Kristian Noel Pedersen – Saul McCartney’s Magical Holiday Season (AKKCXIV) (2022)

Self Released
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A quick search for “Guinness book of world records most Christmas songs” comes up with the usual results – mainly that Bing Crosby’s performance of “White Christmas” is the biggest selling single of all time. There is not a record for MOST Christmas songs yet… though if there is (and there should be), Kristian Noel Pederson will have a shot at it. In what is his 14th record of original Christmas songs (not including the Hanson’s Snowed In cover record), Saul McCartney’s Magical Holiday Season is a triumph. A concept record that follows an alternate-universe pop star from the 60’s starting anew with a solo career, this record feels joyful and light. Perhaps this is the freedom of writing from a wholly new perspective outside of yourself? I’m not in Kristian’s mind… yet. There are so many wonderful moments on this record, but as I start thinking about which one to talk about, I realize that I’m gravitating to all the horn parts. The use of brass on this record is just perfection – it is that final seasoning on your Christmas meal that makes you sit up and take note… creates those neural connections that will make you talk about that meal for years to come. I’m in the midst of “I Hope it Snows Tonight” for the third time, delighting in every moment- horns, guitars, the whole damn thing. Please listen to this record – it is an absolute joy.

Bottom Line: A Kristian Noel Pederson record is always one to look forward to, and this has to be my favorite yet. I would buy this on vinyl – 100%

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I’m going to post a bunch of single tracks, then the whole thing so that they aggregate in the Hype Machine. There is a method to the madness below.

The Ornaments “A Cold Wind” (2022)

Folkmonger Records
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A seasonal staple here on Christmas Underground, this year The Ornaments (Mike Behrends and Lance Owens) cut a hole in the wall and let us hear this exchange in what might be their most devastating Christmas song yet… and they’ve sung about a holiday plane crash before. We get to observe these people, then imagine the aftermath… the emotional shrapnel… you are desperate to delete that message for him. Oh lord, that was so well done and so heartbreaking.

Bottom Line: The Ornaments paint these tiny canvases that always leave you wondering what lies outside the frame. Keep them wanting more… or fearing more, I’d imagine.

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OK Pal presents Now Prancer! (2022)

OK Pal
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I’ve been waiting on this one with bated breath ever since Christmas Underground favorite Virgin of the Birds hipped me to its existence. Scotland’s OK Pal Records is taking a stab at their first holiday compilation with Now Prancer!, compiling their roster of Scottish artists alongside far-flung friends, with 50% of the proceeds going to charity. The quality of this compilation is quite impressive, as I thoroughly enjoyed it twice now. However, I am not one to go track-for-track on any record, largely because of time constraints and partially out of the sheer terror of the blank page. Thus, I’ll pull out a few here to chat about. You listen to the rest!

Brightonian singer/songwriter music​+​magic gives us the funny, clever and poignant “Christmas Number One,” who travels through time and space to ponder Jesus through LSD, an agnostic substitute teacher, a retail park nativity scene, and ancient pagans. I think about that kind of stuff a lot too – how unnecessary actual Jesus might be to our living a good life, as all these things are going on within us that help us live a good live and have a deeper connection with the universe. Love that this song made me ponder this again…

Hailey Beavis‘ “Snow” has me returning to another thought I often have – how great it would be for these huge artists to not cover the same old same old, and cover some of the incredible songs I try to write about here. Not every song is a good fit, and I get that, but there are so many that would work incredibly well on a contemporary Christmas record, and this beauty by Hailey Beavis is most certainly one. Put this on a Dolly Parton Christmas record and let Hailey pay rent for a year. Sound good, universe?

I remember my fellow record store clerks listening to Baltimore’s Viking MosesCrosses allllll the time back when I worked at a shop in Roanoke, VA. I’ve been a fan for years, and Brendon does a wonderful job covering Roger Miller’s “Old Toy Trains.” This is one of those old songs I haven’t gotten sick of yet… perhaps because it is so short & sweet!

San Francisco’s Virgin of the Birds is always going to deliver you some wordy goodness, and “Christmas for the Confessor” most certainly satisfies. However, it is those MIDI flourishes that have captured my attention. Somehow these electronic tones play against type and create this warm musical cocoon. Just beautiful.

