Ho! Ho! Ho! Canada XII (2020)

The Line of Best Fit
Buy:
Bandcamp (NYOP) | Free MP3s @ The Line of Best Fit

I began this whole underground Christmas music search sixteen years ago. While many of my online Christmas-music hunting friends have been in the game even longer, it is still a pretty solid amount of time. My 2005 Christmas mix can now drive with a permit, is looking at colleges and thinks the music I listen to is pretty lame. Now that I’ve established myself as at least kinda old, sort of experienced and somewhat knowledgable, I’ll say that I can recall when that very first Ho! Ho! Ho! Canada came out (the download is unfortunately 404’d these days). It was glorious – I was heavily into the Arts & Crafts and Paper Bag labels, and believed that all the best indie rock must be fueled by the arts funding of Canada. Three songs off that initial release would end up on a mix… which for one single Christmas compilation, is pretty much incredible. Now Ho! Ho! Ho! Canada is nearly a teenager, with their twelth volume having dropped this week. This year’s offering does not disappoint, with so many excellent songs that I am hesitant to single out any, for to do so is to rank one over another… and I just haven’t lived with it enough to be completely sure that these are my favorites. However, into the fray I go with my highlights off, as we look at this latest edition, Ho! Ho! Ho! Canada Volume XII!

The Acorn was on Ho! Ho! Ho! Canada’s debut volume with their beautiful track “Snowfall”, which also ended up on my 2010 Christmas mix, Write About Xmas! Thus, I was quite excited to see them on here again. Their latest seasonal song, “Skipping Stones,” features Jazmine Wykes on vocal harmony as well as a murderer’s row of players – Sylvie Smith (Evening Hymns/ Habitat), Joseph Shabason (Destroyer/Diana), and Jon Hynes (Kathleen Edwards). The song is not explicitly seasonal, as it is more evocative of the moment the song was written – a decade ago, writing about a loss on the precipice of the holidays. So, it would most certainly be a stretch for a mix, but it is a beautiful, melancholy song that I couldn’t ignore.

The absolute best first 15 seconds on this comp belong to one-time The Burning Hell and Evening Hymns member Michael C. Duguay‘s “Yankee Swap.” That bass saxophone vibrates everything inside you in the best possible way. The song runs off from there and slowly works into this complicated, emotional story, whose tension is broken by that big, beautiful chorus. Loved this song so much, and is most certainly one to go read the liner notes of; Reading the liner notes gives even more context and the song feels so much more powerful when you get the whole story behind the artist who made it.

Kristian Noel Pedersen is an alternative Christmas stalwart, having also released his twelfth-holiday record, A Kristian Kinda Christmas XII (out now!!), this year. That number is actually a little deceptive, as he has also released an entire cover record of Hanson’s Snowed In as well… so he’s working on 13 at least. Kristian often has a song on the HHHC comp, but this year’s, “Everything’s The Same Except It Isn’t,” may be my favorite of the bunch. This is a COVID-Christmas song, but without the overt references, which gives it a shelflife beyond this year (which I greatly appreciate). The shimmering indiepop guitars, the jingle bells and Kristian’s soft, thoughtful voice make this song feel both personal and universal – kinda sneaking under your skin as if you had thought of it yourself.

I am most surprised by how much I enjoyed this ambient track by Droni Mitchell (AKA NNGM). “Teach Your Feet To Fly” was inspired by Joni Mitchell’s classic “River,” but they decided to cover the ideas in the song, rather than the song itself. The skates over the (what sounds to me as) cello lines play beautifully off each other, with a reference to the “Jingle Bells” refrain tying the two songs together. I loved this bit from the liner notes: “In a difficult year when a lot of us have spent more time than ever stuck indoors, the idea of the freedom and gracefulness of being able to skate away on a frozen river under the open skies is definitely one that appeals.”

