Last year I found myself stressing out, trying to get a shot at one of those Field Music Christmas 7-inches that were at the Independent Label Fair in London. Tweeting back and forth, seeing what connections I could muster… but alas… it was not to be. They hinted that it would have a proper release this year, so…. I waited, and Lost Christmas: A Festive Memphis Industries Selection Box will be waiting under the tree for me (once I buy it). I haven’t heard much off this record, with exception of the Francis Lung track which I reviewed last year. A track or two has been previously out there in some fashion (Field Music and Cornshed Sisters) from off the top of my head), but there do appear to be some new tracks here for sure. If you are really, really curious, you can go digging on each band’s twitter feed, and you are bound to bump in to some 15 second samples of these songs. That Rachael Dadd track sounds bbbeeeeauuuuttttiiiifffuuullll.
Lost Christmas: A Memphis Industries Festive Selection Box (Release Date: December 4) 1. Field Music – Home For Christmas 2. Haley – Like Ice and Cold 3. Warm Digits – Good Enough For You This Christmas 4. Rachael Dadd (with Rozi Plain and Kate Stables) – We Build Our Houses Well 5. Stats – Christmas Without You 6. The Phoenix Foundation – Have Yourself a Merry Little Christmas 7. Francis Lung – To Make Angels In Snow 8. Jesca Hoop – White Winter Hymnal 9. The Go! Team – Look Outside (A New Year’s Coming) 10. The Cornshed Sisters – Have a Good Christmas Time
Louisville’s Murder by Death released a fantastic, 2-song Christmas single back in 2014 appropriately titled 2014 Christmas Cover Songs. In 2020, they’ve collected those two tracks and added a healthy 9 more release what promises to be a truly fantastic (though melancholy) Christmas record. I’m really looking forward to hearing more, as hopefully they will preview a few more tracks in the coming weeks. Either way, this is one to look out for.
Well well well… this popped up on my radar, either by fate or coincidence…. Mark Lanegan is re-releasing his tour-only Christmas EP, Dark Mark Does Christmas 2012, as a full-length Christmas album – the appropriately titled Dark Mark Does Christmas 2020. Lord knows that 2020 is a year for a dark Christmas record…
2020 has been a dark year and so to end the year Mark Lanegan returns as Dark Mark and releases a full Christmas album. Five tracks were released as a tour only 12″ in 2012 which is now rare and impossible to find. He has recorded five more tracks recently and turned it into a full length album. Lanegan successfully takes some traditional Christmas songs, some Christmas covers plus some originals and twists them into a dark, melancholic affair. Standouts include Burn The Flames, originally recorded by Roky Erickson and Lanegan makes this sinister song, even more sinister. The Everley Brothers Christmas Eve Can Kill You is stripped back and haunting whilst the Lanegan original A Christmas Song is delicate and heartbreaking. 2020 is going be a dark Christmas.
Well here we go! This one will make all the media rounds no doubt, as Josh Rouse has a large back catalog and fans that span 20+ years. I remember getting that Dressed up Like Nebraska cassette promo single was back when I was but a boy. That first record was great. Josh’s second, Home, is a modern classic record (for me). 1972 was a risk that paid off beautifully. Find a copy of Bedroom Classics Vol. 1 and you will be treated to “Michigan,” which is an incredible, incredible song. I don’t want to go into this with the level of expectation that I might… as I haven’t been quite on the Josh Rouse train for a number of records. But here I am… likely to buy the double-vinyl edition. The first pressing of the CD/Vinyl comes with an extra disc featuring 3 bonus tracks, and 3 demo versions of songs found on the record. So… if you are considering this record, the first pressing is by far the way to go.
Bottom Line: Click and buy. It’ll be better than most Christmas records, and could possibly be great.
In 2007, Sufjan Stevens wrote and recorded “Lonely Man of Winter” and, as part of a holiday marketing contest to promote Stevens’ Songs for Christmas boxset, traded ownership of the song to the winner, Alec Duffy. In turn Duffy gifted his song, “Every Day is Christmas,” to Stevens.
