I’m three for three writing about Australians so far this month. I feel like I need to maintain this streak… luckily I woke up this morning wanting to take Nick Cave, Tom Waits, Lloyd Cole and Leonard Cohen and shake them up in a jar, but Jack Ladder & The Dreamlanders beat me to it. Sydney, Australia’s Jack Ladder (Tim Rogers IRL) has teamed up with his band the Dreamlanders, which contain a name or two you might also recognize (Kirin J Callinan, Donny Benét, and Laurence Pike) for his sixth record, Hijack!, which contains a deeply personal, dark, funny Christmas track – the self-explanatory “Xmas in Rehab.” Having checked himself into rehab back in January of 2020, the song contains small vignettes of his experience there, with touching, funny, sad, hopeful scenes all colored by these mundane, yet honest and emotionally powerful details, that draw you in. The door is open to us all to become better, healthier, happier people – Jack/Tim just opened up his door for us to all to see, and it was truly beautiful.
Bottom Line: Jack Ladder’s baritone guides us through one of the most beautiful, honest Christmas songs of the year.
There are some years when a single country looms large over my blog… and this may be the year of Australia. Here we have yet another excellent Melbourne-based artist (though this is certainly more on the pop side) with a debut album and an excellent Christmas single. While Maple Glider’s was a complicated emotional story of love and pain, Gretta Ray in both lyric and tone is a 180-degree flip of healing and optimism. The anticipation of Christmas in Philadelphia while helping a friend get over a broken heart, you feel that incredible warmth inside the tour van despite its mechanical issues. Perhaps a bit more radio-pop that I normally skew on this site (I do love an extremely poppy indiepop of course), but something about it hooked and stuck. Sad songs often make me feel better… but sometimes you just want a hug.
Bottom Line: Gretta Ray brings a warmth that I am happy to bask in.
Let’s kick up the season… with something beautiful and sad! What else can you expect from this blog?? Melbourne’s Maple Glider, aka Tori Zietsch, has penned this absolutely heartbreaking, fragile finger-picked beauty to close her debut album, To Enjoy is the Only Thing. Zietsch’s background is incredibly interesting, being brought up in a religious sect that she only refers to as “The Religion” (referred to in this song), which kept her from much interaction with the outside world until she and her mother left at 15. She formed a band, fell in love, broke up and moved to Brighton, England after Googling “places to live.” There she began writing what became Only Thing. Zietsch’s creative reemergence came shortly after moving back to Melbourne in 2019, when she played a few songs for friends, including the new song “Mama It’s Christmas.” This deeply personal song sung to her brother has emotional tentacles that may very well leave you tearing up with empathy. In these tumultuous times, many find themselves either struggling themselves, or caring for those for which the pain persists… mental, physical, spiritual pain. It is in the air, and Maple Glider has captured this perfectly.
You called me that night Said babe don’t you worry now All I could manage was I love you
But I should have reached through the phone Slapped you hard on the cheek So that you could know pain like I do when you leave
Edit: In perhaps one of the craziest coincidences I’ve had recently, this afternoon I found a note from July from a reader (Hi Christian!) recommending this exact song to me. So, Christian, thanks for the tip – it was most obviously a good one. Also – I promise to be better checking my various forms of communications now that I’m making an earnest attempt to get back on the site for the season. BUT, hot tip… Twitter is your best bet. This is NOT the first time that I’ve missed a message on Facebook recommending something that I then write about…
There is nothing complicated about this song, with the exception of who the fuck is singing it. King Gizzard and the Shitpost Wizard is an anonymousYoutuber who specializes in making weird ass videos around King Gizzard and the Lizard Wizard songs, like the featured video which is “Rattlesnakes” with the every instance of the word rattlesnakes replaced by a member of the band repeating “mean brown rice stir fry.” On their Bandcamp, there is and entire record using a sample of someone saying “eggs.” Somehow mixed amongst this insanity is a simple, yet oddly satisfying, parody Christmas song. “Christmas Lights” is a parody of KGatLW’s “Vegemite,” and frankly, I prefer the parody! I think this song passes as a legit Christmas song all on its own, with the reworked lyrics not being too silly, yet silly enough to not take itself too seriously. It rides that perfect groove of near-silliness, one might say… perhaps you’ll agree.