Of course, there are seven more tracks on here, but as promised earlier, I aim to disappoint! So I’m giving you work – go listen to this comp and you may find yourself captivated by the beautiful traditional folk of Hildegard Von Cubase’s “Coventry Carol,” the beautiful spoken word of Arum Sood & Hank Tree’s “Song for Baby T,” or the snowy drones of Hardsparrow’s “Voice of an Angle,” which is “about geometry and spiders and hearing voices in the snow.” So get in there and see what’s up!

Bottom Line: The Scots (and friends) have finally shown up in force this season, delivering a great lineup and a very solid compilation!

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The Magnetic Fields “Have You Seen It in the Snow?” (2017)

Merge
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As The Magnetic Fields are one of the bigger indie bands out there, and thus I am not going to be giving much background as to who they are… look them up if you are unfamiliar, and bask in their classic 69 Love Songs. I’m genuinely jealous of those who have no clue who they are and have the opportunity to listen to them for the first time. There are a number of excellent Magnetic Fields’ holiday-esque songs… “Everything is One Big Christmas Tree” may be the one I see most on playlists. Somewhat overlooked is the absolutely lovely “Have You Seen It in the Snow?” off of 2017’s 50 Song Memoir. Let’s change that.

Bottom Line: Have you read Christmas Underground in the snow? Bet it is as pretty as New York, which I can attest is quite lovely with a dash (not a TON) of snow, and Stephin Merritt paints a beautiful picture here.

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Julie Byrne “Holiday” (2012)

Julie Byrne "Faster or Greener than Now"

Orindal Records
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Bandcamp | Discogs (vinyl)

My pockets are overflowing with wonderful female vocalists singing soft holiday songs. This is both a wonderful and a terrible position to be in, as I love these songs… but I have to vary the pace of my mix. I mentioned on Twitter that if anybody was looking to slow down and/or sadden up their mix, I’m your man… and here I go, offering advice that was never requested! This gorgeous single from 2012 by New York’s Julie Byrne is a perfect example of this, dare I say, a genre of incredible and incredibly sad folky female holiday-ish music. The quality of her voice and the imagery of her lyrics are strong enough to make you a lifelong fan, but you best be prepared to feel all the feels. The song as described on her Bandcamp: “‘Holiday’ recalls a New Year’s Eve in New York City, future plans made, and the fall-out of a fleeting romance…” So, hold this song close if you love that holiday melancholia, and run away if you ever had a similar experience and have PTSD from it.

Bottom Line: Everything about this song is gorgeous, but you have to be ready to love the beauty in the sadness.

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Chase Kerby “It’s Already Christmas” (2022)

Self Released
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Oklahoma City’s Chase Kerby is part of a whole crew of fantastic Christmas music-making folks including Beau Jennings, Husbands, and Samantha Crain amongst many others. I do miss those Fowler/Blackwatch compilations as well, though those came out of Norman (OKC’s close neighbor). Chase dropped a beautiful track back in 2019, “Angels in the Snow,” which was featured here, with typos of Chase’s last name and everything. So let’s say he already had a pretty good rep around these parts. Chase does not disappoint with this dreamy new song, “It’s Already Christmas.” I feel like I’m calling everything “dreamy” this year, but I don’t own a thesaurus and I never learned to read. That, and this is some dreamy-ass folk music. Those shimmering, descending melodies and layered vocals demand me to use the word dreamy – I don’t have a choice. The song also has a sentimental (but not corny) string to pull, best experienced in this beautiful chorus.

The snow on the street was the gift that we needed as kids
And the older we get the less that we feel like it is
But all I want for Christmas are the times that I have missed
Because time with you is a gift.

Once you hit a certain age, those songs about growing up hit harder… only makes sense. Chase handles this urge to reminisce well and doesn’t make me feel silly for joining him. Settle in and enjoy it.

Bottom Line: Yet another beautiful song from Chase Kerby as he helps continue to maintain Oklahoma City as one of a precious few (London, Montreal, Melbourne come to mind) hotspots of excellent Christmas music.

