Golden Believers Records
My favorite track off of
last year’s A Very Cherry Christmas 13 ( still available!) has been re-released with a new “ Bah Humbug Blizzard” version! The Happy Somethings‘ ode to being miserable on Christmas an odd delight. I absolutely love the groove in this song. Putting together your mix? Need a dance break with bleak lyrics? Let me sell you this song!
(How do you like my update
Bottom Line: Indiepop misery at its finest!
And it is free! And it is for charity!
There is nothing complicated about this song, with the exception of who the fuck is singing it. King Gizzard and the Shitpost Wizard is an anonymous Youtuber who specializes in making weird ass videos around King Gizzard and the Lizard Wizard songs, like the featured video which is “Rattlesnakes” with the every instance of the word rattlesnakes replaced by a member of the band repeating “mean brown rice stir fry.” On their Bandcamp, there is and entire record using a sample of someone saying “eggs.” Somehow mixed amongst this insanity is a simple, yet oddly satisfying, parody Christmas song. “Christmas Lights” is a parody of KGatLW’s “Vegemite,” and frankly, I prefer the parody! I think this song passes as a legit Christmas song all on its own, with the reworked lyrics not being too silly, yet silly enough to not take itself too seriously. It rides that perfect groove of near-silliness, one might say… perhaps you’ll agree.
when everyone says september is too early
i string lights up with my girlfriend
and then we’ll toast, to scrooge’s ghosts, and what i love most, is christmas lights
i love i love my christmas lights
theyre bright as hell on dark ass nights
i keep my bulbs all screwed in tight
and plug them in whenever i like
Bottom Line: This parody song didn’t go far enough if they think I’m not gonna like it as a Christmas song. GAUNTLET THROWN King Gizzard and the Shitpost Wizard. Make a sillier tune for us, and I won’t fuck with all your parody plans the next time around…
Discos de Kirlian
Madrid’s Marcos y Molduras decided to revisit “La de Navidad,” which featured on their first single in 2018, and give it a full makeover… which as you know, can go either way…
facebook has reminded us that ‘a day like today …’ a year ago we published for the first time “worse would be to kill”, which included this anti-Christmas carol that, at these dates, we cannot continue to ignore.
so we have re-done it, this time with a little more affection and with less uncertainty about what our friends will think about it. We already know they like it, we hope you do too 🙂Marcos y Molduras, Bandcamp
Well, as you might assume, the procedure was a smashing success. Sometimes I am all about lyrics, sometimes I’m all about FEELING. This song just FEELS SO GOOD. I do not speak Spanish (I took German in high school), but that has certianly never stopped me from jamming to some incredible spanish-language Christmas songs. I did some Google translate, and I’m even down for the anti-Christmas message. The food is too expensive, the families are loud and the businessmen are obnoxious. Christmas in the big city can be pretty shitty, especially without you.
So with that, Merry Christmas and try not to smile… even though you know the gist of the lyrics. I dare ya… Just feels too good eh? This is a stone-cold Christmas-mix hit.
Bottom Line: “La de Navidad” is bound to lead to involuntary movement of your feet, legs, head and mouth. Buy it, listen to it four times, and tweet at me in the morning.
Commodore Trotter / Ball of Wax Audio Quarterly
I am not the kind of blogger who seeks out a great voice. So many of my favorite singers couldn’t sing (How I miss David Berman), but even I can still fall for a voice. Ball of Wax Audio Quarterly is a fantastic blog and music-compiler based in Seattle, and their most recent release is Ball of Wax 58: The Ball of Wax Winter Spectacular, featuring this truly beautiful song by Brittain Ashford & Matt Bauer. Honestly, I’m having a tough time describing Brittain’s voice in a better manner than Ball of Wax did:
The teller of this tale is Broadway star and thematic alchemist* Brittain Ashford. With a voice that balances diaphragmatic force with childlike vulnerability, Ashford paints the sort of holiday portrait that those of us who suffer from melancholy particularly this time of year can appreciate and empathize with, and what’s more—what we need most during the dark season—she infuses every line with a tattered but palpable hope.
This song was almost too pretty for me… but those distinctive qualities of Brittain’s vocal delivery were undeniable. The music is also quite lovely, but after learning of composer Matt Bauer‘s folk and banjo background, I am SO intrigued to hear a version with banjo. Damn that could be cool.
Edit: Turns out this song was initially released in 2018 on an EP, Tinsel and Snow & Other Mid-Winter Missives. Go check it out!
Bottom Line: Like Messi’s “Charlamagne,” this song is defined by a beautiful and distinctive voice.
I don’t normally write about straight-up Christmas carols. This is generally a pretty secular Christmas music blog… and if you want Christmas carols, there are a million other places to listen to them. That said, every so often, a treatment just hits me. British Columbia’s Dariynn Silver released a version of “God Rest Ye Merry Gentleman” last year that deserves some notice. The vocal melodies are great – her pacing and the words she highlights are truly unique. However, it may be piano in the bridge that just got me. It was just beautiful, and frankly, I thought you might think so as well.
Bottom Line: Who would have thought it? A honest-to-goodness Christmas carol on Christmas Underground. I am full of surprises today.
Mano Walker Recordings
Buy: Apple Music | Google Play | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3
There is no perfect release schedule when it comes to Christmas music. SO MUCH comes out in such a SMALL AMOUNT OF TIME, that no artist can be sure that their song will have the time to break through the flurry of competing songs. Last year’s fantastic track by Johnathan Rice and Courtney Marie Andrews is a prime example of this problem. Here we have two notable artists collaborating on a fantastic song, and I didn’t hear a peep about it until stumbling upon it a few months ago. The song tells the story of immigrants trying to make a better life, but instead, get caught up in Trump’s child jails. You know, the kind of track to put next to “Santa Baby” on your mix.
