contribution is the groovy “This Year,” with its’ big, singalong chorus, it is most certainly a crowd-pleaser. Three great tracks, but what more can you expect – he was programmed to do this!
Friends of the Guinness jump in the mix with two tracks, and you might be asking – who the heck are these people? I googled ’em and came up with NOTHING. Well, they are a new supergroup! Martha Ffion and Eimear from Happy Spendy, accompanied by Romeo Taylor, Craig and Beth from Savage Mansion and Ryan from Catholic Action have joined forces for this Google-challenged band, and these two tracks are their first releases. This band really knows their way around a chorus, which is that most addictive of musical drugs. “Ciara” is a snowy tale of lost love with a catchy chorus that almost tricks you into thinking you’re singing a happy song. “Town for Tomorrow” begins with this classic sound, but the keyboard melody snaps the song out of the past. I found the song is best experienced loud, so when those big chords of the chorus hit, they overwhelm. What a fantastic introduction to this new band, and I can’t wait to see what they do next.
Last, but certainly not least, London’s Fell has created this incredible dayglow indiepop Christmas song that is bound to move your ass. This song shimmers, but the music doesn’t overwhelm the lyrics, which include some incredible lines like “You know you’ve only come to get drunk on a memory.” Incredible from top to bottom, start to finish, Fell’s “Fear of Christmas” is indiepop perfection.
Lost Map has nailed it. Pick up 2 postcards and send them to a friend, and even better… subscribe to the Postmap Club!
Bottom Line: Rarely do I tackle an entire compilation, but this one was too good to pass up.
Ah yes… one of those songs that I just couldn’t get off my ass to write about. One of the best songs of the year, perhaps? Don’t know what my deal was! “A Present for Me” by Swampmeat Family Band brings beautiful slide guitar with perfect brass accents, which make me want to listen to this song over and over again. The song is short, sweet and lovely… just like this review.
Bottom Line: A wonderful nugget of a song. FYI, I often call my son a nugget. I fucking love nuggets.
Hot tip. Just follow a bunch of folks from Oklahoma City, and you’ll find some great Christmas music. The latest, courtesy of Beau Jennings’ (who has his own great xmas record) twitter account, is Chase Kirby’s “Angels in the Snow.” There is so much going for this song: Chase’s voice has an authentic quality (which makes all the difference in folk music), and his songwriting is damn clever. “The little drummer boy is clocking out at six / he’s got to make it in time to pick up his kid / oh the wise men have been stuck in traffic for days / it would be nice if they saw a star on the way.” You are just going to have to listen to it, because I’m busy trying to finish my mix today. Hell, I’m 100% positive that this is going to end up on someone’s mix, because it is most certainly mix-worthy.
Bottom Line: Oklahoma City, with Beau Jennings, Chase Kirby and the Fowler/Blackwatch Christmas comp (FULL REVIEW COMING SOON) is the epicenter of excellent Christmas music. There is no rival this year.
There is no perfect release schedule when it comes to Christmas music. SO MUCH comes out in such a SMALL AMOUNT OF TIME, that no artist can be sure that their song will have the time to break through the flurry of competing songs. Last year’s fantastic track by Johnathan Rice and Courtney Marie Andrews is a prime example of this problem. Here we have two notable artists collaborating on a fantastic song, and I didn’t hear a peep about it until stumbling upon it a few months ago. The song tells the story of immigrants trying to make a better life, but instead, get caught up in Trump’s child jails. You know, the kind of track to put next to “Santa Baby” on your mix.
Johnathan gave some context to the writing of this song on his Facebook page last December. You would think that after a year passed, things would be looking better… but alas, this story could have been written yesterday:
This song is a story I wrote with Jason Boesel and Courtney Marie Andrews. It’s about a child and his mother trying to make it to the other side of the border. Reasons beyond their control intervene, and they don’t make it. This song is my way of calling attention to the current humanitarian crisis taking place at our border with Mexico. Like many of you, I was devastated by the images in the press of mothers being gassed, of little children in cages sleeping on foil blankets. Believe me – as bad as those images are – the worst is yet to come if we do not act immediately.
A few months ago I traveled down to the U.S.-Mexico border with a group of like-minded people to learn more about the situation, and hear about how to help. I started writing this song on the bus ride home. It was recorded in LA a few weeks ago.
Johnathan finished his post with a pitch to donate to Al Otro Lado, whose border rights program “hosts know-your-rights training and legal orientation workshops in migrant shelters in Tijuana, Mexico, and provides direct legal representation to detained asylum seekers in Southern California.” So, if you are so inclined, you can donate here.
Bottom Line: The story is moving and Johnathan and Courtney’s voices blend beautifully. Should you want to add a little bit of humanity to a normally sugary-sweet holiday mix, look no further than this song.
John Ralston, the frontman of Invisible Music, has previously been featured on this blog with his brilliant Jesus Christ/A Marigny Christmas 7″, as well as on my 2017 Christmas mix, Snow Man. Today, we round out his seasonal selections with the emotional “When the Lights,” from their 2012 self-titled album. This is an alt.country ballad about how the holidays can amplify how much you miss someone; a sentiment that, for most people, is quite relatable. The lyrics are quite beautiful:
When the lights start spinning / hold on tight, it’s just the beginning
I’ve been there before / my face on the floor / passed over and frozen in time / I loved you much more before you started to read me my rights
Christmas lights all shining / down on us with their good tidings / there’s a chill in the air / I forgot my coat there / on the hotel room chair by the door / I’m just not that sure that it’s possible to miss you much more
The song is simple, poignant, and relatable – super solid stuff. For you vinyl folks (like me!), you may be interested to know that you can pick up the entire record (limited to 300) for only $12. Even a miser a like Scrooge can’t complain about that price. (Hoping they might make it available as a single-track download, for now, it is part of the whole album. The record sounds great though!)
