Yes, I do have more Australian Christmas/Holiday/New Years songs ready… but I think we can all agree that was getting ridiculous. So lets take a quick break and head back to the OG colonizer, England! Last year, London’s Gold Baby put out an extremely nice Bing Crosby cover, which of course was not technically written by Bing – but lets not get too far into the weeds here. The harmony and instrumentation feel just as cozy and warm as the lyrics, which on this first day of sub-40 degree weather in Virginia, has been most appreciated. I also like that this isn’t one of the Bing classics that get extremely overplayed, though perhaps that’s my experience, not yours. Either way – and extremely nice cover by a truly lovely band.
I’m three for three writing about Australians so far this month. I feel like I need to maintain this streak… luckily I woke up this morning wanting to take Nick Cave, Tom Waits, Lloyd Cole and Leonard Cohen and shake them up in a jar, but Jack Ladder & The Dreamlanders beat me to it. Sydney, Australia’s Jack Ladder (Tim Rogers IRL) has teamed up with his band the Dreamlanders, which contain a name or two you might also recognize (Kirin J Callinan, Donny Benét, and Laurence Pike) for his sixth record, Hijack!, which contains a deeply personal, dark, funny Christmas track – the self-explanatory “Xmas in Rehab.” Having checked himself into rehab back in January of 2020, the song contains small vignettes of his experience there, with touching, funny, sad, hopeful scenes all colored by these mundane, yet honest and emotionally powerful details, that draw you in. The door is open to us all to become better, healthier, happier people – Jack/Tim just opened up his door for us to all to see, and it was truly beautiful.
Bottom Line: Jack Ladder’s baritone guides us through one of the most beautiful, honest Christmas songs of the year.
Let’s kick up the season… with something beautiful and sad! What else can you expect from this blog?? Melbourne’s Maple Glider, aka Tori Zietsch, has penned this absolutely heartbreaking, fragile finger-picked beauty to close her debut album, To Enjoy is the Only Thing. Zietsch’s background is incredibly interesting, being brought up in a religious sect that she only refers to as “The Religion” (referred to in this song), which kept her from much interaction with the outside world until she and her mother left at 15. She formed a band, fell in love, broke up and moved to Brighton, England after Googling “places to live.” There she began writing what became Only Thing. Zietsch’s creative reemergence came shortly after moving back to Melbourne in 2019, when she played a few songs for friends, including the new song “Mama It’s Christmas.” This deeply personal song sung to her brother has emotional tentacles that may very well leave you tearing up with empathy. In these tumultuous times, many find themselves either struggling themselves, or caring for those for which the pain persists… mental, physical, spiritual pain. It is in the air, and Maple Glider has captured this perfectly.
You called me that night Said babe don’t you worry now All I could manage was I love you
But I should have reached through the phone Slapped you hard on the cheek So that you could know pain like I do when you leave
Edit: In perhaps one of the craziest coincidences I’ve had recently, this afternoon I found a note from July from a reader (Hi Christian!) recommending this exact song to me. So, Christian, thanks for the tip – it was most obviously a good one. Also – I promise to be better checking my various forms of communications now that I’m making an earnest attempt to get back on the site for the season. BUT, hot tip… Twitter is your best bet. This is NOT the first time that I’ve missed a message on Facebook recommending something that I then write about…
I swear. I will stop talking about how I always burn out at the end of the season, and will no longer begin every post with an apology for not posting it sooner. But.. especially when songs are topical, and (HOPEFULLY) very specifically attached to one particular year, it does feel like a missed opportunity (so… sorry). Los Angeles’ YACHT have been on my radar for years, and I do recall their fun, oddball electro-pop track “Christmas Alone” from that inaugural Indie for the Holidays playlist that Amazon released back in 2015. That first version was mainly about how much they love spending time home alone on Christmas – having fun grabbing takeout and going to the movies and such. Well, this past Christmas had its own unique circumstances, and they rewrote the song for our 2020 COVID Christmas. The fun imagery is gone, replaced by these truly beautiful lines, disguised inside this bouncy, Waitresses’ evoking track.
