Month: November 2023

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Brittany Ann Tranbaugh “Put a Bow on It (Holidays are Hard)” (2023)

Self Released
Buy: Bandcamp

If you aren’t writing a new Christmas song, at the very least record something unexpected. I believe I fall asleep every night muttering something along those lines… thankfully we are all psychically connected, and Philly’s Brittany Ann Tranbaugh took it to heart. Today, Brittany Ann releases a cover of a Jackson Emmer & Clint Alphin song, “Put a Bow on It (Holidays are Hard),” which is a great little song whose clever lyrics will put a smile on your face: “we’ve got us / we don’t need to fit in / I know we’re both a little crazy / but we ain’t half as bad as them.” I doubt it’s much of a stretch to say that readers of this blog (you interesting people who take time to read about Christmas music) might be a little bit crazy yourselves… so… relatable! Brittany Ann’s voice is, as always, full of character and beauty, but this time she brings in her friend Emily Drinker to add harmony – a perfect seasoning to the dish. Brittany Ann is now 2-for-2, with a pair of songs (check out “The Christmas Flannel Song” from last year) destined for a discerning mixtape. Keep it up!

Bottom Line: From song selection to performance and production, Brittany Ann has earned a spot on the good list for sure.

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Heyrocco “Christmas Shopping in Santa Monica” (2022)

Cobraside
Buy: Apple Music | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

Is a band from the town they started in, or the town they have resided in for a while? Like, are the National a Cincinnati band, or a Brooklyn band? I find myself mulling this over as I think about Heyrocco… who are either from Charleston, South Carolina or Los Angeles. So, pick your flavor, and now that I’ve placed them in the general United States, we can move on. Heyrocco’s most recent release also happens to be their excellent 2022 Christmas song, “Christmas Shopping in Santa Monica.” This song has a late 90s – early 2000’s powerpop feel that I love. The jangling rhythm guitars, the layered vocal harmonies, all the “oh yeahs,” I’m transported back in time. It’s a fun one, you’ll like it.

Of note, this is not the only Heyrocco Christmas song… there are a few Bandcamp accounts that all appear to be associated with the band, and they covered (as did everyone) Wham’s “Last Christmas” back in 2014. Low-fi demo quality, but interesting to hear in comparison. Around 2:20 it gets weird, which is worth a listen if you’re curious.

Bottom Line: This is the kind powerpop that I love.

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The Happy Somethings – Don’t Mention It (2023)

Self Released
Buy: Bandcamp (NYOP)

Amongst indiepop Christmas music aficionados, The Happy Somethings are quite well known for their underground classic “It’s Christmas Time (we’re as miserable as hell).” They’ve reworked the song into various treatments and versions over the past few years, but something unexpected and dramatic has happened, and they’ve stumbled into an entire holiday record! I love the description they’ve posted on their Bandcamp:

DISCLAIMER!

We should perhaps apologise for releasing a Christmas album – it seems a pretty ‘uncool’ thing to do. But then we pride ourselves on being a pretty uncool band!

And in our tinseled defence, we didn’t really mean to write another festive song but ‘Nothing’s Just For Christmas’ thrust itself upon us in an unignorable fashion.

So we thought, why not put it with eleven other songs that could reasonably be heard as ‘seasonably appropriate’ and make an album?

So we did!

Some of these tracks weren’t originally written as Christmas songs at all but have been repurposed for this release as they seemed apt – and a couple have been ‘re-formed’ into instrumentals.

Hopefully we offer you and yours an alternative festive musical backdrop – if only for around 30 minutes!

And of course, it’s free – or for just 50p you could even gift it…

I totally get the whole “uncool” thing. I mean… I write a blog about Christmas music. It isn’t the first thing I tell folks when I meet them for the first time. You have to wait at least 15 minutes before dropping that bomb!

The whole record is quite nice – very much reminiscent of the wonderful Boy Least Likely to Christmas record. As you see in their description, not all these songs are explicitly Christmas but when viewed within the context of a holiday record, they totally work. There are some great lyrics here too. I certainly had a chuckle with this line from “Nothings Just for Christmas:” “Don’t want to hear the dang dong ding. / Don’t need a message from the King. / Not really into worshipping / except for Frank and Bing.” Another wonderful line I just adore is the first bit of “The Present,” which was originally released on their excellent 2023 full-length, A Gathering of Sorts: “the present is an excellent way / for someone to say /for someone to show / how little they know about you.” Ha! So clever… again, has me feeling some really great Boy Least Likely To vibes… so highly recommended.

Bottom Line: This record might be a bit cobbled together, but I enjoy a well-made cobbler. This would be a nice opportunity to throw them a buck or two to help them celebrate the holidays too, especially if you are a member of the indiepop Christmas music-loving community.

