J. “Christmas” Phillips – Spring Into J. “Christmas” Phillips (2024)

Self Released
Buy:
Bandcamp

I may have tipped my hand in the last post… something about cocaine (Edit: The more I think about it… it must be heroin, not cocaine being referenced in the song I’m about to talk about) and New Zealand if you recall. This blog is, of course, a serial that requires you to read every other post to get the context of what is going on. So get to work, new readers… you’ve got a few years to catch up on before we really get going in December.

A member of the Christchurch, New Zealand electropop band Mount Pleasant, J. “Christmas” Phillips dropped this solo record last November, Spring into J. “Christmas” Phillips, which continues a massive back catalogue of Christmas-related releases under both the Mount Pleasant moniker, as well as via the duo of J. “Christmas” Phillips and Tobias “Santa” Brockie. There is a LOT to sample here… I’m counting over 10 obviously-Christmas releases. How the heck did these guys fly under my radar for so long??

Readers of this blog will know that I’m going to pick out a few tracks to talk about, rather than the entire record, as I am terrified of setting such a precedent. So let’s begin with the track I’ve been teasing, “Snorting a Line.” I love discovering songs so unexpected that you inadvertently pull a face- WTF is this thing going to be? Well, obviously, an alt-country via indiepop Christmas song about getting high with your love on Christmas! Can’t say I partake, but lines like “I can’t believe I have your love. / Hold me close, hold me tight! / Like it’s our last Christmas tonight!” are both incredibly sweet and low-key dark… making it a truly intriguing song. “Snorting a Line” proved to be the hook that pulled me into the rest of the record, so grab my hand and let’s jump in further.

“Christmas with Chloe” is crooning electro-pop that feels equally genuine and glossy, two unexpected flavors bound to tease your tastebuds. J. “Christmas” Phillips has a swagger in his delivery that pairs perfectly with his imperfections – he sounds both incredibly personal, yet affected at the same time. I can’t pin this song down… but it sure does explode with love, and I’m happy to wrap myself in the shrapnel.

Finally, let’s talk about the WONDERFULLY-titled final track, “Christmas Artist of His Generation.” This is an indiepop/electro-pop instrumental that blends these (post-punk?) guitar lines with electro-pop synths. What a fucking combination. I’ll have a second helping.

I am only one album into J. “Christmas” Phillips’ holiday back catalogue. Let’s GOOOOOO.

Bottom Line: This artist/band is totally something I’ll bet a reader sent me years ago. To this person who no doubt exists, I apologize. How the hell did J. “Christmas” Phillips elude me for so long?? WELL. That ends today!

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Remy Bond “Christmas in Kokomo” (2024)

Self Released?
Buy:
Stream (so far)

Half the fun—and the struggle—of having a hobby and a website like this silly one is the search. I love and hate it equally. Still, the rush of finding a great song is real—you know the feeling. I hate to admit I can often judge a book by its cover, but… years of experience suggest I usually can. So when someone defies my inner bias, well, I find that delightful.

Which brings me to New York–based singer-songwriter Remy Bond, whose image is a mix of Sabrina Carpenter and Paris Hilton, sent back in time with Lana Del Rey to hang out with the Ronettes. Remy’s been a child actress and a child reality TV chef (no joke), but over the past few years, she’s been steadily working in the NYC music scene—eventually signing with Warner Records in February of this year.

So far, that bio and the major-label connection don’t exactly scream Christmas Underground material, do they? Well, screw that—I don’t have enough readers to maintain an image anyway!

Remy dropped a Spectoresque Christmas single last December, “Christmas in Kokomo,” that’s damn enjoyable—though complicated by the fact that it’s impossible to buy and hard to stream. Spotify? Nope. Apple Music? Nope. YouTube? Yes. SoundCloud? Yup. Super weird that this genuinely great single is, by all accounts, “unreleased,” though I suspect it’s primed to resurface this holiday season with a major label behind it.

Look at me! Covering the big leagues! We all know I’ll be back to writing about weird cocaine Christmases from New Zealand tomorrow….

