Half the fun—and the struggle—of having a hobby and a website like this silly one is the search. I love and hate it equally. Still, the rush of finding a great song is real—you know the feeling. I hate to admit I can often judge a book by its cover, but… years of experience suggest I usually can. So when someone defies my inner bias, well, I find that delightful.
Which brings me to New York–based singer-songwriter Remy Bond, whose image is a mix of Sabrina Carpenter and Paris Hilton, sent back in time with Lana Del Rey to hang out with the Ronettes. Remy’s been a child actress and a child reality TV chef (no joke), but over the past few years, she’s been steadily working in the NYC music scene—eventually signing with Warner Records in February of this year.
So far, that bio and the major-label connection don’t exactly scream Christmas Underground material, do they? Well, screw that—I don’t have enough readers to maintain an image anyway!
Remy dropped a Spectoresque Christmas single last December, “Christmas in Kokomo,” that’s damn enjoyable—though complicated by the fact that it’s impossible to buy and hard to stream. Spotify? Nope. Apple Music? Nope. YouTube? Yes. SoundCloud? Yup. Super weird that this genuinely great single is, by all accounts, “unreleased,” though I suspect it’s primed to resurface this holiday season with a major label behind it.
Look at me! Covering the big leagues! We all know I’ll be back to writing about weird cocaine Christmases from New Zealand tomorrow….
Bottom Line: I’m pretty down with this retro futurism.
Canada man. I feel each year, one country runs up the score, and this year has me looking north. I keep tabs on Sister Ray, as I own her 2022 album, Communion, a beautiful and vivid breakup record with a fleeting mention of a Christmas tree on “Visions” (for you Christmas mixers with VERY lax rules).” Earlier this year, the musical project of Toronto’s Ella Coyes released a great new record, Believer. I absolutely add it to the listen pile, but when I see a track called “Christmas” on her new album, my ears are hers. I love her voice, and the orchestration with the droning bassoon baseline (that has to be a bassoon, either real or synthesized, right?). However, these lyrics are the star. Some lines made me smile, though the kind of smile I wasn’t quite sure of – a sort of feeling that the line might just be more cutting than you realize. There is a moment in every verse that both feels so loving and sorrowful at the same time, that I find myself spinning. I’ve been trying to sit with this song, figure it out on a deeper level before I write about it… but I got antsy. Maybe you all can help.
Snow’s light For a cynic you sure love Christmas time. I think I might believe in Jesus Christ At least til things cool down Carrying a New Testament around Like a knife Like a fence in the foreground Protecting my house
I played that song just to hear you sing along I love your voice The way it sounds with mine I keep your ribbons hanging from my ceiling I would celebrate anything Come into my house
In another life I’m dressed in white I’ve been your wife What a beautiful child, what a beautiful sound Your eyes, my mouth Coming in from our house Coming in from our house
Bottom Line: This is the kind of song that keeps you coming back.
Last year, Nashville-based Canadian singer/songwriter Al Nicol and fellow north-of-the-borderer, actress and singer Evelyne Brochu teamed up on “On Christmas,” a great slide guitar and brass-laced Christmas tune. Happily, I came upon this song because Al Nicol recently released a track with Hiss Golden Messenger on it – and this time of year, I click through on EVERYBODY. So here I am, standing in the kitchen, poking at my phone and listening to his excellent new single, “Only Hoping,” and my eyes widen. This song is likely to be good… and it was. A short love song, with church and too much wine. The orchestration is beautiful, the lyrics are original, and clocks in at about 2:30. Bullseye.
Bottom Line: Christmas 2024, and Al and Evelyne are singing a wonderful Christmas love song. Christmas 2025, and I hope I didn’t just send ICE to a young Canadian songwriter’s home.
It’s official – I’m excited. Saint Paul, Minnesota’s Communist Daughter has announced a follow-up to 2015’s Sing Sad Christmas EP, which featured (IMHO) the definitive version of The Boy Least Likely To’s “Blue Spruce Needles.” This band can take a song, filter it through their fingers, and make something truly special. They just teased us with the first song off their upcoming November release, Sing Sad Christmas Vol. 2, and it’s just what you’d think. Communist Daughter does not shy away from the darker sides of Christmas – so Aimee Mann’s “I Was Thinking I Could Clean Up for Christmas” is right smack in their wheelhouse. I love it when a band looks beyond the same 10 songs to cover – I am very on board and can’t wait for November.
