Category: Albums

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moi Caprice – Advent (2020)

Glorious Records
Buy: Qobuz (FLAC/MP3) | Apple Music | Discogs (CD/Vinyl)

This is a record that’s been bouncing around my playlists for a long time. Many years ago, I got into moi Caprice, a Danish band that was geographically and sonically close enough to my Swedish pop obsession to get swept up in the search. Their song “The Art of Kissing Properly” became a playlist staple. I picked up a few CDs and very much consider myself a fan. How I managed to miss them releasing a Christmas EP in 2020 is beyond me. I’m only half joking when I say I consider this oversight a personal failure.

Yes, moi Caprice released a Christmas EP, Advent, in late December of 2020, and it is absolutely excellent. Four tracks, each of which could make a strong case for being the best song on the record. “Christmas, the Magic Is Back” has a wonderful rolling rhythm, peppered with evocative lines like, “’cause the magic is back / and I can do the whole thing from a child’s view.”

That song, along with the one that follows, “Year of the Rat,” are very much Christmas 2020 songs—COVID Christmas songs. However, neither suffers from being too firmly locked into that moment. Both retain a timeless quality, especially in the coda of “Year of the Rat,” where they repeat, “And our kids fall asleep to the sound of our heart.” It’s just ridiculously gorgeous. (It is also featured on my 2025 Christmas mix, A Bit of Christmas.)

The biggest song on the record, at least by streaming metrics, is the third track, “I’m Dreaming of a Christmas That Isn’t So Extremely White.” The concept is interesting, as it references familiar seasonal cultural touchstones like Home Alone and It’s a Wonderful Life, while hoping for new perspectives. A good song, but it somehow lacks the emotional pull of the other three tracks. We’re all different; this may be your favorite!

The final song, “Merry Christmas,” closes out the EP with a promise to make a Christmas song that “truly has the sound / of a Merry Christmas,” and it absolutely delivers. The melody is gorgeous as it floats along on lead singer Michael Møller’s wonderful voice. This is the bullseye—a song that could land on just about anyone’s Christmas mix, in any year they decide to dip into moi Caprice. It is undeniably delightful.

For those who love physical media, you can still hunt this record down on either 12″ vinyl or CD. And wouldn’t you know it—shipping from Germany isn’t terrible these days. I’m glad I can finally write about this now, as I’d been nervous about covering something I hadn’t yet picked up myself, fearing it might sell out before I could. But now I’ve got a 12″ on the way, thanks to the generosity of you all, after coveting it for nearly a year. Truly, thank you all.

Bottom Line: This entire release can be mined for mixworthy songs. It really is pretty damn spectacular.

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Lonesome Doves – Lonesome Doves Christmas Album (2025)

Self Released
Buy: Bandcamp

Vermont’s Lonesome Doves have released a 4-song EP of original Christmas songs, the appropriately titled Lonesome Doves Christmas Album, all of which share a slow tempo, as well as the beautiful vocals of Scarlett… who truly does not miss a note. It is not often that an indie rock band is notable for the vocalist’s ability to sing… but Lonesome Doves are certainly an exception. You may find yourself attracted to the first track, “Peacegiving,” as you contemplate our current state of affairs. Perhaps you’ll connect with the vegan-leaning “Psyciatric Help 5 Cents,” which not only sings about not killing things that breathe, but also about dancing around like a cartoon, which we very much do in my house. These songs are the kind of songs I might want to listen to at night, drinking a spiked eggnog and looking at the fire. It’s not going to get you all amped up, it’s the kind of Christmas music that is going to leave you sitting… thinking…

Bottom Line: These aren’t pop hits, but they might touch something a bit deeper if you let them.

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Flunk – Xmas EP (2025)

Beatservice Records
Buy: Bandcamp | Apple Music

Norwegian electropop band Flunk has just dropped Xmas EP, a very chill new five-song release that gathers four beautiful, sparse covers (all of which have appeared in some form before) alongside one reworking of a previous song, “Sanctuary,” reimagined as a stripped-down Christmas version.

