Category: Albums

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Health & Wellbeing – Christmas Demos (2022)

Self Released
Buy: Bandcamp (NYOP)

Who is this mysterious Health & Wellbeing? I can’t find anything on them! Too bad, because I’m jamming to these Christmas Demos and they are quite good. Power/dream/brit pop original Christmas songs. I’m absolutely positive that they are going to be somebody’s favorite from this holiday season. There’s even a little nod to The Rolling Stones in “Take it Easy this Christmas,” and it totally works. These were all recorded in the past 3 weeks, and if these are the demos… look the fuck out for the full versions, because these sound great already.

Bottom Line: Well that was a short, rather shitty review for what are 4 pretty great songs? Well… yeah. But now you know about them at least, even if we know nothing about the band!

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Kristian Noel Pedersen – Saul McCartney’s Magical Holiday Season (AKKCXIV) (2022)

Self Released
Buy: Bandcamp

A quick search for “Guinness book of world records most Christmas songs” comes up with the usual results – mainly that Bing Crosby’s performance of “White Christmas” is the biggest selling single of all time. There is not a record for MOST Christmas songs yet… though if there is (and there should be), Kristian Noel Pederson will have a shot at it. In what is his 14th record of original Christmas songs (not including the Hanson’s Snowed In cover record), Saul McCartney’s Magical Holiday Season is a triumph. A concept record that follows an alternate-universe pop star from the 60’s starting anew with a solo career, this record feels joyful and light. Perhaps this is the freedom of writing from a wholly new perspective outside of yourself? I’m not in Kristian’s mind… yet. There are so many wonderful moments on this record, but as I start thinking about which one to talk about, I realize that I’m gravitating to all the horn parts. The use of brass on this record is just perfection – it is that final seasoning on your Christmas meal that makes you sit up and take note… creates those neural connections that will make you talk about that meal for years to come. I’m in the midst of “I Hope it Snows Tonight” for the third time, delighting in every moment- horns, guitars, the whole damn thing. Please listen to this record – it is an absolute joy.

Bottom Line: A Kristian Noel Pederson record is always one to look forward to, and this has to be my favorite yet. I would buy this on vinyl – 100%

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I’m going to post a bunch of single tracks, then the whole thing so that they aggregate in the Hype Machine. There is a method to the madness below.

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Maxwell Farrington – Yuletide And I’ll Tide With Yann (2022)

Upton Park
Buy: Upton Records CD/Vinyl | 7Digital FLAC/MP3 | Apple Music | Amazon | Amazon.uk | Amazon.de | Amazon.fr

Let’s get weird. This record is going to be one of the more interesting Christmas records you’re going to listen to this year, or any other year. There are moments here that will leave you scratching your head, and others that will leave you in wonder. Aussie ex-pat Maxwell Farrington teamed up with Yann Oliver on 2020’s Maxou & Yannou Sing X-Mas, which I regretfully did not sample back then (but Christmas A Gogo highlighted earlier this year, which I also missed!). That collaboration has continued into 2022, with a properly-released full-length that adds a few songs and a new title, Yuletide and I’ll Tide with Yann. I say proper full-length LP, as it is released in LP form on both CD and vinyl, but keep in mind, it clocks in at a brief 26 minutes and change. Short and sweet indeed. I’m going to highlight a few of my favorite tracks below, and let you bask in the Scott Walker-esque weirdness and beauty. (Eagle-eyed readers might notice that one of these tracks is the closer on my latest mix, Jolly Chubby Elf.)

Bottom Line: God I need this on vinyl. This is one of the most unexpected, unique, gorgeous Christmas records I’ve stumbled upon.

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Randolph’s Leap “Silent Night” (2022)

Self Released
Buy: Bandcamp

As with last year’s revelatory treatments of “Jingle Bells” and “Rudolph the Red-Nosed Reindeer,” Scotland’s Randolph’s Leap has taken “Silent Night” and made it a foot-stomper. Initially released on their excellent, song-a-month Patreon, the track has taken its rightful place on their ever-expanding Christmas Album. While the song has some rough edges, those who love this band’s enthusiasm for Christmas will find them endearing. I don’t like those polished, perfect ornaments – I’d rather have them homemade.

