2020 – Page 6 – Christmas Underground

November 12, 2020November 30, 2021

Sharon Van Etten – Silent Night / Blue Christmas (2020)

I love, love, love Sharon Van Etten. Some records I would put up in my top 20 of all time… but I did not always feel that way. SVE had to grow on me… and these two songs, perhaps they need more time too. I’ve heard them before on other comps (these are nothing “new”), but this is the first time they’ve been neatly packaged together. Sharon is fighting an uphill battle with these song choices, as they are songs we’ve heard a million times. She does make some nice choices though, especially with organ and trans-inducing, metronomic baseline on “Silent Night.” The “Blue Christmas” B-side has some interesting vocal phrasing, which I can also appreciate. Overall, these two tracks are stronger than the usual suspects I run across, but I desperately want to know what SVE could create on her own.

Bottom Line: Solid versions of those songs you know, which only make you want a genuine, Sharon Van Etten original. That said… had they released this on vinyl, I would have bought it. They are good enough to own, but borderline mixworthy depending on your mix.

Edit: This has been released as a 7″ vinyl single. So… I bought it.

LISTEN

November 10, 2020

Wake Up And Smell The Sun – Electric Snow (2020)

Self Released
Buy: Bandcamp (NYOP)

Philadelphia’s Wake Up and Smell the Sun have expanded on 2019’s excellent 2-track Christmas single, Holiday Hymns for People, and created one of the best Christmas records I have heard in years with Electric Snow. This record, with its thumping drums, woozy guitars and big vocals make you sit back and ponder if Spiritualized or the Verve would be fucking jealous of this record. The instrumentation and production on this record is just so damn good that it can both sound so BIG, like the slowly built epic “Gingerbread,” and small and intimate on “Country Western Holiday Meltdown,” with both feeling like sonic siblings, wonderfully at home on the same record. This cohesive feel truly comes across on this 7-track release even more than their initial 2-track single – you really get a feel for the sound as a whole.

As you might imagine, I would be recommending this record based on the stellar music/production/vibe even if they gave up on lyrics entirely and sang nonsense words… but if you’ve come for the dinner, why not have a glorious fucking show too? Once you get into the music (and you will), you may find that you actually love this record for the lyrics. There were moments that I just began shaking my head and smiling, like during the title track “Electric Snow:” “Beneath the minor keys, the majorettes, and bells, / Sweet little girls with missing teeth seek inner peace within themselves (WHAT A LINE) / I’d like to share my Christmas Story, come on over / I once was haunted by a ghost, it mostly taught me how to coast / And when I tried to kick the habit, it gently pushed me in to traffic (AGAIN!) / Let it snow, electric snow, electric snow.” WHAT!?! There are so many incredibly interesting and clever lyrics on this record that I’ve been genuinely stressing out about how much I want to feature. I keep discovering new lines, and feel this absurd need to give every single lyric some sort of context. SO, with deep apologies to Wake Up And Smell The Sun for not writing this epic review delving into every single track… I am just too excited to share it with everyone, and I have an itchy publish finger.

If you are not already onboard, just press play. Problem solved.

Bottom Line: Frankly, I can’t wait to put this record on with some good headphones, because those guitars are going to surround me, and I’m going to happily surf the jet stream with this fantastic record.

LISTEN

I am going to post every song individually, as I cannot choose a favorite, and I want the Hype Machine to index every… single… song.

November 5, 2020November 5, 2020

UPCOMING: Lost Christmas: A Festive Memphis Industries Selection Box (2020)

Last year I found myself stressing out, trying to get a shot at one of those Field Music Christmas 7-inches that were at the Independent Label Fair in London. Tweeting back and forth, seeing what connections I could muster… but alas… it was not to be. They hinted that it would have a proper release this year, so…. I waited, and Lost Christmas: A Festive Memphis Industries Selection Box will be waiting under the tree for me (once I buy it). I haven’t heard much off this record, with exception of the Francis Lung track which I reviewed last year. A track or two has been previously out there in some fashion (Field Music and Cornshed Sisters) from off the top of my head), but there do appear to be some new tracks here for sure. If you are really, really curious, you can go digging on each band’s twitter feed, and you are bound to bump in to some 15 second samples of these songs. That Rachael Dadd track sounds bbbeeeeauuuuttttiiiifffuuullll.

