CDs – Christmas Underground

December 1, 2023

snö (2023)

WIAIWYA (Where It’s at is Where You Are)
Buy: Bandcamp (CD/Digital)

You think you know a label… After putting out three of the best indiepop compilations of the past decade-plus, beginning with 2010’s Christmastime, Approximately, then the excellent Stars in 2018, and 24 in 2021, one would imagine you get the label’s vibe. You, sir, are mistaken! 2023 brings us WIAIWYA’s most ambitious and expansive release yet, the 3-CD, 30-song collection of largely instrumental, electronic, and ambient Christmas songs, all ruminating on the theme of snow. This is how WIAIWYA describes their new release, snö: “The idea was to put together a Christmas album for escaping the stress of the holidays – canceling Christmas parties to turn the lights down, put on your slippers and have a listen over a sherry…” I wasn’t expecting this record from WIAIWYA, but I completely get the motivation.

I don’t really cover much ambient music here on Christmas Underground. I honestly don’t know if I have the vocabulary to give a credible critical review. I can say that I’ve been listening to it as I putz around the house, and have found myself wandering off to some very weird places in my mind. However, keep in mind the weather in Virginia had been unseasonably warm at the time, and a forest fire had turned the sky a hazy yellow… so songs on the theme of snow was an odd choice. I try to imagine how this record will feel gazing out at some snow, and I have to say, the idea sounds lovely. If any readers live in northern territories and can test out this theory, I’d love to hear back from you. As for me, I’m going to continue walking around the house, forgetting why I went downstairs for a bit longer this holiday season. Thanks, snö.

Bottom Line: There is a time and place for all types of Christmas music, and this extensive collection of ambient Christmas music can most surely find a place in your collection and your holiday. I strongly encourage you to buy it today, #bandcampfriday, and be sure that WIAIWYA gets the entire cut, and those (insert your preferred swear) at Songtradr get nothing.

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November 17, 2023November 17, 2023

A Very Cherry Christmas 17 (2023)

Cherryade Records
Buy: Bandcamp

Weirdo, underground Christmas music is a labor of love. Believe me, our community is quite small… small, but dedicated. It would make sense that one of the biggest flagbearers for this scene is a small compilation, released by Cherryade Records and lovingly assembled by Gareth Jones of Dandelion Radio, for 200 lucky collectors each year. This is the 17th year of the A Very Cherry Christmas series, a CD-only compilation that collects underground bands from France, America, England, Ireland, Scotland, Spain, Canada, and Japan this year. There are 16 brand-new tracks recorded for this release, as well as 9 more that have never had a physical release. Highlights for me include the punk-infused “Keep Your Christmas Tree for Burning” from perennial Christmas superstars Goddammit Jeremiah, the indie-rock fuzzy fun of “Christmas Number One” from Problem Patterns, and the percussive “I’m Not Coming Home for Christmastime” by The Photocopies. There is a lot more to dig into on this record, from surf Christmas by The Surfisticats (“Santa Bring Me a Surfboard Please”), the glitchy, electro-infused indiepop of ToyDisco (“A Gameboy for Christmas ’96”), to the oddly-touching emotional comedy of Canadians in Space (“Peace & Gravy”), there is something here for everyone. I wish I could do it justice and highlight every single band, but I don’t want to set any unattainable precedents here. All that said – keep that flag flying Cherryade, I’m here for you.

Bottom Line: It comes out today, so best of luck being one of the lucky 200. Especially if you live in the States (as I do), you best jump on this, as Europe has had the jump on you.

