Tag: 2020

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Cheetah Cheetah Bison “A Little More Christmas” & “December” (2020)

Self Released
Buy: Bandcamp | Amazon MP3 | 7Digital MP3 | Apple Music

A random song in my email. A casual click on a link. VIRUS! EXPLOSION! Wait… that didn’t happen – just wanted to add to the drama. My head bobs, my feet tap… I love this song. Who the fuck is this guy/band/mystery? Well, it only took me a year to properly follow up and figure this shit out. Cheetah Cheetah Bison happens to be Andrew Kerr, who can also be found in the NYC post-punk band Grassfight, as well as his country project Rabbit Montgomery. Grassfight released a couple EPs in the 2010’s and their full-length LP, Vampires, in 2023 (though it was recorded 10 years prior). As for the Cheetah Cheetah Bison moniker, this is pandemic Andrew. In a fantastic, stream-of-consciousness response to my random questions, Andrew explains, “Early into the pandemic in 2020, I realized I was going to have some real time off at home, so I dusted everything off and decided I was going to get into the world of solo stuff and see what happened. I’m very blessed to be able to play most of the key instruments, so I said hey why not.” Why not indeed. “A Little More Christmas” is an affirmation, singing out from the depths of the pandemic. Along with the season synths of “December,” Andrew was feeling the spirit in 2020: “It just felt right releasing some sort of positive project, given everyone’s mood about the possible end of the world.” I feel it, man. I wish I had heard these then… those were dark times.

For some reason “A Litte More Christmas,” gives me My Morning Jacket vibes – hell, they should cover this! Make Andrew some money! I like to imagine these big bands (or more likely, their managers or interns) mining this blog for Christmas album material. Hell, I’m happy to take on a consulting fee! Ha!

Bottom Line: You never know where you’ll find wonderful Christmas songs. The world is a wonderful place. Look… I’m even feeling optimistic now. Crazy shit.

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The Reed Conservation Society “Funny Christmas” (2020)

Self Released
Buy: Bandcamp | Discogs (Vinyl)

As we enter the darkest timeline, I’m going to do my best to keep moving. I’m going to provide support to those around me (you all included), and do my part to make this world just a little bit better. I’m going to try to redirect my anger and sadness and be constructive… and boy is that going to be hard because nothing seems to matter. That is going to be me on a good day. Lets hope the good days outnumber the bad.

So, on that note, let’s talk about a lovely song about depression at Christmas! The Reed Conservation Society is a French duo who for some reason has me thinking about Village Green Preservation Society-era Kinks. It could just be the “…servation society” similarity, but the orchestration is the same ballpark for sure. Throw in the Clientele as a touchpoint as well and now you’ve got an idea of where I’m going. The protagonist begins by eating oysters, cheese & crackers alone, and buying themselves “new pillows for my old dream into the sea.” The song might sound sweet, with lines like “Feeling so good to be alone now. Cheers to me, cheers to me, cheers to me.” Though follow that line with “I’ve got a special gift for free. / Médicine pills / angels talk slowly,” and everything takes on a much darker tone. It sure sounds like someone is finding a way out…

I must say, this is a lovely song. Without getting a little insight from the band, I might have thought this song was the happiest “I’m alone at Christmas” song I’d ever heard. I couldn’t quiiiite make out all the lyrics, which also kept me from knowing the true intention of the song. So… perhaps I will stick with that interpretation. Once an artist releases a song out into the world, we are all given a chance to interpret the song our own way. Perhaps “Funny Christmas” is a good barometer as to how I’m doing from day to day – is today going to be lovely and full of “David Crosby singing just for me,” or dark as fuck? Pretty much a toss-up – does today end in Y?

OF NOTE – I’m waiting on an email back from TRCS

Bottom Line: A very pretty or very dark Christmas song… a choose-your-own adventure of sorts.

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Liza Anne “I’ll Be Home for Christmas” (2020)

Tone Tree Music
Buy: Bandcamp

I hear the same songs all the time. Give yourself a win if you are not knee-deep in Christmas music for 4-5 months every year. Thus, when I hear something markedly different from the norm, I grab on for dear life. Nashville’s Liza Anne has provided this rescue buoy with her refreshing rendition of “I’ll Be Home for Christmas.” The orchestration makes this sad song sound downright happy, as instruments bounce around, popping in and out of the familiar melody. The damn thing just made me smile. This song is a vibe, one that I’m happy to surf on.

Bottom Line: Liza Anne has beautifully reimagined a classic.