Bottom Line: A Randloph’s Leap Christmas song is a present I hope for every year, and with “Silent Night,” I give thanks.

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Neil Brogan “Christmas (with a small c)” (2022)

Brogan Records
Buy: Bandcamp (NYOP)

I have to tell you… I feel like my mix is the most boring mix for you all when it finally comes out, as I’ve been tipping my hand for a month, and now a whole bunch of you already have these songs on your own mixes. I just have to take comfort in the fact that 99% of those folks who I hand/send one to have not heard a single one… when I do release it, let’s just pretend you’re hearing them for the first time…

THAT SAID, here is another stone-cold mix-worthy song. Sea Pinks (on hiatus?) frontman Neil Brogan has been releasing holiday songs (sometimes hidden on full records) for a few years now and this year gathered them up onto one release, Christmas EP. Three previously-released tracks and one, brand-new-fucking-fantabulous song, “Christmas (with a small c).” Jangly and clever, this track has relaxed vocals and indie rock guitars that, in tandem, make my eyes widen and burst with excitement. This is the vibe I need right now…

Bottom Line: Indie rock Christmas to the rescue.

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Have Yourself a Merry Indie Christmas Vol. 1 & Vol. 2 (2022)

A Benefit for Crisis
Buy: Bandcamp

I often think about what it would be like to be just now getting into this hobby of underground Christmas music mix-making. When I got in the game (18 years ago!), there wasn’t quite the wealth of indie rock/pop/alt.country/etc Christmas releases to hunt down. Bandcamp, the venue which I primarily exploit to find cool new songs, wasn’t founded until 2007, and it wasn’t until 2010 that I could have even embedded a track on a site like Christmas Underground. It is both exhilarating and terrifying to think about dipping my toes in for the first time in 2022… there is just so much to listen to – years and years of great songs to get through, let alone all the new releases that come out every year. Well, lucky for my imaginary self, as well as that very real person taking their first stab at making a cool Christmas mix, fellow weirdo Christmas music fan Kevin McGrath has created the perfect introduction to this niche of holiday music with the massive, expansive collection of 108 songs, Have Yourself a Merry Indie Christmas Vol. 1 & Vol. 2. This is like one of those The Greatest ________ Album in the World collections I used to bump into in the import sections of the 2000s – packing an absolute ton of the tracks you need to hear to fully get what has been going on. The sheer effort that it took to clear 108 songs is astounding, let alone the challenges of contacting bands that are no longer together, and there are some wonderful ones represented here, to which I’m delighted their musical legacy will persist. Readers of this site will find some familiar faces and names, such as Sweet Tempest, St. Lenox, Charlie’s Hand Movements, The Ornaments, Les Bicyclettes de Belsize, and many, many more.

Just know you are bound to discover a new classic or two that you’ve never bumped into before. Christmas Underground is a one-person shop, and I can’t and won’t be able to know every single cool indie Christmas song out there… as I’m currently sitting here listening to Volume 1, bobbing my head to a song I’ve never heard – and I love it. All this great music also benefits a great cause, Crisis, a UK charity that helps the homeless. So, while the suggested price for each massive collection is a mere £7/$8.50, just know that you don’t necessarily have to give only $8.50. Maybe make yourself a sandwich each day this week for lunch and give a bit more? This is the season of giving, and in a world where billionaires aren’t going to save us, we need to look out for each other.

Bottom Line: These two releases could fashion 3-4 years of indie Christmas mixes for your friends and family. It is an absolutely essential purchase for new and old collectors alike.

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Herr Wade – Weihnachten​.​.​. Willkommen zur​ü​ck! (2022)

Platiruma!!!
Buy: Bandcamp (CD/Digital) | Apple Music | Amazon.de MP3 | Amazon.fr MP3

Jørn Åleskjær (The Loch Ness Mouse, Monobird, Sapphire & Steel) and Sebastian Voss (Nah…, The Fisherman and his Soul, Cinema Engines) have teamed up for some cross-cultural, Google-translatable Christmas tunes. I speak ein bisschen Deutsch, and no Norweigain, but I do speak indiepop and this is some lovely stuff. I’ve featured The Fisherman and his Soul multiple times here on Christmas Underground, so I knew there would be something here I was likely to really connect with. Perhaps it is my faint familiarity with the language that draws me to the German-language tracks, but I have to take special note of “Und sie tanzen I’m Himmel,” which translates to “And they dance in the sky.” I’m going to continue to utilize Google translate, so please give me some grace should Google screw it up a bit – but I loved these sweet lyrics.

can you remember?
It’s been a few years…
We looked up at the sky and
Then you said to me:

“I know a secret
And I’m happy to let you in on it.”
And I nodded, agreed, and suddenly it started snowing.