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October 16, 2023December 6, 2023

UPCOMING: Jangle Bells – A Rough Trade Shops Christmas Selection (12/08/2023)

Rough Trade Shops
Buy: Rough Trade (UK only so far)

Rough Trade Shops has a little Christmas gift lined up for their (so far) UK devotees… as they are releasing one of the strongest Christmas complications of the past few years. Compiling a number of top tracks from the recent past with a few exclusives, Rough Trade are flexing their taste muscles with this lineup. I’m most intrigued by the exclusives, obviously, and am paying particular attention to that Marika Hackman song, “Driving Under Stars,” as it sounds like a stripped-back version of one of my favorite holiday songs of the past ten years. The Peaness track, “Kiss Me Sweet Pea,” (edit – added below) could also be pretty amazing, as I really love this incredibly catchy band. There also appears to be a new Ellie Bleach track (edit – posted below!), which is encouraging… as I still may write about her previous song from a few years back (edit – she deleted it!) … Most certainly a worthy addition to your Christmas music collection, should you be the collector-type.

Tracklist (* denotes that I believe them to be exclusive to this release)

Marika Hackman – Driving Under Stars (Piano)*
Pale Waves – Last Christmas
Allo Darlin’ – Will You Please Spend New Years With Me?
Julia Jacklin – Baby Jesus Is Nobody’s Baby Now
The School – Shouldn’t Be Alone For Christmas
The Big Moon – It’s the Most Wonderful Time of the Year
Los Bitchos – Los Chrismos
Linda Lindas – Groovy Xmas
Black Midi – Jingle Bell Rock
Chubby and the Gang – Violent Night (A Christmas Tale)
Peaness – Kiss Me Sweet Pea*
Bubble and Squeak – The Christmas Stick
Ellie Bleach – Merry Christmas, Do You Ever Think Of Me?*
Sinkane – Christmas Wrapping
CD Only
Dream Nails – Lonely Star (Christmas Song)
Willie J Healey – Merry Christmas
Girl Ray – I Wish I Were Giving You a Gift
Stars – Christmas Anyway
Alex Lahey – Merry Christmas (I Don’t Wanna Fight Tonight)

Bottom Line: A good number of these tracks have been celebrated here before, so yeah, this looks good. Check it out, maybe buy the limited vinyl or the expanded CD… or cherrypick some songs below (where applicable) and give your money directly to the bands!

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December 19, 2022September 8, 2023

Maxwell Farrington – Yuletide And I’ll Tide With Yann (2022)

Let’s get weird. This record is going to be one of the more interesting Christmas records you’re going to listen to this year, or any other year. There are moments here that will leave you scratching your head, and others that will leave you in wonder. Aussie ex-pat Maxwell Farrington teamed up with Yann Oliver on 2020’s Maxou & Yannou Sing X-Mas, which I regretfully did not sample back then (but Christmas A Gogo highlighted earlier this year, which I also missed!). That collaboration has continued into 2022, with a properly-released full-length that adds a few songs and a new title, Yuletide and I’ll Tide with Yann. I say proper full-length LP, as it is released in LP form on both CD and vinyl, but keep in mind, it clocks in at a brief 26 minutes and change. Short and sweet indeed. I’m going to highlight a few of my favorite tracks below, and let you bask in the Scott Walker-esque weirdness and beauty. (Eagle-eyed readers might notice that one of these tracks is the closer on my latest mix, Jolly Chubby Elf.)

Bottom Line: God I need this on vinyl. This is one of the most unexpected, unique, gorgeous Christmas records I’ve stumbled upon.

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November 23, 2022November 23, 2022

Herr Wade – Weihnachten... Willkommen zurück! (2022)

Platiruma!!!
Buy: Bandcamp (CD/Digital) | Apple Music | Amazon.de MP3 | Amazon.fr MP3

Jørn Åleskjær (The Loch Ness Mouse, Monobird, Sapphire & Steel) and Sebastian Voss (Nah…, The Fisherman and his Soul, Cinema Engines) have teamed up for some cross-cultural, Google-translatable Christmas tunes. I speak ein bisschen Deutsch, and no Norweigain, but I do speak indiepop and this is some lovely stuff. I’ve featured The Fisherman and his Soul multiple times here on Christmas Underground, so I knew there would be something here I was likely to really connect with. Perhaps it is my faint familiarity with the language that draws me to the German-language tracks, but I have to take special note of “Und sie tanzen I’m Himmel,” which translates to “And they dance in the sky.” I’m going to continue to utilize Google translate, so please give me some grace should Google screw it up a bit – but I loved these sweet lyrics.

can you remember?
It’s been a few years…
We looked up at the sky and
Then you said to me:

“I know a secret
And I’m happy to let you in on it.”
And I nodded, agreed, and suddenly it started snowing.

