Buy: CD (You need the CD to get the download!)
Pelle Carlberg is one of my FAVORITE singer/songwriters… I am particularly fond of his two most recent solo records, In a Nutshell and Lilac Time. So, I dutifully bought them, enjoyed the hell out of their witty wordplay and to my amazement… there is a bonus… a hidden bonus to be found.
I encourage you to first look up Pelle Carlberg, or just groove to the songs below. If you like what he’s putting down, then you should go buy a copy of Lilac Time. If you read the liner notes carefully, you’ll find a link that shall lead you to three additional songs. One of those tunes… a wonderful cover of Stina Nordenstam’s “Soon After Christmas.”
You might imagine… when I found this… I jumped out of my seat, punched a waterfall, and smacked a leprechaun. It was damn exciting.
I will not post it here, and I beseech you to not post it anywhere once you hunt it down yourself. Lets actually buy some records. Lets put a few bucks in Pelle’s pocket. He has a family, and he is a full-time musician. The album is 100% worth it… throw in a ultra-rare Christmas tune that you have to search for… and you cannot beat it.
Bottom Line: The album itself is fantastic, and the Christmas song is wonderful. 5/5
Buy: 7″ | iTunes
I originally heard Laura Marling perform this song on a Youtube video, a year before she released it officially (see below). Performing at the amazing folk collective Communion Christmas show, this glimpse into what would be her incredible second record left me in awe. It then popped up on the BBC in a live set about a month before the official single was released, and if you hunt that one down, you will not be disappointed. The official single is a one-sided 7″, and extremely limited. If you are a collector, you would do yourself a favor to hunt it down. The same version can be found on her sophomore release, I Speak Because I Can, as well as a live version on the 2-CD deluxe edition of Creature I Don’t Know and the Live from York Minster 2LP release.
I have to say… perhaps my #1 Christmas release wish, is for Communion to put out a nice live recording of one of these shows…
Bottom Line: A classic. 5/5
Buy: Discogs (CD) | iTunes
So, yes, they are on a major label. However, talk to most people in America, and ask them if they know who Glasvegas are, and you may be asking around a good bit. This is unfortunate – because they put out a very solid debut, and an absolutely stellar Christmas EP, A Snowflake Fell (And it Felt Like a Kiss).
I honestly do not have a song that I do not care for on this EP – though I do have some favorites. Standouts are “Fuck You, It’s Over,” “Please Come Back Home,” and the title track, “A Snowflake Fell (And it Felt Like a Kiss).” Two of those tracks have made my personal Christmas mixes (not in the same year), and one is always in the running… though likely less so as I will soon have a child in the house.
Available as a second disc in a special edition-version of their debut, it was also given away at indie record stores in the US. Hunt one down for about $10 and you are doing splendidly.
Bottom Line: A fantastic, moody Scottish rock record that I could listen to (and do) outside the holiday season. 5/5
Le Grande Magistery
Buy: iTunes | 7Digital MP3
A Very Magistery Christmas is one of the stronger indie rock/pop compilations I’ve come across. Originally an iTunes exclusive, this album has made its way into Amazon, Rhapsody, and eMusic.
Leading off the record is Pas/Cal, who are known (at least by me) as having some of the BEST christmas tunes around, and their cover of “Last Christmas” lives up to their stellar reputation. This is one of the best versions you can find – and there are a LOT of covers out there. You can also grab this track on their 12″ split with Asobi Seksu. Their stab at “Jingle Bell Rock” isn’t quite as fantastic – but for a song that I don’t particularly like, they cover it well. It is quite unfortunate that when thinking about Pas/Cal, you must think of them in the past-tense… such a loss of lovers of indie pop christmas tunes.
The Stars also make two appearance on this compilation – and for this, be very thankful. First off, I’m a fan. Secondly, they hit a sweet spot that I enjoy – political Christmas songs. “Christmas Song” reflects on our perpetual wars in the Middle East, while reminding us that the Christmas season and Ramadan overlap. “A New Year (Live)” ends the record with a wonderfully stripped-down performance, dramatic as ever, and subtle with its hook. Two tracks worth a listen for sure.