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Elliot Maginot “Marie​-​No​ë​l” (2023)

Audiogram
Buy: Bandcamp | Apple Music | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

Montréal’s Elliot Maginot was one of my favorite finds of 2022, despite the fact he had been recording wonderful Christmas songs since those halcyon, pre-COVID days of 2019. Sometimes it takes a little bit for me to find these folks… but I’ve found Elliot, and now he is stuck with me. 2023 brings Elliot’s first French-language Christmas release, the beautiful “Marie​-​No​ë​l,” originally released by Bobby Charlebois. I’m sure it is no surprise that I don’t speak French, as I am an American, and we traditionally expect the world to speak English with us. But boy do I wish I did – I’d be going to the Tour de France in a heartbeat. (Fun fact, that is my sport of choice.) Wow, it is really taking me a long time to get to talking about this song. Lots of detours and pointless banter. Did you know it is raining today?

I ran “Marie-No​ë​l” through Google translate, and I do think that some of the beauty & flow is lost in translation. The things that don’t need translation are pretty damn wonderful. Those woodwinds – so warm and inviting. Elliot’s delivery – so present and emotional. Elliot Maginot has an incredible ability to perform these ornate pop Christmas songs that feel so clean and polished… and somehow breathes real life into them. In other hands, these songs might feel too clean, perhaps surgically sweet. Thankfully, this is not the case, and Elliot’s added yet another beauty to his Christmas catalog.

Bottom Line: I’m here for the woodwinds. Change my mind.

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Middle Kids “Driving Home for Christmas” (2023)

Self Released
Buy: Bandcamp | Apple Music | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

When Sydney’s Middle Kids dropped Lost Friends back in 2018, that was one of my top-5 records of the year. The goodwill generated within me based on that record alone… well… it is pretty substantial. Thus, when I saw they had dropped a Christmas single, I was pretty excited. Would I like it to be an original song? Yes. However, as this song is less ubiquitous in the States, this version may be the first time you hear “Driving Home for Christmas.” If so, then you’re in for a treat. Middle Kids add nice touches to the song, such as the textures that (if I’m not mistaken) the slide guitar adds throughout. It is a lovely production, from the vocal to the warm bass lines, and perhaps most especially… the shortened run time. I aaaaallllways appreciate a brief Christmas song that doesn’t drag, and they chop off more than a minute from Chris Rea’s original. Middle Kids have surely scored a solid cover, now let’s see what they can do with their own material!

Bottom Line: An extremely solid cover of a UK-Christmas classic. Might be an Australian classic too… because you know… colonialism. Did you know that the Chris Rea song came out the same year as Australia gained full independence? 1986!

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Lunar Vacation – Christmas (Baby Please Come Home) EP (2023-ish)

Keeled Scales
Buy: Bandcamp | Apple Music | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

I don’t make my Christmas mixes with Christmas parties in mind. When I picture folks listening, they are walking around with headphones on, or perhaps driving in the car. Those driving, I also imagine them explaining to their children that “It is ok to have swear words in songs if you understand that they are indeed swear words, and that you don’t use them at school.” This is not meant for a work Christmas party, despite the fact that I’m known to hand these things out at work… it’s complicated. All that said… Lunar Vacation may have found that sweet spot where they make interesting versions of familiar songs, ones that you won’t have to explain to your kids about but are cool enough that they don’t bore you. Their new EP (destined to be a feature on Stereogum in 3… 2… 1…), is actually their old EP, A Living Room Christmas, with one new track – “Christmas (Baby Please Come Home),” so if you picked up last year’s, just grab the one track and you’re all caught up. I did not cover last year’s release, so let’s dive in and see what is here.

This EP is stacked with four covers done in their “pool rock” vibe, each with that laid-back groove that works so well at your holiday eggnog fiesta. There are the obvious covers, the title track which we all know, as well as Vince Guaraldi’s “Skating” and the Wham! classic “Last Christmas” (ever heard of it?), which Lunar Vacation first released back in those dark times of 2020. There is one track that is a bit less obvious, the Norah Jones cover of “Christmas Calling (Jolly Jones),” which I appreciated more than the others if only for the fact that it is less familiar to my ears. They add these wonderful synth and chorus guitar flourishes to many of these tracks, as well as the warm bass lines that particularly stand out in “Christmas (Baby Please Come Home),” but can be felt throughout. Quite a nice collection, which could easily be expanded to be a very good indie Christmas LP sometime in the near future… just sayin’.

I don’t want you all to think I’m dismissing this EP because I said it is great background music, as that still means that I think it is indeed cool enough to listen to and genuinely enjoy – which I often cannot say about a collection of covers. So… invite some folks over, relax and enjoy.