“Exactly! Here, that’s the point.” You said in a low voice.
“Every single flake is a little dancer.
And up there in the sky they dance day in and day out. And when they feel like it, it starts to snow.”

And they dance in the sky

The track also had that mid-tempo, jangly indiepop groove that I need at least every 3-6 months to survive, so that certainly plays into my love of this track as well. There are wonderful moments in the other songs as well, little choices like the beautiful banjo in “Domino,” and the sweetness of the leadoff track, “You’ve Come A Very Long Way (For Being Such A Close Friend),” are undeniable.

Bottom Line: There is a lot to love in a tiny little EP.

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November 28, 2021

A Very Cherry Christmas 15 (2021)

Cherryade Records
Buy: Bandcamp

How will you know when the world is back to normal? I rather doubt it ever will be “normal” again, but we’ll move the baseline. Some things will go away (perhaps drinking after each other), while other parts will return… such as this wonderful indiepop tradition, Cherryade Records‘ A Very Cherry Christmas. This is the first full-length release since COVID threw a wrench in the gears, and there is a ton here–21 tracks ranging from fantastic Spanish indiepop (“Llega la Navidad” by The Yellow Melodies), to muddy guitars rocking a classic Shakin’ Stevens tune (“Merry Christmas Everyone” by Mouses), uptempo reinterpretations of their own fantastic indiepop classics (“Hey Santa Claus! (Faster Claus Version)” by the Hannah Barberas), and brand-new indiepop Christmas bangers (“This Christmas” by Super 8). There is something for everyone here and an extremely limited supply! As always, only 200 copies are being pressed on CD, and there is NO digital release. If you are just beginning your alternative Christmas collection, or you have been in this game for years, these releases are a consistent source of inspiration, completely worth your time and money.

Bottom Line: The proper, full-length A Very Cherry Christmas is back, and with it returns a wonderful part of our alternative Christmas universe.

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November 26, 2021November 30, 2021

24 (2021)

Where It’s At Is Where You Are
Buy: Bandcamp

One of the great indiepop labels has spring a wonderful collection of 24 holiday-themed songs on us this year – and for those early preorder folks, the opportunity to a hand-knit wool sleeve. Where It’s At is Where You Are (WIAIWYA) has a wonderful track record of indiepop holiday releases, most notably (for me) Christmastime, Approximately, which features a couple tracks that have featured on my yearly mixes. Let me just say… when more than one track off a comp ends up on a mix… that is a BFD. Compilations are always a roll of the dice, because you’ve got a whole mess of different styles, tastes, etc all coming together – and art is subjective! To have more than one song hit YOU specifically makes that entire record feel even more important by association.

24 features… you guessed it, 24 tracks, which I cannot bring myself to cover fully. I have NEVER come close to a comprehensive review of a record of this size… so please take the time to explore those other tracks that I am not singling out here. Once more, art is subjective, and the Christmas mix I would make does not come close to sounding like the one my friend Ned would… so let’s go exploring! I’ll open the door for you, now it is your job to walk on in and poke around a bit more.

The record starts out setting that beautiful, upbeat indiepop tone, with a wonderful track by Seattle’s Dolour, “Christmas with My Baby.” I love that first verse, which sets the stage well for 2021, but doesn’t get TOO specific as to pigeonhole it to not be listenable year-after-year: “Last year was such a dreaded affair / the year before that I didn’t even care / basically every year before I had no one to share / the holiday cheer with until you were here / but now this year I can hardly wait / so much joy, there’s no room for hate / let it snow, I don’t mind / as long as I’m here with this true love of mine.” This song has that attitude that I think a lot of us (vaxxed) share this year – the optimism that comes with time and understanding. Grab that person you love and don’t let the shit that surrounds you interfere.