Bottom Line: A dark and delicious tease for what promises to be a highlight of the season.
There are few topics that alternative Christmas bloggers enjoy digging into more than songs about Die Hard being a Christmas movie (or not a Christmas movie). The topic has become such a trope that I’m fully expecting someone to start a blog devoted to this subject, similar to this now-defunct blog I recall that collected and catalogued all the “Last Christmas” covers. Well, I kinda found a new one – well, technically from 2018. Bristol singer-songwriters Oliver Wilde and Herbal Tea teamed up for a dreamy tune of his and her vocals, trading lines over the phone at Christmas. Let’s look at the title, which is also part of the chours: “Without you, Die Hard’s not the Same.” Implicit in this statement is that Die Hard is a Christmas movie, as it gets name-checked along with the Muppets, Bublé, and Rudolph. The song is about nothing being the same without you at Christmas. Classic premise, clever approach IMHO. While you’re on Oliver’s page, check out the similarly styled dreampop Christmas of “Yuletide,” a collaboration with EBU from 2015. Certainly, some solid dream pop Christmas tunes to be had here.
Bottom Line: It’s early folks – I’ll get over the dreamy songs and into the more acerbic stuff as the season comes closer and new songs get released. My prediction: It’s gonna be a bumpy ride, so enjoy the smooth travels of Oliver Wilde and Herbal Tea while you can.
As we all stumble through the darkest timeline, I find myself reaching for comfort food. If you’ve been reading this blog over the past thirteen years, you probably know that my north star is Swedish indiepop. So hold my hand, and let’s travel back to 2010. We’ll listen to this perfect three-minute specimen that represents everything I love about Swedish indiepop: lyrics that mix melancholy with sweetness, paired with upbeat electro-indiepop-disco—absolute perfection.
Art Acoustic may have disappeared from the searchable internet in 2013, but “X-Mas in the Woods” has remained on my playlist ever since I first pressed play. That was another time. It feels like we’re a million miles away from it now.
Hope you enjoy, and welcome to 2025. We are all in this thing together.
Bottom Line: Swedish pop perfection from a long-lost project. Art Acoustic – should you ever find this, drop me a line.
As I furiously try to listen to all that I can, grabbing large compilations for further listening, wishlisting all the singles that I need to come back to… every so often I hit play and gotta pop over here for a quick, dirty, and low-quality review of a great song. You know… feed those content gods.
Stereogum hipped me to this new track from London’s World News, “Xmas 101,” which if you reallllly want to get technical, was released in 2021. It is quite a fun, upbeat song that I’ve found benefits from multiple listens. World News has a flavor of jangle/college radio sound that I would RIYL if you’ve been a fan of Voxtrot, REM, or as The Line of Best Fit aptly tagged, Big Country. So if that is your jam, jam away! I’ll be jamming with you!
Philadelphia’s Wake Up and Smell the Sun (aka John Murray) was trying to empty the holiday tank last year. With his stellar 2-track single The Pedestrian Chronicles, Part 2 leading the way, quickly followed by his EPIC 25-track Advent Calendar, it sure seemed like John had reached his holiday destination. It does make me think of my old Honda Passport though… I could drive that baby on E for 50 miles – I never once ran out of gas, despite trying preetttty hard. Looks like John had a few more miles to drive this year, as he just dropped a 2-song single, The Pedestrian Chronicles, Part 6! This single begins with “Philadelphia Flurries,” a song with a classic WUaStS feel, having a driving beat propel John’s filtered vocals through some of the most interesting lyrics you’ll hear this season – you really have to check the Bandcamp page and hit that “lyrics” link and read along like you were a kid again. Case #1, the first stanza in the first verse hit me immediately and made me shake my head and smile as only John can:
Plain Jane’s Main Line luscious lips, they only sing the Christmas hits, Lure you on the naughty list, and kiss you like a hypnotist. The City Line swingers wine and dine her. Happiness is hit or miss The lightweights end up tipsy, nibbling jingles from her fingertips
This whole song is like that, full of great lyrical twists and turns (and great Philadelphia references!), with a killer chorus to boot. The kind of song you might just take for granted when coming from WUaStS, but fight that urge and take it all in.
