Delicious Clam Records
THEY ARE BACK! Sheffield’s Delicious Clam Records is back with Vol. 3, and while it is a brisk 2-track affair, wow are they fantastic! The first track by Thee Mightees, “Christmas Song,” is a stone-cold mix-worthy indie rock classic. The groove is infections, and the lyrics are brilliant: “I hate Christmas rock n roll / Shane MacGowan and Kristy MacColl / I hate Jesus / I hate Chuck Berry / I hate Santa and his big fat belly.” HA! Wizzard, Slade, Paul McCartney, Band Aid amongst others, also get a serving of shade. It is a TON of fun.
The second track by Five Leaf Nettles, “Moonwalk in the Snow,” is a gorgeous, simple guitar and vocals song. The lyrics are nostalgic, touching, and the perfect foil to the wonderfully bitter lead track. “If I can’t walk backwards, then I don’t wanna go.”
All proceeds go towards HARC (Homeless and Rootless at Christmas). So, while you are donating to help the homeless in Norman, Oklahoma, why not keep your wallet open and help out the needy in Sheffield?
Bottom Line: This is so so so so so so so so so so good. What a pair. WHAT a pair.
On occasion, folks have thought this might be a Scottish blog. I take that as a great compliment, and I fully understand why one might assume this. I LOVE SCOTTISH BANDS. Well, tack Modern Studies up on the ol’ evidence board, but keep them at the edge, because they are technically from Scotland-via-Lancashire. Now, Modern Studies latest LP “Welcome Strangers” contains a stunning winter-themed song, appropriately titled “It’s Winter.” With orchestration and vocal harmonies that make me feel like they dig the Dirty Projectors, Modern Studies has crafted an atmosphere that evokes winter. The strings often flutter in and out, as if gusts of snow across your windows. I am sucker for winter songs, as they are a break from Christmas… an aperitif to cleanse the palate, and “It’s Winter” does so beautifully. And as for me being Scottish, I should probably take my address off the site to add to the mystery…
Bottom Line: I’d snuggle up by the fire with this song.
Buy: Bandcamp (NYOP)
John Mark Nelson is a songwriter and producer working in Saint Paul, Minnesota, and believe it or not, he released this track 2 weeks ago. Thankfully Christmas A Go Go found it and DM’ed it to me… as he must have figured I’d dig it. Now, here we are! “The One Time of Year” highlights what is becoming a common theme this year – as the need for the quite calm of Christmas, highlighting the simple bonds between us, is more needed in this time of tumult than in years past. The production is warm, sparse, and very evocative of Sufjan Stevens’ more contemplative work, such as the original recording (not the one you can buy) of “Christmas in the Room.” In a year of unexpectedly beautiful, hopeful, thoughtful songs, this one fits in quite nicely.
Bottom Line: Another tender song for a brutal year. Keep feeding me this medicine, and I might just get better.
Brooklyn Vegan hipped me to this song about boozing it up at Christmas, and so I tip my hat to you BV. The Chris Campisi Lifestyle Band is fronted by freelance production designer Chris Campisi – who I can’t find anything beyond a very impressive LinkedIn page, and a Youtube account (which features only one other track, “Marijuana”). I mean, this guy does not seem to have a band to his name, with the exception of the band that has his name! Ha! Well, I know my readers all love some good ol’ drinking Christmas songs, and this one aims to be the biggest. The drinking is bigger (as he is now drinking for two without you), as is the guest list. Featured on this song is Adam Green (Moldy Peaches), Jared Van Fleet (ex-Beirut), Delicate Steve (who has his OWN Christmas album out now), and Michael Tapper (We Are Scientists), who is not only on this track, but also directed the video. There is nothing deep here – the premise floats to the top on tiny bubbles of carbonation: he is getting drunk because you are gone. Classic premise, a great rocking backing track, and a singalong chorus. Swish, 3-points.
Bottom Line: Now let’s just have a little fun and enjoy this song, ok? It’s just a damn good time.
Mike Behrends and Lance Owens’ seasonal project, The Ornaments, has entered its fifth, fascinating year. The Ornaments can not write a normal Christmas song. 2016’s “Flying Home for Christmas,” had the narrator thinking about Christmas songs as his plane went down – just try to find another band who will go down that road! 2018’s “Give Me All the Christmas You Got,” is much brighter in content (there is no imminent death), but Mike Behrends’ lyrics cannot help but be evocative. For most of the past year, Mike has been living in Turkey, a predominantly muslim country with a very different climate from his Wisconsin roots. His detachment from the Christmas he knows and loves leads to equal parts longing and loving, as Mike pinpoints and appreciates these small details of Christmas that often get lost in the buzz of the holidays – yet he can’t have them. Recorded into an iPhone and sent 9 hours back in time to Wisconsin, his partner Lance Owens has beautifully mixed Mike’s vocals, at first setting them far away, but bringing them close as the imagery begins to flow. The music compliments the lyrical tone, soft nostalgia with a hint of anxiety, and with that, another Ornaments’ classic. Word is that they might be planning something fun when they hit a decade – and that is great to hear, as The Ornaments are one of the distinctive pleasures of the alternative Christmas season.
