Buy: Free (til 12/31)
Indiepop legends The Proctors have recorded a nice little indiepop Christmas song and placed it under all of our trees… because it is free! The song begins with a romantic visual of snow falling on an Icelandic town, but it quickly turns, as many sweet indiepop songs do, towards melancholy. The phone lines go down, and they say they’ll talk in a week or so, but then they just drift away, and now it has been a year since they spoke. It is a simple song – but one that you can relate to, even if you aren’t in Iceland. This is a song for those you like, even love, who drift away. I think we’ve all had that – life gets in the way.
Bottom Line: A very nice, snowy song by some of my indiepop heroes.
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As I attempt to finish up my mix… I will be posting a track here and there, likely without as much exposition as I like to provide. Dirty Nice are an interesting electro-pop/R&B band from the UK. There is not much out there about the band – in fact, The Line of Best Fit called them “mysterious” earlier this year. I think that may have been before their names were known… which they are now (Charlie Pelling and Mark Thompson), but still precious little is out there. What town are they from? What bands might they have been in? But… you know what, who cares! They just put out a great Christmas tune about how Christmas never quite works out the way you think. Me? I’ll be working while my family is at the Christmas parade! We all have our holiday hopes, and they rarely quite line up… and now we have a song about it.
Bottom Line: Really love the concept and equally love the execution. Keep mixin’ and good luck. Send me tips.
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Truly, what more can I say about this record? First, Snowflakes Christmas Singles wrote a full history of them! If you dig this – then please go there and find out all about them… you’ll find that this is an indie super-project of sorts! That said – If there is one release this holiday season that all my blogger friends can seem to get behind, it is most certainly this one. Manchester’s Whyte Horses have put together a fantastic double-A-sided 7″, with one original and a perfectly-chosen cover on the flip. “Next Year Will Be Mine,” in all its Phil Spector-glory, will leave folks at your Christmas party asking “who sings this??” The mistakes, problems, and shit of the last year are a memory – replaced by a hope that this new year is going to be different. The content is pretty heavy at times, but the music wraps it up in beautiful paper, a wonderful dichotomy indeed. The cover, “Coldest Night of the Year,” is pitch-perfect. Lucy Styles and Natalie McCool’s vocals both have an uncanny Vashti Bunyan-quality, while the orchestration’s subtle changes are just beautiful. This whole thing is a standout of the season.
Bottom Line: Whyte Horses have laid down the first release that everyone I know loves, and since I know you… so you will love it too.
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Wow. British singer/songwriter Tom Rosenthal has crafted an epic Christmas song, “The Only Time I’m Home,” and you should probably grab a set of headphones. From the haunting, fluttering synths, to the lines “You know the drill / mom buys you socks / so she loves you still. / you’re lying if you can say / your heart is not home / you’re trying to slide out of view / but Christmas is you.” Truly a beautiful song, one that will make many a mix I’d imagine. Enjoy.
Bottom Line: “The Only Time I’m Home” slowly builds into one of the most beautiful songs of the season.
On a day when big(ish) names such as The Beths (I really dug their record) and Wavves have released…. disappointing Christmas records, I find myself rejuvenated by one of my favorite yearly traditions. Today is the release of Charlie’s Hand Movements‘ (I will now use CHM for brevity’s sake) yearly offering to the gods of underground Christmas music. No two CHM release feels quite the same to me – they manage to mix it up enough sonically to keep me forever guessing. This year’s is a slow, beautiful nostalgic burn, with much less orchestration than I’ve been accustomed to. This slightly stripped-back CHM does not skimp on lyricism though. The song starts off with this absolutely gorgeous line: “The seasons will surely change / as we stay the same, / recalling stories that mesmerize / still seeing through young eyes.” There is even some subtle politics worked in: “temperatures rising every year / maybe a summer souvenir.” Then how about the f*ing chorus (which appears to change slightly in the second instance): “Lawns of ivory/ Powdery patterns surrounded me / Beneath moonlit canopies / By the next morning, a drunken dream” So. Damn. Cool. This band really can’t miss.
Bottom Line: Charlie’s Hand Movements are an absolute treasure.
The latest collection, in a long series of excellent indiepop Christmas releases, finds Charlie Darling’s Les Bicyclettes de Belsize in full-album form; Twelve more songs to add to an already large and excellent catalogue. On “Every Christmas Eve,” Charlie seems to be channeling a Clientele vibe, which is most certainly up my alley. “Bad Christmas Cover Version” and “Andy Partridge (From XTC)” have some of the fantastic band references that I’ve loved in previous LBdB classics like “A Very Indie Christmas.” The shared secrets and upbeat groove of “Under the Mistletoe” nicely blends sweet and saucy to create a warm feeling of nostalgic holiday romance. There truly are a lot of nice moments on The 12 Days of Christmas, which shine even brighter the more you believe in indiepop Santa.
Bottom Line: Les Bicyclettes de Belsize add some indiepop gems to their already substantial chest of Christmas tunes.
