I hope you all aren’t afraid of some grand, sincere, emotion in your Christmas songs. Montreal’s Elliot Maginot has returned with his annual tune (often featured on CU!), and it raises the drama of what has already been a pretty grandiose Christmas catalog. “Waiting on Christmas” begins with Elliot nearly in a whisper, and as the emotion grows, so do the strings. The centerpiece of the song is the lovely spoken word in the refrain provided by Michael Taylor Hick, whose lines are initially echoed by Elliot in the background, “I will lay down my head / I will forgive my body / shedding my pain as I go / I will show only love to they neighbor / I’ll let in everyone that I know / I’ve been waiting on Christmas / just to let it snow down on me.”
I feel that. Somehow I’ve got this little part of me that thinks this Christmas will fill us with the strength we need to get through the uncertain year we have awaiting us. This song captures that, with the hope that everyone accesses that well of shared humanity.
Bottom Line: Elliot Maginot is a truly unique voice. Listen with an open mind.
With all the new stuff coming out (which Christmas A Gogo is handling quite nicely!), I find myself writing about things I missed from past years… My methods are quite scattershot, and I never quite know what I’m going to hit… so when you bring back yet another song, the taste of satisfaction is sweet.
Doylestown, Pennsylvania’s Ceramic Animal dropped a 6-song Christmas EP, Tinkertown: A Christmas Tale, which has a swagger that I appreciate. A silly sense of humor runs through the songs, which makes perfect sense when you see their press photos. These guys look like a good time. There is most certainly a standout in “Santa Please (Spare My Wife),” which has the narrator bargaining with Santa not to… well… seduce his wife.
Santa, Santa, in your sleigh Spread that joy in a different way I believe in magic, in love and in life But Santa, don’t bang my wife
Hehe. I remember listening to this song the first time, and I hadn’t really registered the title yet, and the whole premise had me shaking my head and chuckling. Then on the third or fourth listen, I started to kinda dig their whole laid-back sound. For those who enjoy a bit of comedy in their mixes, this may fit the bill.
Bottom Line: Funny and full of swagger, Ceramic Animal might have the levity you all need this season. Of note, I could only find one place to purchase this record – iTunes/Apple Music.
The swell of new releases is beginning… and here I find myself writing about a song from two years ago. I stumbled upon Copenhagen’s Pinemoon, and they just hit me right. 2022’s “Christmas Together” is a swooning, shoegazing trip that reset my mood last night. Searching for Christmas music is digging in the digital mines and more often than not, feeling hopeless and frustrated. Merry Christmas! So when you stumble upon something like “Christmas Together,” it calms your nerves and lets you fall asleep, ready to dig another day.
Bottom Line: This is a shoegaze Christmas classic.
Of all places… The Fader (not known for breaking new Christmas music) tipped me off to this excellent new Christmas tune by Pleasure Systems (aka Clarke Sondermann). Well, certainly glad I caught it, as “Merry Christmas” is one of the strongest bedroom pop tracks of the year to date. Laid back, with lyrical and sonic twists that keep you engaged throughout, Clarke’s relaxed speak-singing style (as well as the lyrical approach) gave me some real Soltero vibes (who also have Christmas songs… that I might have to write about as well). (Edit: How did I not hear a Postal Service comparison before! Totally!) The song is warm, with fluttering accents popping in and out of the arrangement. There is a lot here in less than three minutes. Leave them wanting more, and I do.
Reading a bit about the motivation behind the song, I felt this rang true for many of the Christmas-ish songs I tend to feature on Christmas Underground. Clarke states “Merry Christmas” is, “A meditation on holidays as marking points in time… not quite Christmas music, instead utilizing familiar winter imagery as a backdrop for self-reflection on cyclical relationships and past versions of oneself.”
Christmas really does have a power, and whether you are a believer or not, the nostalgia, the sentimentality, or simply the flagpole it plants at the end of every year is something that many of us grapple with, whether we are aware of it or not. There is a heightening to everything… fertile ground for good art if you can find your way inside the artifice. I think Pleasure Systems found themselves a key.
A quick final note. For those who like holiday vinyl, there’s a 7-inch that is limited to 100 copies. Feel free to send me one if you are feeling generous!
