I suppose I’m back… gone much longer than I usually do. I often crash a day or two before Christmas, with a browser overloaded with open tabs that I stare at for a few months until I get the courage to finally sift through them. Well… a few months turned into more than a few months (does that make sense?). I suppose I’ll do my best this year, for what this might be worth, and try to hip you to some Christmas tunes I particularly like.
It does appear to be a bit early in the season, so I hope I can be forgiven for writing about something that “those in the know” already know about. Obviously, it is the new Los Chrismos EP by London’s premier surf/psych/rock quartet Los Bitchos. I don’t know what qualifies for an EP anymore, as with two songs, I might have called this a single! I’d like to dwell on that for a bit more, but even I am bored with me now. The lead track off the EP, “Los Chrismos” rides that seam between groovy and chill, exuding a great time from start to finish. Not that I’m completely scared off by an instrumental, but their giggling and chanting were engaging enough that I rather missed them when they weren’t there. I am quite curious what the b-side is going to sound like – but I’m sure at least this first track, “Los Chrismos,” is going to be on a lot of mixes this year.
For those (like me) who love a physical object, there is a flexi-disc of this single as added-bonus to their early-2022 debut, Let the Festivities Begin. So grab that “Los Chrismos Edition” of the vinyl LP and you’ll be the proud owner of a very limited and super-hip Christmas release that will likely make folks like me a bit jealous.
Bottom Line: Track one was fun, but it still leaves the question as to whether track two will bring on the apocalypse (or also be a fun Christmas song).
Last year I found myself stressing out, trying to get a shot at one of those Field Music Christmas 7-inches that were at the Independent Label Fair in London. Tweeting back and forth, seeing what connections I could muster… but alas… it was not to be. They hinted that it would have a proper release this year, so…. I waited, and Lost Christmas: A Festive Memphis Industries Selection Box will be waiting under the tree for me (once I buy it). I haven’t heard much off this record, with exception of the Francis Lung track which I reviewed last year. A track or two has been previously out there in some fashion (Field Music and Cornshed Sisters) from off the top of my head), but there do appear to be some new tracks here for sure. If you are really, really curious, you can go digging on each band’s twitter feed, and you are bound to bump in to some 15 second samples of these songs. That Rachael Dadd track sounds bbbeeeeauuuuttttiiiifffuuullll.
Lost Christmas: A Memphis Industries Festive Selection Box (Release Date: December 4) 1. Field Music – Home For Christmas 2. Haley – Like Ice and Cold 3. Warm Digits – Good Enough For You This Christmas 4. Rachael Dadd (with Rozi Plain and Kate Stables) – We Build Our Houses Well 5. Stats – Christmas Without You 6. The Phoenix Foundation – Have Yourself a Merry Little Christmas 7. Francis Lung – To Make Angels In Snow 8. Jesca Hoop – White Winter Hymnal 9. The Go! Team – Look Outside (A New Year’s Coming) 10. The Cornshed Sisters – Have a Good Christmas Time
Well well well… this popped up on my radar, either by fate or coincidence…. Mark Lanegan is re-releasing his tour-only Christmas EP, Dark Mark Does Christmas 2012, as a full-length Christmas album – the appropriately titled Dark Mark Does Christmas 2020. Lord knows that 2020 is a year for a dark Christmas record…
2020 has been a dark year and so to end the year Mark Lanegan returns as Dark Mark and releases a full Christmas album. Five tracks were released as a tour only 12″ in 2012 which is now rare and impossible to find. He has recorded five more tracks recently and turned it into a full length album. Lanegan successfully takes some traditional Christmas songs, some Christmas covers plus some originals and twists them into a dark, melancholic affair. Standouts include Burn The Flames, originally recorded by Roky Erickson and Lanegan makes this sinister song, even more sinister. The Everley Brothers Christmas Eve Can Kill You is stripped back and haunting whilst the Lanegan original A Christmas Song is delicate and heartbreaking. 2020 is going be a dark Christmas.
You leave town for the weekend and everything blows up. This record is probably going to be all over Stereogum in a matter of minutes (as that is where all the bigger indie labels seem to go), but for now, let’s talk about this upcoming Merge Records holiday record! Merge is celebrating their 30th year, and with that they started a celebration subscription at the beginning of the year. I was one of the ones who decided to party along with them, and boy am I glad I did. Over the weekend I received this amazing, unannounced, Christmas record from one of my favorite labels, You Wish (A Merge Records Holiday Album). Pressed on peppermint vinyl and containing tracks by a couple folks who have already made a CU Xmas mix (Coco Hames, The Essex Green, Mac McCaughan and Telekinesis), as well as many that I hope might make it this year! These full-length releases always take longer to write about, and I get antsy, so let this post and the tracklist just be that little teaser for the upcoming review, hopefully coming sometime this week if I’m lucky.