The second track, “Whence I Christmas” is the kind of song that makes you think… this Christmas song feels different. This Christmas song feels like a struggle, someone looking inwards and not quite knowing how to feel about themselves or the world around them. I think that this may be the track John was thinking of when he wrote me this passage about his approach to Christmas music: “I write in the thoughts of Christmas people thinking Christmas things or thinking thoughts that might be thought about in the season of Christmas. You know, Ebenezer Scrooge ends up a pretty delightful chap, despite spending most of his adult life as a soul crushing, money grubbing, prick. But, the story is boring without the whole story.” I kept more of that quote than I needed, because I just loved John calling Ebenezer a prick, but you see there how John mines the interior life of his characters for Christmas songs – and we all know that our insides aren’t always pretty. This song isn’t a story of someone who’s figured it all out… you’re in the middle of the journey here… and aren’t we all?
Finally, this isn’t all that John/Wake Up and Smell the Sun has planned for us this year… Friday, December 20th will bring us his first-ever Christmas special, live from Miner Street Recordings with Brian McTear and Amy Morrissey, who have recorded John for the past few seasons. This is the same studio that has hosted many folks we all know and love, like Sharon Van Etten, Kurt Vile, the War on Drugs, Rachel Angel, Big Thief, Dead Milkmen, Strand of Oaks, and Waxahatchee to name a few. John wanted to capture the space at Miner Street, which he says has a “certain magic that cannot be duplicated.” I’m ready for the magic. Here’s a teaser with a live version of “Holly Jolly Tearjerker” from the upcoming Christmas at Miner Street, available Friday on Wake Up and Smell the Sun’s Youtube channel.
Bottom Line: Wake Up and Smell the Sun can’t shake the spirit, and we benefit once more.
Today is shaping up to be quite a day for excellent Christmas releases. Couldn’t have been last week eh???? Some of us have Christmas mixes, and we have the absurd idea that we might send some to folks in the mail (if I can get off my butt to do so). Well, first up is this excellent 2-track single from French indiepop band En Attendant Ana, En Attendant Ana Sings Christmas. These two tracks are covers done right. First up is “Close Your Mouth Because Christmas is the Day”, which takes both of the Free Design’s classic underground Christmas singles “Close Your Mouth (It’s Christmas) / Christmas Is The Day” and sews them together beautifully. They are mixed up with bits of “Carol of the Bells” as well… and it is… rather amazing. An unexpected song(s) choice, beautifully done.
The second single is a cover of the Pogues’ “Fairytale of New York.” I’ve mentioned before that this year is turning out to be a good year for “Last Christmas” covers… well… perhaps we’ve got to start talking about 2024 and these excellent “Fairytale” covers as well. The orchestration and the phrasing of this cover are like no other version I’ve heard before – they really have made this song feel new. (Of note, they do use the word in this song – so depending on where you stand on it’s use, take note). The ending is absolutely SPECTACULAR… so interesting and delightful, that I don’t want to ruin it for anyone here. So get going and listen to these songs.
Bottom Line: En Attendant Ana does exactly what one should with a cover… made them feel new. A top release of the season.
I don’t have much time (this is going to be a theme today). Indiepop funtimes with Manchester’s Autocamper. This song cannot (and I believe… will not) be streamed anywhere… so I can’t tell you whether it is good or not… but I’m guessing it is going to be good, because I bought one. NOW, how can you buy & listen to “I’m in a Caravan (and it’s Christmas)?” Well, you have to buy one blind and own a tray or top-loading CD player – don’t try to put them in a vacuum-loading one!!
Edit: Well shoot… I somehow read their listing initially as being released on Minidisc… not a Mini CD. Sorry about that! Sorry for the trouble I’ve caused for the band 😦
Bottom Line: Who knows?!?! I bet it is good!
LISTEN – Here’s what the band sounds like with a non-seasonal song
Christmas Underground 