Bottom Line: I’m pretty down with this retro futurism.

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Sister Ray “Christmas” (2025)

cover of Sister Ray's believer album, which is a blurry image of the singer on a green background.

Royal Mountain Records
Buy:
Bandcamp | Apple Music

Canada man. I feel each year, one country runs up the score, and this year has me looking north. I keep tabs on Sister Ray, as I own her 2022 album, Communion, a beautiful and vivid breakup record with a fleeting mention of a Christmas tree on “Visions” (for you Christmas mixers with VERY lax rules).” Earlier this year, the musical project of Toronto’s Ella Coyes released a great new record, Believer. I absolutely add it to the listen pile, but when I see a track called “Christmas” on her new album, my ears are hers. I love her voice, and the orchestration with the droning bassoon baseline (that has to be a bassoon, either real or synthesized, right?). However, these lyrics are the star. Some lines made me smile, though the kind of smile I wasn’t quite sure of – a sort of feeling that the line might just be more cutting than you realize. There is a moment in every verse that both feels so loving and sorrowful at the same time, that I find myself spinning. I’ve been trying to sit with this song, figure it out on a deeper level before I write about it… but I got antsy. Maybe you all can help.

Snow’s light
For a cynic you sure love Christmas time.
I think I might believe in Jesus Christ
At least til things cool down
Carrying a New Testament around
Like a knife
Like a fence in the foreground
Protecting my house

I played that song just to hear you sing along
I love your voice
The way it sounds with mine
I keep your ribbons hanging from my ceiling
I would celebrate anything
Come into my house

In another life
I’m dressed in white
I’ve been your wife
What a beautiful child, what a beautiful sound
Your eyes, my mouth
Coming in from our house
Coming in from our house

Bottom Line: This is the kind of song that keeps you coming back.

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Al Nicol & Evelyne Brochu “On Christmas” (2024)

a painting of a snowy scene in the mountains

Self Released
Buy:
7Digital (FLAC/MP3) | Apple Music

Last year, Nashville-based Canadian singer/songwriter Al Nicol and fellow north-of-the-borderer, actress and singer Evelyne Brochu teamed up on “On Christmas,” a great slide guitar and brass-laced Christmas tune. Happily, I came upon this song because Al Nicol recently released a track with Hiss Golden Messenger on it – and this time of year, I click through on EVERYBODY. So here I am, standing in the kitchen, poking at my phone and listening to his excellent new single, “Only Hoping,” and my eyes widen. This song is likely to be good… and it was. A short love song, with church and too much wine. The orchestration is beautiful, the lyrics are original, and clocks in at about 2:30. Bullseye.

Bottom Line: Christmas 2024, and Al and Evelyne are singing a wonderful Christmas love song. Christmas 2025, and I hope I didn’t just send ICE to a young Canadian songwriter’s home.

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Communist Daughter “I Was Thinking I Could Clean Up for Christmas” (2025)

girl reaching out to touch a lit Christmas tree.

Self Released
Buy:
7Digital (MP3/FLAC) | Apple Music

It’s official – I’m excited. Saint Paul, Minnesota’s Communist Daughter has announced a follow-up to 2015’s Sing Sad Christmas EP, which featured (IMHO) the definitive version of The Boy Least Likely To’s “Blue Spruce Needles.” This band can take a song, filter it through their fingers, and make something truly special. They just teased us with the first song off their upcoming November release, Sing Sad Christmas Vol. 2, and it’s just what you’d think. Communist Daughter does not shy away from the darker sides of Christmas – so Aimee Mann’s “I Was Thinking I Could Clean Up for Christmas” is right smack in their wheelhouse. I love it when a band looks beyond the same 10 songs to cover – I am very on board and can’t wait for November.

Bottom Line: A dark and delicious tease for what promises to be a highlight of the season.