Those from Canada may be more familiar with this song, as it originally appeared on Inuk singer-songwriter Etulu Aningmiuq’s 2018, Juno and Polaris prize-nominated album, The Ballad of the Runaway Girl. Elisapie covers “Quanniuguma” (Inuktitut for “If I Were A Snowflake”) with the help of Beatrice Deer, as the percussive stings are trance-inducing, driving the song until the usual percussion instruments come in as reinforcement. The song almost explodes at 3:30, and by then, you are completely under its hypnotic spell. The liner notes are equally enlightening with this track (Did I tell you how much I appreciated those liner notes??? I am telling you again! They are really, really interesting!): “The lyrics of Quanniuguma speak to the idea of the freedom afforded by being a snowflake- the ability to be directed by nature and travel everywhere, with no worries about the future, certainly ideas that are at the foremost in a lot of minds in 2020.”

Vancouver’s Bookclub has the most on-the-nose sound and subject matter for what Mr. Christmas Underground is going to like. Synthy-indiepop Christmas with a nostalgic bent? That is like giving me a bag of chocolate-covered pretzels… I’m gonna eat that whole damn bag. Love the sound, dug the lyrics, and especially love the brevity. (I LOVE A QUICK CHRISTMAS SONG – leave them WANTING MORE.) Pure indiepop perfection that will be part of the Kingfisher Bluez Charity Christmas Village collection. Pick up the 7″ and help support 1-800-SUICIDE and Crisis Center BC.

Those happen to be my favorites for the moment, but I don’t need to remind you, art is subjective and I am by no means the only judge. So grab this for yourself, dive into those liner notes, and I’m sure you’ll find some other gem in here that I’ve passed over. Why not add it to the comments?? Let me know what you loved! I love comments!!

Bottom Line: Twelve years in and going strong as ever, the beloved Ho! Ho! Ho! Canada Volume XII is once again a wonderful snapshot of Canada’s indie music scene.

LISTEN

Lost Map Christmas Card Compilation (2020)

Lost Map Records
Buy:
Bandcamp

Ever since I first discovered Kid Canaveral about five years ago, Lost Map has been a label that I continue to obsess over. I covet their Visitations series, as well as nearly every release they put out – they just have excellent taste in music (and their graphic design is phenomenal too – RESPECT!) and I wish I had all the money in the world to buy everything and then pay the shipping to the States. International shipping is just a killer, and keeps on record blocking me… I shake my fist at you shipping costs! Thankfully their postcards do not cost as much to ship, as I have partaken in a limited-edition Pictish Trail Christmas postcard in the past. That is a deep cut that I relished putting on last year’s Christmas mix. This year was even better, with a full Christmas compilation postcard from our Scottish friends! So, you buy the postcard (or simply, the digital download) and you get nine tracks from Lost Map bands. First off, you may notice the similarity between three tracks, all with the same title, “I Remember Xmas.” This song may even SOUND familiar to longtime readers of the blog, as I covered it back during the song’s first incarnation, as performed by Marble Gods. Marble Gods soon became Happy Spendy, and Happy Spendy’s woodwind wing, Happy Clarinetty, grabbed the song as well. Thus the compilation features THREE versions of the same great song! I’m totally OK with this, as obviously, I’m a fan of the song. The Happy Clarinetty is, as you might imagine, the most sonically distinct of the three, and a welcome addition.

A.R. Pinewood features quite heavily on this release with three songs on the record… and while I would like to give you some background on him as well, I’m just going to defer to the press release:

A.R. Pinewood is the heartbroken cyber-cowboy you’ve been dreaming of. Fully loaded with a baseline encyclopaedia of American musical influences from Abner Jay to Woody Guthrie and Buckweat Zydeco, built with a harmonica for an oesophagus, a pitch-perfect auto-tuned voice, double-denim as standard and a strangely human heart, this machine writes classics, every time.

This cyber-cowboy indeed does write classics, every time, as my favorite track off an already fantastic record is the beautiful “Tis the Season.” The pitch modification on A.R.’s tracks is initially sonically curious, but I quickly settled in to the lyrics: “Tis the season for lovesick fools.” That is one incredible line. A.R.’s cover of “Silent Night” is solid, with his vocal tweaks being the most interesting aspect of the performance until his lonely guitar is joined by a heavenly host of additional voices and instrumental colors. The song most certainly gets better as it progresses, just as a song should – especially one you already know so well. A.R.’s final contribution is the groovy “This Year,” with its’ big, singalong chorus, it is most certainly a crowd-pleaser. Three great tracks, but what more can you expect – he was programmed to do this!