Mom and Dad are vexed we’re spending Christmas far away, But love is not a test, love is opening to change
We don’t need a Christmas tree and we don’t need a chimney We just need each other and to stay home watching TV
Remember the days before money ate the mission Maybe now’s the time to make some new traditions
This year we’re just happy we can celebrate our luck We made this far and that should be enough
Everybody has to stay at home This Christmas it’s you and me alone
All we need is love to make a home So this Christmas it’s you and me alone
Hope is a relation tween the future & the past Time is so short but dreaming helps it last
Give a little this year to the ones who need it best lost a lotta living but we’re grateful for what’s left
Gear up for another year you think is gonna break ya Keep holding up the ones you love and keep each other safer
Doesn’t even matter if it’s Christmas Day today When we have each other, every day’s a holiday
Everybody has to stay at home So next Christmas we won’t be on our own
All we need is love to make a home So this Christmas it’s you and me alone
I’ve been looking for those bits of hope, those bits of love. Those are the songs I gravitated to last year. So… even though I’m a bit late to the post, and even though this song may not have as much potency beyond last Christmas (PLLLLEEEAAASSEEE be so), it is still a worthy song.
Bottom Line: YACHT converted this fun, poppy song into a poignant, yet still fun, poppy song. All money goes to the Los Angeles Food Bank, so don’t be scared off that $5 price tag.
When I crash, I crash hard. Christmas 2020 was like a brick wall. After an exhausting 2020, the deluge of songs and records that hit in those last 2-3 days before Christmas was overwhelming. I have so many tabs open that they haunt my dreams. I didn’t know when I was going to feel motivated enough to dip my toes back in, but I’ve been driving my wife’s car the past few days (which has a CD player) and popped in my latest Christmas mix… I really love those songs. So now I need to find good Christmas and Christmas-adjacent tunes once more…
I don’t speak Japanese, but I do speak fun (…sometimes). The Pats Pats are a “girl band from Tokyo” (I don’t believe you need to qualify what the sex of a band is, but they specifically do), and their particular brand of upbeat DIY-pop is an absolute pleasure. I have so little more to say about this perfect little pop nugget, which may be why this song is exactly what I needed to get back to this gig. Zero pressure, all fun.
Bottom Line: Japanese-DIY-pop perfection for anxiety-riddled, demanding jerks like me.
This Christmas band began as a reason for its two members, Mike Behrends and Lance Owens, to spend some time together. Their hang sessions have resulted in some of the most dark, poignant and interesting Christmas music I’ve ever encountered. Mike tipped me off that The Ornaments were indeed on track to release a song in 2020, which had me spinning with possibilities. In a normal year they’ve written about plane crashes… so what will an extremely fucked up waste of a year bring? Like all of the Ornaments songs, “A Coca-Cola Classic Christmas” paints a simple, yet vivid portrait from the fringes of the holiday. The song is a holiday card, written to someone the narrator would like to see, but hasn’t in a good number of years. Personally, this feels like an estranged parent, with lines like, “filled it with ornaments from your childhood Happy Meals,” hinting at the more-than-Facebook relationship they once had. That final entreaty is so simple and heartbreaking, “If this sounds nice, I’ll be in room 104 just left of the coke machine.” This short vignette of a holiday apart conveys so much awkward love in so few words, that I find it tough to decide whether the song is terribly sad, or oddly sweet. The Ornaments always leave me with questions… so I keep coming back.
The Ornaments have big plans for 2021, as we all do, and have plans for a 2-song 7-inch, so be sure to follow them on Bandcamp if you want a shot at that . I believe that first 7-inch only had about 8 copies or so pressed…
Bottom Line: The Ornaments are a rare treat, though perhaps an acquired taste. However, once you got it… you’re in it for the long haul.
The last few days leading up to Christmas are really nuts. Nearly everybody releases their Christmas song or HUGE Christmas compilation, and my inbox explodes. My family has a bit less tolerance for late nights of searching and writing – because the mix is done! So… you might see my posts slow. All that said, I am saving a TON of links in the hopes that I’ll be able to get to them later. The lucky few… I’ll get to right now.