Johnathan gave some context to the writing of this song on his Facebook page last December. You would think that after a year passed, things would be looking better… but alas, this story could have been written yesterday:
This song is a story I wrote with Jason Boesel and Courtney Marie Andrews. It’s about a child and his mother trying to make it to the other side of the border. Reasons beyond their control intervene, and they don’t make it. This song is my way of calling attention to the current humanitarian crisis taking place at our border with Mexico. Like many of you, I was devastated by the images in the press of mothers being gassed, of little children in cages sleeping on foil blankets. Believe me – as bad as those images are – the worst is yet to come if we do not act immediately.
A few months ago I traveled down to the U.S.-Mexico border with a group of like-minded people to learn more about the situation, and hear about how to help. I started writing this song on the bus ride home. It was recorded in LA a few weeks ago.
Johnathan finished his post with a pitch to donate to Al Otro Lado, whose border rights program “hosts know-your-rights training and legal orientation workshops in migrant shelters in Tijuana, Mexico, and provides direct legal representation to detained asylum seekers in Southern California.” So, if you are so inclined, you can donate here.
Bottom Line: The story is moving and Johnathan and Courtney’s voices blend beautifully. Should you want to add a little bit of humanity to a normally sugary-sweet holiday mix, look no further than this song.
You might think my Christmas music hunt is scientific – that I have specific terms and techniques that I use. In some ways, you are right. There is most definitely a place for an educated search. However, there is also a place for just clicking and clicking and clicking, going down the rabbit hole to see where it might lead. This time, it somehow lead me to somewhere familiar, and I discovered Shadowlark. The voice behind this band is Ellen Smith, previously of the much more folky Ellen and the Escapades. I would often check back in and see what they were up to, as I loved Ellen and the Escapades (they have been featured on CU before!). Yet somehow, time passed and I had completely missed this new project, the synth-heavy Shadowlark. To my surprise, they even released a Christmas song last year, “Christmas Time.” I listened… and it sounded quite familiar. The song is a rework of one of the final released recordings of Ellen and the Escapades, expanded from its stripped-back original with some more production and additional lyrics. There are qualities to both versions that I really love, and I would leave it to you to decide which one you prefer. They even released a video with an acoustic version, which is also quite good. Three versions to parse, to compare, to enjoy.
Bottom Line: I could listen to Ellen Smith sing Christmas songs all day long. Her originals are exquisite, and her covers are gorgeous. Should anyone ever come across her version of “Silent Night,” please do share.
Sea Speak Recordings
Buy: Bandcamp (NYOP)
TELL ME SOMETHING ABOUT THIS BAND! I mean come on! Searching, and searching, and searching. The label is nearly as mysterious as the band, but they at least have a Bandcamp! This little Christmas EP by the elusive The Turtlenecks is a damn pleasant trio of lo-fi indiepop holiday tunes. Catch me on the right day, and one of these simple, synthesizer-driven tunes might just sneak their way onto a mix of mine. From the chill repetition of “With Care,” to the pulsing “Snowblind,” or the boozy fun of “Christmas Bender,” pop on The Turtlenecks Do Christmas, chill out, and let these tunes soothe your DIY-jones.
Bottom Line: Three solid tracks by some band from somewhere, released on a label that might be from Louisville. Occam’s razor would suggest that it must, therefore, have been recorded by me, in my sleep, with no musical training. Enjoy!
I should have contacted them before writing this piece – but I’ll update it if they write me back 🙂
French indie rock band Stuck in the Sound did an odd little thing back in January 2018… they released a Christmas single! “Marry Me on Christmas Day” throws me back to my college days listening to Travis’ The Invisible Band, as the vocals are quite pretty, and the lyrics equally sentimental. Nearly too sugary-sweet for my older, crustier ears, this understated song benefited from multiple listens, listens that reminded me of the pleasure a sweet song could bring.
Bottom Line: Hey, there is plenty of shit going on right now. Here is 3:30 of kindness to smooth out your wrinkles. Unfortunately, this track only exists on YouTube… but you know… there are ways to get it onto your mix, should you need to.
Buy: Bandcamp (NYOP)
Kevin Basko (Rubber Band Gun) is back, and this time he is bringing Katy Rea along for the ride! First off, I cannot believe that these two songs were recorded on an iPhone 6. These sound way better than most of the junk I listen to on Bandcamp. Kevin recorded one of the more out-there and enjoyable Christmas records of 2017 with Festive as Hell, and while those interesting edges remain exposed, these two tracks with Katy Rea are much more slimmed-down and straightforward. The first track “I’ll Be Good” is a love song to Santa, an entreaty to Santa for an extramarital fling in New York. I honestly don’t know if I’ve heard a song quite like it. I certainly believe I’ve heard love songs to Santa, but rarely (if ever) do they acknowledge Mrs. Claus, let alone suggest she is annoying. Hehe. The second song, “Willow St,” is a beautiful song, a tableau of a simple, warm and loving Christmas shared together in a house on Willow Street. The fact that they sing this song together, two voices blending perfectly, makes the song that much more vivid. This song is about sharing Christmas with a loved one, and having both there voices there sharing the song, underlines the sentiment. A beautiful song wonderfully executed.
Bottom Line: These two songs, recorded on iPhones, have justified the technology that has addicted us all.