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Oliver Wilde & Herbal Tea “Without You, Die Hard’s Not The Same” (2018)

Gold Day
Buy:
Bandcamp (NYOP)

There are few topics that alternative Christmas bloggers enjoy digging into more than songs about Die Hard being a Christmas movie (or not a Christmas movie). The topic has become such a trope that I’m fully expecting someone to start a blog devoted to this subject, similar to this now-defunct blog I recall that collected and catalogued all the “Last Christmas” covers. Well, I kinda found a new one – well, technically from 2018. Bristol singer-songwriters Oliver Wilde and Herbal Tea teamed up for a dreamy tune of his and her vocals, trading lines over the phone at Christmas. Let’s look at the title, which is also part of the chours: “Without you, Die Hard’s not the Same.” Implicit in this statement is that Die Hard is a Christmas movie, as it gets name-checked along with the Muppets, Bublé, and Rudolph. The song is about nothing being the same without you at Christmas. Classic premise, clever approach IMHO. While you’re on Oliver’s page, check out the similarly styled dreampop Christmas of “Yuletide,” a collaboration with EBU from 2015. Certainly, some solid dream pop Christmas tunes to be had here.

Bottom Line: It’s early folks – I’ll get over the dreamy songs and into the more acerbic stuff as the season comes closer and new songs get released. My prediction: It’s gonna be a bumpy ride, so enjoy the smooth travels of Oliver Wilde and Herbal Tea while you can.

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Art Acoustic “X-Mas in the Woods” (2010)

Self Released
Buy:
Soundcloud (FREE!)

As we all stumble through the darkest timeline, I find myself reaching for comfort food. If you’ve been reading this blog over the past thirteen years, you probably know that my north star is Swedish indiepop. So hold my hand, and let’s travel back to 2010. We’ll listen to this perfect three-minute specimen that represents everything I love about Swedish indiepop: lyrics that mix melancholy with sweetness, paired with upbeat electro-indiepop-disco—absolute perfection.

Art Acoustic may have disappeared from the searchable internet in 2013, but “X-Mas in the Woods” has remained on my playlist ever since I first pressed play. That was another time. It feels like we’re a million miles away from it now.

Hope you enjoy, and welcome to 2025. We are all in this thing together.

Bottom Line: Swedish pop perfection from a long-lost project. Art Acoustic – should you ever find this, drop me a line.

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Winterval – Sad Christmas Songs (2024)

Self Released
Buy:
Bandcamp

We all have some bands where you can simply buy their releases, completely unheard. Those folks who have proven themselves, over and over, to have the talent and taste to earn your trust. For this bloviator of alternative Christmas music, Winterval, the home recording project of Duncan Baird, is most certainly in that category. This new album, his third-holiday release, Sad Christmas Songs, is a warm, beautifully produced collection of original Christmas songs. There is some incredibly clever songwriting here, most obviously expressed in the inspired title track, “Sad Christmas Songs,” which namechecks a host of classic Christmas songs throughout the “alone at Christmas” motif. The way he weaves them all in – it is just brilliant. I’m struggling to not post the whole song here – but here is a healthy chunk to see what I’m talking about:

Hey baby where did this go wrong?
Last Christmas we were something strong
Another silent night alone
Sat here singing sad Christmas songs

The cavalry have stopped,
Santa’s got the blues
I’m the boy that he forgot,
what do the lonely do?

It’s a Christmas all alone
In the bleak midwinter snow
Turn around and please come home

Hey baby where’s the magic gone
I walked 2000 miles along
A winter fairytale gone wrong
Sat here singing sad Christmas songs

There are about 10 songs worked in there and even more throughout! It was so damn fun to realize what was going on… which I am a bit sheepish to say didn’t happen until the second listen. Absolutely one of the most clever songs I’ve heard this season.

So, the album is called Sad Christmas Songs, and if you want to get into the dictionary meaning of each word… this does make some sense. The title track for sure, despite the fact that you might enjoy the lyrics too much to be caught up in the “Sat here singing sad Christmas songs” of it all. Take a peek at the following song, “Christmas Without You,” and you may very well get more comfortable stating these songs are specifically sad. But listen to the music, and that synthpop-meets-the-Clientele orchestration will get you tapping your feet far too much to feel down. It is rather like those Swedish indiepop songs I love – pretty little pop songs about sadness that make you smile.