I’ll touch briefly on the covers, if only to point out that while Flunk is commonly known as an electronic band, three of the four tracks are accompanied only by solo acoustic guitar, with the remaining track featuring a lone electric guitar. The guitars exist mainly to frame the true centerpiece of these songs: vocalist Anja Øyen Vister’s beautiful—and yes, I have to say it—Björk-esque vocals.

“Sanctuary,” in its original form, is a lovely, chilled electropop track. Here, it’s pulled apart and rebuilt with gentle bells and subtle textures, the drums removed entirely, creating something far more ethereal than the original. I can easily imagine this track closing out someone’s holiday mix.

Bottom Line: Some gorgeous stuff here – surprised I hadn’t sniffed it out before!

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ANDEMIC – The Sick Christmas EP (2025)

Self Released
Buy: Bandcamp

When you get a hot tip from Jon Solomon, of the 25-Hour Holiday Radio Show fame, you press play. What was in store for me was extremely appropriate for my past week of sickness, a Christmas EP by Philly native (but LA-based) Andy Williams titled The Sick Christmas EP.

Woof. Hitting close to home.

Let me give you a bit more background on this Andy Williams fellow. First, it is not THAT Andy Williams – he died in 2012! This Andy was the guitarist and vocalist of the Philadelphia indie rock band Lefty’s Deceiver, and recently he’s been recording from his attic in LA under the name ANDEMIC. He’s released a few Christmas singles, which I have missed, over the past few years, and has gathered them along with five new ones on his new The Sick Christmas EP.

The Sick Christmas EP is full of originals, ranging from the driving indie rock of “Everyone is Always Sick Every Single Christmas” to the stellar Get Up Kids-esque “Massapequa Park,” but look out for the almost unrecognizable glory of battling guitars and synths that is “Jingle Bells.” This record is something else.

Thanks Jon, and howdy Andy. Nice to meet you.

Bottom Line: An indie rock highlight of the season.

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Ena Kinderlieder – Weihnachtslieder (2025)

a postage stamp with a holiday scene - a christmas tree on the left, a warmly lit house to the right, and santa and his sleigh flying above.

eleventwentyStudios
Buy: Bandcamp

Have you ever just sat there, watching the Bandcamp “Selling Right Now” feed? It is somewhat mesmerizing. Well, I did that, and I clicked on a few things that looked like Christmas records, and I ended up here, with Ena Kinderlieder’s Weihnachtslieder.

My current predicament is such: Earlier this season, I made a statement about how little I feature German-language Christmas music, and may have said it didn’t share the same musical qualities as say, French Christmas music does. I was called out by various festive friends and bloggers, and in retrospect, I was quite wrong. Indeed, German-speaking Christmas music has equal access to my love; I was just not thinking at the time.

What I was not imagining was that I would find a German-language Christmas EP that was made specifically for children… and that I would find it just plain wonderful. Ena Kinderlieder (aka Ena Children’s Songs) is a “singer, songwriter, and big sister,” and she began putting out music with a song for her little brother, and has followed with a series of songs throughout this past year, culminating with this holiday EP, Weihnachtslieder. Ena’s voice, along with her simple yet beautiful orchestration, is simply gorgeous. This is not what I expect from children’s music – I expect big, expressive voices, choruses that will rot your teeth and drive you mad. This is far from that… this is just really lovely.

Of note, the Bandcamp version has 8 songs, while the Spotify version is split up between a few releases.

Bottom Line: This is as lovely and listenable as children’s music will ever be. I can’t believe I’m writing about a children’s record… but I couldn’t let it pass. Give it a listen.

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Tim Baker – Full Rainbow of Light (2024/2025)

a window surrounded by snow.

