Tag: 2024

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Herr Wade – We Still Remember Funky Christmas (2024)

Platiruma!!!
Buy: Bandcamp

Gotta look for stable things to grab onto these days. I already see myself leaning harder into Christmas traditions, both as a source of familiar comfort and frankly, to have some sense of control in a world of uncertainty. Just ordered a new fake Christmas tree… yes, we are a fake tree family. This one is supposed to feel real… I bet I could find something there to write about. Feeling real…

Some bands have begun to establish themselves within my Christmas traditions – bands I look to every year with anticipation of something new and wonderful. Herr Wade and the whole crew at Platiruma!!! are most certainly in that exclusive club. This year’s offering is Herr Wade’s excellent 4-song EP, We Still Remember Funky Christmas. Herr Wade is a collaboration between Jørn Åleskjær (The Loch Ness Mouse, Monobird, Sapphire & Steel) and Sebastian Voss (Nah…, The Fisherman and his Soul, Cinema Engines), and this duo have now dropped mixworthy tracks for three years in a row. The standout of this EP is (IMHO) the German disco track “Schulbus auf dem Eis” (Schoolbus on the Ice). I speak a liiittttllle German, but I’m certainly not quick, so I was most appreciative when Sebastian gave me a bit more context for the song: “The story is about the slippery situation on the street after snow was heavily falling, the last day before x-mas season and being at least able to hold hands with your crush who‘s sitting next to you….”

Well, isn’t that just great? Christmas! Young love! Danger! An earworm of a chorus and a Nile Rodgers groove that satisfies German and non-German speakers alike!

Stone-cold mixworthy.

Bottom Line: In a world spinning out of control, Herr Wade are here for you and will make you move dein Hintern.

LISTEN

Here is a Google translation of the paragraph at the beginning of the video:
With my most heartfelt thanks to my bus driver at the time, Herbert, in whose accordion bus I boarded twice a day between 1985 and 1994 as a “Reckenfeld bus child”, and who knew how to stoically maneuver the white Büssing vehicle with his equally white clogs through wind and weather. To this day, he has made many friends on his travels throughout Europe and Asia, but also on the scheduled services between Greven and Reckenfeld, and has covered thousands and thousands of “completely accident-free kilometers”. I take my hat off to this committed man, who has been so versatile right up to the ripe old age of almost 87, i.e. right up to the present day, and who has hardly changed in appearance in the past 30 years.

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UPCOMING: The Cords “Favorite Time” (12/06/2024)

Slumberland/Heavenly Creatures
Buy: Bandcamp (Digital/Flexi)

I’ve previously written about how much I look to Scotland (this was just a few posts ago!) for excellent Christmas tunes. The Cords are an excellent indiepop duo from Greenock, Scotland, and this upcoming track has a high probability of being excellent. Normally I might wait to review the track before sharing it here – but as there are flexis available now – and likely not for much longer – and I felt I should let you all know ASAP. So, check out The Cords, decide if they are your jam, and buy it.

Hat tip to @noloveforned for the heads up on this one.

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Here’s a non-holiday release to check out the band.

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BumbleWasps “Don’t Fuck with Christmas” (2024)

Self Released
Buy: Bandcamp

I’m attempting to take my mind off the election by listening to Christmas music this evening. So when I popped over to Bandcamp… seeing a familiar face was fucking great. Shrewsbury, England’s BumbleWasps is back with his wonderful brand of cheeky bedroom pop, serving up perhaps his sweetest Christmas song yet. “Don’t Fuck with Christmas” is indeed a rather aggressive title, but in practice, it hopes to make the most of Christmas… you only get one day each year, so don’t let the pressure of the holiday fuck you up. The song itself is damn catchy – an earworm that you can’t sing in polite company. Earworm… mantra… two sides of the same coin, both useful distractions from reality.

Don’t fuck with Christmas.
Don’t fuck with Christmas.
Don’t fuck with Christmas.

I feel a bit better.

Bottom Line: BumbleWasps has what many don’t – a consistently original POV on Christmas music, and this may be the best one yet.

LISTEN

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Young Jesus “Christmas Day” (2024)

Self Released
Buy: Bandcamp

This is a very small community – I see my stats. I feel like I know most of my readers’ full names and have even met a few in real life (Hi!). So I was delighted to get a ping to my Twitter this morning, as Bennett sends me notes from time to time (sometimes hidden in a package of REAL MAIL), and today he tipped me off to this wonderful song by Young Jesus (aka John Rossiter). “Christmas Day” can be found on John Case, a 5-song benefit EP that dropped today, with all proceeds to be split between the hurricane relief efforts of BeLoved Asheville, and a Gofundme that is created to help a 93-year old woman find a new place after being evicted. So the motivation behind releasing the record is great… how about we take a look at the song itself? Bennett highlighted the first line in his note to me, which is no doubt fantastic, but get a few lines in and you get lines like, “Love’s the only prayer that lasts.” I mean… fucccck.

