Sauna Cool Records
Should you break down the content of this entire blog, you would probably find that I’ve written 50% of my posts about indie pop. Well, make it 51%, as this new track from Japan’s figure is a beautiful, early Wild Nothing-esque indie pop groove that deserves your attention. Figure is the indie pop project of Yoshinobu Hasebe, and “Christmas Eve of 1992” is off his first release in four years, Parakalein. The song starts off with that wistful, indie pop lofi production (which I love), but what really hooked me is when the song swells with emotion as drums and bass kick in. The production does bury the lyrics enough to honestly have no real clue what Yoshinobu is singing about (presumably Christmas Eve of 1992) here… but the vibe itself is enough for me to love this song.
Bottom Line: Japan has always been fertile ground for indie pop fandom, so it shouldn’t be a surprise to hear fantastic Japanese indie pop bands releasing underground Christmas indie pop gems. I suspect figure is only the tip of the iceberg for 2018.
Readers into Swedish indiepop are likely familiar with the underground indiepop legend Nixon. However, those only familiar with Pitchfork-famous indiepop likely don’t, but you may know Sally Shapiro’s “Anorak Christmas,” the main single off their excellent Disco Romance. Well… that is a Nixon cover. Nixon has been around since the 90s, when Roger Gunnarsson set up his home recording studio, and is largely considered Roger’s first major musical project. However… one band predates Nixon, Roders, though it does not get mentioned in Roger’s Swedish-language Wikipedia entry. Roger and his cousin Anders Nilsson started Roders back in 1982 when they were eight, and it also appears to be the only Roger Gunnarsson project that is presently active (despite any Nixon releases you might see coming out of the Nixon Archives). Roger recently (well, this has been a draft for a while, so not quite so recently) released this lovely, Swedish-language indiepop tune on his Nixon Archives Soundcloud feed, and while the production is more traditional pop than the lo-fi indiepop I expect from a Nixon track, the qualities of the vocals maintain the indiepop roots. Snippets of the video that inspired the song combine with a wistful melody, as this song beautifully invokes the Christmas of these two eighteen-year-olds, celebrating a Christmas on the border of childhood and adulthood. This is just the tip of the Nixon/Roders/Garlands/etc Christmas iceburg… so feel free to dig into the feed, or just wait for me to stumble through my reviews.
Bottom Line: Roger Gunnarsson has a long history if quality indiepop Christmas tunes, and the sweet “Julen 92” is a welcome addition.
Dinosaur City Records
Dinosaur City Records… what can I say? Why would you release such a great Christmas release only 3 days before Christmas? This record is PACKED with excellent indie pop (naturally), indie rock, electro-pop, as well as some that forcefully eschew categorization. This comp deserves more than 3 days of listening! I am finding myself fighting the urge to get too specific, to single out any tracks I particularly enjoy, and I want to simply highlight the general strength of the whole damn thing. There is likely a song on here for everyone… and I want you to buy the whole thing. Lets to encourage Dinosaur City Records to do this thing again, because this whole release has left me smiling.
Bottom Line: There are few Christmas compilations that make me feel so warm and fuzzy about them… this is one. I wish I had found it before they sold out of cassettes…
This No Monster Club track popped up right as I was running out of gas, which is a warning for those folks releasing Christmas tracks… hit that sweet spot (Nov. 25-Dec. 5) when actual people (!) are visiting our blogs, and the bloggers aren’t completely exhausted. Enough inside baseball – lets talk trax. No Monster Club added a new Christmas track to their catalogue in 2017 with this cover of a Dustin the Turkey/Bagatelle song, “Christmas in Dublin.” Yes, you read that correctly, Dustin the Turkey. To the Google I go, once again. Dustin is a turkey puppet character from a RTE TV show, who as well inexplicably represented Ireland in the 2008 Eurovision contest. America has the Kardashians… we all have our own weird baggage I suppose. “Christmas in Dublin” is a cover of a parody song by Dustin, the original being “Summer in Dublin” by Bagatelle. One might expect a parody song to be funny, but this one is actually quite sweet, with only a few slightly bitter moments. I found it oddly lovely, perhaps you will too. Should I be embarrassed? Maybe a little, but I’m an underground Christmas music blogger; I’m already a little embarrassing on my own, so I’m cool with it.