Classic Sarah Records’ Scottish indiepop stalwarts The Orchids slow it down with “I Wish I Was,” a beautiful, nostalgic track that may very well be my favorite (at this moment) on the comp. The vignettes they create of a childhood Christmas, accented by their perfect use of brass color, hit you in the head and heart with equal force. Just beautiful.

With my next selection, I invite you to ruin Christmas with Laura and Mike from firestations, aka L&M Kingsize. “We Ruined Christmas” begins by dressing down a Christmas meal, beginning an emotionally complex and fascinating journey. Everything is the same, but you like it that way. You’re miserable, but you’d rather not be at home. We ruined Christmas, can’t wait to see you, same time next year. This song is just kinda fascinating and unexpected.

The BV’s “Krautmas” is more of a groove than a song – those playful guitars over a steady digital beat are as soothing as the first snow flurry. Coming in at track 13, it serves as the perfect intermission between the two halves of the record. Simple and wonderful.

“December Boy” by The Rhynes is the sweetest song on the record. Full of warmth, love, and vocal harmonies, it has some of the best lines on the record as well. I particularly like the first bit here: “You can keep whichever god you’re dreaming of, / but I’ll take all the peace and all the love. / Cause it feels so good to be alive, / We’ve made another December twenty-five. / You make my heart laugh / This December boy’s still got it bad.” If could eat that sentiment for breakfast every day I would.

There are plenty of other great songs on here, the vast majority exclusive to this release. In fact – should you feel so inclined, I’d LOVE to know what YOUR favorite tracks off this record are. Tweet at me (@xmasunderground) or comment here! I may just update this review with your input as well!

Botton Line: As expected from this truly excellent indiepop label, WIAIWYA has delivered yet another underground Christmas classic. Truly enjoyable from front to back, this is one of those rare comps that you can just put on and press play.

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October 25, 2021October 25, 2021

Hiss Golden Messenger – O Come All Ye Faithful (2021)

We all have been there. An artist you really like releases a Christmas record, and you get very excited. Overly excited, as it is not very often that someone you listen to on a regular basis ALSO releases a Christmas record. Immediately after, the dread sets in – it is quite an emotional rollercoaster, these record announcements. The expectation rarely matches the result, but you just cannot kick those glorious, glorious expectations. However, I’m not going to make you read any longer, worrying about whether my heart was broken or not, as it most certainly has grown two sizes larger after listening to this record. Hiss Golden Messenger (M.C. Taylor) has dipped his toes into seasonal sounds in the past, but O Come All Ye Faith is his first dedicated holiday release. The tracklist is certainly interesting enough to make me excited – three originals, three traditional songs, and three unexpected covers. M.C. recorded the album last fall and talks a bit about his motivation in the press release: “Big, brash holiday music—the type that we hear in big-box stores in the middle of December—has never resonated with me, and this past year it felt absolutely dissonant. I wanted to make a seasonal record that felt more in step with the way that I, and so many others, experience this time of year: quiet, contemplative, searching and bittersweet. The intention was to make a seasonal record with vibe.”

Preach.

I am now awaiting my “Peak vinyl” version, which contains a 6-track dub reinterpretation of HGM titled The Sounding Joy: Hiss Golden Messenger Meets Revelators on South Robinson Street. However, I have jumped in and checked it out on Spotify, and you can probably already imagine my takeaways. First, you know I’m digging the originals. The lead track “Hung Fire” is lyrically haunting and beautiful, with life-affirming saxophones sprinkled throughout. “Grace” kicks in and you’ll be excused if you begin clapping your hands to the rhythm, as this is a spiritual, with a choir and everything. “By the Lights of St. Stephen” is a wonderful country trot, a story-song with a catchy chorus. All three are truly worthy of inclusion in any holiday mix, and the glutton inside me wants more, more, more. However, M.C. leaves us only with that snack. The rest of the meal might not have the spice of a brand-new holiday song, but don’t worry, his flavoring is truly inspired.

