There is nothing complicated about this song, with the exception of who the fuck is singing it. King Gizzard and the Shitpost Wizard is an anonymousYoutuber who specializes in making weird ass videos around King Gizzard and the Lizard Wizard songs, like the featured video which is “Rattlesnakes” with the every instance of the word rattlesnakes replaced by a member of the band repeating “mean brown rice stir fry.” On their Bandcamp, there is and entire record using a sample of someone saying “eggs.” Somehow mixed amongst this insanity is a simple, yet oddly satisfying, parody Christmas song. “Christmas Lights” is a parody of KGatLW’s “Vegemite,” and frankly, I prefer the parody! I think this song passes as a legit Christmas song all on its own, with the reworked lyrics not being too silly, yet silly enough to not take itself too seriously. It rides that perfect groove of near-silliness, one might say… perhaps you’ll agree.
when everyone says september is too early i string lights up with my girlfriend and then we’ll toast, to scrooge’s ghosts, and what i love most, is christmas lights
i love i love my christmas lights theyre bright as hell on dark ass nights i keep my bulbs all screwed in tight and plug them in whenever i like
Bottom Line: This parody song didn’t go far enough if they think I’m not gonna like it as a Christmas song. GAUNTLET THROWN King Gizzard and the Shitpost Wizard. Make a sillier tune for us, and I won’t fuck with all your parody plans the next time around…
I was driving the other day listening to WNRN (one of our local nonprofit radio stations), and this track came on that I really liked. Honestly, I can’t tell you what song it was now… but I recall the DJ coming on saying “That was Alex the Astronaut giving us some really big Courtney Barnett vibes.” I wholly agreed, and found myself making a mental note of the singer so that I might later see if there was a vaguely Christmas song I could mine for my mix (and my blog). WHAT DO YOU KNOW? Not only is there a song, but it is a single as well. I don’t get the same Barnett vibes from “Christmas in July,” and I’m sure she wouldn’t appreciate her folktronic sensibilities to be lumped in with Courtney’s wordy indie guitar rock simply because they are both Australian. Initially, I expected the song to be more about celebrating Christmas in July, as many folks in the southern hemisphere wish to have a pop-culture-approved Christmas celebration during their winter. However, this is quite specifically a love song, and the reference to “Christmas in July” is very much in the “traditional” vein. Alex uses Christmas imagery to express how exuberant and lucky she feels to be with her love – as if she is getting a wonderful and unexpected gift outside of the holiday of Christmas. Alex’s voice brilliantly expresses emotion, fragile and powerful in equal parts. The simple piano lines build anticipation, leading us to drums that burst open the song like a brilliant flower. There is an energy, a physical and emotional motion to this song that I greatly appreciate. And yes, this is not specifically a Christmas song, but I have bent the rules for less. So… enjoy this bit of Christmas in September.
Bottom Line: It is a beautiful, emotional song that gets better with multiple listens, so hit that replay button a few times.
The latest single off of Stella Donnelly’s latest, Beware of Dogs, is one of those sneaky, semi-hidden holiday songs. I did not realize this track existed until Consequence of Sound posted the new video for “Season’s Greetings”… and this truly has me questioning my #xmasmusichuntingskillz. The song reminds us northerners that those in the southern hemisphere enjoy a summertime Christmas, something that Brutalligators highlighted last year with their wonderful “Christmas in July.” The song (and the video) present a summertime Australian Christmas picnic, and we get to sit back and watch it all fall apart. BONUS: Extra profanity for the profanity-starved.
Bottom Line: I think I busted my plugger I enjoyed this so much.
Bobo Integral / Spunk Records / Osborne Again Buy:Bandcamp
Melbourne’s Lachlan Denton, best known for his work in The Ocean Party, has written one of the most honest and heartbreaking Christmas songs that I’ve ever heard. “This Christmas” is written for Lachlan’s brother Zac, who passed away suddenly last year. This song is bourne out of grief, and while the words are Lachlan’s, the sentiment is everyone’s. That first Christmas without someone you hold dear… is a Christmas of sadness, but also simple memories that suddenly have so much more importance. This is a painful song, while being a truly beautiful one. Zac would be proud.
Bottom Line: Lachlan shares his grief with us, and we are blessed he did.
“Christmas Eve / When everything is magical and desperate.” That might be my favorite line of the year. Wollongong, Australia’s Kay Proudlove has written a cracker of a song in “Giftcard.” This one really comes down to the lyrics for me. Not only is that brilliant line featured prominently in this song, but I am loving the sentiment in this verse as well:
We do the same thing every year
And I won’t be caught out this time, I’ll be more prepared
I’ll make something they’ll actually want, they’ll actually use
But I know it’s just a ruse
Cause everybody’s getting giftcards again
Surprise, it’s a giftcard
Just what you wanted
We have all been caught out before, and Kay just has the guts to sing about it.
Bottom Line: A brilliant approach, with equally excellent execution. Kay’s got some serious songwriting chops.