But instead of widely releasing “Lonely Man of Winter,” Duffy held listening sessions in his home and around the world, sometimes pairing the private listenings with cookies and hot chocolate.
In an end to that years-long project, Duffy – now founder/Artistic Director of the non-profit Brooklyn performance venue JACK – has decided to release the song “Lonely Man of Winter” on Asthmatic Kitty Records, digitally and on limited edition 7 inch, with funds going to support JACK’s mission of fueling experiments in art and activism.
So. I have heard it now. And yes, it is a Sufjan Stevens Christmas song, so it will obviously be much, much better than 97% of other Christmas songs. I particularly like the new mix – the electronic percussive touches especially. Had I only heard the first, original version, I might have come out and said that this could be a “filler track” on one of his Christmas EPs; It just didn’t hit me. This is the blessing and the curse of Sufjan, as he has raised expectations of his work by creating a vast, incredible back catalog with such amazing songs like “Christmas in the Room” and “Sister Winter.” Criticism in comparison to his previous work is frankly unfair; I certainly compare most songs against their Christmas music genre, rather than the artist’s past work. Don’t get me wrong, despite my waffling, I’m still damn pleased, and I am so happy to hear that mystery track from long ago. You know what would be an incredible finish to Sufjan’s holiday season though? How about a cover of Alec Duffy’s track, “Everyday is Christmas.” I kinda feel like Sufjan could knock that out of the park…
Bottom Line: Sufjan’s 2018 recording of this mysterious track from 2007 is indeed a worthy improvement.
I am terribly torn as to when I should write about this record, and have been putting it off for well over a week now. I have been wrestling with buying a copy, but just cannot bring myself to pay for the shipping. I’m feeling quite poor at the moment, and just can’t do it. I wish I knew of a place in the US that might be carrying this! I will sure update my post if I find one, that is for sure. All I am left with is hope; Hope that I might get a copy for Christmas – and that Santa grabs one before it inevitably sells out – BECAUSE IT WILL. Simply said… if Say Sue Me’s back catalogue is any indication of how good Christmas, It’s Not a Biggie might be – it is going to be stellar. EDIT: I ordered a copy! Bless you Jim!
For the uninitiated, Say Sue Me are an indiepop band from South Korea, and have released a string of fantastic EPs and full-lengths starting in 2014 on a South Korean label, Vitamin Entertainment, and more recently on Damnably out of London. Their most recent (and absolutely excellent) LP, Where We Were Together, is already on its fourth pressing… this band has some heat… and this Christmas EP is limited to 500. IT WILL NOT LAST LONG. Our only glimpse into what the record will sound like is with the title track, “Christmas, It’s Not a Biggie,” having appeared back in 2015 on the South Korean comp, 허수아비들의 성탄절 Heosuabi Christmas. That is one of those releases that I’ve had as a draft post for way too long… so long I forgot I had it as a draft post! Entire comps can bog me down when I normally have just 30 min here and there to try to knock out a post, and I have the thoroughly-encyclopedic Stubby as a role model, which gets me thinking I need to provide much more thoughtful, and complete information on every band. (I am full of tangents today.) Back to the song: The indie/surf pop is jangly and refreshing – a sorbet between courses of sorts – yet the lyrics are melancholy and detached. I totally dig it… but the thing is… I suspect that it is not going to be the best track on the record. Again – just based on how great their last record was, I think this EP is going to be a total highlight of the season.
Bottom Line: BLARG! I want to hear this thing. Perhaps I will do a proper (well, as proper as I do) review when I do.
Aidan Moffat (ex-Arab Strap) and RM Hubbert (ex-El Hombre Trajeado), both known for their prolific solo careers as well as their past bands, have hooked up of late, releasing the excellent Here Lies the Body back in May. Certainly Aidan is no stranger to Christmas songs, with Arab Strap releasing a few throughout their run, as well as having his own solo Christmas EP back in 2011. Thus, the two began with an idea for one Christmas song, meant to be a one-off seasonal treat. It soon developed into an EP, and eventually ballooned into a full album. The description sounds fascinating:
“These are the ghosts of love, haunting happy homes and fairy-lit bars; these are the ghosts of memory, of haunted mirrors, pagan festivities, and unforgettable friends. As with this year’s critically acclaimed debut album, Here Lies The Body, Moffat’s quiet, pensive storytelling finds a perfect partner in Hubbert’s intimately intricate, flamenco-flavoured guitar. Across eight new original compositions and two deftly executed covers, here they offer an alternative view on the Season To Be Jolly.”