Of note – there are a few copies on Discogs right now, and while it is subscription-only, Merge has been making their 30th anniversary records available in indie record stores on standard black vinyl. As for digital, it will probably come out on all the usual services, since their last release (Arcade Fire’s Neon Bible covered by A Giant Dog) is available digitally.
A1. Coco Hames – Keep Your Christmas
A2. The Essex Green – Green Christmas
A3. Mike Krol – Won’t Be Alone Tonight
A4. Mac McCaughan & Annie Hayden – Down We Go (Sledding Song)
A5. Fruit Bats – Baby In The Hay
A6. Apex Manor – White Christmas
A7. William Tyler – Jesus Christ
B1. Hiss Golden Messenger & Lucinda Williams – Christmastime In Prison
B2. Eric Bachmann – I Was Made For Losing You
B3. Telekinesis – Christmas Time Is Here (Uh Oh)
B4. Mikal Cronin – Christmastime Heist
B5. Will Butler – Love Asked Me To Stay
B6. Tracyanne & Danny – Santa, Don’t Say No
B7. Shout Out Louds – Blue Christmas
Well here we go! This one will make all the media rounds no doubt, as Josh Rouse has a large back catalog and fans that span 20+ years. I remember getting that Dressed up Like Nebraska cassette promo single was back when I was but a boy. That first record was great. Josh’s second, Home, is a modern classic record (for me). 1972 was a risk that paid off beautifully. Find a copy of Bedroom Classics Vol. 1 and you will be treated to “Michigan,” which is an incredible, incredible song. I don’t want to go into this with the level of expectation that I might… as I haven’t been quite on the Josh Rouse train for a number of records. But here I am… likely to buy the double-vinyl edition. The first pressing of the CD/Vinyl comes with an extra disc featuring 3 bonus tracks, and 3 demo versions of songs found on the record. So… if you are considering this record, the first pressing is by far the way to go.
Bottom Line: Click and buy. It’ll be better than most Christmas records, and could possibly be great.
In 2007, Sufjan Stevens wrote and recorded “Lonely Man of Winter” and, as part of a holiday marketing contest to promote Stevens’ Songs for Christmas boxset, traded ownership of the song to the winner, Alec Duffy. In turn Duffy gifted his song, “Every Day is Christmas,” to Stevens.
But instead of widely releasing “Lonely Man of Winter,” Duffy held listening sessions in his home and around the world, sometimes pairing the private listenings with cookies and hot chocolate.
In an end to that years-long project, Duffy – now founder/Artistic Director of the non-profit Brooklyn performance venue JACK – has decided to release the song “Lonely Man of Winter” on Asthmatic Kitty Records, digitally and on limited edition 7 inch, with funds going to support JACK’s mission of fueling experiments in art and activism.
So. I have heard it now. And yes, it is a Sufjan Stevens Christmas song, so it will obviously be much, much better than 97% of other Christmas songs. I particularly like the new mix – the electronic percussive touches especially. Had I only heard the first, original version, I might have come out and said that this could be a “filler track” on one of his Christmas EPs; It just didn’t hit me. This is the blessing and the curse of Sufjan, as he has raised expectations of his work by creating a vast, incredible back catalog with such amazing songs like “Christmas in the Room” and “Sister Winter.” Criticism in comparison to his previous work is frankly unfair; I certainly compare most songs against their Christmas music genre, rather than the artist’s past work. Don’t get me wrong, despite my waffling, I’m still damn pleased, and I am so happy to hear that mystery track from long ago. You know what would be an incredible finish to Sufjan’s holiday season though? How about a cover of Alec Duffy’s track, “Everyday is Christmas.” I kinda feel like Sufjan could knock that out of the park…
Bottom Line: Sufjan’s 2018 recording of this mysterious track from 2007 is indeed a worthy improvement.
I am terribly torn as to when I should write about this record, and have been putting it off for well over a week now. I have been wrestling with buying a copy, but just cannot bring myself to pay for the shipping. I’m feeling quite poor at the moment, and just can’t do it. I wish I knew of a place in the US that might be carrying this! I will sure update my post if I find one, that is for sure. All I am left with is hope; Hope that I might get a copy for Christmas – and that Santa grabs one before it inevitably sells out – BECAUSE IT WILL. Simply said… if Say Sue Me’s back catalogue is any indication of how good Christmas, It’s Not a Biggie might be – it is going to be stellar. EDIT: I ordered a copy! Bless you Jim!
