Chris Campisi Lifestyle Band “Wet Christmas” (2018)

Self Released
Buy: Stream?

Brooklyn Vegan hipped me to this song about boozing it up at Christmas, and so I tip my hat to you BV. The Chris Campisi Lifestyle Band is fronted by freelance production designer Chris Campisi – who I can’t find anything beyond a very impressive LinkedIn page, and a Youtube account (which features only one other track, “Marijuana”). I mean, this guy does not seem to have a band to his name, with the exception of the band that has his name! Ha! Well, I know my readers all love some good ol’ drinking Christmas songs, and this one aims to be the biggest. The drinking is bigger (as he is now drinking for two without you), as is the guest list. Featured on this song is Adam Green (Moldy Peaches), Jared Van Fleet (ex-Beirut), Delicate Steve (who has his OWN Christmas album out now), and Michael Tapper (We Are Scientists), who is not only on this track, but also directed the video. There is nothing deep here – the premise floats to the top on tiny bubbles of carbonation: he is getting drunk because you are gone. Classic premise, a great rocking backing track, and a singalong chorus. Swish, 3-points.

Bottom Line: Now let’s just have a little fun and enjoy this song, ok? It’s just a damn good time.

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Premiere: The Heathen and the Holy “It’s Just Not Christmas Without You (In It)” (2018)

Self Released
Buy: Bandcamp7Digital (soon) | iTunes | Amazon MP3Amazon.uk MP3Amazon.de MP3Amazon.fr MP3

The Heathen and the Holy, the seasonal project of classically-trained violinist Tom Hobden and musician/writer/producer Fred Abbott, who once recorded together in the much-missed folk/rock band Noah and the Whale, are back once again! The Heathen and the Holy are one of those Christmas treats that you hope for each year, as their songs always bring a bit of levity to what can become a very serious and earnest season. Not saying that these guys can’t be both serious and earnest, but there is always humor that helps take the edge off. So let this song be your snowy day, afternoon gin and tonic, and let’s premiere this great new Heathen and the Holy track together.

“It’s Just Not Christmas Without You (In It)” is about having to be apart for Christmas, and how that separation casts a pall over the entire holiday. Heavy! What was I just saying about levity? Well, no worries there – upbeat orchestration, along with Fred Abbott’s interjections keep you smiling through the pain. There are some truly fantastic parts; my favorite being when Tom and Fred begin trading lines toward the end of the song, culminating in a crescendo where they both sing “They take me back to Regent street to the Christmas lights tonightttttttt.” It is a theatrical moment, which if you have seen any of their previous videos, is no surprise. I love this band equally for their music, as well as for the brilliant videos that they have put together in the past. It is hard not to think of Tom and Fred, dressed in their holiday best with a drink in-hand… somehow still playing instrument… you know, because of the magic of Christmas. The Heathen and the Holy are truly the mulled wine of Christmas bands – a warm, cozy, delicious treat that somehow always seems to present itself at the exact right time. Cheers.

Bottom Line: The Heathen and the Holy have kept their Christmas flame burning bright with “It’s Just Not Christmas Without You (In It).”

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Tom Rosenthal “The Only Time I’m Home” (2018)

Tinpot Records
Buy: iTunes | Google Play | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

Wow. British singer/songwriter Tom Rosenthal has crafted an epic Christmas song, “The Only Time I’m Home,” and you should probably grab a set of headphones. From the haunting, fluttering synths, to the lines “You know the drill / mom buys you socks / so she loves you still. / you’re lying if you can say / your heart is not home / you’re trying to slide out of view / but Christmas is you.” Truly a beautiful song, one that will make many a mix I’d imagine. Enjoy.

Bottom Line: “The Only Time I’m Home” slowly builds into one of the most beautiful songs of the season.

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Lola Kirke “Cross You Off My List” (2018)

lola Kirke

Downtown Records
Buy: 7Digital | iTunes | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

Lola Kirke, best known as an actress in projects such as Mozart in the Jungle and Gone Girl, is also a talented musician in her own right. Having released her first LP, Heart Head West, earlier this year, she has quickly followed it up with two seasonal tracks which debuted today. The first, “Little Drummer Girl,” flips the gender within the traditional song… but any reader will know how I feel about that song – so we will move on. “Cross You Off My List” is her first original Christmas song, and what a start! Originally written following the 2016 election, she tells PAPER Magazine, “It was a much more somber sounding song that set out to question how to celebrate Christmas in such a fraught environment. While we’re still conflicted about how to invoke the “spirit of Christmas” in today’s political climate, we decided to revise the song—set it to a more a upbeat chord progression and dash it with a bit more hope.”