Bottom Line: Lets all enjoy this parody song originated by a turkey puppet. And no, I’m not bullshitting you. Where I to bullshit you, it would have been a good idea to wait a week to post this.
Welsh indie-popsters Seazoo released a great new single this past December, “Dig,” which led me to their Bandcamp page… and to their 2014 Christmas song! “Happily Taking Advice From An Imaginary Sergeant Eddie Stone Late December” has a truly lovely indiepop groove that goes wonderfully with their extremely long title. One would be compelled to do a bit of the googling when presented with such a title, and thus I’ve come to find that Sergeant Eddie Stone is a rather legendary Scots Guardsman who moved on to be a BBC presenter. Eddie is known for his unique toughness, having (during his SAS service) survived for days in the freezing cold wilderness wearing just a t-shirt and jeans, and more recently, eschewing proper outdoor gear when presenting on TV. Thus, knowing who Eddie Stone is helps you understand what the hell is happing in the song. Now, the song is particularly twisted – as the narrator takes advice from an imaginary Eddie Stone in preparation for his ambush of Santa Claus. Yes, you heard that right. “Eddie helped me plan it right and observe the house / Your expertise, a fire-side ambush after dark.” Brutal and wonderful, this song perfect for a night of plotting your enemy’s death while curled up with some eggnog.
Bottom Line: A fun little indiepop bloodbath!
Buy: iTunes | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3
Taken by Trees‘ Victoria Bergsman penned one of the best almost-Christmas songs I’ve ever heard; the Concretes’ “Lady December” remains one of my absolute favorite seasonal (almost-Christmas) songs of all-time. So I was delighted to see she dropped yet another almost-Christmas song today with “Holiday.” The song is less about this seasonal holiday, and more about being able to take your friends and family, shut off the outside world and take a personal holiday from reality. A very nice sentiment, indeed, which only becomes more vital when she describes the reason why she wrote this song (from The Line of Best Fit):
“I felt that I had been quiet for far too long and wanted to say something -that you can flee away for a moment with your loved ones and shut your eyes so you don’t have to see that freak who is leading the US, where I am living currently,” Bergsman adds.
“Just give yourself some rest from all the crazy news that has been spitting you in the face for that last year. Take a moment and be kind to yourself and the people you love, focus on what is beautiful and important in life.”
A-f*ing-men Victoria. This song not only has the kind of sentiment that I appreciate, it also highlights the dreamy indiepop that I’ve come to love from Victoria. As she readies her new record for 2018, pop on “Holiday” and take solace in the quiet comfort of those you love… if for just one moment… as the dumpster fire waits for you on the other side.
Bottom Line: Victoria has taken a moment to remind us that we all deserve a break, cloaked in a dream-pop prayer.
Buy: Demo Version 7″ | iTunes | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3
Kingfisher Bluez puts out at least one charity Christmas 7″ every year, and this year they put out two, single-sided 7″ singles to benefit 1-800-SUICIDE and Crisis Centre BC. Vancouver’s Peach Pit was the first of the duo, releasing a demo version of the Sufjan Stevens’ feel-good hit, “Did I Make You Cry on Christmas Day? (Well, You Deserved It!).” The version is quite solid, and while it doesn’t not stray far from the feel of the original, this song isn’t covered very often and hasn’t worn out its welcome; Perform this song admirably, and I’ll likely be on board. Now, the fully-produced version that is available for digital download from the usual outlets (come on Bandcamp! come on 7Digital!), definitely benefits from the extra flourishes. The guitar lines replacing Sufjan’s keys add an extra edge that is certainly welcome for such a conflicted song. So, while I do prefer the fully produced version to the demo, I still strongly encourage you to pick up the demo 7″. Suicide prevention is extremely important, as anyone who has felt that particular pain can no doubt tell you.
Bottom Line: Peach Pit deliver a 1-2 of delicious Sufjan Stevens goodness.