Bottom Line: My son really started grooving on it last night, and was happy to have me play it over and over… so that is a rather large vote for this being mixworthy. He is really going to have a weird concept of classic Christmas music when he’s my age 🙂
I’ve had my eye on this one for a while. After coming across Icelandic singer/songwriter Arny Margret through her wonderful 2022 holiday duet with Asgeir, “Part of Me,” she was fully on my radar. So when I got the Bandcamp notification for a new record, I am going to check it out. I Miss You, I Do comes out in March, so you can imagine my distress when I saw the closer was called “Happy New Year,” and it wasn’t the first preview track for the record. I simply assumed that I was going to have to circle back in the spring and stash a track for next year. But no! Arny dropped a second preview track with plenty of time for Christmas mix consideration. “Happy New Year” has that blanket of melancholy that, if you read this blog, you know I’m a sucker for. However… the turn at the end is so satisfying and hopeful, as the orchestration expands and Arny’s voice raises – that I could see this track finishing off a mix beautifully.
Dang. I want this whole record pretty bad.
Bottom Line: I’m not sure if I’m happy for a new year, but I’m certainly happy for this song.
I do not get excited for covers of “Blue Christmas.” I have heard a million versions… and rarely do I enjoy them. Liverpool duo King Hannah has somehow done it. Simply said, their voices sell it for me… how well they meld, how nicely they part, the warmth of their tone. Take away one of them from the mix, and the song is just another song. Definitely check out their non-seasonal music, which is damn good and might just distract you from working on your Christmas mix.
Dammit. Back to work.
Bottom Line: One of the nicest versions of a boring song I’ve heard in a long time. That sounds like a backhanded compliment, but truly, this is a great version… you’re just talking to someone who has heard this song too many times 🙂
A random song in my email. A casual click on a link. VIRUS! EXPLOSION! Wait… that didn’t happen – just wanted to add to the drama. My head bobs, my feet tap… I love this song. Who the fuck is this guy/band/mystery? Well, it only took me a year to properly follow up and figure this shit out. Cheetah Cheetah Bison happens to be Andrew Kerr, who can also be found in the NYC post-punk band Grassfight, as well as his country project Rabbit Montgomery. Grassfight released a couple EPs in the 2010’s and their full-length LP, Vampires, in 2023 (though it was recorded 10 years prior). As for the Cheetah Cheetah Bison moniker, this is pandemic Andrew. In a fantastic, stream-of-consciousness response to my random questions, Andrew explains, “Early into the pandemic in 2020, I realized I was going to have some real time off at home, so I dusted everything off and decided I was going to get into the world of solo stuff and see what happened. I’m very blessed to be able to play most of the key instruments, so I said hey why not.” Why not indeed. “A Little More Christmas” is an affirmation, singing out from the depths of the pandemic. Along with the season synths of “December,” Andrew was feeling the spirit in 2020: “It just felt right releasing some sort of positive project, given everyone’s mood about the possible end of the world.” I feel it, man. I wish I had heard these then… those were dark times.
For some reason “A Litte More Christmas,” gives me My Morning Jacket vibes – hell, they should cover this! Make Andrew some money! I like to imagine these big bands (or more likely, their managers or interns) mining this blog for Christmas album material. Hell, I’m happy to take on a consulting fee! Ha!
Bottom Line: You never know where you’ll find wonderful Christmas songs. The world is a wonderful place. Look… I’m even feeling optimistic now. Crazy shit.
Kristian Noel Pederson is so full of Christmas spirit, he just might burst. Year after year, he releases his jolly spirit in the form of Christmas records, and some years are jollier than most. This year we’re getting two records from Kristian and friends. The first one is a front-to-back reimagining of the classic Dolly Parton & Kenny Rogers’ 1984 Christmas record, Once Upon a Christmas. This is Kristian’s wife’s favorite record… so it appears Kristian is putting all of us to shame in the gift-giving department. Teaming up with Rob Currie, Andrew Currie, and Michael McDonald (not that one!), the collaborative project gets a “You, Me & The Curries” billing, with Kristian’s upcoming record continuing his solo series. The guests on this are quite excellent as well, most notably Bet Smith in the pivotal Dolly role!
Christmas a GoGo! did a great job giving more context to the production of the record, quoting Kristian, “I’ve always been a bit turned off by the 80s production, and wanted to reimagine the album as a fast paced, country album. Admittedly, it gets a little wild at times, but all in all, I’m so happy with how it turned out.” They have created an absolutely charming, heartfelt cover record that I’m sure you’ll find a few favorites on. Of particular note, this is the first time (if I am not mistaken) that Kristian is releasing a record on a physical format – the beloved cassette tape! Only 15 available online (2 gone already – ordered one for me and one for @noloveforned), so go now if you want one!