There are some just killer lyrics too:

“There must be another day / to spend this holy holiday. / Maybe I should run away / or find a better way to stay.

All I want for Christmas / is to dance. / Forget romance, / I’ve made new plans / Maybe cause it’s Christmas, / I should take a stand, / and give my hand / to a better land.

All I want for Christmas / is to be less complicit / and love all those who need it. / You can take your kisses / and cross them off of my list.”

The song was co-written and beautifully produced by her partner Wyndham Boylan-Garnett, and together they have made one of the strongest songs of the season. I can’t wait to find out where you can pick it up – because right now, I got nothing!

Bottom Line: Great production with absolutely killer lyrics, this song deserves your ears.

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Quilt “Blue Christmas” (2014)

Self Released
Buy: Stream

“Blue Christmas” has never been a favorite of mine, so the source material is already (and unfortunately) placing this track on a slightly lower branch on my Christmas tree. However, there are some qualities to Quilt’s take on this ol’ chestnut that I’d like to chat about. Their casual country-psych rock approach does not reinvent the song, but the small touches they add, such as the woodsy, chirping noises, contrasted by the a buzzing synth melody that appears late in the track, keep things interesting. Brevity is also their friend, keeping the track just barely over two minutes – especially important with such a (IMHO) boring and overplayed song. Simply stated, this is a perfectly fine version of “Blue Christmas,” one that might fit the bill for those folks out there who don’t have such issues with the original.

Bottom Line: Quilt’s subtle choices are solid – imagine what they could do with a better song!

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Roders “Julen 92” (2014/2017)

roders - Julen 92

Self Released
Buy: Stream

Readers into Swedish indiepop are likely familiar with the underground indiepop legend Nixon. However, those only familiar with Pitchfork-famous indiepop likely don’t, but you may know Sally Shapiro’s “Anorak Christmas,” the main single off their excellent Disco Romance. Well… that is a Nixon cover. Nixon has been around since the 90s, when Roger Gunnarsson set up his home recording studio, and is largely considered Roger’s first major musical project. However… one band predates Nixon, Roders, though it does not get mentioned in Roger’s Swedish-language Wikipedia entry. Roger and his cousin Anders Nilsson started Roders back in 1982 when they were eight, and it also appears to be the only Roger Gunnarsson project that is presently active (despite any Nixon releases you might see coming out of the Nixon Archives). Roger recently (well, this has been a draft for a while, so not quite so recently) released this lovely, Swedish-language indiepop tune on his Nixon Archives Soundcloud feed, and while the production is more traditional pop than the lo-fi indiepop I expect from a Nixon track, the qualities of the vocals maintain the indiepop roots. Snippets of the video that inspired the song combine with a wistful melody, as this song beautifully invokes the Christmas of these two eighteen-year-olds, celebrating a Christmas on the border of childhood and adulthood. This is just the tip of the Nixon/Roders/Garlands/etc Christmas iceburg… so feel free to dig into the feed, or just wait for me to stumble through my reviews.

Bottom Line: Roger Gunnarsson has a long history if quality indiepop Christmas tunes, and the sweet “Julen 92” is a welcome addition.

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Olympians “Leaving You at Christmas” (2014)

Self Released
Buy: Stream

I have been thinking a good bit about what my 2018 Christmas mix might be like. Last year, I gave myself a bit more room to use profanity and politics, saying that it would be an every-so-few-years loosening of standards. I’m a father of a young kid, a lot of my friends have young kids, and I like the idea of being able to listen to the mix around them. However, I am quite undecided as to the tone of this year’s mix. I suppose everything will be decided in November, as to whether this mix will follow the darkest timeline, or will show shreds of hope. That said, should I consider the darker timeline, this track from Norwich->London’s Olympians could fit nicely. Recorded a few years prior to release, they remembered they had this Christmas song and dropped it back in 2014 – completely overlooking the fact that they could have let someone (ahem) know about it! I love a good song about drinking and watching TV on Christmas – and this one has both in spades. The song’s narrator is sitting there, in his girlfriend/boyfriend’s folks house, having a terrible time, drinking to pass the time while he wishes to go home and watch TV. Stuck there for a week, he begins to ponder leaving… only to decide in a crescendo of Weezer (when they were good) wall-of-sound that indeed he will. Any readers of this blog know we love the dark stuff as much as the light, and this one is a solid, deep gray.