Bottom Line: The Ornaments are like no other Christmas band, as they continue to make fascinating, wholly unique Christmas songs.
Heist or Hit
Sometimes I can’t do Vaporwave. It gets too hardcore early-90s muzak synthy, but Liverpool’s pizzagirl, who is neither pizza, nor a girl, has found that sweet spot. His other work is not Vaporwive either – listening to an earlier track “Blossom at My Feet, Flower,” is ridiculously good indiepop, so perhaps he only takes quick tokes of the vapor. “Pizza For Christmas” has a pulsing beat, and a classic premise – his baby is gone for Christmas. He’s going to sit there and eat pizza for Christmas, alone. But all is not lost… and suddenly that pizza of resignation is pizza of celebration! It is a fun one, for fun folks. Enjoy.
Bottom Line: Vaporwave-adjacent indiepop fun!
Buy: Free (til 12/31)
Indiepop legends The Proctors have recorded a nice little indiepop Christmas song and placed it under all of our trees… because it is free! The song begins with a romantic visual of snow falling on an Icelandic town, but it quickly turns, as many sweet indiepop songs do, towards melancholy. The phone lines go down, and they say they’ll talk in a week or so, but then they just drift away, and now it has been a year since they spoke. It is a simple song – but one that you can relate to, even if you aren’t in Iceland. This is a song for those you like, even love, who drift away. I think we’ve all had that – life gets in the way.
Bottom Line: A very nice, snowy song by some of my indiepop heroes.
Buy: Bandcamp | 7Digital (soon) | iTunes | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3
The Heathen and the Holy, the seasonal project of classically-trained violinist Tom Hobden and musician/writer/producer Fred Abbott, who once recorded together in the much-missed folk/rock band Noah and the Whale, are back once again! The Heathen and the Holy are one of those Christmas treats that you hope for each year, as their songs always bring a bit of levity to what can become a very serious and earnest season. Not saying that these guys can’t be both serious and earnest, but there is always humor that helps take the edge off. So let this song be your snowy day, afternoon gin and tonic, and let’s premiere this great new Heathen and the Holy track together.
“It’s Just Not Christmas Without You (In It)” is about having to be apart for Christmas, and how that separation casts a pall over the entire holiday. Heavy! What was I just saying about levity? Well, no worries there – upbeat orchestration, along with Fred Abbott’s interjections keep you smiling through the pain. There are some truly fantastic parts; my favorite being when Tom and Fred begin trading lines toward the end of the song, culminating in a crescendo where they both sing “They take me back to Regent street to the Christmas lights tonightttttttt.” It is a theatrical moment, which if you have seen any of their previous videos, is no surprise. I love this band equally for their music, as well as for the brilliant videos that they have put together in the past. It is hard not to think of Tom and Fred, dressed in their holiday best with a drink in-hand… somehow still playing instrument… you know, because of the magic of Christmas. The Heathen and the Holy are truly the mulled wine of Christmas bands – a warm, cozy, delicious treat that somehow always seems to present itself at the exact right time. Cheers.
Bottom Line: The Heathen and the Holy have kept their Christmas flame burning bright with “It’s Just Not Christmas Without You (In It).”
Buy: Bandcamp (NYOP)
Someday I’ll finish my mix… but in the meantime, maybe I’ll help you finish yours. Ariane Zita, an indie folk singer/songwriter from Montreal, has a Christmas advent calendar that is turning out to be quite lovely, Un Noël à Botch. The first track, “Christmas Can’t be Far Away,” is an Eddy Arnold cover, and TBH, not a song I was familiar with. Ariane’s voice is is beautiful, and her arrangement makes the song feel particularly intimate. The calendar continues in a similar fashion, each song building a soundtrack to that first snow.
Bottom Line: This is truly the season of beautiful songs, and Ariane Zita could very well put out more than everyone else combined…
Buy: 7Digital (FLAC/MP3) | iTunes | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3
Jens Lekman and Annika Norlin (Hello Saferide) set off on their Correspondence project at the beginning of this year, writing each other letters though song in an alternating fashion. I don’t recall specifically hoping that there would be a Christmas song, but that hope is my default position. My default hope has been fulfilled, and I am ecstatic that one has emerged in this, the final month of the project. It is Annika Norlin’s turn for a song, and boy does she deliver a finale. “CORRESPONDENCE: Silent Night” has Annika musing on the the two composers of the original “Silent Night,” and how they must have felt to create it, then for those around them to experience it for that first time. What a brilliant approach for a song – I’m already in and I might not have heard a note yet. Annika’s simple guitar melody propels her delicate voice through a series of vignettes, from the birth of the song, to its first performance, finally culminating in the famous Christmas truce of 1914. And while there are powerful moments such as that truce, there are also some moments of levity, as she wonders if that first crowd might have thought: “Well I like the older stuff better
/ They should do more upbeat tunes.” So terribly clever and moving in both approach and execution, this song has it all. Thanks to Jeremi for the tip!
Bottom Line: What a stunner.