Well here we go! This one will make all the media rounds no doubt, as Josh Rouse has a large back catalog and fans that span 20+ years. I remember getting that Dressed up Like Nebraska cassette promo single was back when I was but a boy. That first record was great. Josh’s second, Home, is a modern classic record (for me). 1972 was a risk that paid off beautifully. Find a copy of Bedroom Classics Vol. 1 and you will be treated to “Michigan,” which is an incredible, incredible song. I don’t want to go into this with the level of expectation that I might… as I haven’t been quite on the Josh Rouse train for a number of records. But here I am… likely to buy the double-vinyl edition. The first pressing of the CD/Vinyl comes with an extra disc featuring 3 bonus tracks, and 3 demo versions of songs found on the record. So… if you are considering this record, the first pressing is by far the way to go.
Bottom Line: Click and buy. It’ll be better than most Christmas records, and could possibly be great.
For those bands out there who want to write a Christmas song, but don’t know where to begin – let me pose two options for you. The first would be found in Bossy Love’s reinterpretation of the Waitresses’ “Christmas Wrapping,” where they updated the song to be more of-the-moment. The second approach would be to write a response song. A good example of this approach can be found in Stephen Solo‘s “War is Never Over (Even if you want it).” Back in 2015, the British had begun participating in airstrikes in Syria, and from Stephen’s perspective back in Glasgow… beginning a new chapter of an unending war. So, he took his phone (as he does) and recorded this brutal condemnation of the action, hung on the frame of John Lennon’s “Happy Xmas (War is Over).”
“Let the Big Ben bells ring out for bombs this Christmas / the only peace we’ll get this year is pieces of skulls and baby bones. / War is never over even if you want it.”
Stark indeed. Extremely well-produced, yet tough to listen to, as you are forced to reflect on what violence means to you when it happens so far away.
Bottom Line: Stephen Solo’s “Christmas” song will likely feel quite contemporary, renewed by humanity’s skillful violence, for many years to come.
“Christmas Eve / When everything is magical and desperate.” That might be my favorite line of the year. Wollongong, Australia’s Kay Proudlove has written a cracker of a song in “Giftcard.” This one really comes down to the lyrics for me. Not only is that brilliant line featured prominently in this song, but I am loving the sentiment in this verse as well:
We do the same thing every year
And I won’t be caught out this time, I’ll be more prepared
I’ll make something they’ll actually want, they’ll actually use
But I know it’s just a ruse
Cause everybody’s getting giftcards again
Surprise, it’s a giftcard
Just what you wanted
We have all been caught out before, and Kay just has the guts to sing about it.
Bottom Line: A brilliant approach, with equally excellent execution. Kay’s got some serious songwriting chops.
THEY ARE BACK! Sheffield’s Delicious Clam Records is back with Vol. 3, and while it is a brisk 2-track affair, wow are they fantastic! The first track by Thee Mightees, “Christmas Song,” is a stone-cold mix-worthy indie rock classic. The groove is infections, and the lyrics are brilliant: “I hate Christmas rock n roll / Shane MacGowan and Kristy MacColl / I hate Jesus / I hate Chuck Berry / I hate Santa and his big fat belly.” HA! Wizzard, Slade, Paul McCartney, Band Aid amongst others, also get a serving of shade. It is a TON of fun.
The second track by Five Leaf Nettles, “Moonwalk in the Snow,” is a gorgeous, simple guitar and vocals song. The lyrics are nostalgic, touching, and the perfect foil to the wonderfully bitter lead track. “If I can’t walk backwards, then I don’t wanna go.”
John Mark Nelson is a songwriter and producer working in Saint Paul, Minnesota, and believe it or not, he released this track 2 weeks ago. Thankfully Christmas A Go Go found it and DM’ed it to me… as he must have figured I’d dig it. Now, here we are! “The One Time of Year” highlights what is becoming a common theme this year – as the need for the quite calm of Christmas, highlighting the simple bonds between us, is more needed in this time of tumult than in years past. The production is warm, sparse, and very evocative of Sufjan Stevens’ more contemplative work, such as the original recording (not the one you can buy) of “Christmas in the Room.” In a year of unexpectedly beautiful, hopeful, thoughtful songs, this one fits in quite nicely.
Bottom Line: Another tender song for a brutal year. Keep feeding me this medicine, and I might just get better.
