By far, the most ambitious Christmas record I have come across in recent years is The Christmas on Christmas, by New Orleans’ Sharks’ Teeth. This record is massive – 25 original songs written from a perspective that no other band (that I’m familiar with) has come within yards of. To give you some more context, this is how the band introduced the record when it was released in 2019: “We call it our ‘Occult/Polytheistic/at times aggressively astrological Christmas album’ and it’s 25 tracks of brand new, original, slightly subversive yuletide pop… This record is meant to celebrate and create through the array of frameworks of traditions from this world that eventually became our Christmas. Hopefully we’ve done that without promoting monotheism or intrinsically saying that anyone else’s spiritual worldview is wrong or invalid.” Honestly, reading that makes my eyes cross and my attention pique in tandem. Sonically, the record sounds fantastic, with some particularly wonderful guitar lines. I love how the songs often have multiple movements, perhaps best experienced between the prayerful first half, and the upbeat second half of “And You Know it isn’t Christ,” which contains some of my favorite guitar work. The Christmas on Christmas sounds like a War on Drugs-meets-Flaming Lips opera, bubbling with steady-beat indie rock, vaguely 80s guitars, experimental detours, and filtered vocals. It is one of the most fascinating Christmas records I’ve ever heard – I honestly feel like the best advice I can give is to throw them a few bucks (it is name-your-own price) and go for a nice walk.
Bottom Line: Massive in scope, this record is like nothing else you’ll hear this season… or next season… or next… or…