Diane Coffee - It's Beginning to Look a Lot Like Christmas

Diane Coffee “It’s Beginning To Look A Lot Like Christmas” (2015)

Western Vinyl
Buy: Soundcloud (FREE!)

Take a song that feels rather formulaic, one where 1 + 1 obviously equals two… and to throw a wrench (and maybe a tab of acid) in the works. Diane Coffee‘s rendition of “It’s Beginning to Look a Lot Like Christmas” is just this… it nudges the classic formula gently off the cliff and all of a sudden you are in the middle of this amazing fuzzed-out guitar, and you’ve forgotten how to count. For those unfamiliar with Diane Coffee, he has released two fascinating art-pop records on Western Vinyl (most notably the original home of Dirty Projectors), as well as being the initial drummer for friends (and sonic brothers) Foxygen. This one-off track was released in 2015, and is still available for free on Soundcloud, which is extremely generous. This track is good enough to be released on its own… perhaps Diane Coffee should record another xmas tune this year and release a 7″? I’d buy it, no doubt. For now, we’ll have to settle for a non-holiday 7″, as his new release Peel will be out on Polyvinyl on October 20th.

Bottom Line: It’s beginning to look a lot like art-pop Christmas, Diane Coffee, and I’m totally cool with it. Let’s get freaky.

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Okay Kaya "Holiday Song"

Okay Kaya “Holiday Song” (2016)

Self Released
Buy: Stream

NJ->Norway->NYC singer/songwriter Okay Kaya (aka Kaya Wilkins) released this little gem on YouTube last season, and it was deservedly touted by my Christmas-music-blogger-in-arms Christmas-A-GoGo. Her voice is beautiful, yet with a mournful quality, and the message, while not your typical cheery Christmas romp, is most certainly relatable. My favorite line is, “I want to talk, I want to talk, I don’t want to talk, I want to talk loud and confidently.” There is something refreshing to the honesty found in the struggle embedded in the lyrics. I don’t think I’m far off-base to say that a quick glance at the central premise of this song might lead a listener to quickly dismiss it (as I think it would be terrible as either the pop-punk or twee song I imagined in my head), the line “All I want for Christmas is therapy,” threatens to be both trite and precious in equal parts, but Okay Kaya does a wonderful job to fully develop this song into a beautiful and complicated view of the other side of Christmas.

Bottom Line: Okay Kaya built upon a concept that I was almost reflexively suspicious of, and made me a believer.

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Deleted Scenes - Birdseed Shirt

Deleted Scenes “Get Your Shit Together for the Holidays” (2009)

What Delicate Recordings
Buy: Bandcamp | Amazon.uk MP3 | Amazon.de MP3 | iTunes

I’ve been considering this track by Washington, DC’s Deleted Scenes for more than 5 years now… and that is by no means a knock against the song that it has yet to make a mix. Mixes are delicate creations, a balance of tempos and moods… all stuff you already know I’m sure. That said, “Get Your Shit Together for the Holidays” is damn heavy.

“get your shit together for the holidays
you can cheer up, take some medication
keep your shit together for a couple days
you can fake whatever it takes. ”

It is moving, explicit, heavy, oddly uplifting and best listened to loud. The music is delicate and epic, moving as the tides through the song. There is very much something here… it just has to have the right neighbors.

Bottom Line: The Deleted Scenes may have deleted themselves back in 2014, but good music knows no expiration.

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Grapes and Friends - Christmas Crush

The Grapes & Friends “Christmas Crush,” “Can I Come Home with You (For Christmas)?,” and “I Wish it Would Snow in Austin” (2016/2015/2012)

Self Released
Buy: Amazon MP3 | Amazon.UK MP3 | Amazon.DE MP3 | Amazon.FR MP3iTunes

Here is something I had been meaning to write about since well before Christmas… but you know what? There is only so much time in the day, and you know… family, work, and all that other shit.  That, and Christmas A Go Go already covered it! Not that I don’t write about things that other folks do – I just feel less urgency about actually doing it. I think I just had a breakthrough! Thanks for listening guys and girls. I’ll see you all next week.

Oh yeah – review.

Grapes and Friends are an Austin, TX indie rock band created by smashing together members of Dangeresque, The Gorgeous Hands and Genuine Leather; they are like the Austin version of our friends the Sunturns, a specifically indie-rock-christmas supergroup. They combine to throw a Christmas party (have for eight years now) and it sounds like a fucking blast; I would love to go. This year they released the fantastic “Christmas Crush” as a teaser to get you to come to their holiday shindig, and what jam! I don’t know if I quite agree with C-a-Go-Go (Hall & Oates meets Ween), I find it to be equal parts Young Americans-Bowie and Midnight Vultures-Beck as the recipe for this cheeky holiday romp. The music is groovy, the lyrics are clever, the whole thing just makes me want to (Christmas) party.