Friends of the Guinness jump in the mix with two tracks, and you might be asking – who the heck are these people? I googled ’em and came up with NOTHING. Well, they are a new supergroup! Martha Ffion and Eimear from Happy Spendy, accompanied by Romeo Taylor, Craig and Beth from Savage Mansion and Ryan from Catholic Action have joined forces for this Google-challenged band, and these two tracks are their first releases. This band really knows their way around a chorus, which is that most addictive of musical drugs. “Ciara” is a snowy tale of lost love with a catchy chorus that almost tricks you into thinking you’re singing a happy song. “Town for Tomorrow” begins with this classic sound, but the keyboard melody snaps the song out of the past. I found the song is best experienced loud, so when those big chords of the chorus hit, they overwhelm. What a fantastic introduction to this new band, and I can’t wait to see what they do next.

Last, but certainly not least, London’s Fell has created this incredible dayglow indiepop Christmas song that is bound to move your ass. This song shimmers, but the music doesn’t overwhelm the lyrics, which include some incredible lines like “You know you’ve only come to get drunk on a memory.” Incredible from top to bottom, start to finish, Fell’s “Fear of Christmas” is indiepop perfection.

Lost Map has nailed it. Pick up 2 postcards and send them to a friend, and even better… subscribe to the Postmap Club!

Bottom Line: Rarely do I tackle an entire compilation, but this one was too good to pass up.

LISTEN

Jeff Hulett “Know by Now” (2020)

Small Batch Records
Buy:
Bandcamp (NYOP)

Memphis’ Jeff Hulett has popped up on one other excellent Christmas comp that I know of (Oh Holy Crap: A Very Makeshift Christmas – which I may feature at some point too… I mean, that Star and Micey song!), but it but his latest, the original “Know by Now,” that deserves a few inches of solo coverage. “Know by Now” is most certainly my favorite track off the new Small Batch Records’ Spiked Nog: A Small Batch Holiday Compilation. The laid-back stroll of this song paints such peaceful images, both lyrically and in the bits of musical color added to the rhythmic bed of the song. I just want to have a fire on, a great beer in my hand and have this on the radio. Hell, I kinda want the the radio to be just that little bit shitty, to create a bit more ambiance. Yeah…

While I’m not tackling the entire compilation (I am in the midst of Christmas mix production!), there are certainly a few more solid tracks on there. Pick up the whole thing and throw them a few bucks so they make another!

Bottom Line: Just a beautiful tune. There’s even a barking dog in it… oh doggo, you did great.

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Christmas Aguilera “Why Can’t I Go To Sleep” (2020)

Self Released
Buy:
Bandcamp | Bandcamp (Full Album)

There are a few bands who this blog is pretty much wholly devoted to, and Christmas Aguilera is one. I have yet to miss a post on a release, and as long as they continue to record them, I’ll continue to write about them. They can hit you with something that makes you smile, something that make you cry, or fucking both! This year they’ve got a few things up their sleeves, but we’ll concentrate on the new song first. “Why Can’t I Go To Sleep” is actually a song that they wrote around the time of their first EP, the self-titled Christmas Aguilera. Played live but never recorded, the band rediscovered it amongst some bedroom recordings, and decided to give it a go. COVID being what it is, the extra time afforded some more collaboration – a guest drummer, a bass player and a choir of friends joined the effort. The recordings were passed around and each person added their part, until we have this beautiful, choral mantra to open the song, “Go to sleep / Why Can’t I / Go to sleep / Sheep counting / Go to sleep / Why Can’t I / Go to sleep.” Then, the tension of the mantra breaks and the song bursts open. You can feel the joy and love in this song, as the voices raise and the shouts go up. You get the feeling that the collaborative production of the track was a pressure release valve. To participate in this song was to press play on a world that has been perpetually paused… a light at the end of the tunnel. The excitement of Christmas, and of the future, comes through beautifully, and is just what I needed.