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Les Hay Babies “Mam pis Pap” (2020)

Simone Records
Buy: Bandcamp

I’ve been thinking about this song for a while. Of course, you all might expect that as an American, I do not speak any other languages. You would assume correctly. Do I wish I could? Damn right I do. I was born on Bastille Day… boy I would love to go to France for my birthday, watch the Tour de France, drink great wine and pass out in a tiny camper on the side of a very windy road. Perhaps not quite the Quebecois French experience lived by the indie folk trio Les Hay Babies, but hey… in the neighborhood! Of note, I had my car stolen in their neighborhood… Montreal… on July 4th! Kind of a reverse Bastille! Fun times…

Les Hay Babies happens to feature a performer that I’ve had on this site before, Julie Aubé, who has not only been featured on CU, but also on a yearly mix! But I did say trio and this is very much a group affair, including the equal efforts of Katrine Noël and Vivianne Roy, each a wonderful solo performer as well. The group took a break after their 2020 LP, Boîte aux lettres, but have since reunited, have a new record (Tintamarre), and are touring once again… thus a perfect opening to talk about this song! “Mam pis Pap” is sung by a daughter who is watching her parents stop celebrating Christmas, as they are older and there is nobody to celebrate with in their house anymore. So, she’ll save her pennies and go home next year, try to recapture the holiday and celebrate with her parents. It is a simple sentiment, one that I can put myself in, both as a son… and as a parent. The holidays are a lot of work – I could see myself phoning it in someday as well. But hey, sing it in French with 3 wonderful voices? Sounds far lovelier a song than this realistic rumination on aging could ever be.

Bottom Line: A lovely trio with a gorgeous, unique, and realistic approach to Christmas.

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Amason “Santa’s Coming to Free Them” (2020)

Amasonason AB
Buy: Apple Music | Amazon MP3 | Amazon.de MP3

Sometimes I dig up wonderful songs, but they only fit within one specific year. Maybe they namecheck a year, a certain former (lord help us, keep him former please) guy, or a global pandemic. These songs are often quite visceral, filled with vibrating emotions… written with a sense of immediacy, and propelled by a world beyond our control. “Santa’s Coming to Free Them” feels a lot like those kinds of songs… but because the song dwells on the experience of children living through war, it avoids the confines of one year and one conflict. One might bestow on this song an evergreen status that also condemns humanity. I normally try to be a bit fun on this site… whoops!

Amason is a Swedish indiepop/rock supergroup of sorts, whose lineage I will defer to Wikipedia‘s expertise: Amanda Bergman (also known as Hajen, Jaw Lesson, and Idiot Wind); guitarist, keyboardist, and vocalist Gustav Ejstes (from Dungen); keyboardist Pontus Winnberg (from Miike Snow and Bloodshy & Avant); drummer Nils Törnqvist (from Little Majorette); and bassist Petter Winnberg (from Little Majorette). They’ve been releasing music since 2015, and in 2020 dropped this punch-in-the-stomach Christmas single. I feel quite uncomfortable talking about how impressed I am with the vocal delivery on a song you wish never needed to be written, but I will take a brief stab at it. I was terribly impressed with Amanda Bergman’s control and her ability to convey emotion. Her delivery is incredibly intimate–more like a desperate prayer than a pop song. That’s about all I can do – the song is very well done, and it breaks my heart that it exists.

How about we just stop bombing the shit out of each other so we don’t get any more songs like this.

EDIT: Amason also recorded a version of Ave Maria in 2019. Check it out if you feel so inclined!

Bottom Line: If you are the type who likes to craft a challenging Christmas mix… grab this one and Stars’ “Christmas Song” and leave them in tears.

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The Greeting Committee “Frosty the Snowman” (2020)

Self Released
Buy: Stream

It takes extra effort to press play on a cover of a song you’ve heard a million times. The fear and dread that fill this tiny part of my brain that writes this blog kicks into gear… and it does take a good bit of effort to clear that hurdle. Somehow, Kansas City’s The Greeting Committee have snuck something over with their cover of “Frosty the Snowman.” The beautifully understated arrangement compliments Addie Sartino’s delicate vocal delivery, providing an impressive, emotional feel to what I would normally consider a very lightweight song. Their beautiful video, compiled of Christmas home movies, adds additional oxygen to this warm fire, one which I’m happy to stumble upon.

Bottom Line: If The Greeting Committee would care to take another stab at a classic, or better yet, an original, I’m all ears.

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Elliot Maginot “Christmas On My Mind” (2022)

Audiogram
Buy: Bandcamp

I bet you thought I’d keep posting French-language songs… so here’s the latest from Montréal, the English-language romantic with the French last name, Elliot Maginot. This singer-songwriter has been writing original Christmas songs for a few years now, each one with a different tone, but always with crisp pop production and big emotions. Elliot’s journey begins with 2018’s “Christmas Ain’t Enough,” with its familiar rhythms and retro feel, as well as some unexpected, beautiful lyrical moments. Take a listen below.

2019’s “I’ll Know My Savior (Christmas All Around),” takes the previous year’s retro pop production and turns the knob to the 1980s, with a shimmering, romantic 1980s pallet. I’m talking precise synths, a saxophone solo or two, big vocals, and even the 80s staple, chimes – the whole deal. It can feel a bit over-the-top, and it is wonderfully so.

Elliot’s 2020 release, “The Ballad of Mrs. Claus,” also has those 80s chimes and sax solos, yet somehow feels the most contemporary of his earlier tracks. The concept of the song – Mrs. Claus singing to Santa, worrying over him and this whole enterprise – is a concept that could easily have been made into a joke, but it is treated with such thoughtfulness that it is easy to forget that it is about Santa Claus.

