UPCOMING: Jay Stansfield & SAY – Christmas is… (2017)

Jay Stansfield's "Christmas is..."

Self Released
Buy: Bandcamp (Preorder)

Popping over to Bandcamp for a second to find something new on the top of the new arrivals list, I don’t normally expect to find something I haven’t seen (there is not a lot of turnover this time of year), let alone something this promising. I often judge Christmas tunes by their covers, and it rarely surprises me. Jay Stansfield‘s Christmas is… sports a simple cover of the decapitated snowman, which was odd enough to get me curious, even as I thought the typography could be a bit more interesting (sorry Jay, I can’t get the graphic design snob out of me). The cover may have gotten me in the door, but it was the description that convinced me to press play.

“Over the years I have written many happy, optimistic Christmas songs featuring death, homelessness, zombies and old people burning alive. This album celebrates those moments along with four miserable tracks from the SAY Archives.”

Well that sounds interesting! Only two tracks are available to preview, and both are solid. The Beach Boys’ harmonies of “Wake up the Children” bloom into some lovely holiday sentiment that could inspire any Grinch to feel optimistic. The second track, “The Man in Red” has moments when you imagine Vampire Weekend has put out a Christmas record, which would no doubt light up any indie-kid’s holiday season. Both these tracks are really strong – from the lyrics, to the music and the production – this may be the Winterval of 2017. (Of note, Jay’s got another from 2014, “Christma$ Twenty Fourteen,” and while it has its moments, it is not quite as strong as these two tracks… but worth a listen too!)

Bottom Line: Two tracks in and I’m willing to call Jay Stansfield’s Christmas is… a winner. Can’t wait to hear more, but we’ll have to wait till Dec. 1.

LISTEN

Follies “Christmas Day” (2017)

Follies "Grave Matters"

Self Released
Buy: Stream

Random strokes of luck, that is often what Soundcloud feels like to me. Don’t get me wrong… I LOVE SOUNDCLOUD, and would be lost without it. But anyone who has ever done a keyword search knows my pain. Thankfully, every so often you strike silver and gold (Christmas pun!). Kate Siefker, also known as Follies, has fought her perfectionist tendencies and released a bunch of tracks that she was working on in 2013-14 under the title Grave Matters (2013-2014). Included amongst these beautifully layered tracks is, yes, a Christmas song! “Christmas Day” is a beautifully raw track, with ukulele, (maybe guitar too?), beats and handclaps circling each other for just over two minutes. It is certainly not your usual ukulele fare, so those expecting the expected… you may be pleasantly surprised.

Bottom Line: Short, raw and beautiful. Best of luck with your move Kate (if you see this.)

LISTEN

Lonelyspeck “Happy New Year” (2017)

Lonelyspeck "Happy New Year"

TEEF
Buy: Bandcamp | Vinyl (Edition of 50!)

Adelaide, Australia’s Lonelyspeck has released one of the most beautiful New Years’ tunes I’ve heard in years. A highlight on an already stellar new EP, Lave, “Happy New Year” is a shimmering song of seismic beauty. This song resides on the other side of the new year, as there are no parties or celebrations, but a reflection on the core of his being.  There are a lot of volcanic references, and that is with purpose; Sione Teumohenga (Lonelyspeck) was inspired by volcanoes when developing the Lave EP, and the metaphor works beautifully.

unfold me
there are still things that i am trying to rinse
poke a leak
to let them flow out and in
put a river in me
i feel okay but tired a lot
it’s too quiet with the window shut
i opened it to hear the air caught in the leaves
and then in my breathing
scoop out the core
and lather it onto the mantle
no one has lived here before
i gather it was inhospitable
i feel okay but tired a lot
it’s too quiet with the window shut
i was walking through the park and i thought
i don’t hate myself
i don’t berate myself like i used to

The lyrics are poignant and moving, but the song is truly made in the music that carries it. I can’t imagine changing a thing about it. It begins sparse, and slowly builds… till “scoop out the core,” where the vocal layers appear alongside the bassline… and you may get goosebumps. This song is just beautiful.

Bottom Line: Daaaaaaammmmmmn this is spectacular. Discoveries like this are the reason for doing this gig.

LISTEN