Lost Christmas: A Memphis Industries Festive Selection Box (Release Date: December 4)
1. Field Music – Home For Christmas
2. Haley – Like Ice and Cold
3. Warm Digits – Good Enough For You This Christmas
4. Rachael Dadd (with Rozi Plain and Kate Stables) – We Build Our Houses Well
5. Stats – Christmas Without You
6. The Phoenix Foundation – Have Yourself a Merry Little Christmas
7. Francis Lung – To Make Angels In Snow
8. Jesca Hoop – White Winter Hymnal
9. The Go! Team – Look Outside (A New Year’s Coming)
10. The Cornshed Sisters – Have a Good Christmas Time

A sonic party for solstice with £2 from each sale going to @crisis_uk Made with these beauties @thisisthekit @roziplain @MarcusHamblett @EmmaGatrill @_AlHeane @AnnaTabbush @KettuStudios @ICHIcreator. Gets big and celebratory at the end! Vinyl release 4th December from @memphisind pic.twitter.com/7Etj5fL3GT

— Rachael Dadd (@RachaelDadd) November 4, 2020

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November 1, 2020

The Marías “We’re the Lucky Ones” (2020)

Want to know a dirty secret about Christmas Underground? This site was meant to not only share music with you all, but also so that you all would give ME tips for new Christmas songs. Thank you @demhahavgc!

Readers of this blog may also remember that earlier in the year, I was wrestling with whether this silly blog was a welcome distraction or a frivolous endeavor. Our society was fraying at the seams (still is), and writing about Christmas music felt insensitive and frankly, a bit daft at the time. Somehow, I found a way out, and here we are. I still haven’t truly answered my question about the worth of this pursuit, but some beautiful notes from a number of you have certainly helped my journey back.

After that brief (not) intro, lets get back to the reason we all are here -> LA-based jazz/psych-influenced indie pop band The Marías have just released a beautiful one-off Christmas single, with a sentiment that I really identify with (see above – there had to be a reason I was blabbering on so much!).

we’re releasing a new song tonight, the last release of the year. this one holds the most special place in our hearts. ⁣
Someone on our team asked if we’d ever write a christmas song, and although we were never opposed to it, the thought of writing a christmas song this year honestly made me really sad. ⁣⁣
hundreds of thousands of lives were lost this year in the u.s. alone that won’t make it to christmas, and their families will have an empty seat at the table. i truly feel lucky to be alive. ⁣⁣
as we begin to plan for and celebrate this holiday season, let’s light a candle and reflect on the many, many lives that were lost. and let’s all be grateful for something as simple as a beating heart. we’re the lucky ones. ⁣
this is our christmas song for this year.
The Marías (Facebook, October 28, 2020)

The Marías are in the same headspace as a lot of us this year, dragging a mixture of sadness, love and survivor’s guilt into the holiday season. They do so with this stripped-back beauty that showcases the emotion of lead singer María Zardoya’s voice. I had to live with this a few days before writing about it… the emotion of the lyrics and the sentiment behind the creation had me reflecting on all those complicated feelings I had earlier in the year, as well as the anxieties of this week… and how that might further color the upcoming holiday season. It did bring me some peace… I hope it brings you some too.

Bottom Line: A truly beautiful song for a fraught time.

LISTEN

The Marías · We’re The Lucky Ones

October 15, 2020

Ratigan “The Rights to Christmas” (2020)

Self Released
Buy: Bandcamp (NYOP)

“Santa Claus is sponsored by / Applebees and Light Rock 105. / Coca-Cola bought the rights to Christmas. / Coca-Cola bought the rights to Christmas.”

That… fuckin… chorus. Hook… line… sinker. Boy, I do love some snark in my Christmas pudding.

Providence, Rhode Island’s Ratigan has written this scruffy, barely Christmas-adjacent song that just made me smile. The production and delivery had me thinking of a close neighbor of his, Boston’s wonderful Soltero (who also has at least one xmas gem too), as his clever lyrics and nearly talk-singing style would most certainly hang out in the same circle of friends. This is bedroom pop as I imagine bedroom pop should sound – intimate, clever, and just a little rough around the edges. Hopefully you’ll feel so too.

Bottom Line: Sup. Wanna hang out and listen to some tunes? Want to smile and not think about out impending doom? Niiiiiicccce.

LISTEN

October 2, 2020

Richard Edwards and the Velvet Ocean “Happy Christmas (the whole world has changed)” (2020)

Richard Edwards, known in a previous life as the lead singer and songwriter for Margot & the Nuclear So and So’s, has been releasing some pretty beautiful records for the past few years (largely on Joyful Noise), and his latest, The Soft Ache and the Moon” is no exception. He has teased us with a Christmas-ish song in the past with a cover of Big Star’s “Jesus Christ” on the Joyful Noise Snowflathe series, but never quite so explicit as “Happy Christmas (the whole world has changed.” This song is raw emotion. The lyrics are vivid, brutal, and deeply personal. You can take it from me, or from Richard himself:

“Maybe my favorite song on the album and the most difficult to write in certain ways. It was a little too raw and painful for me, but Dave Palmer, the brilliant piano player got me to do it. And I’m glad he did, even if it hurts a little.”
Richard Edwards

This song is full of dream imagery, scenes filled with fog on the edges – suffering, atonement and just squeaking by. It is not your normal Christmas song, but this is not your normal Christmas site. Settle in.

