Sometimes you want something a bit harder, but you don’t need another song about the apocalypse or how Christmas totally sucks. Luckily, back in 2017, Albany, NY punk band Prince Daddy & The Hyena dropped the deceptively sweet “If I’m Still Broke By Christmas.” Who knew that I’d love a punk rock Christmas song with a line like “I know it takes a while / To snap me out of bitchy fits.” No doubt the first Christmas song with the phrase “bitchy fits” in it; I’m pretty confident about that. The song continues with “But I really like your smile / Regardless of the mood i’m in,” which is pretty fucking heartwarming. Don’t get too cozy though – we’re leading up to lots of screeching guitars, particularly after this last bit…
If I’m still broke by Christmas I know, it sounds, a little fucked I think you’ll like the solo coming up <commence air guitars…… now>
If you’re like me, you’re in agreement with the singer, loving the solo, and have already forgotten this is a Christmas song.
Looks like Prince Daddy & The Hyena are also on tour right now, should you have a few bucks and dig their vibe.
Bottom Line: A mixworthy tune with that perfect juxtaposition of punk rock and true love.
Sometimes little things grab you, and that grip can be enough to keep you coming back. A little dopamine hit, an acknowledgement that you found something you truly enjoy. Those fluttering saxophone lines (saxophone, right? Am I crazy to be second-guessing myself?)… those saxophones are the hook that reeled me in on Robert Earl Thomas‘ “Merry Christmas from the Silhouette Lounge.” A gentle song about a gambling addict on Christmas, the song has a warm sadness. I could see this song pairing well with Tom Waits’ “Christmas Card from a Hooker in Minneopolis”… Truly a grower; give it a few listens.
Of note – this is a somewhat high-profile indie Christmas song to slip by for nearly two years now. I mean, Robert Earl Thomas is half of the excellent Captured Tracks’ band Widowspeak! By my calculations, only the excellent START TRACK blog has highlighted this song. Heck, and I didn’t even discover this song through them – it was just a random search! Finding these songs is hard, man. There’s another holiday track by R.E.T. as well, a serviceable cover of Tom Petty’s “Christmas All Over Again.” I’ll drop that below as well.
Bottom Line: If you aren’t feeling the first 30 seconds, just wait for the chorus. Better yet, wait for that second chorus… It’s gonna pay off. I just know it.
You know, I’m not angry… I’m disappointed. Well, maybe a litttle bit angry. The Dutch label TCBYML (This Could Be Your Music Label) used to be one of those labels you could rely on for a Christmas song every year or so, likely from a cool Dutch band – which is right in my wheelhouse. However, over the past year or so… TCBYML appear to be largely releasing AI-slop bands with fake backstories. I struggle to find whether any of these bands play out, and their artwork and band photos look suspiciously AI-generated. The bands’ social media posts often highlight radio stations and playlists that have picked up their tracks, which leaves me wondering if any of these places take the two minutes needed to check out these bands before they platform them. I do (unfortunately) see a future where AI invades nearly everything in our lives, but I find this possible deception – when folks pretend AI-prompt music is real, human-played music – (should it be true) to be pretty despicable. You make great AI music? Fantastic, more power to you – I certainly don’t know how to do that. Just don’t pretend you are something, or someone, you are not.
I may have expressed myself and these feelings on their Facebook page… and they deleted my “That’s some great AI-music” post and banned me. Classy!
So let’s go back in time… to when TCBYML released human beings who also made music, and listen to this lovely song by the Dutch artist Eckhardt And The House, “Eternity (Xmas Edition).” The song is based on a Rainer Maria Rilke poem and features the gorgeous voice of Dutch actress Marleen Scholten, whose fragile vocals beautifully complement the lush orchestration laid down by fellow actor & musician Rik Elstgeest (aka Eckhardt And The House). These horns will hook you, Marleen will take your hand, and you’ll stroll through the song to the beat of your heart. I don’t know how I managed to not feature this song back in the day… Christmas a Gogo found the time in 2017, so I’m only a few years late!
Disclaimer: I can’t categorically prove that TCBYML is only releasing AI-slop. This is an informed opinion, not a stated fact.
Bottom Line: A wonderful song made by wonderful human beings! It can be done – TCBYML (likely) just forgot.
The High Tropics threw a new song at us at the end of last season, and unfortunately I often lack the opportunity (or energy) in those busy final days to write about all the deserving new music that gets released. But please, don’t take my laziness as any sort of judgement against a song – an “it’s not you (the song), it’s me” scenario.