This is certainly one to be checked out! Available for preorder now and will be released on Dec. 7, which is unfortunately a bit late for my mix. However, if you live in the Glasgow area, you can order from Monorail Music and grab a ticket to their special Christmas release party on Dec. 6!
Unfortunately, they have not released a true Christmas song to preview, only a cover of Yazoo’s “Only You,” which was a Christmas #1 in the UK. The original intended one-off, “A Ghost Story for Christmas,” is the forthcoming single and will likely be released in short order. BTW, I don’t consider Christmas #1’s to be appropriate holiday listening… their version here is very nice, but it should have been a digital extra or something 🙂
YES YES YES! After what I erroneously feared was an end to the Fowler VW/Blackwatch Christmas tradition (silent social media and a few bounced e-mails), I was kindly corrected by the wonderful folks over at Fowler VW that one was indeed in the works – and here it comes! The first track was just released, a fantastic cover of “Mele Kalikimaka” by Oklahoma City’s Horse Thief. The song has a great swagger to it, perhaps only matched by Golden Boots’ version from the Comfort & Joy comp. These Fowler VW/Blackwatch compilations get better and better every year, and this tracklist has me salivating. BRONCHO makes an appearance as a full band this year, along with Barcelona, Bronze Radio Return, Sherree Chamberlain, Jacob Tovar, Samantha Crain, Brine Webb, Sports and Hector Comancho. I truly can’t wait – and I won’t have to wait long, since the full release is supposed to drop later today!
For those who live in the Norman, Oklahoma area, Fowler VW will host a free concert and Christmas party Dec. 13 from 8 p.m. to midnight at Stash, 412 E Main St., in Norman. The first 50 people will get a free copy on vinyl!!
Bottom Line: Too soon to tell, but these guys are killer.
Amazon has announced a follow-up to their (IMHO) “meh” 2014 playlist, All is Bright. Their playlist was expansive, 43 songs, and with such a wide scope, there was no way that they were going to make this indie grinch happy. Too many expected covers from too many a coffee-shop friendly artist. This year, however, Amazon has tweaked their formula, and decided to curate a more adventurous playlist. The first song, Sondre Lerche & Jherek Bischoff‘s “Surviving Christmas” is presently streaming exclusively over at Stereogum. Its lovely throwback production is unsurprising, as I feel Sondre has been moving toward crooner for a years now (certainly not a bad thing – he’s great!). The lyrics are most certainly poignant, while sometimes remaining playful – Frank Sinatra would be proud. I am, however, very curious what electropop wildcard YACHT‘s track will be like, or serially grumpy Guided by Voices frontman Bob Pollard‘s What Begins New Year’s Day.” Rogue Wave have tried their hand at Christmas tracks before, as has (to a lesser extent) Langhorne Slim. There are also some newcomers (to me), such as Irish singer/songwriter SOAK, Seattle folk-pop band Ivan and Alyosha, and Swedish gothic pop singer Anna von Hausswolff that all have interesting biographies that make me want to hear more. I am most definitely intrigued, and hope that something great will come out of this for my 2015 mix. The entire playlist will be released on November 20th, so until then… just gotta wait.
EDIT: I’ve added all available (free) streaming songs to a playlist.
Stubby! I heard that Phoenix was the push behind the new Mike Love (god I hate Mike Love) Christmas tune… why the heck didn’t I do a cursory search to see if they were going to release anything??!! The realization of a Phoenix Christmas 7″ has pretty much made my day. I can’t wait for the Bill Murray Christmas special that it will, no doubt, feature in. Why? Cuz Sofia Coppola directed it!
Well, I’m excited, are you? I’m even excited, despite the fact that I believe its a Mike Love cover!
UPDATE: So… nearly all the listings have disappeared. Where did you go, Phoenix 7″? It’s back! Links above!