Bottom Line: Chill by the pool, in the kitchen by the punch bowl, or near the office conference table and impress your friends with some nice, slightly askew classics.

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The Heathen and the Holy “Hey Merry Christmas (10 Years On)” (2023)

Smells Divine Records
Buy: Vinyl!!!!! | Bandcamp | Apple Music | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

The Heathen and the Holy, the seasonal project of classically-trained violinist Tom Hobden and musician/writer/producer Fred Abbott, who once recorded together in the much-missed folk/rock band Noah and the Whale, have been churning out a new song a year for the past ten years. This year, they took a moment to revisit their first song, “Hey Merry Christmas,” initially released way back in 2014. I did not review that first track, as I didn’t discover these guys until 2016’s “Best Christmas Yet,” which remains my favorite of their releases. “Best Christmas Yet” was the perfect mix of humor & earnestness, with a somewhat scaled-back (in comparison to this song) production and a touch of soul – check it out if you haven’t heard it before. “Best Christmas Yet” feels quaint next to the big, retro pop production of this rework of “Hey Merry Christmas.” The Heath and the Holy turn their production dial to eleven with the addition of the Budapest Film Orchestra, making this the most epic The Heathen and the Holy release yet. While not a brand new song, it highlights the love Tom and Fred have for this project, which is seen through the production quality of both their songs and videos. Their love is the quality that keeps me coming back. I may connect with the songs differently from year-to-year, but I greatly appreciate their love and dedication.

The Heathen and the Holy - Christmas Glory album mockup
300 copies of these babies.

EDIT: They are pressing 500 (no – now 300) copies of their collected holiday songs on vinyl!! Buy one!

Bottom Line: These guys sink so much time and money into these songs… you have to respect their love and dedication. I raise my glass of mulled wine to The Heathen and the Holy.

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Mallee Songs “Christmas ’93” (2015)

Beko
Buy: Bandcamp

I saw a Thread yesterday (YES, I am on Threads… ugh… damn you Elmo) that had me pondering that eternal question… name 10 records to know me better. One of those records was the Silver Jews’ American Water. That record blew me away and helped mold my taste in everything from music to modern art, movies, and literature. Elvis Costello may have cracked the window, but the Silver Jews’ David Berman blew up the house. Thus, when I hear a band that makes me think of David… I’m probably going to start feeling all warm and fuzzy toward them. Melbourne’s Mallee Songs‘ track, “Christmas ’93” off of 2015’s Natural Times most certainly feels inspired by the Silver Jews, thus I’m on board. I know that the song will certainly be filed on the sad side of the Christmas shelf, as the main joy of the narrator’s holiday is trying out every bed in the house. If you read this blog, you know that rarely scares me off. There is no beating around the bush, as the tone is set immediately: “Oh it’s Christmas time / I just want to recoil into myself.” In addition to the obvious alt.country via Pavement guitar lines, it was the lyrics that ultimately led me to the David Berman comparison – “I only get up / to pick at the meat / when nobody is there / My family walks on the beach / yet I don’t care.” This is one of those mundane moments that nobody would put in a song… but here it is. I love those moments, no matter how melancholy they might be. Not all sad songs have to make you sad, you know?

Bottom Line: There is somehow a warmth within this sad song and a beauty in its mundanity. You may feel the same?

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Ella Ion “Christmas” (2021)

Terrazzo Recordings
Buy: Bandcamp

Adelaide, Australia’s Ella Ion delighted us last year with her contributions to the wonderful Bjéar Christmas records, and I very much meant to make a big scene regarding her excellent 2021 single, “Christmas.” However, I got distracted, as I often do. The song deserved to be discovered back in 2021, as it taps expertly into the isolation of Covid lockdown. Ella provides an excellent, descriptive paragraph on her Bandcamp explaining “Christmas”:

“Christmas” renders a common release that overrides the sense of nothingness brought on by isolation over the past two years. The track explores the emotional tension surrounding the time of year when we are forced to spend time with those who raised us while looking back on our growth (or lack thereof) from the year behind us. The song taps into realisations about our childish tendencies and how we might put expectations on those we love before we fulfil the expectations of ourselves.

The subject matter can feel a weeeee bit brutal (as I ponder the line, “If your friend hadn’t died, I would’ve probably made you feel like you did”), but I’ve been known to groove on a dirge or two. Ella’s voice and LOS LEO & Bjéar’s production are so good that you might just find yourself swaying and singing along… which might garner you a hug or two from your more empathetic friends for sure. Here’s hoping that Ella and Bjéar cook up something new for us again, as our warm-weather friends are just killing it down there.

Bottom Line: This is a gorgeous, brutally honest song for a season that often rewards the superficial. So… how do you take your holiday music? Real, or with lots of sugar?

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