I hope you have had a moment to check out the High Tropics’ previous Christmas tunes, as I heaped a good bit of praise on them last year – right before they released this latest song! “Got a Message for Santa” has a distinctly different, non-Strokes-y vibe. Yeah, that Casablancas-esque casual vocal delivery is still there, but those bongos and synthesized backing vocals paint a very different picture from those earlier High Tropics’ seasonal gems. This song is less indie rock, and a bit more pop – but don’t worry, plenty of folks aren’t going to appreciate the lines about “getting high” mixed into their family get-together soundtrack – take that squares! This song may sound sweet, but it has enough bite to keep your badass alternative Christmas cred intact.
Bottom Line: Yet another solid seasonal tune from this Aussie band, who are now 3-for-3 if my calculations are correct. Just got to carry the one…..
Les petits Mutins de Noël are a Christmas punk band, comprised of more French bands than you can count on one hand: Monster Mash, Supersports, Acid Gras, Die Vräcks, Louis Lingg and The Bombs, and The Flug. This new song, “La Bombe avant Noël” (The Bomb Before Christmas), piqued my interest simply based on their sound. This may be a whole mess of bands smashed together – and somehow they sound fucking great. The song itself, after some AI-magic translation, appears to be about coming into a family Christmas with the intention of blowing it up (metaphorically). That sounds like a perfect premise for a punk Christmas song – way better than pop-punkifying a Christmas carol…
I also really loved their intro to the song on Bandcamp, posted below in translation:
Oh Oh OooOoh Shit! For this end of the year, a little log to toss in your fireplace, on your screen (with a fake fireplace), or in a barricade (with a real bastard fire) to stoke things up. Short, slow-burning log cut by your favorite forest rangers: Monster Mash, Supersports, Acide Gras, Die Vräcks, Louis Lingg and The Bombs, and The Flug. With Love, Elf’s word
This is a record that’s been bouncing around my playlists for a long time. Many years ago, I got into moi Caprice, a Danish band that was geographically and sonically close enough to my Swedish pop obsession to get swept up in the search. Their song “The Art of Kissing Properly” became a playlist staple. I picked up a few CDs and very much consider myself a fan. How I managed to miss them releasing a Christmas EP in 2020 is beyond me. I’m only half joking when I say I consider this oversight a personal failure.
Yes, moi Caprice released a Christmas EP, Advent, in late December of 2020, and it is absolutely excellent. Four tracks, each of which could make a strong case for being the best song on the record. “Christmas, the Magic Is Back” has a wonderful rolling rhythm, peppered with evocative lines like, “’cause the magic is back / and I can do the whole thing from a child’s view.”
That song, along with the one that follows, “Year of the Rat,” are very much Christmas 2020 songs—COVID Christmas songs. However, neither suffers from being too firmly locked into that moment. Both retain a timeless quality, especially in the coda of “Year of the Rat,” where they repeat, “And our kids fall asleep to the sound of our heart.” It’s just ridiculously gorgeous. (It is also featured on my 2025 Christmas mix, A Bit of Christmas.)
The biggest song on the record, at least by streaming metrics, is the third track, “I’m Dreaming of a Christmas That Isn’t So Extremely White.” The concept is interesting, as it references familiar seasonal cultural touchstones like Home Alone and It’s a Wonderful Life, while hoping for new perspectives. A good song, but it somehow lacks the emotional pull of the other three tracks. We’re all different; this may be your favorite!
The final song, “Merry Christmas,” closes out the EP with a promise to make a Christmas song that “truly has the sound / of a Merry Christmas,” and it absolutely delivers. The melody is gorgeous as it floats along on lead singer Michael Møller’s wonderful voice. This is the bullseye—a song that could land on just about anyone’s Christmas mix, in any year they decide to dip into moi Caprice. It is undeniably delightful.
For those who love physical media, you can still hunt this record down on either 12″ vinyl or CD. And wouldn’t you know it—shipping from Germany isn’t terrible these days. I’m glad I can finally write about this now, as I’d been nervous about covering something I hadn’t yet picked up myself, fearing it might sell out before I could. But now I’ve got a 12″ on the way, thanks to the generosity of you all, after coveting it for nearly a year. Truly, thank you all.
Bottom Line: This entire release can be mined for mixworthy songs. It really is pretty damn spectacular.
Lord knows this song has been covered to death. But there are some songs that I don’t mind hearing cover after cover of… and Low’s “Just Like Christmas” is most certainly in that camp. Heck, Christmas A Gogo has a yearly post gathering the latest covers. So, another cover… what can you find in yet another cover of this song? Perpetual Doom is a label that I love, often releasing singer/songwriters who have a tendency for alt.country, but perhaps a bit more attitude than would suit the mainstream. I admit, I’m predisposed to be excited to hear something from this label, and thus I’m here chatting with you about Daphne’s Demise, and their new cover of “Just Like Christmas.” Daphne’s Demise (aka Zoë S-Bouffard) takes this song, nearly strips it of all adornment, and lets you bask in the simple beauty that is this classic song. This is my ultimate Christmas song… and when someone can find themselves in it… I’m here for it.