End Times Music
Buy: Bandcamp | Vinyl

You may be familiar with the excellent Canadian indie rock band Hey Rosetta!, which unfortunately disbanded in 2017. Readers of this site may be most familiar with their holiday EP, A Cup of Kindness Yet. Though… I would have thought I would have written about that record at some point, but I haven’t. So, I suppose this might be new to you as well. Check it out below if you haven’t heard it before, it is quite good.

(If you haven’t noticed, my posts are more like a conversation than a good piece of writing, and I hope you don’t mind.)

I didn’t come here to talk about the Hey Rosetta EP, I actually popped onto the site to talk about the lead singer Tim Baker’s latest LP, Full Rainbow of Light, which was initially released in 2024. The record is filled with beautiful Christmas, New Year’s, and wintery-themed songs. Yes, this is one of those special records we all hope for, one containing nearly all originals. In his initial release, there are only two covers, one traditional and the other, the contemporary classic “I’ll be Home for Christmas.” Tim expanded the record for 2025 with Full Rainbow of Light Deluxe Edition, which features 3 additional songs, including a cover of Jackson Browne’s wonderful “The Rebel Jesus.” This whole record is pretty damn beautiful, and I’m sure a bunch of you will love it.

Bottom Line: Someone in our little Christmas community with a bit more energy and eloquence really needs to take a stab at a review. I know Stubby found it last year on the forum, but that’s the only mention I’ve caught yet…

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Bleu Rheine Presente La Compil’ de Noël #5

A black cover, with Compil de Noel #5 written in hot pink

Bleu Rheine
Buy: Bandcamp

I worked nearly two days in one day today, and today/tomorrow is likely the biggest release day of the year for Christmas bloggers. I’m going to do my best to feature my favorites, maybe even throw in a new find or two.

Bleu Rheine are back, making magic happen as usual. Those who can count (humble brag) have noticed that Bleu Rheine Presente La Compil’ de Noël #5 is indeed their fifth wonderful compilation of covers. Not all the songs will be Christmas songs, but let’s get busy with those Christmas tunes!

First out of the gate is Vivienne, who provides us with the obligatory “Last Christmas” cover. It’s quite a challenge to tackle a song that everyone covers, and Vivienne does it well. Her voice is lovely, and the instrumentation has me thinking this could be considered for an elusive “Dream Pop” or perhaps “Sad Girl” Christmas mix. Depending on how many covers of this you have heard so far, this may just be the version you’ve been looking for.

Now… the next track… Paris’ Princesse Gilbert busted out a cover of Pedro the Lion’s “Yellow Bike!” I mean… I admit to being a fan of “Last Christmas,” despite the overwhelming number of covers, but would I rather have choices like this? Absolutely. Princesse Gilbert does a great job, stripping back the sound and chilling it out. Truly a wonderful surprise, and a feeling I’m going to cling to for the rest of this season. Give me more choices like this.

The Smiruldes, whom I cannot seem to find any info on, provide a lovely cover of Les Classels’ “Le Sentier de neige.” If you recall, I’ve already written about Klô Pelgag’s beautiful version, and this one shares some similar DNA. They are both quiet, thoughtful, and beautiful, though The Smiruldes play their guitar, and Klô Pelgag her piano. Either way you go, you can’t go wrong – this is gorgeous.

I’m going to talk about the Diane track, though it isn’t necessarily a Christmas song… it is really more like a Jesus song – hence the title “Jésus Christ.” It is one of the more delightful songs about Jesus I’ve heard, as it is incredibly short (bonus) and finishes with the repeated line – translated to English for you: “I wonder if Jesus was funny.” This’ll sneak onto a mix or two, I’m sure.

Sure seems folks are trying to make Elliott Smith’s “Angel in the Snow” a modern indie Christmas staple, kind of like the Fleet Foxes’ “White Winter Hymnal” or something of the sort. Of note, the Fleet Foxes also covered “Angel in the Snow” this year for the Oh. What. Fun. soundtrack. But I digress… Neon Bay really put their mark on this one. It really doesn’t feel like the Elliott Smith song, which I give them credit for. They roughed it up, and I liked that a whole lot. And the stripped back ending.. phenomenal.