After a year hiatus, Elliot returns once more with the beautiful “Christmas on My Mind.” This is his most lush production yet, as his voice turns into a choir singing out over a string section, and perhaps a soprano saxophone or two. However, it is the lyrics that steal the show. That first verse is a thing of beauty:

I never claimed to be a modern man/guess it just wasn’t in my bones
I know I used to be so stubborn then/just wandering like a rolling stone
Between my endless need for love/And everything I thought I knew
I should have known it wouldn’t really feel like Christmas without you.

In each of these songs, Elliot proves to have a wonderful, direct pipeline into some deep, emotional worlds… he must have a wonderful therapist. Please give me the number.

Honestly, there was something about Elliot’s aesthetic that initially made me suspect him and the pop sensibilities he gravitates toward. This is very much not a pop Christmas blog. But there is always something a little askew with him… like in “I’ll Know my Savior,” when he goes pop, he leans in so hard that you start to imagine how big and fantastic it might sound on stage in your local venue. He drove right through my suspicions and busted out the other side. It has truly been a journey listening to these songs by Elliot Maginot.

Bottom Line: These songs feel devotional, without being specifically religious – very much the qualities I enjoy in a Sufjan Stevens Christmas song, just with vastly different production. Somewhat of a revelation, I’m 100% on board with Elliot’s unique, emotional Christmas catalog.

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Julie Aubé “Ça c’est No​ë​l” (2020)

Self Released
Buy: Bandcamp

As I continue to sift through my tabs and tabs and tabs of Christmas tunes I’ve been meaning to check out for about a year, I will continue to highlight the best of the bunch as we settle in and wait for the deluge of 2022 Christmas tracks. Now, you may know that I don’t know French, but I would imagine you agree that it sounds lovely in Christmas music. “Ça, c’est Noël” by Moncton, New Brunswick’s Julie Aubé is the latest addition to that beautiful playlist where I have no idea what they are singing about. Julie’s vocal delivery, along with this classic, French pop (with garage-rock edges) instrumentation gives the song a timeless vibe that is essential to a great Christmas song. Folks will be Googling this song, expecting to find it released on 45 in 1966… mark my words.

You’ll also likely love her non-Christmas offerings, as I’m also getting into her 2022 release, Contentment. Lots to love here.

Bottom Line: Just sing Christmas songs to me in French, Julie Aubé. I’ll bring enough eggnog for everyone.

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The Martial Arts – Christmas With The Martial Arts (2020/2022)

wiaiwya
Buy: Bandcamp (digital/lathe-cut vinyl)

Look at me… now I am REALLY just copying Christmas A Go Go as I essentially update and repost an older post with exciting new information (rather than have to write a whole new post… which is WORK!) The wonderful Where It’s At is Where You Are (wiaiwya) label has just dropped 50 lathe-cut, 10″ copies of The Martial Arts’ excellent Christmas EP, Christmas with the Martial Arts. And hey – it’s Bandcamp Friday, so Bandcamp isn’t even taking their cut! Go buy it now! And now, my original review:

I’m in a mood tonight. I want to just yell and swear (in a good way) about every record I find. You have no idea what I’ve already written and deleted for this review, but let your mind go crazy. Glasgow’s The Martial Arts is a project of Paul Kelly, whose CV is a murderers row of great bands (BMX Bandits / Carla J Easton / The Primary 5 / Ette / Radiophonic / Tuckshop / How to Swim / The Hector Collectors) has put together this just FUCKING FUN AND WONDERFUL Christmas EP, recorded over eight years and finished over lockdown. The first two bouncing, beautiful tracks, “Stockings” and “Snow Flakes,” just take off like a rocket and shoot sparklers out of their ass for four minutes a piece. I devoured every second, with a giant grin on my face. “My Christmas was in June” is a cover of a Ze Malibu (feat. members of Redd Kross and that dog) song, and while the tempo slows to a stroll, the scenery is gorgeous. The final track and the only one actually fully-recorded in 2020, “Blinded by the Night” takes me back to the 80’s, to an emotional moment in a movie with lots of driving in the rain and staring out the window. “Stare into my bright disco eyes,” god I love that line. Go buy this record, but wait a few hours for #Bandcampfriday, why don’t ya?

Bottom Line: This is an indie/power/retro pop mixture that, like the unholy concoction the Long Island iced tea, will fuck you up real good.

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Coach Party “Wonderful Christmastime” (2020)

Chess Club
Buy: Bandcamp | Apple Music | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

There are some songs that I really, really don’t enjoy… and Macca’s “Wonderful Christmastime” is most certainly on that list. For a guy who genuinely enjoys synths, one would think that I might be more fond of this modern classic, but those sugary-sweet synths rub me the wrong way. Thankfully, Coach Party has flown in from the Isle of Wight and saved the day, scrubbing those cloying synths with as many fuzzed-out guitars as humanly possible. Granted, they didn’t have quite the same hill to climb as anybody who tackles “Little Drummer Boy” might, but I tip my hat to Coach Party for making this terrible song pretty damn awesome.

Bottom Line: There is still a pop sensibility here, but Coach Party has frayed the edges enough to make me a fan.

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