Manchester’s Big Society has dropped a very nice 4-track EP of really, really solid Christmas tunes. With touches of Cheap Trick and Queen, a dash of banjo and bossa nova, and a healthy heaping of indie rock, every single one of these songs is pretty great. I’m not quite sure which song is my favorite yet, as I am kinda tempted to grab a set of headphones and go for a walk with record. So… maybe I’ll get back to you, but feel free to let me know if one grabs you.
Bottom Line: Well dammit! These Christmas originals are quite worthy of your money (and mine). All proceeds go to The Booth Centre, community centre run with and for people affected by homelessness.
Sometimes you just get attracted to a feeling. This new Christmas single by The Reds, Pinks & Purples have created a beautiful, contemplative and melancholy Christmas single. The single features two originals from the DIY kitchen pop project of Glenn Donaldson from Skygreen Leopards, Art Museums, Thuja, and The Blithe Son, etc, etc. The lead track, “We Won’t Come Home at Christmas Time,” is a rather sad song, but with delicately upbeat music in true indiepop fashion. It somehow reminds me of Morrissey with a dash of Mark Eitzel and another artist that I am just at a loss for. I HATE it when that happens. The B-side is an absolutely gorgeous instrumental that is only the second instrumental that I’ve come across this season that I could see as mix-worthy. There truly is an expert craftsman at work here, no doubt about it.
H/T to No Love for Ned, who is always on the lookout for new Christmas songs for me 🙂
Bottom Line: Simple, beautiful and brief. You can’t ask for much more from an original Christmas song.
I sit here a broken man. After weather reports promised 5-8 inches of snow, I gaze out upon our lawn and its slushy, icy mess, and a single tear ran down my cheek… only to freeze before it falls. Then, a DM comes in, announcing a new track by some of my favorite indiepop Christmas folks, and things begin to turn around. Following the triumph that was last year’s Christmas single, Oihana and Tamu return with “Una noche más ,” yet another shimmering Christmas present. The pulsing beat propels their dreamy vocals, as more synths swirl in to season this lullaby for the year that has passed. I was graciously provided an English translation of the lyrics, and they are simply gorgeous.
One more night the year’s over And we, together, say goodbye One more night you’ll come with me Looking -both of us- for a little love
And the light will guide us to the manger, again And the snow will cover the road as we walk One more night One more night we’re peaceful I see you shine in the dark And the light will guide us to the manger, again And the snow will cover the road as we walk One more night.
Should you find yourself wanting even more Oihana and Tamu, and you will, there is much more to enjoy. Oihana leads the band Melenas, whose last fantastic LP, Días Raros (which I am listening to and fucking loving as I type this), came out in May on Chicago’s Trouble in Mind. You can look for Tamu’s band Exnovios, to have a new record in 2021, but in the meantime, you can rock out to their 2020 EP, Exnovious (Apache), which is also available as a 7″. So much good music to spend your Christmas money on…
Bottom Line: There are few bands I can rely on to send me absolutely anything, and I can be rest assured I will love it. Oihana & Tamu have officially joined this club, as they continue their streak of incredible indiepop/garage/dream pop Christmas tunes.
Santapalooza noted this release on twitter a week or so ago, noting that while it was from 2016, it was “new to us.” Indeed, it was new to us. I’m not sure it was on Bandcamp before, but I could easily be mistaken. What got me was the cover… It was terrible but fantastic. The band is composed of members of two Chicago punk bands, Stephan (Nervous Passenger) and Johnny (Rat Hammer). Their unholy alliance produced three songs – two covers and an original, “Too Broke for Presents.” The covers… let’s just pretend they don’t exist. They are fine, but they are songs that are so over-covered that need to be amazing to be even acknowledged. The original, “Too Broke for Presents,” is another story altogether. The sound is what you’d expect from these guys – it has attitude, humor and a chorus that demands crowd participation – shout out that shit! “Yeah, I’m to broke for presents and I’ve got nothing for you/ I’m too broke for presents and I hope that we’re still cool. / Cause I don’t have a job to buy you anything / but I hope we’re still cool / I totally think you rule.” Yesssss.
Bottom Line: Their energy is infectious, and in a pandemic year, let’s hope that this song is the only thing you catch.