Other standouts would be the electro-pop Baxendale tune, “Flash Gordon,” Mascott & Dave Derby‘s sad folk number “This Christmastime,” and Finian McKean‘s bluesy “Lost & Found.”
I’m not in love with the rest of the record, but nothing on it truly makes me cringe. You might be able to save a few bucks singling out the tracks you want, but overall, a worthwhile compilation that I am happy to own and support.
Bottom Line: Some stellar tunes in here make it rise above the pack. Loses a fraction of a point for not having an avenue to get a CD or FLAC. 4/5
Buy: 7″ Vinyl | Saddle Creek MP3 | Amazon UK MP3
The Mynabirds‘ Christmas release, All I Want is Truth (for Christmas), is the perfect Christmas release. A Christmas protest song! A Zombies cover! The title track is lyrically interesting, musically engaging, and should be considered an indie-classic. The Zombies’ cover of “This Year will Be Our Year” sets the stage for future female voices (Memoryhouse) to cover this fantastic song.
For the collector out there, there are 200 on white vinyl, 300 on black vinyl.
I wish the Mynabirds would release a Christmas single every year.
Bottom Line: Both songs are FANTASTIC. 5/5
Buy: CD | iTunes
Tiny Tide’s “Left Alone for Christmas Time” begins with the line “Do I have to wait and cry,” which sums up a lot of indie pop Christmas tunes–Dreary lyrics with a danceable beat. The rest of the disc does not follow quite the same formula, and for that, I am appreciative. The tone is pretty similar though – its all indie pop. “M.I.S.T.L.E.T.O.E.” is a solid song about office-party romance… not quite catchy enough for me to consider for my own mix. Cherry Berry has two songs on this release… which is unfortunate (for my taste). “Berry Xmas” is the weakest track on this record, and its on there twice. The vocals are just distracting, and make it impossible to get into – though their English is no doubt much better than my Indonesian.
Without giving a rundown of EVERY track on this 8-song release, I would like to highlight the two bright spots. Paisley and Charlie offer a beautiful slice of holiday melancholy with “Unhappy New Year.” Perhaps a bit too dreary for my wife to stand, I really enjoy the groove the music creates (and you, oddly, really need to listen to it LOUD). Stars in Coma also have a standout with “The Frozen Spectacle.” With harmonies that are reminiscent of the Fleet Foxes, these Swedes have created a track 2:36 of subtle beauty. Brevity is often an asset when it comes to a good Christmas song… and Stars in Coma do not wear out their welcome.
Bottom Line: Inexpensive, with two very-solid tracks makes this release better than most. 3.7/5
UPDATE! Stars in Coma have re-recorded “The Frozen Spectacle” for their upcoming, Christmas Eve release of You, Me and a Nuance of Arctic Air. This is a slightly different mix, so its all a matter of personal taste as to which one you like.
For fun, I’m also posting their demo of this, fantastic track GONE (which is a highlight of my personal mix this year!).
Where Its At Is Where You Are
Buy: CD | Bandcamp
Christmastime, Approximately is one of the stronger indiepop Christmas compilations of the past few years. This was originally released in 2010 as a free download (500 downloads), and now available as a ₤5 Bandcamp download or as a ₤3.50 CD! I picked up the CD, as I am a sucker for a physical copy.
While every compilation (with very few exceptions) suffers from filler, there are certainly some standouts here worth appreciating. The Social Interaction Foundation (aka Help Stamp Out Lonliness) leads off the CD with a danceable, folktronic version of Low’s classic, “Just Like Christmas,” which is different enough from the original to be interesting. Other standounts are Eux Autres‘s “Teenage Christmas,” The Hillfields‘ folky “Spirit of the Season,” and especially Hexicon‘s “See That Day.”
Bottom Line: The songs are good enough to justify the price. 3.9/5