I haven’t given you all much this week. It might be a light season over here at CU, as work is nuts. HOWEVER, I can take 2 minutes to let you know that Richard Walters, who released the spectacular “The First Snow in Years” last year, has just released a true-blue Christmas single, “Lights On.” It is absolutely beautiful. “Oh when I woke / my body spoke of / dreams beyond my thinking.” I could pretty much pick any line and you would would be impressed. You’ll probably want to buy this one.
Bottom Line: Richard Walters’ latest is pure beauty.
Those in the indiepop know are already well aware of this upcoming record being released by Where It’s At Is Where You Are (WIAIWYA). Stars was teased in a e-mail back in September (when it was supposed to be a 10″ – it’s a 12″ now because the songs were too long!), and I pretty much flipped out. WIAIWYA’s last seasonal comp, Christmastime, Approximately, was a fantastic release, thus this one has a fine pedigree to build upon. The lead single, the Catenary Wires‘ “Christmas Tree (Burn Burn Burn)” is a stellar piece of indiepop that grows on you with every listen. It has that classic indiepop signature of terribly sad lyrics with beautiful music, which I obviously adore. The two narrators sing through a fog of melancholy as they guide us though their relationship, bookended by Christmas at each end. The Catenary Wires are Amelia Fletcher and Rob Pursey, partners in music and life, as well as veterans of many notable indiepop bands such as Tender Trap, Talulah Gosh, Heavenly, and Marine Research. They seem to specialize in songs of fraught relationships, while maintaining a happy life in Kent. One would have to think that this is a form a therapy – kind of an exorcising the demons with an indiepop twist. I tell ya, those demons sound real pretty… This is only one song of an entire record (minus the tracks of bells – very nice tracks, but bells) of fantastic indiepop Christmas tunes found on this upcoming release, Stars. I’ll have to review that soon too… (Of note, those who create Christmas mixes, and take it seriously, will love Whoa Melodic’s “Christmas Stars.” Trust me.)
Bottom Line: Melancholy indiepop? That is practically the name of this blog!
Here it is! The world premiere of the video for the Catenary Wires’ “Christmas Tree (Burn Burn Burn)”
My friend Kurt over at Festive! wrote a great post about the search for “Christmas (Not Christmas)” songs the other day, and not only did I immediately see myself in those paragraphs, but it got me thinking much more about those gems of the past that skirt around the edges of Christmas. One of particular note is the spectacular “Snow” by Sweet Tempest. Those chilly, not-quite-Christmas tunes always find a way into my heart, and this standout by Richard Walters, “The First Snow in Years,” has done so as well. The synth brass lines create an interesting ground for the fingerpicked melody to float over. Richard’s voice is beautiful, as is the imagery: “Midnight / standing still / streetlight / paints my shadow onto the white ground / the whole world is white. / See how it covers everything. / See how it covers everything. / The first snow in years. / The first snow in years.” Gorgeous.
Bottom Line: I write this as the election results trickle in… and this song has calmed me. No small feat. Let’s all wake up to a better tomorrow.
Buy: Vinyl + Digital at Bandcamp
I am terribly torn as to when I should write about this record, and have been putting it off for well over a week now. I have been wrestling with buying a copy, but just cannot bring myself to pay for the shipping. I’m feeling quite poor at the moment, and just can’t do it. I wish I knew of a place in the US that might be carrying this! I will sure update my post if I find one, that is for sure. All I am left with is hope; Hope that I might get a copy for Christmas – and that Santa grabs one before it inevitably sells out – BECAUSE IT WILL. Simply said… if Say Sue Me’s back catalogue is any indication of how good Christmas, It’s Not a Biggie might be – it is going to be stellar. EDIT: I ordered a copy! Bless you Jim!
For the uninitiated, Say Sue Me are an indiepop band from South Korea, and have released a string of fantastic EPs and full-lengths starting in 2014 on a South Korean label, Vitamin Entertainment, and more recently on Damnably out of London. Their most recent (and absolutely excellent) LP, Where We Were Together, is already on its fourth pressing… this band has some heat… and this Christmas EP is limited to 500. IT WILL NOT LAST LONG. Our only glimpse into what the record will sound like is with the title track, “Christmas, It’s Not a Biggie,” having appeared back in 2015 on the South Korean comp, 허수아비들의 성탄절 Heosuabi Christmas. That is one of those releases that I’ve had as a draft post for way too long… so long I forgot I had it as a draft post! Entire comps can bog me down when I normally have just 30 min here and there to try to knock out a post, and I have the thoroughly-encyclopedic Stubby as a role model, which gets me thinking I need to provide much more thoughtful, and complete information on every band. (I am full of tangents today.) Back to the song: The indie/surf pop is jangly and refreshing – a sorbet between courses of sorts – yet the lyrics are melancholy and detached. I totally dig it… but the thing is… I suspect that it is not going to be the best track on the record. Again – just based on how great their last record was, I think this EP is going to be a total highlight of the season.
Bottom Line: BLARG! I want to hear this thing. Perhaps I will do a proper (well, as proper as I do) review when I do.