Christmas Aguilera have something else up their sleeve this year – they are finally going to be on all those fancy streaming services. I know most of you are on Spotify, and so am I, but I gotta say – I’m seriously considering Tidal because it pays artists more. I’m pretty invested in Spotify, but maybe we’re a two-streaming service family for a bit? I could get the family on board… give Tidal a run… and help all those people whose music I love buy dinner, pay for a kid’s college, etc. You know I don’t post many streaming links here – it takes 1500 streams to equal one song (Billboard) – but the convenience is unavoidable. I encourage you to buy the song. I want you to buy records (I bought 3 today), buy t-shirts and buy livestream tickets. Think about how great it feels to be told you did a good job! That is what buying someone’s record feels like to them – it is validation for their hard work and worth as an artist! SHOW YOU LOVE THEM, don’t just tell them. Oh yeah, I started this paragraph by saying that the entire Christmas Aguilera catalog is going to be on streaming. This is wonderful, and please help spread their music – AFTER you purchase it on Bandcamp and help support Shelter, a UK charity that aids the homeless, because that is who Christmas Aguilera continues to support with all their proceeds. This is a year like no other to think of the less fortunate… so let’s not just think, let’s do.

Bottom Line: Christmas Aguilera pull a treasure out of the closet and wow us once more.

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UPCOMING: Lost Christmas: A Festive Memphis Industries Selection Box (2020)

Memphis Industries
Buy:
Bandcamp | Banquet Records | Norman Records | Piccadilly Records | Jumbo Records | Rough Trade UK

Last year I found myself stressing out, trying to get a shot at one of those Field Music Christmas 7-inches that were at the Independent Label Fair in London. Tweeting back and forth, seeing what connections I could muster… but alas… it was not to be. They hinted that it would have a proper release this year, so…. I waited, and Lost Christmas: A Festive Memphis Industries Selection Box will be waiting under the tree for me (once I buy it). I haven’t heard much off this record, with exception of the Francis Lung track which I reviewed last year. A track or two has been previously out there in some fashion (Field Music and Cornshed Sisters) from off the top of my head), but there do appear to be some new tracks here for sure. If you are really, really curious, you can go digging on each band’s twitter feed, and you are bound to bump in to some 15 second samples of these songs. That Rachael Dadd track sounds bbbeeeeauuuuttttiiiifffuuullll.

Lost Christmas: A Memphis Industries Festive Selection Box (Release Date: December 4)
1. Field Music – Home For Christmas
2. Haley – Like Ice and Cold
3. Warm Digits – Good Enough For You This Christmas
4. Rachael Dadd (with Rozi Plain and Kate Stables) – We Build Our Houses Well
5. Stats – Christmas Without You
6. The Phoenix Foundation – Have Yourself a Merry Little Christmas
7. Francis Lung – To Make Angels In Snow
8. Jesca Hoop – White Winter Hymnal
9. The Go! Team – Look Outside (A New Year’s Coming)
10. The Cornshed Sisters – Have a Good Christmas Time

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Fowler VW presents A Blackwatch Christmas Vol. IX: Christmas in Color (2019)

Fowler VW/Blackwatch Studios
Buy:
 Bandcamp (NYOP)

What more can you say? Nobody does it like this Fowler VW/Blackwatch Studios crew. For nine years now, they have released the most consistently-wonderful Christmas compilation out there. The quality of their releases makes you marvel at how it is humanly possible to achieve. Well… this year… I asked.

a bunch of records and a record player
The profile pic from their Bandcamp page is basically the indie Christmas vinyl holy grail.

The project began with Fowler Volkswagon owner Jonathan Fowler and his friend/marketing partner Mary Ann Osko. They were kicking around ideas for how to tie the recently-opened Fowler VW  to the arts community in Norman, Oklahoma. A number of ideas were floated until a Christmas record was settled upon, as Jonathan and Mary Ann were into Christmas music, and Jonathan’s wife was a Christmas vinyl collector. It was in this convergence of interests that the first and only yearly, underground Christmas compilation that is pressed on vinyl was born. They initially began working with Chris Harris at Echo Sound, releasing the first compilation, Checking it Twice – The 2010 Nice People Holiday Companion (Seen in the photo on the right! That record is fantastic!). The project moved over to Blackwatch in 2011, as Fowler imagined moving the record around to various studios in the area, but the 2011 edition (and first dual-branded edition), Fowler Volkswagon presents A Blackwatch Christmas, was such a success that it just kinda stuck.