Yet again, Bleu Rheine delivers us some fantastic French indie Christmas covers, and as long as they are putting in the effort to put these records out, I’ll be here for them. Even when I’m quite tired, they help me find the spirit.

Bottom Line: There may only be a few Christmas tunes, but I’ll bet you’ll like the normal covers too. Let’s support Bleu Rheine and keep these coming! And hey – it benefits Association MaMaMa, which helps single and isolated mothers!

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Kristian Noel Pedersen – Bullshit & Gift Wrapping (2025)

A photo of a christmas tree, and a man sitting in a chair looking at the light up tree.

Self Released
Buy: Bandcamp

I recently listened to a podcast featuring indie-Christmas legend Kristian Noel Pedersen (KNP), the always wonderful 12 Songs of Christmas hosted by Alex Rawls. It was a great conversation and a peek behind the curtain of our most prolific Christmas-creative. KNP has released sixteen albums of original Christmas music, and after his most recent trio of beautiful, hilarious, and genuinely touching records centered on the fictional, aging pop star Saul McCartney, I was under the impression he was planning to strip things back a bit. Sometimes plans change, though, because we’ve got a mini-album of six new songs (plus some voicemail interstitials), and if the first two tracks are a taste of what’s coming… consider me hungry.

The record opens with “Bullshit & Gift Wrapping,” which might be the best title for a Christmas song I’ve heard in ages. The track is packed with bitterness, profanity, jangling guitars, and—strangely, but in the best possible way—a Gin Blossoms vibe? I don’t know what I ate for dinner, but that’s the only comparison my brain wants to make right now. And I low-key love the Gin Blossoms, so I’m here for it.

KNP has also previewed the second track, “Christmas on Your Own,” where the guitars get fuzzier but the attitude—and profanity—stick around. He paints these small scenes across a few Christmases, following someone leaving a bad relationship and starting over. The song feels frayed at the edges, from the loose feel in the instrumentation to the lo-fi (well, lower-fi) vocals, and that roughness fits the emotional journey perfectly.

While we only have two tracks so far, any longtime reader will immediately clock track six: “Winter,” featuring vocals by Winterval, another prolific and supremely talented songwriter I’ve featured here many times. I absolutely cannot wait to hear that one.

The rest of the record drops on Friday, December 5th, along with probably every other major indie release of the season. Why? Bandcamp Friday—when Bandcamp doesn’t take a cut and the artists get every dollar (minus credit-card fees, I imagine). So add this one to your cart now… and wait until Friday to check out!

Bottom Line: Two songs in, and I’m singing the same songs of praise for the latest Kristian Noel Petersen joint.

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The Photocopies – A C26 for Christmas (2025)

Self Released
Buy: Bandcamp

If indiepop is a genre that you are down with, read on. Frankly, if this website serves any purpose, it is for me to establish some indiepop credibility when I can’t play an instrument. Yeah, maybe I’ll share a few other songs too, but I have some twee punks to impress. Of note, I have often thought about how indiepop and punk are two sides of the same coin – DIY outsiders making cheap records for their devoted communities. But I digress, Michigan’s The Photocopies have done us a huge flippin’ favor and gathered up all his Christmas songs onto one easy compilation, A C26 for Christmas. We no longer have to search every single record (because often there was one) to grab that Christmas single for your indiepop radio show or mix. Sometimes being so prolific is a double-edged sword – you are always making great Christmas songs, but you’re also always making great Christmas songs. It becomes expected. Thus, it was a nice reminder to see all these great songs together, and it brought me back to 2021, when I first found the wonderful Photocopies.

I was so young then. We all were.

Bottom Line: Are you finding the Photocopies for the first time? Lucky you!

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Wake Up and Smell the Sun – Icicle Miner Key Yuletide Trilogy (2025)

A puppet sits at a piano in a dimly lit room.