The first cover on the record is Spiritualized’s “Shine a Light,” is beautifully arranged and a welcome new track to be claimed by the holiday music canon. Woody Guthrie’s “Hanukkah Dance” is full of foot-stomping, hand-clapping, and fiddle solos – perfectly executed and joyous. If you haven’t already noticed the theme of light being at the fore of this record yet, then the cover of Creedence Clearwater Revival’s “As Long As I Can See the Light” will… “shine a light” (callback!) on that for you. The waves of warmth exuding from this song would be one of those goosebump-inducing moments, should we ever be able to experience it live.

Here at Christmas Underground, I admit I shy away from traditional covers. We’ve all heard them, and rarely are they dressed up in interesting clothes. M.C., however, does not disappoint. Oddly, it is the title track, “O Come All Ye Faithful,” that stays closest to the melody and phrasing we might expect, while “Joy to the World” and most especially (and astoundingly) “Silent Night” sound incredibly new and fresh. M.C. makes these small choices, highlighting one word or another or ending phrases in unexpected places so frequently, that you leave feeling invigorated. Despite the gentle, beautiful production, your brain is buzzing and delights in the unexpected. Truly lovely stuff.

I feel like M.C. is one of us.

Bottom Line: Put this on and let it play. This record is one of the best, most listenable Christmas records I’ve heard in a good while.

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October 2, 2020

Richard Edwards and the Velvet Ocean “Happy Christmas (the whole world has changed)” (2020)

Richard Edwards, known in a previous life as the lead singer and songwriter for Margot & the Nuclear So and So’s, has been releasing some pretty beautiful records for the past few years (largely on Joyful Noise), and his latest, The Soft Ache and the Moon” is no exception. He has teased us with a Christmas-ish song in the past with a cover of Big Star’s “Jesus Christ” on the Joyful Noise Snowflathe series, but never quite so explicit as “Happy Christmas (the whole world has changed.” This song is raw emotion. The lyrics are vivid, brutal, and deeply personal. You can take it from me, or from Richard himself:

“Maybe my favorite song on the album and the most difficult to write in certain ways. It was a little too raw and painful for me, but Dave Palmer, the brilliant piano player got me to do it. And I’m glad he did, even if it hurts a little.”
Richard Edwards

This song is full of dream imagery, scenes filled with fog on the edges – suffering, atonement and just squeaking by. It is not your normal Christmas song, but this is not your normal Christmas site. Settle in.

Bottom Line: Some songs make you both wish the writer never had to write this song, while appreciating the beauty of what they created; This is one of those songs.

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November 27, 2019November 27, 2019

Brittain Ashford & Matt Bauer “Tinsel and Snow” (2018)

Commodore Trotter / Ball of Wax Audio Quarterly
Buy: Bandcamp

I am not the kind of blogger who seeks out a great voice. So many of my favorite singers couldn’t sing (How I miss David Berman), but even I can still fall for a voice. Ball of Wax Audio Quarterly is a fantastic blog and music-compiler based in Seattle, and their most recent release is Ball of Wax 58: The Ball of Wax Winter Spectacular, featuring this truly beautiful song by Brittain Ashford & Matt Bauer. Honestly, I’m having a tough time describing Brittain’s voice in a better manner than Ball of Wax did:

The teller of this tale is Broadway star and thematic alchemist* Brittain Ashford. With a voice that balances diaphragmatic force with childlike vulnerability, Ashford paints the sort of holiday portrait that those of us who suffer from melancholy particularly this time of year can appreciate and empathize with, and what’s more—what we need most during the dark season—she infuses every line with a tattered but palpable hope.

This song was almost too pretty for me… but those distinctive qualities of Brittain’s vocal delivery were undeniable. The music is also quite lovely, but after learning of composer Matt Bauer‘s folk and banjo background, I am SO intrigued to hear a version with banjo. Damn that could be cool.

Edit: Turns out this song was initially released in 2018 on an EP, Tinsel and Snow & Other Mid-Winter Missives. Go check it out!

Bottom Line: Like Messi’s “Charlamagne,” this song is defined by a beautiful and distinctive voice.