Of note, that first compilation in 2010 features Norman, Oklahoma’s Samantha Crain, who also contributed the spellbinding cover of John Denver’s “Christmas for Cowboys” on this year’s album.

I was definitely curious about the process of putting this thing together. How do they get these bands to contribute? How can they be sure that the songs they get will be any good? Blackwatch producer/engineer/musician Jarod Evans was very helpful in explaining the behind-the-scenes nuts and bolts of the whole project. Fowler and Blackwatch will often start mapping out the record in February, sometimes with a concept in mind (A Blackwatch Christmas Vol III (Holly​-​Tonk & Jingle Beats)), but more often than not, the theme comes together as the tracks and artwork are being finalized. While the compilation has broadened its pool of bands to include many wonderful, in and out-of-state bands, their heart remains in Norman. “The local music community in Norman is filled with lots and lots of old, close friends,” Evans says. “There’s always a deep Rolodex of friends of the studio to call upon.” The approach to what song they’ll record, or how they’ll go about it, is quite fluid. “Sometimes we ask artists to write a song in advance, then bring it in to record,” says Evans. “Other times, we invite artists to just come in with an open mind so we can write and develop something together.” Jarod and his Blackwatch partner, musician/producer/engineer Chad Copelin, will also take the opportunity to write a song, then call someone in to sing or help write lyrics over the track; It turns out there are many ways to skin a cat or write a Christmas song. The loose, varied approach perfectly highlights the important main thread running through this whole endeavor, the taste level that Blackwatch brings to the table. Christmas compilations are notoriously spotty in quality, and there has not been a dud in this bunch. From the planning and production, to the vinyl pressing and the release party, the sheer amount of work and dedication the Folwer and Blackwatch team have to put this record out every year is just astounding. These records are a beautiful distillation of their love of art, music, Christmas, and Norman, Oklahoma. It is truly inspiring.

The 2019 edition, Christmas in Color, is yet another triumph. I am not one to go track-by-track, and I’m not going to start now… too much to live up to with too little time! However, I’m going to pull out a few of my favorites – and please know… the entire record is great, and taste is subjective! You will probably love a song I didn’t write about. So here it goes!

Right out of the gate, Oklahoma City’s LCG & the X unleash the best version of “Last Christmas” that I have heard this year. There are only a few versions of this Wham! classic that I consider listenable, let alone truly love… and they managed to do it with their DETAILS. Created in concert with producer Jarod Evans, the song’s beat becomes funky, with added electro-pop flourishes and what sounds like bongos(?) bouncing around in the background. I am on board for this madness.

After grooving to that amazing “Last Christmas” cover, did I think I would fall in love with a melancholy slow jam? No. However, San Francisco’s Mini Trees, you got me immediately me with those saxophones. The fluttering brass lines have this quality that raises the hair on the back of your neck – a perfect mixture of beauty, unexpectedness, and comfort. There are some great lines in here too, my favorite being, “I know at times it feels foolish / but we all need something to believe.” Capturing a large idea simply is one of the toughest things to do, and Mini Dresses nails it.

Husbands (Yes, THAT Husbands!) are making their Fowler/Blackwatch debut (maybe? They might be in one of the “fake” bands… dunno!) with a truly 100%-pure Husbands’ track, “Santa is a Lie.” Their sonic landscape and wry sense of humor have always made them truly distinctive in the alt-Christmas universe, and this dream-pop dirge is a perfect example of what they do best.

The second appearance of the John Denver “Christmas for Cowboys” is a completely different affair from the synth-driven The Good Tidings version. Samantha Crain‘s version conveys an otherworldly, emotional quality. From the white noise ambiance of an old recording to Samantha’s phrasing of the familiar lyrics, she transforms this song to another time. You’re immersed in how much they love their place on the range; It no longer feels like a song, but a life. Samantha is channeling something here.

There is so much more on this record, from the sexy fun of Colourmusic’s “Christmas Dreams,” to the wordplay of Jake Tittle‘s “Captain Morgan” and the timelessness of Twigg’s “Meltin with You,” this is the best Fowler VW & Blackwatch compilation yet. There is not one skippable track on here… and that is nearly unheard of in the world of Christmas compilations.