They also released “Can I Come Home with You (For Christmas)? in 2015,” which is still a ton of fun, just a bit goofier. Smooth and silly, it is something that wouldn’t be out of place in a fireside seduction scene on Flight of the Concords. “Can I Come Home with you for Christmas / Can I get stoned with you for Christmas? / make you feel alright pretty baby, maybe.” Some fun shit indeed.

BUT WAIT, there is one more! The final track is “I Wish it Would Snow in Austin,” released in 2012 and accented with beautiful horns and lots of love. It reminds me of Yoko-era Beulah, which is a band I fucking love. (What’s with all the profanity today?) I truly dig this one too – battling with “Christmas Crush” for my favorite by these Grapes folks. Can’t wait for this year’s!! (fingers crossed)

Bottom Line: The Grapes and Friends are a welcome indie-Christmas supergroup that would be amazing on a double bill with their Norwegian counterparts… just imagine that one… what a party! Love this band!

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Dogs on Tour "Music for Winter Volume 1 & 2"

Dogs on Tour – Music for Winter Volume 1 & 2 (2016)

Self Released
Buy: Bandcamp (NYOP)

Way back in 2010, Stubby hipped me to a free download of Dogs on Tour Music for Winter Volume 2. I grabbed those MP3s, enjoyed it, then forgot about it. This is the curse of the Christmas mix… you end up listening to soooo much music, that sometimes it is tough to find the time to really sit down with a record. Fortunately, Dogs on Tour have given me a second chance. 2016 saw the re-release of both Music for Winter Volume 1 and Volume 2, put together as an extremely strong 14-song album. The album is comprised of mostly covers of classic Christmas songs, but there appear to be two originals peppered in there, the extremely solid “Six Words” and jam/sound-collage “I Don’t Know.” (Of note, this would not be a song to play for a Santa-believing child). However, for my money (and btw, it’s name-your-own-price), the highlights of the album are an absolutely essential version of “Christmastime is Here,” where they add saxophone seasoning to perfection. I don’t know what part of the Hudson Branch, Jadiid, Enoke, Andy Mills, Nate Henricks, All that Noise for Feeling mix (these musicians comprise Dogs on Tour at different times) brought the brass section, but thank youuuuu! Other tracks, such as their refreshing and contemporary arrangement on “Rudolph the Red-Nosed Reindeer,” and their subtle lyrical changes to “Santa Claus is Coming to Town,” really push this record up to the front of your seasonal rotation. The choices are interesting, the production is great, and that saxophone… that saxophone.

Bottom Line: “Christmastime is Here” is almost so good that it overshadows the other solid tracks, making them look weaker in comparison… but fight that urge. This is a great record. Dogs on Tour have earned themselves a spot on the top shelf of indie Christmas releases.

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Four Eyes "Everything Will Change This Christmas: The Ballad of Hans Gruber"

Four Eyes “Everything Will Change This Christmas: The Ballad of Hans Gruber”

Self Released
Buy: Bandcamp

2016 quite the year for Die Hard-inspired Christmas tunes, and while the Irish have had their shot, it’s time to see what our stateside talent had up their sleeve. Athens, Georgia’s Four Eyes released the absolutely captivating “Everything Will Change This Christmas: The Ballad of Hans Gruber.” Written from the perspective of Hans Gruber being a man and not only an evil villain, it makes you oddly sympathetic through quiet finger picking and layered vocals that recall those quiet Sufjan Stevens classics of the past. The oddly nostalgic atmosphere is only broken by the “motherfuckers” that pepper the ending; The dichotomy between the subject and the treatment was just a blast.  Fantastic.

Bottom Line: Four Eyes… you are just too good to be a one-off indie Christmas classic (cause you have more!). I’ll be seeing you again for sure.

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No Monster Club - Sleigh Decibels Volume One

No Monster Club – Sleigh Decibels Volume One (2011)

Self Released
Buy: Bandcamp (NYOP)

Dublin’s No Monster Club treated us to a great new original (anti)Christmas song in 2016, “Start the Carvery” (kindly pointed out by Lie in the Sound), but did you know that they have a whole Christmas compilation EP that they released back in 2011? The hilarious titling of Sleigh Decibels Volume One certainly helps set up expectations, as the lyrics are clever and biting throughout. The lo-fi fun runs through the entire release, which compiles songs from comps by net label Rack N Ruin Records in the Netherlands, as well as Belfast’s CF Records. Each song has its own charm, but my favorite is the short and dirty “A No Monster Club Christmas,” which has an infectious chorus that I have found myself humming walking down the street on more than one occasion.