I met your ass on Christmas Eve
broken nose and your torn-up sleeve
You said God won’t love you
unless you bleed.

I met you and your fancy shoes
gold necklace and a crooked tooth
Love just waltzed into the room

They say the holy ghost gone mad
so walk with me and take my hand.
Love’s the only prayer that lasts.

Those lyrics may be the highlight (for me), but I must also mention John’s intriguing voice. John’s voice has a patina far more interesting than those who can belt it out like you hear on the TV. I love this kind of voice… like a gap-toothed supermodel; The flaws are part of the package, part of the beauty – what makes someone uniquely interesting. Thanks again Bennett – this one’s pretty damn fantastic.

Bottom Line: “Christmas Eve” benefits from multiple listens, so why not throw some money down (on this #bandcampfriday) and get cracking. I need the universe to send me more of these.

LISTEN

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UPCOMING: Sunturns – Christmas III (12/6/2024)

Fika Recordings
Buy: Bandcamp

What timing – to announce your new record on the same day as Dean & Britta & Sonic Boom’s album… I’ll let you in on a little secret: I ordered this record first. If you are new to this blog, you may be new to Sunturns, and I’m a little jealous of you. There are two previous records full of wonderful, original indiepop Christmas songs for you to discover. Comprised of members of Monzano, Making Marks, Little Hands of Asphalt, Moddi, and Einar Stray Orchestra, this crew has been killing it since 2011 – which predates this blog! Hell, you might say that they were part of the reason I started this thing… not enough folks were talking about Sunturns! Well, 2024 brings us Christmas III, compiling several tracks they’ve released in the years after Vol 1 & 2, while also gifting us a whole fistful of brand new songs. I’m incredibly excited about this one – and boy does that vinyl look pretttttty. Of note, if you haven’t bought Vol. 1 & 2 on vinyl… it appears they are down to 2 copies on Fika’s website. I nearly bought one today so I could have a backup copy…

There’s a rather extensive press release on their Bandcamp page – I’d say go there and check it out to further pump yourself up for December 6th. I will highlight one paragraph below that I found particularly useful (and endearing):

If previous albums Christmas I (2011) and II (2015) are somewhat different from each other, then Christmas III represents a fusion of the two. Sunturns’ debut is full of youthful exuberance and was recorded with plentiful overdubs in Oslo, while 2015’s follow up is more pensive and somewhat darker, and was recorded live during one week in the Swedish forests. Einar elaborates: “I love making records like this: short, effective sessions with limited time and therefore no bland ‘perfection’. There’s a nerve to knowing you can collectively bring it all together without the luxury of time”. Christmas III represents a return to the lighter tone, on at least some of the songs, but with the wisdom of age that emerged on the second. You can’t just return to your twenties, however much you might want to!

“You can’t just return to your twenties, however much you might want to!”

I hear that. Especially my body 🙂

LISTEN

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UPCOMING: Dean & Britta & Sonic Boom – A Peace of Us (11/22/2024)

Carpark Records
Buy: Bandcamp | Rough Trade (exclusive Christmas splatter vinyl variant) | Carpark Records | Amazon | Amazon.uk

I don’t have the time for this today. Two of the biggest releases of the season, each popping up in succession on my Bandcamp feed. I’m not going to give away the other one yet (those in the know… know already), so I’ll start with the biggest news – a full-length holiday record from Dean Wareham (Galaxie 500/Luna/Dean & Britta), Britta Phillips (Luna/Dean & Britta), and Sonic Boom (Spacemen 3). While this was not necessarily expected, it is not exactly a surprise. Dean & Britta have long-dipped into holiday music, with Luna’s “Egg Nog” being a particular favorite. Dean did a Lagniappe holiday session a few years back on Aquarium Drunkard, and the pair also booked a full, holiday-themed livestream concert a few years ago (which was wonderful). However, the spiritual ancestor to this release is most certainly the holiday 7″ from back in 2007, “He’s Coming Home,” which features all three of these folks – and was absolutely killer. I’ll drop the press release below.