Bottom Line: The view from way up on top of the mountain must be pretty great for Fowler VW and Blackwatch, because they’ve been building a beautiful place up there at the top of the indie Christmas world.

LISTEN

 

Brittain Ashford & Matt Bauer “Tinsel and Snow” (2018)

Commodore Trotter / Ball of Wax Audio Quarterly
Buy: Bandcamp

I am not the kind of blogger who seeks out a great voice. So many of my favorite singers couldn’t sing (How I miss David Berman), but even I can still fall for a voice. Ball of Wax Audio Quarterly is a fantastic blog and music-compiler based in Seattle, and their most recent release is Ball of Wax 58: The Ball of Wax Winter Spectacular, featuring this truly beautiful song by Brittain Ashford & Matt Bauer. Honestly, I’m having a tough time describing Brittain’s voice in a better manner than Ball of Wax did:

The teller of this tale is Broadway star and thematic alchemist* Brittain Ashford. With a voice that balances diaphragmatic force with childlike vulnerability, Ashford paints the sort of holiday portrait that those of us who suffer from melancholy particularly this time of year can appreciate and empathize with, and what’s more—what we need most during the dark season—she infuses every line with a tattered but palpable hope.

This song was almost too pretty for me… but those distinctive qualities of Brittain’s vocal delivery were undeniable. The music is also quite lovely, but after learning of composer Matt Bauer‘s folk and banjo background, I am SO intrigued to hear a version with banjo. Damn that could be cool.

Edit: Turns out this song was initially released in 2018 on an EP, Tinsel and Snow & Other Mid-Winter Missives. Go check it out!

Bottom Line: Like Messi’s “Charlamagne,” this song is defined by a beautiful and distinctive voice.

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A Very Cherry Christmas 14 (2019)

Cherryade Records
Buy: Bandcamp

So, do you fancy yourself a collector of underground Christmas records? If you are like me, and began this extremely hip search back when Yahoo still ruled the internet and Facebook was but a baby website only opened to ivy leaguers… well then you’ve been a fan of this CD-only (physical media!) collection of the scrappiest, kookiest, raunchiest, and indiepoppiest Christmas songs available. The latest edition of A Very Cherry Christmas has great tracks by some folks I’ve previously showered with adoration (Frank Sexuality and the Negative Emotions, A Mild Peril), as well as some great songs from bands I’m just getting accustomed with (Jacqui and Geoff, Ballard). There is something for everyone – from the hilarious “What If Santa Claus Is Just 20 Ferrets In A Red Suit” to an exuberant satirization of consumerism with “Consume! Consume! Consume!” So take out your credit card (or your Paypal password), and celebrate the patron saint of buying shit… and fucking buy it! (Grab the few copies of older releases that are still available too!)

Bottom Line: A tradition for all the misfits, one to be celebrated and feared! ONLY 200 COPIES! You are warned.

 

 

UPCOMING: You Wish (A Merge Records Holiday Album) (2019)

Merge Records
Buy: Discogs | Bandcamp

You leave town for the weekend and everything blows up. This record is probably going to be all over Stereogum in a matter of minutes (as that is where all the bigger indie labels seem to go), but for now, let’s talk about this upcoming Merge Records holiday record! Merge is celebrating their 30th year, and with that they started a celebration subscription at the beginning of the year. I was one of the ones who decided to party along with them, and boy am I glad I did. Over the weekend I received this amazing, unannounced, Christmas record from one of my favorite labels, You Wish (A Merge Records Holiday Album). Pressed on peppermint vinyl and containing tracks by a couple folks who have already made a CU Xmas mix (Coco Hames, The Essex Green, Mac McCaughan and Telekinesis), as well as many that I hope might make it this year! These full-length releases always take longer to write about, and I get antsy, so let this post and the tracklist just be that little teaser for the upcoming review, hopefully coming sometime this week if I’m lucky.

Of note – there are a few copies on Discogs right now, and while it is subscription-only, Merge has been making their 30th anniversary records available in indie record stores on standard black vinyl. As for digital, it will probably come out on all the usual services, since their last release (Arcade Fire’s Neon Bible covered by A Giant Dog) is available digitally.