So many Aussies, so little time. Pond is a fantastic psych rock band from Perth who are the spiritual brothers of Tame Impala, even sharing members at times. “All I Want for Xmas (Is a Tascam 388)” came off of Pond’s excellent LP The Weather, released way back in May of 2017. I know Jim, you’ve known about this for a while, why now? Well, I got nothing – time is a fickle beast, and who knows when our time (or a song’s time) will come. This is a psychedelic delight with wonderful layers of synths, chunky beats, and a deep yearning for that Tascam mixer. Clocking in at just about 2:30, it also doesn’t overwear its welcome; Brevity is essential for a Christmas song that really only has one point to make. Santa, go grab that guy a Tascam 388!
Bottom Line: Mixing it up a bit with some psychedelic Christmas tunes, which can be hard to come by. Pond are top tier psych, and this is a pretty fun song.
As many of my friends will attest, Australia’s indie rock scene is exploding right now. So much so that I have been finding myself almost exclusively going down(under) Facebook /Bandcamp rabbit-holes that are almost exclusively Australian… and thus… here we are. Spiral Perm are a three-piece, all-kick-ass indie rock band from Melbourne featuring Ali E (Damn Terran, Heavy Beach, Little Athletics, Mod Vigil, Ali E Band), Kate Koomen (Deep Scene, Bunny Monroe), and Rita Khayat. Their latest single has a track that jumped out at me – “Santa at NASA.” How exactly this track got its title is beyond me, as Santa is never mentioned… BUT I SAY IT COUNTS! I’m just going to assume that they are imagining that Santa is the one hanging out with them among the equations… so, I’m going to bend the rules to get something Australian and cool onto my blog.
EDIT: Confirmed! It is Santa! Spiral Perm posted on their Facebook about how the song came about: “Anywho, the title of this track came from a discussion about palindromes and thus A Santa at NASA was born.” Thanks Spiral Perm!!
Bottom Line: Science + attitude + Santa = Yeah – I’m going to feature this on my blog.
Aussie Jeremy Neale LOVES Christmas. His first Christmas single, 2016’s “Christmas Time (Is My Favourite Time Of The Year)” pretty much sums up his holiday attitude. (That track is great too, maybe I’ll need another post.) His 2017 Christmas single, “Christmas (Turn This Around),” finds Jeremy giving a holiday humbugger a pep talk – they have never found happiness in Christmas, but he is going to turn their holiday around. The driving power-pop rhythm culminates in a flurry of brass and congas that will not be denied, making this perhaps the happiest Christmas song that I can possibility stand at the moment. I mean, can’t you tell I’m falling apart here? I am writing about HAPPY MUSIC. I’m desperately trying to be positive. GO VOTE.
Bottom Line: This song is so happy it could turn a grinch into a Who! GO VOTE. *smooches*
Melbourne’s School Damage reside in what I would call Christmas Underground’s sweet spot – DIY, underground indie pop. Thus, you might have thought I would have been all over this record from the start! However, it is thanks to the ever-amazing No Love for Ned, that I am now well hipped to both their fantastic new record, A to X, and also to the fact that there is a Christmas song on it! School Damage’s angle into a holiday song is to write a song that is not necessarily about Christmas, which immediately piqued my interest. Musically, it is quite sparse, largely comprised of a pulsing beat, with the only real hint of Christmas contained in the simple melody that bookends the song. Despite not being Christmas-specific, it is the lyrics and the sentiment of the song that make “Xmas Song” a noteworthy addition to your holiday season. An interesting mixture of nostalgia (“Riding down your old street / the years pile up”), stark reality (“And it can be hard. / It will probably get worse.”), and hope (“And you will get through / the black and the blue, / the thick and the thin, / the losses and wins – / everything”), the track creates a sense of realism not found in many Christmas songs. After a year of tough losses, I found the voice of support and friendship in this song to be quite powerful.
I hear the fear in your voice. / I know that you are feeling disappointed. / Don’t let your heart sink / or worry about what they’ll think. / Don’t try to hide / your fire inside.
Riding down your old street, / the years pile up. / We don’t have to always agree, / by your side I will stay / even when I seem far away. / Don’t try to hide / your fire inside.
And it can be hard. / It will probably get worse. / It will happen again, / but it’s not the end – / nothing time cannot mend. / And you will get through / the black and the blue, / the thick and the thin, / the losses and wins – / everything.
Bottom Line: Raw and emotional indie pop from down under.
Dinosaur City Records… what can I say? Why would you release such a great Christmas release only 3 days before Christmas? This record is PACKED with excellent indie pop (naturally), indie rock, electro-pop, as well as some that forcefully eschew categorization. This comp deserves more than 3 days of listening! I am finding myself fighting the urge to get too specific, to single out any tracks I particularly enjoy, and I want to simply highlight the general strength of the whole damn thing. There is likely a song on here for everyone… and I want you to buy the whole thing. Lets to encourage Dinosaur City Records to do this thing again, because this whole release has left me smiling.
Bottom Line: There are few Christmas compilations that make me feel so warm and fuzzy about them… this is one. I wish I had found it before they sold out of cassettes…