Bottom Line: John’s got a touch for these emotional Christmas songs. If you’re reading my blog, you likely appreciate that. Hope you enjoy.
David W. Dearnley has managed to take a provocative title, which many a song relies on exclusively, and surprises the hell out of me. The song does not just being and end with that title – it is the little details that make this song so damn special. However, this song would not be possible with David’s voice, which has a quality that can’t be denied. It is one of those voices that sounds lived in, one with a patina that grows more beautiful under bar lights. Stubby wrote about this record earlier in December, and he rightly loved this track as well. He loved the twist as much as I… that the protagonist is recapturing childhood memories at the strip club, the one “where the Stuckey’s used to be.” You’ll have to listen to the whole thing to get it, and even when you know the reveal is coming, it is still so very worth it. “Christmas in a Strip Club” is a dirty, sad, thoughtful, beautiful song that is worth your money… so bring a stack of singles.
Bottom Line: This song reminds me of a Raymond Carver short story – dark, personal, and fascinating. Highly recommended.
Traveller, the Americana supergroup comprised of Robert Ellis, Cory Chisel and Jonny Fritz, may have taken three years to follow up the release of their first track, “Western Movies,” but I would contend… this is most certainly worth the wait. Robert Ellis has released four solo records, including his latest self-titled album, Robert Ellis, in 2016. Cory Chisel has toured for years with Cory Chisel and the Wandering Sons, releasing seven records since 2004. Jonny Fritz (AKA Jonny Corndawg) first came to my attention with a gift from a friend, a glow-in-the-dark LP copy of the endlessly entertaining Dad Country. So when you put all three of these already-accomplished alt.country/country/Americana artists together for a proper full-length (also called Western Movies), you are likely going to get something pretty special. And to my surprise, there is the added bonus of an absolutely stellar Christmas song on there – “Christmas Eve at Kroger.” I’ve been listening to this track for a few months now, and the first time my wife heard it – she began to tear up. I certainly wasn’t surprised; This song has a bunch of these little, deceptively-powerful moments. The lyrics are so simple and real, that they feel as though they could have come right out of your own mind. I was hooked upon hearing them name-check Cracklin’ Oat Bran and “watching Die Hard with my mom.” While I would not have watched Die Hard, I most certainly ate that cereal and snuggled with my mom as a kid on many, many occasions. Cracklin’ Oat Bran was that little indulgence that my mom would give herself back when my family was young, and I remember those days like it was yesterday. I may be a bit of a humbug at times, and I know I find interest in the bitterness of the holiday, but I wouldn’t be doing this if I didn’t also secretly (and sometimes openly) love Christmas – and you can tell these guys do too.
Bottom Line: The heart found in the lyrics compliment the warmth of the recording, as all three singer-songwriters trade off verses in this beautifully delicious song.
I know I’m partial to synthesizers, depressing tunes and the Swedish, but I came across a great, domestic, alt.country song about the season that pairs well with a glass of spiked eggnog, and I thought I’d gather around the digital fire and tell you about it. Charleston, SC’s Susto’s alt.country, drinking song about the death of Santa Claus is yet another excellent approach to what can be a very predictable genre. I’m just loving some of these lyrics: “That jolly old mister was a north pole drifter. / I ran into him once or twice. / He’d say “Hey ain’t the weather / nice this time of year, / as long as you don’t slip on the ice…” / I met him at a diner, / he said he was a miner. / I could tell by the twinkle in his eye, / he was telling me a righteous lie. / That man was a saint.” The imagery at the diner is pretty damn fantastic; there is a spark of story in that small moment that I want to hear more about. The track itself has a great alt.country vibe, lots of nice piano lines and Justin Osborne’s vocals convey the story beautifully. Of note – this track is also available on a limited (to 300) vinyl picture disc, available on their website. The record includes “Feliz Navidad,” which is also featured on Amazon’s new Indie for the Holidays playlist, an acoustic version of the same track, also featured on an Amazon playlist (Acoustic Christmas). The final track is not a Christmas song, but yet another Amazon playlist entry, “Serial Monogamist,” which features on the Love Me Not playlist.
Bottom Line: I must admit – the title had me skeptical. However, with some great lyrical imagery, this drinking song about the death of Santa is quite engaging and enjoyable. Digging it for sure.
Originally “born in France a coal miner’s daughter,” then a Berlin-based country artist, Pauline Andrès has found a new home in Nashville to record her latest album, due in 2018. In the meantime, she has recorded this excellent new Christmas tune, “Christmas in Paris, TN.” The song begins as a intriguing title, and quickly expands into a melancholy, country-rock standout of this Christmas season. One would think that a track about Christmas in Paris would be a song of beauty, lights and romance – but add that Tennessee onto the end and you’ve got a wholly different scene. This song is about being extremely lonely on Christmas, where every reminder of Christmas makes it worse. So, she writes her family a postcard, “Alone for Christmas, Alone in Paris.” It takes a round or two of that line before she adds “Tennessee,” and that delay is so clever and effective – just wonderfully crafted. Her voice shares qualities with Lucinda Williams, and as with Lucinda, the rough edges compliment the lyrics beautifully. The production is wonderful, and the addition of country organ is the icing on the cake. I’m sure this song will find a place on someone’s mix out there, no doubt.
Bottom Line: Pauline has a very dark approach toward Christmas songs (check out her 2015, A Happy Christmas Song EP), and with “Christmas in Paris, TN,” she’s delivered her strongest song yet. Beautifully crafted, on all fronts.