Bottom Line: I’d love to see if the Olympians could dig up another Christmas song, because this indie-rock downer is damn solid.

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Street Joy “¿Dónde Está Santa Claus?” (2017)

Street Joy

Self Released
Buy: Stream

“Two jews can still appreciate a good Christmas jingle.” LA’s Street Joy are indeed this – two jewish dudes who just released a fantastic cover of “¿Dónde Está Santa Claus?.” In my brief research, this track doesn’t appear to be covered very often, and thus this may be your first experience hearing the song (unless you watch Narcos). The original was sung by a 12-year-old Augie Rios, backed by the Mark Jeffrey Orchestra, and actually sounds better than you’d imagine a child singing a novelty song might. In their version, Street Joy keep some basic melodies, but the dance beat, the synthesizers, and the fuzzy bass line completely transform this song; they have managed to perfectly modernize this novelty song from 1958, and make the song cooler than I ever thought it could be.

Bottom Line: Who knew “¿Dónde Está Santa Claus?” could sound this awesome?

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Premiere: The Heart Of “Winter Song” (2017)

The Heart Of - Winter Song

Brooklyn Basement Records
Buy:Stream on Spotify (Release Date Sat. Dec. 23)

Sara Bareilles and Ingrid Michaelson’s “Winter Song” is slowly becoming a modern classic, as more and more high-profile artists have begun to cover it in recent years. The song has a signature emotional quality that has landed frequent appearance in television and movies as well, further entrenching it in our consciousness. NYC’s The Heart Of is the latest to tackle the song, as he found kinship with the emotional core of the song:

“For lots of people, the winter can be a difficult time to face alone, calling into question whether love is waiting for them at all, hiding in the cold. I identified with those sentiments and felt moved by their manifestations in my own life. Not everyone is rocking around the Christmas tree, and I thought it was nice that there’s a song for those people who aren’t. Of course, the arrangement and performance in the original is really beautiful, so I just tried to do it justice.”

The Heart Of certainly does the song justice, and IMHO, improves upon it. The subtle changes in instrumentation, the addition of banjo as a featured instrument, as well as further developing the percussive possibilities of the song wonderfully fleshes out what is a generally sparse, piano-centric original. These choices highlight the excellent taste level of The Heart Of, and their ability to create a modern, interesting approach to a burgeoning classic bodes well for spring 2018, when we’ll get to check out their debut EP.

Bottom Line: The Heart Of find a subtle, new approach that breathes new possibilities into an increasingly high-profile modern classic.

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The Christmas Cards “Christmastime is Here” (2017)

the Christmas Cards

Self Released
Buy: Bandcamp

To what do my indiepop ears hear shuffling through my Soundcloud feed? Could that be a band formed by the members of “indie-pop darlings The Postcards and lo-fi teenage sensations Father?” Why by golly, it is! The Christmas Cards combined these two bands for a South London, basement recording session this past November and ran through 14 indiepop Christmas tunes! For those who love raw indiepop, this will be right up your alley. Being that it is a Saturday, and I have 3 different birthday/Hanukkah/Christmas parties to go to, I’m only going to single out one, “Christmastime is Here.” The Christmas Cards do it well – speeding up this classic in a jovial indiepop fashion.  It really was the handclaps that got me over the hump on this one being the track to highlight, as I then noticed that I was sincerely grooving and tapping my foot to their lovely cover. Of note, there are some solid, real deep cut covers in there too – but I think they’ll require multiple listens to really get into… so perhaps in a future post or two!

Bottom Line: A truly enjoyable cover for you indiepoppers out there! Check out the other tracks too if you like – some are great, others are good, and only one or two I wouldn’t press play on again (but Little Drummer Boy is pretty much my least favorite song ever). I threw all of them in a playlist below, for your perusing pleasure.

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