“Exactly! Here, that’s the point.” You said in a low voice.
“Every single flake is a little dancer.
And up there in the sky they dance day in and day out. And when they feel like it, it starts to snow.”

And they dance in the sky

The track also had that mid-tempo, jangly indiepop groove that I need at least every 3-6 months to survive, so that certainly plays into my love of this track as well. There are wonderful moments in the other songs as well, little choices like the beautiful banjo in “Domino,” and the sweetness of the leadoff track, “You’ve Come A Very Long Way (For Being Such A Close Friend),” are undeniable.

Bottom Line: There is a lot to love in a tiny little EP.

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Bjéar – A Christmas with Bj​é​ar and Friends Vol​.​1 & Vol. 2 (2022)

Terrazzo Recordings
Buy: Bandcamp

I am easily scared. Of what, you might ask? You appear to be a complete badass who eats nails for breakfast. Well… how wrong you are. I often look at full Christmas records and head for the hills. Write about more than one song?! The horror! Well… Adelaide, Australia’s Bjéar has not only challenged me to face my fears… but he is just rubbing it in by releasing two full records at the same time, A Christmas with Bjéar and Friends Vol. 1 & Vol. 2. I am accepting this challenge, as Bjéar has made it extremely easy for me… because these are great. Turns out that this massive outpouring of seasonal work has not been in the works for very long either. Bjéar had been thinking about putting out a Christmas record, but only truly began work on it in earnest this August, anticipating maybe one album or maybe just an EP. However, they just kept churning out arrangements and new songs until two records and 80 minutes later… the Bjéar Christmas opus. Grab some eggnog and let me pull out a few tracks for you to taste.

A mix of standards and originals, both records blend seamlessly from song to song making it an extremely easy listen. The standards are performed beautifully, with arrangements that will sound both familiar and refreshing. I particularly loved when Joy to the World busts open with a new melody provided by the brass section.

Some of the covers are barely what one might consider a cover. While some songs may contain all of the lyrics you are expecting, you may be surprised when a song just teases the source material. Such is the atmospheric world that surrounds Bjéar’s treatment of “Have Yourself a Merry Little Christmas,” which makes me think of what a Sigur Ros Christmas record might sound like – a beautiful mess that resolves into a few recognizable lines, that little slice of familiarity within the new, magical soundscape in front of you, and only one line from the song.

While I loved the classics, it is the originals where these records really take off. There are some excellent original instrumentals, of course, as I have previously been taken by Bjéar’s arrangement abilities in the past. However, I’d like to highlight “The Lights Came Down,” the first non-instrumental original on Vol. 1. There is an obvious beauty that lead singer Brea McKee and collaborator Ella Ion create when their voices intertwine; they are two voices meant to sing together. The song’s lyrics are far more explicitly religious than most songs I feature on this secular Christmas blog, but even this grinch can feel the spirit coming out of this song.

I don’t think I need to state the obvious comparison to Sufjan Stevens, but I must if only to say that the internet would be freaking out about this song had it been Sufjan’s. Frankly, both these records are front-to-back more listenable than any of Sufjan’s Christmas EPs, and I feel quite comfortable making that claim.

The curiously-titled “Christmas Eve, 1818,” is a beautiful reworking of “Silent Night,” which is also featured under its usual title on Vol. 2. The arrangement appears to be inspired by a 2017 version of “Silent Night” that Ella recorded, with more orchestration. The song begins as a showcase for Ella Ion’s voice, bare and beautiful, only to have it heighten and highlight the incredible emotional quality of her tone. It is downright astounding.

I just mentioned that Vol. 2 does indeed have a version of “Silent Night,” and the strings (likely provided by Frank Henry) and the brass section create the most exhilarating outro this song has ever had. There are many folks who contributed to these records, Frank Henry and Dan White amongst many additional instrumentalists, and we’re likely hearing a lot of them here.