Finally, I must mention the closing track, “Making Christmas.” These people are trying so hard to be together, complications at every turn, until they realize “Suddenly, we both know, where we are, we’re making Christmas / Finally, even though, we’re apart, we’re making Christmas.” Throw in this gorgeous, swelling orchestration, and you are playing with my emotions here.

I am only highlighting a few tracks here, but know that there is magic in every song. From the wonderful storytelling of “Krampus,” to “Times Square Elmo,” which is surprisingly funny, and sweet, but also full of longing, this record is a little bit of everything. Truly one of the best albums of the year.

Bottom Line: Sitting here listening to this record… all I can think about is how much I’d love to be sitting in a cozy venue, some Christmas lights hung about, listening to Duncan play these songs. I’ve got a glass of whiskey, and it is the good stuff because Winterval is top shelf in my house.

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World News “Xmas 101” (2021)

Austerity Records
Buy:
Bandcamp | Crazy Limited Cassette

As I furiously try to listen to all that I can, grabbing large compilations for further listening, wishlisting all the singles that I need to come back to… every so often I hit play and gotta pop over here for a quick, dirty, and low-quality review of a great song. You know… feed those content gods.

Stereogum hipped me to this new track from London’s World News, “Xmas 101,” which if you reallllly want to get technical, was released in 2021. It is quite a fun, upbeat song that I’ve found benefits from multiple listens. World News has a flavor of jangle/college radio sound that I would RIYL if you’ve been a fan of Voxtrot, REM, or as The Line of Best Fit aptly tagged, Big Country. So if that is your jam, jam away! I’ll be jamming with you!

Bottom Line: Good times for all!

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Kristian Noel Pedersen – Saul McCartney’s ‘Sauliday Party​!​’ (2024)

Self Released
Buy:
Bandcamp

How do you end an era? With a big party, of course! Kristian Noel Pedersen (KNP for brevity’s sake) has delivered his 16th original Christmas album, Saul McCartney’s ‘Sauliday Party​!​’, and boy what a journey this has been. For the uninitiated, Saul McCartney is KNP’s imaginary 60’s pop icon, whose ego has been wreaking havoc through two previous records. I have enjoyed this run immensely, penning rave reviews of every installment… and here we are yet again, with the culmination of the Saul McCartney trilogy. RAVE ON!

How the heck does KNP find the time to put these records together?? The production is so fantastic, so much grander than the bedroom pop that a yearly indiepop project like this would suggest. A perfect example would be the beautiful, brass-infused “What Are You Doing (on Christmas Eve?).” This song has all the pop sensibility and production of a vintage Christmas classic, and is one of those songs that I could see being picked up by some big singer to make KNP a pile of money.

The album’s transition from the vintage-inspired sounds of Saul to KNP’s indiepop begins with the Randy Newman-penned, “Snow.” The bouncing synth lines definitely pinch those “Wonderful Christmastime” receptors, as they invade the 60’s pop production. A perfect lead-in for what may be my highlight of the record, the indiepop perfection of the synthy “Christmas Isn’t Christmas Without You.” The songwriting is absolutely spot-on here. KNP takes a classic Christmas trope, the whole “missing someone at Christmas” scene, and somehow writes this incredibly fresh-sounding, upbeat song, and doesn’t reuse familiar “lonely at Christmas” lyrics. So many songs serve us near-lyrical plagiarism, dressed in different musical stylings… but KNP has found a wonderful new POV here.

Finally, the wonderful album closer, “Silver, Never Gold,” where Smiths guitar lines marry beautifully with those classic, Saul-era brass touches. This album is a stylistic journey, wonderfully narrated by the truly delightful Saul McCartney (Harlan Guthrie) throughout, and this final song closes out the Saul McCartney trilogy perfectly.

This record is a wonderful finale to one of my absolute favorite Christmas music projects I’ve had the pleasure of experiencing and I can’t wait to see what Kristian and his crew of merry collaborators have for us next.

Bottom Line: I don’t want to wear you all down with more effusive language… you read the review above if you got here. KNP is on fire.

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