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Have Yourself a Merry Indie Christmas Vol. 1 & Vol. 2 (2022)

A Benefit for Crisis
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Bandcamp

I often think about what it would be like to be just now getting into this hobby of underground Christmas music mix-making. When I got in the game (18 years ago!), there wasn’t quite the wealth of indie rock/pop/alt.country/etc Christmas releases to hunt down. Bandcamp, the venue which I primarily exploit to find cool new songs, wasn’t founded until 2007, and it wasn’t until 2010 that I could have even embedded a track on a site like Christmas Underground. It is both exhilarating and terrifying to think about dipping my toes in for the first time in 2022… there is just so much to listen to – years and years of great songs to get through, let alone all the new releases that come out every year. Well, lucky for my imaginary self, as well as that very real person taking their first stab at making a cool Christmas mix, fellow weirdo Christmas music fan Kevin McGrath has created the perfect introduction to this niche of holiday music with the massive, expansive collection of 108 songs, Have Yourself a Merry Indie Christmas Vol. 1 & Vol. 2. This is like one of those The Greatest ________ Album in the World collections I used to bump into in the import sections of the 2000s – packing an absolute ton of the tracks you need to hear to fully get what has been going on. The sheer effort that it took to clear 108 songs is astounding, let alone the challenges of contacting bands that are no longer together, and there are some wonderful ones represented here, to which I’m delighted their musical legacy will persist. Readers of this site will find some familiar faces and names, such as Sweet Tempest, St. Lenox, Charlie’s Hand Movements, The Ornaments, Les Bicyclettes de Belsize, and many, many more.

Just know you are bound to discover a new classic or two that you’ve never bumped into before. Christmas Underground is a one-person shop, and I can’t and won’t be able to know every single cool indie Christmas song out there… as I’m currently sitting here listening to Volume 1, bobbing my head to a song I’ve never heard – and I love it. All this great music also benefits a great cause, Crisis, a UK charity that helps the homeless. So, while the suggested price for each massive collection is a mere £7/$8.50, just know that you don’t necessarily have to give only $8.50. Maybe make yourself a sandwich each day this week for lunch and give a bit more? This is the season of giving, and in a world where billionaires aren’t going to save us, we need to look out for each other.

Bottom Line: These two releases could fashion 3-4 years of indie Christmas mixes for your friends and family. It is an absolutely essential purchase for new and old collectors alike.

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Beau Jennings & the Tigers “Midnight Service” (2022)

Black Mesa Records
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Bandcamp | Apple Music | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

Beau Jennings wowed us all a few years back with his stunning Christmas LP, The Christmas Light, and we can all be thankful (it is nearly Thanksgiving!) that he took another stab at a seasonal song – because we all know it is going to be great. “Midnight Service” is a slow burn, with a simple, shimmering guitar line that flutters from ear-to-ear, a delicate flurry of musical snow to encase Beau’s “internal Christmas journey.” The song beautifully captures the transition between a child’s Christmas and an adult’s, and an embrace of something new. This is best captured in his last beautiful lines:

“Now I don’t worry anymore / about the kind of Christmas I knew before
I let it come and I let it go / like the northern wind or the falling snow.”

Bottom Line: This song is full of heart and beauty, and is a wonderful addition to Beau and Co.’s stellar seasonal catalog.

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Bjéar – A Christmas with Bj​é​ar and Friends Vol​.​1 & Vol. 2 (2022)

Terrazzo Recordings
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I am easily scared. Of what, you might ask? You appear to be a complete badass who eats nails for breakfast. Well… how wrong you are. I often look at full Christmas records and head for the hills. Write about more than one song?! The horror! Well… Adelaide, Australia’s Bjéar has not only challenged me to face my fears… but he is just rubbing it in by releasing two full records at the same time, A Christmas with Bjéar and Friends Vol. 1 & Vol. 2. I am accepting this challenge, as Bjéar has made it extremely easy for me… because these are great. Turns out that this massive outpouring of seasonal work has not been in the works for very long either. Bjéar had been thinking about putting out a Christmas record, but only truly began work on it in earnest this August, anticipating maybe one album or maybe just an EP. However, they just kept churning out arrangements and new songs until two records and 80 minutes later… the Bjéar Christmas opus. Grab some eggnog and let me pull out a few tracks for you to taste.