Someday I’ll finish my mix… but in the meantime, maybe I’ll help you finish yours. Ariane Zita, an indie folk singer/songwriter from Montreal, has a Christmas advent calendar that is turning out to be quite lovely, Un Noël à Botch. The first track, “Christmas Can’t be Far Away,” is an Eddy Arnold cover, and TBH, not a song I was familiar with. Ariane’s voice is is beautiful, and her arrangement makes the song feel particularly intimate. The calendar continues in a similar fashion, each song building a soundtrack to that first snow.
Bottom Line: This is truly the season of beautiful songs, and Ariane Zita could very well put out more than everyone else combined…
Jens Lekman and Annika Norlin (Hello Saferide) set off on their Correspondence project at the beginning of this year, writing each other letters though song in an alternating fashion. I don’t recall specifically hoping that there would be a Christmas song, but that hope is my default position. My default hope has been fulfilled, and I am ecstatic that one has emerged in this, the final month of the project. It is Annika Norlin’s turn for a song, and boy does she deliver a finale. “CORRESPONDENCE: Silent Night” has Annika musing on the the two composers of the original “Silent Night,” and how they must have felt to create it, then for those around them to experience it for that first time. What a brilliant approach for a song – I’m already in and I might not have heard a note yet. Annika’s simple guitar melody propels her delicate voice through a series of vignettes, from the birth of the song, to its first performance, finally culminating in the famous Christmas truce of 1914. And while there are powerful moments such as that truce, there are also some moments of levity, as she wonders if that first crowd might have thought: “Well I like the older stuff better / They should do more upbeat tunes.” So terribly clever and moving in both approach and execution, this song has it all. Thanks to Jeremi for the tip!
Wow. British singer/songwriter Tom Rosenthal has crafted an epic Christmas song, “The Only Time I’m Home,” and you should probably grab a set of headphones. From the haunting, fluttering synths, to the lines “You know the drill / mom buys you socks / so she loves you still. / you’re lying if you can say / your heart is not home / you’re trying to slide out of view / but Christmas is you.” Truly a beautiful song, one that will make many a mix I’d imagine. Enjoy.
Bottom Line: “The Only Time I’m Home” slowly builds into one of the most beautiful songs of the season.
Phoebe Bridgers dazzled us last year with her beautiful rendition of “Have Yourself A Merry Little Christmas.” It truly was a highlight of the season, and in what appears to now be a seasonal tradition, Phoebe has returned, this time with Jackson Browne! Phoebe and Jackson have done what I desperately wish more bigger artists would do – cover smaller artists. “Christmas Song” was originally penned by Dan McCarthy of the band McCarthy Trenching. My dream is to help someone put together a Christmas record that, for the general public, would appear to be all originals. But the sneaky thing would be that most of them would be covers, killer, killer covers of amazing songs they had never heard. Phoebe – you are on the right track here.
One more thing – everyone is publishing the bit from the press release (I am much too small a blog to have them send it to me), and if this is your first exposure to the track, you need to read this too.
“McCarthy Trenching is singer/songwriter Dan McCarthy’s band. We played a show together in Omaha this last year. They named the band after the trenching company owned by Dan’s uncle so they could sell those t-shirts instead of having to make their own. The first time I heard this song it hit me like a ton of bricks. A lot of McCarthy Trenching songs do that. It’s not that often that I hear a Christmas song that doesn’t make me want to quit music. I played a show in L.A. around the holidays last year where I covered it for the first time. Jackson Browne was there, and he came up to me after the show to tell me how much he loved the song. A couple days later, Dan got a Bandcamp notification on his desktop computer that someone paid 50 bucks for his record and wrote a nice note and signed it Jackson Browne. He thought someone was fucking with him. So when I decided to record a version of the song, I knew who I wanted to sing on it. Plus, I have wanted to make music with Jackson as long as I’ve wanted to make music.”
How damn cool is that?!
Bottom Line: This song surpasses last year’s, and suggests that we might have many more years of incredible Christmas covers from Phoebe + Crew. Hell, I’m down with her teaming up with Jackson on every single one – they sound spectacular together.
I haven’t given you all much this week. It might be a light season over here at CU, as work is nuts. HOWEVER, I can take 2 minutes to let you know that Richard Walters, who released the spectacular “The First Snow in Years” last year, has just released a true-blue Christmas single, “Lights On.” It is absolutely beautiful. “Oh when I woke / my body spoke of / dreams beyond my thinking.” I could pretty much pick any line and you would would be impressed. You’ll probably want to buy this one.
Bottom Line: Richard Walters’ latest is pure beauty.