I would be remissed if I were not to mention one more song, which would be yet another original featuring the vocals of both Brea and Ella, “Sleep Sound.” The warmth of the guitar lines and Ella’s voice are a beautiful lullaby, made even sweeter when Brea joins in harmony halfway through. The beauty of this song is in their incredible ability to capture emotion on tape. Some records sound sterile, this record wraps you up in a sonic hug.

Bottom Line: The spirit of Christmas compels you to listen, as it has compelled Bjéar to create these wonderful records. I’m warning you, these records might just become part of your holiday for years to come… so you might want to buy them now.

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The Martial Arts – Christmas With The Martial Arts (2020/2022)

wiaiwya
Buy: Bandcamp (digital/lathe-cut vinyl)

Look at me… now I am REALLY just copying Christmas A Go Go as I essentially update and repost an older post with exciting new information (rather than have to write a whole new post… which is WORK!) The wonderful Where It’s At is Where You Are (wiaiwya) label has just dropped 50 lathe-cut, 10″ copies of The Martial Arts’ excellent Christmas EP, Christmas with the Martial Arts. And hey – it’s Bandcamp Friday, so Bandcamp isn’t even taking their cut! Go buy it now! And now, my original review:

I’m in a mood tonight. I want to just yell and swear (in a good way) about every record I find. You have no idea what I’ve already written and deleted for this review, but let your mind go crazy. Glasgow’s The Martial Arts is a project of Paul Kelly, whose CV is a murderers row of great bands (BMX Bandits / Carla J Easton / The Primary 5 / Ette / Radiophonic / Tuckshop / How to Swim / The Hector Collectors) has put together this just FUCKING FUN AND WONDERFUL Christmas EP, recorded over eight years and finished over lockdown. The first two bouncing, beautiful tracks, “Stockings” and “Snow Flakes,” just take off like a rocket and shoot sparklers out of their ass for four minutes a piece. I devoured every second, with a giant grin on my face. “My Christmas was in June” is a cover of a Ze Malibu (feat. members of Redd Kross and that dog) song, and while the tempo slows to a stroll, the scenery is gorgeous. The final track and the only one actually fully-recorded in 2020, “Blinded by the Night” takes me back to the 80’s, to an emotional moment in a movie with lots of driving in the rain and staring out the window. “Stare into my bright disco eyes,” god I love that line. Go buy this record, but wait a few hours for #Bandcampfriday, why don’t ya?

Bottom Line: This is an indie/power/retro pop mixture that, like the unholy concoction the Long Island iced tea, will fuck you up real good.

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Baby Club – Naivety Scene (2021)

Self Released
Buy: Bandcamp

This time of year is when EVERYTHING is released. My Bandcamp wishlist swells with a seemingly infinite collection of things I need to go back and listen to. I start searching regional and genre tags for those gems that aren’t tagged properly… it is a whole lot of work. Perhaps my entries here suffer a bit, as I might not have the sheer volume of posts I could, nor do I give proper time to the records that I do write about. So… let me take a little bit of time (obviously not enough!) and tell you about this wonderful little EP by New York City’s Baby Club.

Baby Club is the bedroom recording project of Josephine Painter, at least that is what I have gleaned from her now-defunct website and Instagram accounts. That, or Josephine is also a painter, and those were just clever URL choices. Right off, the title Naivety Scene is extremely clever, and was enough to get me in the door. The production is quite simple, a slow affair of keyboards and vocals. The droning tones and Josephine’s beautiful voice can’t help me from imagining that I’m listening to a stripped-back Beach House Christmas EP. Everyone, please take that as the massive compliment that I intend it to be. The vibe of this record isn’t going to knock you on your ass (which ,of course, is a vibe I also enjoy), but I suspect there are going to be some folks out there (like me) where Naivety Scene gets under your skin…. and I predict it will be during the chorus of “So It Goes.” For folks looking for something more familiar, Baby Club’s version of “Silver and Gold” will scratch that itch while giving you a simple, beautiful organ and vocals version that could just sneak onto a late-night playlist. I see playing cards in front of a fire, drinking hard eggnog while it plays in the background. Maybe invite me over? I’ll be there in six hours!

Bottom Line: Beauty in simplicity.

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