A mix of standards and originals, both records blend seamlessly from song to song making it an extremely easy listen. The standards are performed beautifully, with arrangements that will sound both familiar and refreshing. I particularly loved when Joy to the World busts open with a new melody provided by the brass section.

Some of the covers are barely what one might consider a cover. While some songs may contain all of the lyrics you are expecting, you may be surprised when a song just teases the source material. Such is the atmospheric world that surrounds Bjéar’s treatment of “Have Yourself a Merry Little Christmas,” which makes me think of what a Sigur Ros Christmas record might sound like – a beautiful mess that resolves into a few recognizable lines, that little slice of familiarity within the new, magical soundscape in front of you, and only one line from the song.

While I loved the classics, it is the originals where these records really take off. There are some excellent original instrumentals, of course, as I have previously been taken by Bjéar’s arrangement abilities in the past. However, I’d like to highlight “The Lights Came Down,” the first non-instrumental original on Vol. 1. There is an obvious beauty that lead singer Brea McKee and collaborator Ella Ion create when their voices intertwine; they are two voices meant to sing together. The song’s lyrics are far more explicitly religious than most songs I feature on this secular Christmas blog, but even this grinch can feel the spirit coming out of this song.

I don’t think I need to state the obvious comparison to Sufjan Stevens, but I must if only to say that the internet would be freaking out about this song had it been Sufjan’s. Frankly, both these records are front-to-back more listenable than any of Sufjan’s Christmas EPs, and I feel quite comfortable making that claim.

The curiously-titled “Christmas Eve, 1818,” is a beautiful reworking of “Silent Night,” which is also featured under its usual title on Vol. 2. The arrangement appears to be inspired by a 2017 version of “Silent Night” that Ella recorded, with more orchestration. The song begins as a showcase for Ella Ion’s voice, bare and beautiful, only to have it heighten and highlight the incredible emotional quality of her tone. It is downright astounding.

I just mentioned that Vol. 2 does indeed have a version of “Silent Night,” and the strings (likely provided by Frank Henry) and the brass section create the most exhilarating outro this song has ever had. There are many folks who contributed to these records, Frank Henry and Dan White amongst many additional instrumentalists, and we’re likely hearing a lot of them here.

I would be remissed if I were not to mention one more song, which would be yet another original featuring the vocals of both Brea and Ella, “Sleep Sound.” The warmth of the guitar lines and Ella’s voice are a beautiful lullaby, made even sweeter when Brea joins in harmony halfway through. The beauty of this song is in their incredible ability to capture emotion on tape. Some records sound sterile, this record wraps you up in a sonic hug.

Bottom Line: The spirit of Christmas compels you to listen, as it has compelled Bjéar to create these wonderful records. I’m warning you, these records might just become part of your holiday for years to come… so you might want to buy them now.

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Christian Lee Hutson “Silent Night” (2022)

ANTI- Records
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Bandcamp | Apple Music | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

Christian Lee Hutson only recently popped onto my radar with his 2020 record, Beginners. Picked it up and really enjoyed it, yet somehow forgot to follow him on Bandcamp and be alerted that he might just release a Christmas song… as he did in 2020, with a very good version of “The Christmas Song.”

This year Christian dropped another record, Quitters, and once again we’ve been gifted a new Christmas single. I’m seeing a trend here – release a record and follow it with a seasonal single. I mean, you’re in the studio already, let’s lay it down! Thus, “Silent Night” drops a few days ago, and I figure it’s yet another version of the classic carol to be thrown on the pile. However, I’m happy to be proven very, very wrong. Yes, the melody remains, but Christian has wholly rewritten the song. Each verse is a flickering moment, a 15-second scene from a movie filled with minimal dialogue and lots of eye work. A very fresh approach indeed. I really felt this one, and you might too.

Bottom Line: What an unexpected delight. Christian has proven himself as one to watch. When his record count grows, let’s hope his Christmas catalog continues as well.

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