For the uninitiated, Say Sue Me are an indiepop band from South Korea, and have released a string of fantastic EPs and full-lengths starting in 2014 on a South Korean label, Vitamin Entertainment, and more recently on Damnably out of London. Their most recent (and absolutely excellent) LP, Where We Were Together, is already on its fourth pressing… this band has some heat… and this Christmas EP is limited to 500. IT WILL NOT LAST LONG. Our only glimpse into what the record will sound like is with the title track, “Christmas, It’s Not a Biggie,” having appeared back in 2015 on the South Korean comp, 허수아비들의 성탄절 Heosuabi Christmas. That is one of those releases that I’ve had as a draft post for way too long… so long I forgot I had it as a draft post! Entire comps can bog me down when I normally have just 30 min here and there to try to knock out a post, and I have the thoroughly-encyclopedic Stubby as a role model, which gets me thinking I need to provide much more thoughtful, and complete information on every band. (I am full of tangents today.) Back to the song: The indie/surf pop is jangly and refreshing – a sorbet between courses of sorts – yet the lyrics are melancholy and detached. I totally dig it… but the thing is… I suspect that it is not going to be the best track on the record. Again – just based on how great their last record was, I think this EP is going to be a total highlight of the season.
Bottom Line: BLARG! I want to hear this thing. Perhaps I will do a proper (well, as proper as I do) review when I do.
It is that time of year… and Fowler VW has been hinting about their upcoming Christmas record on Twitter, much to my delight. There are few Christmas releases that have such a high level of quality, and each year that they keep the tradition alive, is a year that the entire alternative Christmas music community can give thanks. Tulsa, Oklahoma’s Breakup are given the honor of being the first track out to the public, and it is fantastic. The electro-pop jam about being together at Christmas has the kind of slinky groove that just might take your office Christmas party off the rails. Eyes meeting over the punchbowl, we all knew Jim and Pam were meant to be together, they just needed “Be With You” to seal the deal. Want to know the rest of the tracklist? Go to NewsOK and give them the clicks!
The entire album will be available for stream/download on Black Friday, or better yet, #BlackwatchFriday, and for those lucky enough to live in the Norman, OK area, there is a big, free party on Dec. 8 at Stash, where the first 200 attendees get a free copy of it on VINYL. Yes, there are copies out there on vinyl… I am the proud owner of 2014’s “The Naughty List,” but these things are tough to come by. They have never sold them online – you gotta grab them from local Norman, OK venues like Fowler Volkswagen, Guestroom Records, The Social Club, STASH, and Tree & Leaf Clothing.
Finally, isn’t it great that these albums are free? And if the generosity of Fowler VW and Blackwatch Studios makes you so very happy… then, as you download this year’s new record, why not throw them a few bucks toward Norman Public Schools elementary music programs, because that is where 100% of donations go!
It may have been 85 degrees out (30 celsius for my international friends), but snow is in the air… as this past week or so has brought the announcement of the always-wonderful Snowflakes Christmas Singles Club lineup! For the uninitiated, the SCSC is a label that exclusively releases limited-edition Christmas 7″ vinyl singles, with the A-side being an original, and the B-side being a cover. Such a fantastic premise, and one that is realized beautifully by the hard work of our fellow underground-Christmas devotee, Robert.
This year’s crop is a doozy – starting with perhaps the biggest name to grace the SCSC, Bis! Bis have been releasing quality indiepop since 1994 (with a hiatus or two), and astonishingly enough… I think this may be their first Christmas release! How they missed releasing a Christmas single when they are both 1) an indiepop band and 2) Scottish, beats me. I just wrote about 2 Scottish indiepop bands last week!
Next up are the French garage-rock band The Limiñanas. Previously featured on Christmas Underground for their cover of “Christmas (Baby, Please Come Home),” this year they are teaming up with Pascal Comelade for the deliciously-titled “Curse of Santa Claus,” as well as what I’m imagining will be an interesting take on “Silent Night.” Should be interesting!
Finally, St. Petersburg, Florida’s Seafang will lend their shoegaze/dreampop sounds to their original “Happy When it Snows,” as well as the Primatives’ “You Trashed My Christmas.” The Primitives cover could be great fit for Seafang – I’m curious how they’ll make it their own.
All-in-all, it promises to be another very strong year for the wonderful Snowflakes Christmas Singles Club. I hope you check it out, order early and often, and help keep this tradition going!!
Bottom Line: Being that I haven’t heard a thing yet, I can’t really say – but I most certainly can say that I’M EXCITED.
Seattle’s Dude York is early to the game, premiering their new track “Break Up Holiday” today on Stereogum – the site where every notable indie rock band seems to release Christmas tracks. (Someday, Stereogum, I will beat you to the punch… someday…) Turns out they are actually releasing a whole EP, Halftime for the Holidays! Nine tracks, nearly all of them originals… this looks (and sounds) promising. The first track, “Break Up Holiday,” is a bitter and funny tale of having to see an ex at the holidays. A dash of pop-punk with a healthy dose of Weezer at their poppiest, I’m curious if the rest of the album will sound like this, rather than the less poppy (though not without pop), more indie rock style that I’m used to. I await more tracks!