Buy: Vinyl + Digital at Bandcamp
I am terribly torn as to when I should write about this record, and have been putting it off for well over a week now. I have been wrestling with buying a copy, but just cannot bring myself to pay for the shipping. I’m feeling quite poor at the moment, and just can’t do it. I wish I knew of a place in the US that might be carrying this! I will sure update my post if I find one, that is for sure. All I am left with is hope; Hope that I might get a copy for Christmas – and that Santa grabs one before it inevitably sells out – BECAUSE IT WILL. Simply said… if Say Sue Me’s back catalogue is any indication of how good Christmas, It’s Not a Biggie might be – it is going to be stellar. EDIT: I ordered a copy! Bless you Jim!
For the uninitiated, Say Sue Me are an indiepop band from South Korea, and have released a string of fantastic EPs and full-lengths starting in 2014 on a South Korean label, Vitamin Entertainment, and more recently on Damnably out of London. Their most recent (and absolutely excellent) LP, Where We Were Together, is already on its fourth pressing… this band has some heat… and this Christmas EP is limited to 500. IT WILL NOT LAST LONG. Our only glimpse into what the record will sound like is with the title track, “Christmas, It’s Not a Biggie,” having appeared back in 2015 on the South Korean comp, 허수아비들의 성탄절 Heosuabi Christmas. That is one of those releases that I’ve had as a draft post for way too long… so long I forgot I had it as a draft post! Entire comps can bog me down when I normally have just 30 min here and there to try to knock out a post, and I have the thoroughly-encyclopedic Stubby as a role model, which gets me thinking I need to provide much more thoughtful, and complete information on every band. (I am full of tangents today.) Back to the song: The indie/surf pop is jangly and refreshing – a sorbet between courses of sorts – yet the lyrics are melancholy and detached. I totally dig it… but the thing is… I suspect that it is not going to be the best track on the record. Again – just based on how great their last record was, I think this EP is going to be a total highlight of the season.
Bottom Line: BLARG! I want to hear this thing. Perhaps I will do a proper (well, as proper as I do) review when I do.
I did not wake up this morning hoping to hear autotune in a cover of this classic José Feliciano song, but dammit, I should have. London’s Shame have managed to inject this sometimes dusty old song with new spirit, bringing some of the background melodies into the fore and inexplicably incorporating autotune with excellent results. This is Dead Oceans’ second holiday release this season (and it is only OCTOBER!), following Khruangbin’s “Christmas Time is Here,” announced earlier this week. Simply said, keep it coming Dead Oceans!
Bottom Line: Shame shine up an old song to sound all sparkly and new.
Buy: Vinyl | Bandcamp
Perhaps Sean Huber is better known as the drummer to the punk/emo/indie rock (who really knows these days) band Modern Baseball, but as MB is on indefinite hiatus, we should all now consider him primarily the frontman and songwriter of the Philadelphia indie rock band Steady Hands. After a string of EPs and a compilation release of those EPs, Steady Hands’ have just released (Oct 19) their first true full-length LP, Truth in Comedy, which Christmas Underground is happy to find has a Christmas(ish) song as its closer. The grunge-influenced “Christmas at the ‘Vous” is one of those songs that happens at Christmas, but isn’t necessarily about the holiday – which is just the kind of stuff I like here. I’ll let Sean explain from the track-by-track that he did with Punk Rock Theory:
For a few years, when my older family members were still around and living near Philly, I used to spend Christmas day visiting them, then my family would drop me off at my apartment and I’d go out in the city. It was always quiet and relaxing and felt like you got away from reality for one night. I’ve spent a bunch of nights like this with one of my friends after getting off the road – and catching up at home. The verses are all about moments from touring, and at the chorus I’m back home, living a normal life. A bar in Philly was nice enough to charge us by the lot rather than per drink after a particularly indulgent night and we ended up saving some money that way.
I like the approach, I dig the music, and I think you might to.
Bottom Line: Super-solid indie rock from one of the country’s best incubators of fantastic rock bands, Philadelphia.
Buy: Preorder | Preorder + Tickets to the release show if you live in/near Glasgow
Aidan Moffat (ex-Arab Strap) and RM Hubbert (ex-El Hombre Trajeado), both known for their prolific solo careers as well as their past bands, have hooked up of late, releasing the excellent Here Lies the Body back in May. Certainly Aidan is no stranger to Christmas songs, with Arab Strap releasing a few throughout their run, as well as having his own solo Christmas EP back in 2011. Thus, the two began with an idea for one Christmas song, meant to be a one-off seasonal treat. It soon developed into an EP, and eventually ballooned into a full album. The description sounds fascinating:
“These are the ghosts of love, haunting happy homes and fairy-lit bars; these are the ghosts of memory, of haunted mirrors, pagan festivities, and unforgettable friends. As with this year’s critically acclaimed debut album, Here Lies The Body, Moffat’s quiet, pensive storytelling finds a perfect partner in Hubbert’s intimately intricate, flamenco-flavoured guitar. Across eight new original compositions and two deftly executed covers, here they offer an alternative view on the Season To Be Jolly.”
This is certainly one to be checked out! Available for preorder now and will be released on Dec. 7, which is unfortunately a bit late for my mix. However, if you live in the Glasgow area, you can order from Monorail Music and grab a ticket to their special Christmas release party on Dec. 6!
Unfortunately, they have not released a true Christmas song to preview, only a cover of Yazoo’s “Only You,” which was a Christmas #1 in the UK. The original intended one-off, “A Ghost Story for Christmas,” is the forthcoming single and will likely be released in short order. BTW, I don’t consider Christmas #1’s to be appropriate holiday listening… their version here is very nice, but it should have been a digital extra or something 🙂
Sauna Cool Records
Should you break down the content of this entire blog, you would probably find that I’ve written 50% of my posts about indie pop. Well, make it 51%, as this new track from Japan’s figure is a beautiful, early Wild Nothing-esque indie pop groove that deserves your attention. Figure is the indie pop project of Yoshinobu Hasebe, and “Christmas Eve of 1992” is off his first release in four years, Parakalein. The song starts off with that wistful, indie pop lofi production (which I love), but what really hooked me is when the song swells with emotion as drums and bass kick in. The production does bury the lyrics enough to honestly have no real clue what Yoshinobu is singing about (presumably Christmas Eve of 1992) here… but the vibe itself is enough for me to love this song.
Bottom Line: Japan has always been fertile ground for indie pop fandom, so it shouldn’t be a surprise to hear fantastic Japanese indie pop bands releasing underground Christmas indie pop gems. I suspect figure is only the tip of the iceberg for 2018.