Pop Etc Records
Buy: iTunes | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3
POP ETC have been thinking about recording a Christmas songs for years, but kept getting too busy around the holidays and would eventually let the idea fall away. That was then, and this is now… when POP ETC is releasing not one, but three Christmas songs! The EP contains two covers, which bookend the release, leading off with the classic Vince Guaraldi classic “Christmas Time is Here.” Their version is very faithful to the original in most aspects – pacing, emphasis, etc. – with Christopher’s vocals floating on top of their minimal orchestration. This leadoff is quite nice, and nicely tees up their original tune, “All I Want for Xmas (Just My Baby).” The pace picks up a bit as Christopher kicks into the song that he’s been singing around the house since the day after Thanksgiving; This is not surprising, as the track is a subtle earworm. It’s a classic “I just want you for Christmas” jam, wrapped wonderfully with POP ETC’s excellent pop taste. Finally, POP ETC tackle the McCartney classic, “Wonderful Christmastime,” and their drummer Julian takes over vocal duties. Thankfully, they don’t go full Macca, and tone down those sugary-sweet moments to create a perfectly nice version. Believe me, that last sentence was a high compliment. In fact, there are some excellent vocals, as well as backing vocal harmonies on this track, and the ending is genuinely beautiful. Had I not heard Slow Dancer’s dramatic reinterpretation from the Amazon Indie for the Holidays playlist, I would likely be adding in even more flowery language in trying to describe this strong cover of a (IMHO) bad song. With three strong tracks on this EP, POP ETC’s first foray into Christmas tunes was worth the wait.
Bottom Line: POP ETC’s Christmas EP is strong throughout, with touches of true brilliance and beauty, and most certainly worth your time.
Silber Records / VeniVersus
Did you wake up, as I did, wanting a super chill version of Low’s “Just Like Christmas,” sung in Italian? You did? Well, that works out well for all of us, as Vittorio Veneto’s Lullabier has realized our dream with the leadoff track on his wonderful new EP, 2512. The novelty of hearing this classic song in Italian is not the only draw to the song – the laid-back indiepop orchestration is absolutely beautiful. However, it is the small, but significant, addition of the cabasa (at least that’s what I think they are using – the hand percussion), that evokes a crackling fire and draws out a warmth in this song that I don’t think I have heard before. The other tracks are also excellent – I enjoy the layered spoken word of “Natale A Serravalle (Silent Night),” and the English-language “White Dizziness” is understated and gorgeous. Lullabier has made some wonderful choices, and is very much on my radar now, and I hope yours as well.
Bottom Line: Italy is on the board with this stellar cover by Lullabier, whose warm, beautiful orchestration and production has extracted new qualities from an already beloved song.
Buy: Bandcamp (NYOP)
Charlie’s Hand Movements are so good at writing wonderful Christmas tunes, that sometimes I’ll find myself sitting here in July, antsy and wanting December to arrive if only for another CHM track. This year’s latest, “Always a Dream” does not disappoint. In a similar fashion to last year’s drop-dead gorgeous “Until the 25th,” “Always a Dream” moves through a number of musical movements, each beautiful in their own right. The song perfectly conveys the rise and fall, the aching feelings of anticipation and release, of being with someone you love at Christmas and having to let them go again. I think my favorite part of the song is when they are trying to deny reality and what the future holds to stay in the moment (with a little liquid forgettin’ juice).
“Well I guess the year is ending
& pretty soon we’ll stop pretending
That life Is one long holiday
With no more work or bills to pay
So drink up & drink all night
Pour yourself another glass of wine
& when you reach the end
fill it to the top again
For out of the haze we’ll go our separate way
Like snowflakes on Christmas Day”
It is in these complex, emotional scenes that CHM are at their best. They excel at finding that nugget of truth, a truth that doesn’t necessarily require direct personal experience as much as a shared, flawed humanity. Charlie’s Hand Movements’ are a truly special band, and I give thanks for the years they have given us such wonderful music, and hope for many more to come.
Bottom Line: Charlie’s Hand Movements continue their spectacular run of emotional, compelling Christmas songs.