A1. Coco Hames – Keep Your Christmas
A2. The Essex Green – Green Christmas
A3. Mike Krol – Won’t Be Alone Tonight
A4. Mac McCaughan & Annie Hayden – Down We Go (Sledding Song)
A5. Fruit Bats – Baby In The Hay
A6. Apex Manor – White Christmas
A7. William Tyler – Jesus Christ
B1. Hiss Golden Messenger & Lucinda Williams – Christmastime In Prison
B2. Eric Bachmann – I Was Made For Losing You
B3. Telekinesis – Christmas Time Is Here (Uh Oh)
B4. Mikal Cronin – Christmastime Heist
B5. Will Butler – Love Asked Me To Stay
B6. Tracyanne & Danny – Santa, Don’t Say No
B7. Shout Out Louds – Blue Christmas

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Fowler VW presents A Blackwatch Christmas Vol. VIII: The Sounds of the Season (2018) + WIN SOME VINYL!

Fowler VW/Blackwatch Studios
Buy:
Bandcamp (NYOP)

This season has been… long. I’ve been working until 9:30 a bunch, and still have things like laundry, dishes and the various domestic duties that we do as we strive not to look like a hoarder. I’m beginning to see the sun, or normalcy at the very least. And as those clouds part, I begin to catch up… and I have the pleasure of basking in the ALWAYS excellent Fowler VW and Blackwatch Studios release! The Sounds of the Season is their best one yet – and that is a high bar to clear. And you know what, there isn’t a version of “Have Yourself a Merry Little Christmas” anywhere to be found! These are originals! Now, lets talk favorites… WAIT A SECOND – I LIKE THIS WHOLE THING! From the 70s groove of Sports, to Home Alone-inspired indiepop of Chair Model and the relaxed indie rock of Spaceface featuring LABRYS – this record will take your party to wonderful places. There are a whole handful of tracks on here that I have on my shortlist for next year… this record is fantastic.

BUT WAIT – THERE IS MORE! I live in Virginia, but continually find myself jealous of everything going on in Norman, Oklahoma. Fowler VW and its ownership are incredibly involved in making their town a better place, often taking part in efforts to help fund the public schools, as well as being great patrons of the arts in their community. This holiday season, I’ve been watching them promote Wrap Up Homelessness. This program sells locally designed wrapping paper, and is coordinated by the Curbside Chronicle, which is a street paper that “provides employment and empowerment to men and women transitioning out of homelessness.” Last year they helped get 41 people off the street and back into housing, which is pretty damn incredible. You know what else is incredible? There is some wrapping paper designed by Wayne Coyne from the Flaming Lips! So, you know that paper is crazy awesome! I would like to take this moment and encourage you to order some paper, or simply donate some money to this fantastic cause. Fowler VW does so much for their local community, but they also do so, so much for our alternative Christmas music community as well. As an added bonus, if you order some wrapping paper or donate to Curbside Chronicle, then tweet me, FB me, or e-mail proof that you did (screenshot will do!), you will be entered to win a copy of THE SOUNDS OF THE SEASON on VINYL! I’ve got a couple copies sitting here for you… so lets all show some Christmas spirit, help those in need and give thanks to those who bring us this great music year after year.

THE FINE PRINT: I got these LPs a little later than I had hoped, as the mail lost the first shipment, so they are likely not going to get to you by Christmas. BUT YOU CAN JAME TO THIS 1) Whenever OR 2) NEXT CHRISTMAS! This contest will run from Dec. 17-21, and you can email me at christmasunderground(at)gmail.com, tweet at me @xmasunderground, or comment on the Facebook post for this entry. Please use the hashtage #fowlervwisawesome whenever entering, either in your tweet/FB post or email subject line. I will choose a few folks at random, and ship you some records. UNFORTUNATELY, this offer is NOT open to our international friends. It costs about $24 to ship ONE LP outside the country. I’m terribly sorry… I just can’t afford to do it.

Bottom Line: I love a record you can enjoy all the way through. Fowler VW and Blackwatch Studio continue this glorious tradition, and somehow keep getting better!

LISTEN