Bottom Line: Some songs make you both wish the writer never had to write this song, while appreciating the beauty of what they created; This is one of those songs.

LISTEN

October 1, 2020

UPCOMING: Murder by Death – Lonesome Holiday (2020)

Tentshow Records
Buy: Vinyl | Bandcamp

Louisville’s Murder by Death released a fantastic, 2-song Christmas single back in 2014 appropriately titled 2014 Christmas Cover Songs. In 2020, they’ve collected those two tracks and added a healthy 9 more release what promises to be a truly fantastic (though melancholy) Christmas record. I’m really looking forward to hearing more, as hopefully they will preview a few more tracks in the coming weeks. Either way, this is one to look out for.

LISTEN

September 27, 2020September 27, 2020

Alex the Astronaut “Christmas In July” (2020)

I was driving the other day listening to WNRN (one of our local nonprofit radio stations), and this track came on that I really liked. Honestly, I can’t tell you what song it was now… but I recall the DJ coming on saying “That was Alex the Astronaut giving us some really big Courtney Barnett vibes.” I wholly agreed, and found myself making a mental note of the singer so that I might later see if there was a vaguely Christmas song I could mine for my mix (and my blog). WHAT DO YOU KNOW? Not only is there a song, but it is a single as well. I don’t get the same Barnett vibes from “Christmas in July,” and I’m sure she wouldn’t appreciate her folktronic sensibilities to be lumped in with Courtney’s wordy indie guitar rock simply because they are both Australian. Initially, I expected the song to be more about celebrating Christmas in July, as many folks in the southern hemisphere wish to have a pop-culture-approved Christmas celebration during their winter. However, this is quite specifically a love song, and the reference to “Christmas in July” is very much in the “traditional” vein. Alex uses Christmas imagery to express how exuberant and lucky she feels to be with her love – as if she is getting a wonderful and unexpected gift outside of the holiday of Christmas. Alex’s voice brilliantly expresses emotion, fragile and powerful in equal parts. The simple piano lines build anticipation, leading us to drums that burst open the song like a brilliant flower. There is an energy, a physical and emotional motion to this song that I greatly appreciate. And yes, this is not specifically a Christmas song, but I have bent the rules for less. So… enjoy this bit of Christmas in September.

Bottom Line: It is a beautiful, emotional song that gets better with multiple listens, so hit that replay button a few times.

LISTEN

September 24, 2020

UPCOMING: Mark Lanegan – Dark Mark Does Christmas 2020 (2020)

Self Released
Buy: Rough Trade Exclusive LP

Well well well… this popped up on my radar, either by fate or coincidence…. Mark Lanegan is re-releasing his tour-only Christmas EP, Dark Mark Does Christmas 2012, as a full-length Christmas album – the appropriately titled Dark Mark Does Christmas 2020. Lord knows that 2020 is a year for a dark Christmas record…

From Rough Trade (who have an exclusive version, perhaps THE exclusive version?)

2020 has been a dark year and so to end the year Mark Lanegan returns as Dark Mark and releases a full Christmas album. Five tracks were released as a tour only 12″ in 2012 which is now rare and impossible to find. He has recorded five more tracks recently and turned it into a full length album. Lanegan successfully takes some traditional Christmas songs, some Christmas covers plus some originals and twists them into a dark, melancholic affair. Standouts include Burn The Flames, originally recorded by Roky Erickson and Lanegan makes this sinister song, even more sinister. The Everley Brothers Christmas Eve Can Kill You is stripped back and haunting whilst the Lanegan original A Christmas Song is delicate and heartbreaking. 2020 is going be a dark Christmas.
Rough Trade

LISTEN (to the 2012) version

September 23, 2020September 24, 2020

Michael M “Humans Are Not Worth Saving (Merry Christmas)” (2020)

Last Night from Glasgow
Buy: Bandcamp

Glasgow’s Michael M. has written a “quick song about Santa Claus having an existential crisis,” and fuck if it isn’t one of my favorite little ditties of the year. Just bask in these lyrics and smile.

It’s Christmas time and a cold wind appears
The snow isn’t falling down
Because the Earth is misbehaving
Humans are not worth saving

And it breaks my heart in two to know it’s down to you
Humans are not worth saving

And it breaks my heart in two to know it’s down to you
Resurrected annually to highlight wealth inequality
Humans are not worth saving

Merry Christmas, please let me die

The song sounds like it should have been one of those coveted b-sides from Blue Album/Pinkerton-era Weezer, which I consider a high, high compliment. (Side note – It is so unfortunate that you have to designate which Weezer records as to not insult the band you like, because looooorrrrrdddd, they break my heart to this day.) You can’t listen to this thing and not smile – it is infectious (too soon?). Short, sharp perfection.

Bottom Line: The vibe, the lyrics, every damn thing about this song reminds me of why I started this silly blog – to bring weirdo Christmas songs like this to my weirdo friends. Enjoy.