Bobo Integral / Spunk Records / Osborne Again Buy:Bandcamp
Melbourne’s Lachlan Denton, best known for his work in The Ocean Party, has written one of the most honest and heartbreaking Christmas songs that I’ve ever heard. “This Christmas” is written for Lachlan’s brother Zac, who passed away suddenly last year. This song is bourne out of grief, and while the words are Lachlan’s, the sentiment is everyone’s. That first Christmas without someone you hold dear… is a Christmas of sadness, but also simple memories that suddenly have so much more importance. This is a painful song, while being a truly beautiful one. Zac would be proud.
Bottom Line: Lachlan shares his grief with us, and we are blessed he did.
(The rest of this review is an aside. Up there… that is my one-word review. Pennsylvania’s The Stargazer Lilies have taken the dreamy Galaxie 500 cover and thrown on a glamour shot-shimmery sheen to this John & Yoko classic. This also provides all you mixmasters with a shoegaze version that comes in under 5 minutes! Perhaps you had forgotten that the wonderful Galaxie 500 version clocks in around 8 minutes…a bit long for me. Also of note, The Stargazer Lilies also have a new record coming out Nov. 1, Occabot, produced by Tobacco of Black Moth Super Rainbow!)
Bottom Line: This song’s soothing glow eased my wordy proclivities… (sort of).
Well here we go! This one will make all the media rounds no doubt, as Josh Rouse has a large back catalog and fans that span 20+ years. I remember getting that Dressed up Like Nebraska cassette promo single was back when I was but a boy. That first record was great. Josh’s second, Home, is a modern classic record (for me). 1972 was a risk that paid off beautifully. Find a copy of Bedroom Classics Vol. 1 and you will be treated to “Michigan,” which is an incredible, incredible song. I don’t want to go into this with the level of expectation that I might… as I haven’t been quite on the Josh Rouse train for a number of records. But here I am… likely to buy the double-vinyl edition. The first pressing of the CD/Vinyl comes with an extra disc featuring 3 bonus tracks, and 3 demo versions of songs found on the record. So… if you are considering this record, the first pressing is by far the way to go.
Bottom Line: Click and buy. It’ll be better than most Christmas records, and could possibly be great.
I must start with a quick confession. Stafford’s Frank Sexuality and the Negative Emotions immediately garnered a bit of goodwill with me… simply because I fucking loved their name. To my relief, their two-track Christmas single is enjoyable, especially the lead track, “It’s Christmas All Around.” The song has a Waterboys’ feel, even more so as the horn line comes in. The lyrics are clever with a healthy dash of dread: “There’s no snow / there’s no hope / and I’m trying to avoid it / but it’s Christmas all around.” There are some other great lines as well, but let that be a teaser for you to take a sip of your own. Cheers!
Bottom Line: You all know I like to celebrate the dark edges of Christmas, and this song is most certainly chilling in that gray.
For those bands out there who want to write a Christmas song, but don’t know where to begin – let me pose two options for you. The first would be found in Bossy Love’s reinterpretation of the Waitresses’ “Christmas Wrapping,” where they updated the song to be more of-the-moment. The second approach would be to write a response song. A good example of this approach can be found in Stephen Solo‘s “War is Never Over (Even if you want it).” Back in 2015, the British had begun participating in airstrikes in Syria, and from Stephen’s perspective back in Glasgow… beginning a new chapter of an unending war. So, he took his phone (as he does) and recorded this brutal condemnation of the action, hung on the frame of John Lennon’s “Happy Xmas (War is Over).”
“Let the Big Ben bells ring out for bombs this Christmas / the only peace we’ll get this year is pieces of skulls and baby bones. / War is never over even if you want it.”
Stark indeed. Extremely well-produced, yet tough to listen to, as you are forced to reflect on what violence means to you when it happens so far away.
Bottom Line: Stephen Solo’s “Christmas” song will likely feel quite contemporary, renewed by humanity’s skillful violence, for many years to come.