Self Released
Buy: Bandcamp (NYOP)

What can one say about Wake Up and Smell the Sun, the music project of Philadelphia’s John Murray? That first review I wrote remains one of the longest and easiest I’ve ever crafted; I had never heard a Christmas record quite like it. Electric Snow knocked me on my ass — a lyrical and sonic mix that was unlike anything I’d encountered before. It felt like one of those videos where a blind kid puts on special glasses and sees for the first time.

So as I tackle this latest release, I come to it with the weight of those earlier impressions, as well as the thoughtful, self-deprecating, optimistic, and generous message John sent along with it. He presents the new release, Icicle Miner Key Yuletide Trilogy, in the context of his feelings about the holiday, the journey of these songs, and the creative energy of the Philadelphia music community that helped bring his vision to life. I’m fighting the urge to share his whole note, because it pulls you into the process in a way that only deepens your appreciation for the music. I connect with John’s work and his motivation in a way that cuts straight to the core — I’m always searching for songs I can love year-round, regardless of the season. That doesn’t mean I don’t care about the content; when someone can tap into something genuine, something human and rooted in the spirit of the season, there’s power in that. So when John writes, “First and foremost, Wake Up And Smell the Sun Christmas songs are songs. They are about Christmas, and all are conceived and birthed in the time and spirit of Christmas, whatever they end up sounding like,” I see the same relationship between craft and spirit that I’m constantly seeking.

Let’s dig into the songs. The first thing you’ll notice is that each track has its own distinct feel. John explains the sequence like this:

For this Trilogy, there are obviously three songs about Christmas. I chose the order too. The songs are stylistically very different. I intended for that to be a good thing. I imagine people being wholly perplexed by the ambitious power and synth-and-drum-driven proclamation of the first song, then making a strange turn into a contemplative indie rock feel for the second song, then finishing into a more traditional reel-to-reel torchlighting of the third song. A sonic quest. My quest for Christmas Music immortality.

I love that last bit — “my quest for Christmas Music immortality.” Every time someone hears a Christmas song they love and makes it a part of themselves, their holiday, their memories, they give that song a kind of immortality. Maybe the synths on “We Cannot Be Too Merry” will make you turn your stereo (go buy a stereo!) or headphones up as the ending washes over you: “We could be good / We could be good for you / We cannot be too merry / We cannot be too merry.”

Or maybe the chorus of “Jolly Good Time Indeed” will make you feel grateful for the warmth the season brings to your everyday life: “It’s a jolly good time indeed… for stories we still believe / and even if they don’t exist / it helps a little bit.”

And then there’s “Icicle Symphony,” whose finale might be the one that gets you. The emotion in the expanding orchestration — perfectly timed with the drums landing right as he sings, “Here come the holidays. Pry ’em wide open.”

John would be the first to tell you how much he owes to the people around him for helping make and share these songs. This record was once again recorded at Miner Street Recording in Philadelphia with Brian and Amy, and features Pat Berkery on drums, Robbie Bennett of The War on Drugs on synths, keys, and piano, and Matt Keppler on bass — his first appearance on a Wake Up and Smell the Sun project.

I don’t think John needs to worry about immortality. These songs — like the ones many of us have loved for years — stick with us. I’ll leave you with his wish for the season, which honestly could be a song itself:

Be well and try to be full of the Christmas spirit well after December. Not for votes, not for likes and follows, not for badges or rewards. Maybe do it for a girl, that would be ok. Or for a boy. That’s ok too. Do it for love, as so many songs say. Be full of the good spirits that spring forth from whatever holiday you celebrate. If you’re feeling triumphant, that is great, but be joyful too. And make some love and give it away. Anyone at all can do that.

Bottom Line: Fucking hell, I got emotional again. What kind of music blog is this? Go listen to some Christmas music, and maybe start with this record. Give it some everlasting life.

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