when everyone says september is too early i string lights up with my girlfriend and then we’ll toast, to scrooge’s ghosts, and what i love most, is christmas lights
i love i love my christmas lights theyre bright as hell on dark ass nights i keep my bulbs all screwed in tight and plug them in whenever i like
Bottom Line: This parody song didn’t go far enough if they think I’m not gonna like it as a Christmas song. GAUNTLET THROWN King Gizzard and the Shitpost Wizard. Make a sillier tune for us, and I won’t fuck with all your parody plans the next time around…
I was driving the other day listening to WNRN (one of our local nonprofit radio stations), and this track came on that I really liked. Honestly, I can’t tell you what song it was now… but I recall the DJ coming on saying “That was Alex the Astronaut giving us some really big Courtney Barnett vibes.” I wholly agreed, and found myself making a mental note of the singer so that I might later see if there was a vaguely Christmas song I could mine for my mix (and my blog). WHAT DO YOU KNOW? Not only is there a song, but it is a single as well. I don’t get the same Barnett vibes from “Christmas in July,” and I’m sure she wouldn’t appreciate her folktronic sensibilities to be lumped in with Courtney’s wordy indie guitar rock simply because they are both Australian. Initially, I expected the song to be more about celebrating Christmas in July, as many folks in the southern hemisphere wish to have a pop-culture-approved Christmas celebration during their winter. However, this is quite specifically a love song, and the reference to “Christmas in July” is very much in the “traditional” vein. Alex uses Christmas imagery to express how exuberant and lucky she feels to be with her love – as if she is getting a wonderful and unexpected gift outside of the holiday of Christmas. Alex’s voice brilliantly expresses emotion, fragile and powerful in equal parts. The simple piano lines build anticipation, leading us to drums that burst open the song like a brilliant flower. There is an energy, a physical and emotional motion to this song that I greatly appreciate. And yes, this is not specifically a Christmas song, but I have bent the rules for less. So… enjoy this bit of Christmas in September.
Bottom Line: It is a beautiful, emotional song that gets better with multiple listens, so hit that replay button a few times.
The latest single off of Stella Donnelly’s latest, Beware of Dogs, is one of those sneaky, semi-hidden holiday songs. I did not realize this track existed until Consequence of Sound posted the new video for “Season’s Greetings”… and this truly has me questioning my #xmasmusichuntingskillz. The song reminds us northerners that those in the southern hemisphere enjoy a summertime Christmas, something that Brutalligators highlighted last year with their wonderful “Christmas in July.” The song (and the video) present a summertime Australian Christmas picnic, and we get to sit back and watch it all fall apart. BONUS: Extra profanity for the profanity-starved.
Bottom Line: I think I busted my plugger I enjoyed this so much.
Bobo Integral / Spunk Records / Osborne Again Buy:Bandcamp
Melbourne’s Lachlan Denton, best known for his work in The Ocean Party, has written one of the most honest and heartbreaking Christmas songs that I’ve ever heard. “This Christmas” is written for Lachlan’s brother Zac, who passed away suddenly last year. This song is bourne out of grief, and while the words are Lachlan’s, the sentiment is everyone’s. That first Christmas without someone you hold dear… is a Christmas of sadness, but also simple memories that suddenly have so much more importance. This is a painful song, while being a truly beautiful one. Zac would be proud.
Bottom Line: Lachlan shares his grief with us, and we are blessed he did.
“Christmas Eve / When everything is magical and desperate.” That might be my favorite line of the year. Wollongong, Australia’s Kay Proudlove has written a cracker of a song in “Giftcard.” This one really comes down to the lyrics for me. Not only is that brilliant line featured prominently in this song, but I am loving the sentiment in this verse as well:
We do the same thing every year
And I won’t be caught out this time, I’ll be more prepared
I’ll make something they’ll actually want, they’ll actually use
But I know it’s just a ruse
Cause everybody’s getting giftcards again
Surprise, it’s a giftcard
Just what you wanted
We have all been caught out before, and Kay just has the guts to sing about it.
Bottom Line: A brilliant approach, with equally excellent execution. Kay’s got some serious songwriting chops.
So many Aussies, so little time. Pond is a fantastic psych rock band from Perth who are the spiritual brothers of Tame Impala, even sharing members at times. “All I Want for Xmas (Is a Tascam 388)” came off of Pond’s excellent LP The Weather, released way back in May of 2017. I know Jim, you’ve known about this for a while, why now? Well, I got nothing – time is a fickle beast, and who knows when our time (or a song’s time) will come. This is a psychedelic delight with wonderful layers of synths, chunky beats, and a deep yearning for that Tascam mixer. Clocking in at just about 2:30, it also doesn’t overwear its welcome; Brevity is essential for a Christmas song that really only has one point to make. Santa, go grab that guy a Tascam 388!
Bottom Line: Mixing it up a bit with some psychedelic Christmas tunes, which can be hard to come by. Pond are top tier psych, and this is a pretty fun song.
As many of my friends will attest, Australia’s indie rock scene is exploding right now. So much so that I have been finding myself almost exclusively going down(under) Facebook /Bandcamp rabbit-holes that are almost exclusively Australian… and thus… here we are. Spiral Perm are a three-piece, all-kick-ass indie rock band from Melbourne featuring Ali E (Damn Terran, Heavy Beach, Little Athletics, Mod Vigil, Ali E Band), Kate Koomen (Deep Scene, Bunny Monroe), and Rita Khayat. Their latest single has a track that jumped out at me – “Santa at NASA.” How exactly this track got its title is beyond me, as Santa is never mentioned… BUT I SAY IT COUNTS! I’m just going to assume that they are imagining that Santa is the one hanging out with them among the equations… so, I’m going to bend the rules to get something Australian and cool onto my blog.
EDIT: Confirmed! It is Santa! Spiral Perm posted on their Facebook about how the song came about: “Anywho, the title of this track came from a discussion about palindromes and thus A Santa at NASA was born.” Thanks Spiral Perm!!
Bottom Line: Science + attitude + Santa = Yeah – I’m going to feature this on my blog.