Bottom Line: No Monster Club’s lo-fi Christmas tunes stylistically compliment their clever lyrical point-of-view on this fantastic compilation EP.

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husbands - xmas

Husbands – Xmas (2013)

Self Released
Buy: Bandcamp (NYOP)

How in the world did HusbandsXmas sneak by me for nearly 3 full years? That’s what will happen when you don’t have “Christmas” in the tags on Bandcamp. (Man, Bandcamp needs to up their search game.) Thanks to the tweets of Jonathan Fowler over at Fowler VW (yes, THAT Fowler VW), this oversight has been remedied, and Husbands’ stellar Christmas record, Xmas, is now mine. This record is so much fun, it is truly ridiculous. I’m going to call out a few of my favorite tracks, one of which might be a bit of a surprise to loyal readers…

Xmas begins with “Little Bummer Boy,” which is, for all intents and purposes, “Little Drummer Boy.” But wait… it is FUCKING GREAT. Yes, a version of “Little Drummer Boy” that is great. I truly enjoy, nay, love this song. Their chillwave styling brings in so many beautiful colors, its groove becomes viral.

“Hey Yew” is the kind of track, that had Animal Collective wrote it, would have been on every indie Christmas mix on 8tracks from now until the end of time. The harmonies and the rhythm are so uplifting and fun, I dare you to not turn it up and groove in your seat.

“Holly Jolly Donut” throws the traditional “Have a Holly Jolly Christmas” into a pot of simmering beats and synths that makes my head sway back and forth in absolute pleasure. Throw in some Beach Boys harmonies and this song is ready to eat.

“Holly Jolly Donut” segues perfectly into the “Jingle Back Margaret,” whose upbeat, shimmering melody is perpetually battling it out with “Hey Yew” for my favorite song on the album.

Yeah, my review is pretty front-heavy, as I have a particular attachment to these first few songs. But don’t let that discourage you from the latter half, where you’ll discover the layered sonic landscape of “Slayer Ride,” and the absolutely beautiful meditation of “Midnight.” Simply put, this record is an absolute pleasure. Over the holiday season, I played it for a few different folks, and have yet to find a consensus on a favorite song; Everyone finds a different track that they are drawn to. Which one will be your favorite??? Maybe let me know in the comments!

Bottom Line: Xmas is populated with enough stellar songs to justify every single reader of this blog to buy the whole damn thing. Of note, “Hey Yew” leads off my 2016 mix, and thus, mints this album with stone-cold classic status. This record needs to be spoken about in the same breath as the Parenthetical Girls, Sufjan Stevens, and Low when the seasonal indie rock Christmas blog posts make their way back onto the pages of Stereogum, Pitchfork and the like.

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Nick Delffs - As I Sat on a Sunny Bank

Nick Delffs “As I Sat on a Sunny Bank” (2016)

Mama Bird Recording Co.
Buy: Bandcamp

As I searched down the feed of Bandcamp purchases by folks I follow on that wonderful service, I came across the absolutely fantastic Ryan Oxford release that came out a few days ago. I am hoping they will fix their payment processing issues, so that I can buy that cassette. But this is not the real point of this post, the real point is to highlight the Christmas single that Nick Delffs put out on the same label, Mama Bird Recording Co., this past December. “As I Sat on a Sunny Bank” is a traditional English Christmas carol arranged and performed splendidly by Nick. There is a warmth to recording, with the muted, pulsing drumbeat and the shimmering guitar accents, which makes this song sound contemporary, as well as just downright fantastic. Who wouldn’t want to feel the warmth as they sit on a sunny bank?

Bottom Line: A beautiful treatment of a traditional song by the talented Nick Delffs… you have my vote. Which…. doesn’t matter for much, which is why if you buy this track today (Friday, February 3, 2017), you’ll be giving a small slice to the ACLU as they fight for our civil liberties.

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Three for Silver Christmas

Three for Silver “Our Rest Has Come” (2016)

Self Released
Buy: Bandcamp

Stubby hipped me to the excellent Portland trio, Three for Silver, when they released the fantastic Three Stones for St. Stephen in 2015. They are back once again, with a less ambitious release (1-song), but certainly with an eye towards the same level of quality. Three for Silver sound like a balkan-Tom Waits, and their style of junkyard folk-punk is a unique seasonal treat. Written in a recent snowstorm when the band had nowhere to go, you can feel the warmth of their studio come through in the production. A lovely antithesis to the dour news of the past few days, this is like a warm cup of coffee when you desperately need one.

Bottom Line: Three for Silver hit me at the right time, and hopefully you’ll find something here too.

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