FYI: This is not the first time Kristian has covered an entire record. Check out his cover of Hanson’s Snowed Inn from back in 2019 if you are curious!
Bottom Line: The first of two records from camp Kristian is yet another triumph in a string of steller indie Christmas records.
One of the rarest things in our little scene of alternative Christmas music… is the birth of a new music blog. Hell, it was only a few years ago that Hip Christmas changed the description of this little site from being the “new kid in town.” Round these parts I think you’re a new kid for about 10 years… well, better start the clocks on this one. Better Watch Out! is the project of my buddy Jim (yes, we are both Jim’s), who I’ve chatted back and forth with about Christmas music for years now. Whether he truly wanted to or not, Jim has become as much a part of Christmas Underground as I am. I’m nothing without folks reading this thing, and those who care enough to say hi… well, dammit, that’s what keeps me going. Comments! Replies! DMs! Find like-minded folks in such a niche interest… well, you learn those folk’s names and check in with them when you haven’t heard from them in a while.
Thus, I’m extremely happy to introduce you all to Better Watch Out!, a new and wonderful resource for alternative Christmas music. Jim shot me a few sentences about how the site came to be.
For a long time, I used to send out yearly Christmas music mixes. I stopped for various reasons, but I’ve continued to build my collection of offbeat and vintage sounds of the season. Last year I came across an old Tumblr account I’d neglected. Being a cranky old Boomer, I decided Tumblr is the perfect venue to tell the story of my collection. It has turned out to be a fun project, and I’ll be sharing it between November 1 and Christmas.
I’ve framed it as a highly subjective history of alternative pop Christmas music, which I’ve traced back about a hundred years. The posts will appear in reverse chronological order to ease readers back into the more obscure eras of this super-niche phenomenon.
So the journey is just beginning, and you can follow Better Watch Out! this holiday season, alongside myself and hopefully many other adventurous listeners. I know I’ve already been surprised by some releases I missed a few years back, especially these stellar Oldfolks Home tracks Jim introduced me to. Can’t wait to see what else Jim has in store for us.
Nice to have a distraction. Even better to have that distraction provided by such a good guy.
Gotta look for stable things to grab onto these days. I already see myself leaning harder into Christmas traditions, both as a source of familiar comfort and frankly, to have some sense of control in a world of uncertainty. Just ordered a new fake Christmas tree… yes, we are a fake tree family. This one is supposed to feel real… I bet I could find something there to write about. Feeling real…
Some bands have begun to establish themselves within my Christmas traditions – bands I look to every year with anticipation of something new and wonderful. Herr Wade and the whole crew at Platiruma!!! are most certainly in that exclusive club. This year’s offering is Herr Wade’s excellent 4-song EP, We Still Remember Funky Christmas. Herr Wade is a collaboration between Jørn Åleskjær (The Loch Ness Mouse, Monobird, Sapphire & Steel) and Sebastian Voss (Nah…, The Fisherman and his Soul, Cinema Engines), and this duo have now dropped mixworthy tracks for three years in a row. The standout of this EP is (IMHO) the German disco track “Schulbus auf dem Eis” (Schoolbus on the Ice). I speak a liiittttllle German, but I’m certainly not quick, so I was most appreciative when Sebastian gave me a bit more context for the song: “The story is about the slippery situation on the street after snow was heavily falling, the last day before x-mas season and being at least able to hold hands with your crush who‘s sitting next to you….”
Well, isn’t that just great? Christmas! Young love! Danger! An earworm of a chorus and a Nile Rodgers groove that satisfies German and non-German speakers alike!
Stone-cold mixworthy.
Bottom Line: In a world spinning out of control, Herr Wade are here for you and will make you move dein Hintern.
LISTEN
Here is a Google translation of the paragraph at the beginning of the video: With my most heartfelt thanks to my bus driver at the time, Herbert, in whose accordion bus I boarded twice a day between 1985 and 1994 as a “Reckenfeld bus child”, and who knew how to stoically maneuver the white Büssing vehicle with his equally white clogs through wind and weather. To this day, he has made many friends on his travels throughout Europe and Asia, but also on the scheduled services between Greven and Reckenfeld, and has covered thousands and thousands of “completely accident-free kilometers”. I take my hat off to this committed man, who has been so versatile right up to the ripe old age of almost 87, i.e. right up to the present day, and who has hardly changed in appearance in the past 30 years.
Christmas Underground 