Vermont’s Lonesome Doves have released a 4-song EP of original Christmas songs, the appropriately titled Lonesome Doves Christmas Album, all of which share a slow tempo, as well as the beautiful vocals of Scarlett… who truly does not miss a note. It is not often that an indie rock band is notable for the vocalist’s ability to sing… but Lonesome Doves are certainly an exception. You may find yourself attracted to the first track, “Peacegiving,” as you contemplate our current state of affairs. Perhaps you’ll connect with the vegan-leaning “Psyciatric Help 5 Cents,” which not only sings about not killing things that breathe, but also about dancing around like a cartoon, which we very much do in my house. These songs are the kind of songs I might want to listen to at night, drinking a spiked eggnog and looking at the fire. It’s not going to get you all amped up, it’s the kind of Christmas music that is going to leave you sitting… thinking…
Bottom Line: These aren’t pop hits, but they might touch something a bit deeper if you let them.
Hey! Is The Bret Tobias Set lining up to be a yearly Philadelphia Christmas tradition? Can I manifest this? We’ll see… (I missed 2024’s song… but go check it out!)
I wrote about The Bret Tobias Set’s excellent 2023 cover of Everything But the Girls’ “25th December” earlier this year, with what might be one of my shortest reviews of recent memory. I don’t know why I get sheepish about that kind of stuff – I just don’t want folks to think because I haven’t gone on and on about their record that I don’t really love it. Some days I just have a few minutes to spare, a headache, or existential ennui… you know… shit happens! Do all those words above count towards the review? I hope so!
The Bret Tobias Set is back with a reworking of a 2004 song that Bret wrote with his previous band, The Bigger Lovers, for their last record, This Affair Never Happened… And Here Are Eleven Songs About It. Bret calls the Lovers’ version “blue-eyed soul,” and I suppose I hear that – but it just sounds like a rock ballad to me. When I hear the term blue-eyed soul, I think about half the bands on Colemine Records, not The Bigger Lovers. But I am NO expert, despite this silly site.
Bret’s new version, which he calls a “country pop duet,” has Bret sharing vocals with Krista Umile, and man, these voices sound lovely together. The song lightens with the addition of Krista as well as the increased tempo, and as a result, the length shortens enough to leave you wanting more. I do hear the country twang, but I don’t know if I’d call this “country pop.” I would call it an “alt.country power pop ballad.” Gotta complicate things!
Bottom Line: This song’s arrangement feels like it has found its forever home.
I have a tough time writing about songs you can’t actually go out and buy. A big part of why this site exists is not only to spread the best Christmas music I can find, but also to point you toward the best place to pay money for the hard work of these talented musicians. Art is work, and work deserves compensation. It really is that simple.
Because of that, I’ve been meaning to write about these two fantastic songs by Australia’s High Tropics for a while, but there’s never really been a place for you to purchase them—until today. I shot the band a note last night and, voilà: Bandcamp. So here we go.
I discovered High Tropics via the excellent Von Pip Musical Express podcast back in 2023 and was immediately smitten. Before diving into the songs, though, I have to address the elephant in the room: yes, these are the best Christmas songs the Strokes could ever wish to write. The similarity is undeniable, but that only serves to highlight the Strokes’ complete lack of original Christmas songs—and High Tropics’ absolute slam dunk in delivering two original seasonal gems.
2023’s “All I Need This Christmas” made my mix last year, thanks to its relaxed, synthy stroll through the well-worn “all I need for Christmas is you” territory. The lyrics are simple, essentially repeating the same verse twice, but even within that limited space, the song finds a way to feel fresh and new. Take the opening stanza:
Everybody’s talking ’bout a brand new year I’m still playing catch-up with the last one, baby I don’t wanna tell you how it ought to be I’m just tryna make it to tomorrow lately
There’s something so laid-back and assured about this song—a calm, effortless cool that’s hard to deny. As the song puts it near the end, “I know I could win you over,” and it absolutely has.
“Lonely Christmas” first appeared on SoundCloud back in 2021, along with a demo version, and it’s only a matter of time before one of those makes its way onto one of my mixes. The lo-fi vocals, the sticky chorus, and—once again—that feeling of effortless cool the Strokes helped reintroduce to rock music in 2001 all come together beautifully here. High Tropics have kept that flame alive and turned it into something genuinely special.
The two songs feel like siblings, sharing a similar structure of repeated verses and a catchy chorus. Somehow, High Tropics manage to make yet another classic Christmas trope feel anything but stale.
Bottom Line: I can’t think of an A/AA single that would be quite as good as these two.