From Dean & Britta’s Bandcamp:

In a season where we all seek comfort, tradition, and a return to a home of sorts, a trio composed of indie music’s foundational members have gifted us A Peace of Us—an album of diverse holiday tunes filtered through their musical imaginations. Dean & Britta, well-known from their work defining a genre with Galaxie 500 and Luna, join Spacemen 3’s Sonic Boom, another bastion of indie’s collective adolescence, to bring to life a collection that draws from early ‘60s pop, garage, country, James Bond soundtracks, Christmas carols, and electronica. Dean Wareham recalls a sentiment from his DJ friend Chris: “You can experience all the emotions of Christmas through music: love and hate, joy and heartache, nostalgia, regret, anticipation, and frustration.”

Their venture into a holiday album was organic, spurred by a few cover tunes over the years, a Christmas special during the pandemic, and finally collaborative sessions between Dean & Britta in L.A. and Sonic Boom in Portugal. The trio all contributed vocals, with guitars by Wareham, bass and keyboards by Phillips, effects, and mixes by Sonic. The result is an album of exploration as well as comfort, “like Bing Crosby…on acid,” Britta adds, the tracklist a reminder that the holidays are complex and tragicomic.

As is often the case with holiday merriment, the album has a soft undertone of the bittersweet. Wareham sings one of David Berman’s final songs, “Snow is Falling in Manhattan,” one Dean believes is “destined to be a holiday classic.” Its lyrics foreshadow Berman’s tragic death: “Songs build little rooms in time / and housed within the song’s design / is the ghost the host has left behind.”

The Christmas blues surface again with Willie Nelson’s “Pretty Paper,” rendered here as a duet between Britta and Sonic Boom, their pulsing synth-heavy production updating the song for a darkened nightclub rather than a bright honky tonk. This collection steers clear of the usual Christmas chestnuts, but fans of classic indie haze may find a new favorite in “Peace on Earth / Little Drummer Boy” (created for Bing Crosby and David Bowie’s 1977 TV duet). Wareham notes that “Our favorite version is the German one by Marlene Dietrich, so that was our jumping-off point.” All three sing this one together: Wareham’s tenor, then Sonic Boom’s thrumming baritone, and finally Phillips’ soothing contralto making the plea for peace.

If collaboration is the fuel, peace and mutual understanding is surely the fire, and A Peace of Us has us gathered around it. “Christmas is mostly for children anyway,” says Dean. Sonic adds, “Or the inner child in all of us. Goodwill to all men. Hopes and fears for the year to come. And light in the darkness. Where this festival began.”

I must say, this record sounds incredibly promising. I already know that it features both “Old Toy Trains” and “He’s Coming Home,” both stellar tracks, the first single – a cover of Willie Nelson’s “Pretty Paper,” is an electropop gem. One might say they found some wonderful new wrapping on this track… you could call it pretty for sure. And a cover of David Berman’s “Snow is Falling on Manhattan!” Not the first time Dean & Britta have tackled it, as it was featured on a Section26 compilation a few years back… curious if they’ve reworked this in a similar fashion…

The anticipation is killing me, and boy was this an expensive holiday music day.

LISTEN

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Socialites “Winter” (2024)

Flower Shop Records
Buy: Bandcamp

I have to remind myself every so often that I have this blog so that my imaginary self will discover it, make an incredible Christmas mix for my imaginary friends, and spread the love (in the form of hot tips to the gracious blog proprietor) so that he too can find crafting this labor of love (and pain) just that little bit easier. It is something I have to continually tell myself when every instinct is to hide away these little songs so that I might spring them on you all with my mix. But… you know… I need to get over that shit. So pull up a chair…

San Antonio’s Socialites have this fantastic jangly Christmas-ish song with a seesaw rhythm that is a likely lock for my upcoming mix (Side note – I did the photoshoot for it today.) “Winter” is found on their May 2024 release, Where To, and damn I like this vibe. Rather chill, yet upbeat music with melancholy lyrics… that’s pretty much the formula this blog was founded on. So go, add this to your playlist and just do me one favor… pretend you’re surprised and amazed my Christmas mix despite having heard everything already.

Bottom Line: I suspect “Winter” was scientifically engineered for me to love it. Damn you Socialites… I will subscribe to your newsletter.

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Shirese “Christmas in East Haven” (2024)

Grapefruit Records and C/Site Records
Buy: Bandcamp

I have a recipe for you that you might like… let’s create a musical smoothie of a Christmas(?) song where you take the Velvet Underground, throw it in a blender with 90’s slacker stream-of-consciousness indie rock, and add a dash of…. melodica? Sounds like a high-dollar treat you could find in the trendier New York neighborhoods… or it could be “Christmas in East Haven” by the East Haven, Connecticut rock band Shirese. While I’m struggling to find the Christmas connection in this song (beyond the title), I’m totally grooving on this stepchild of “I’m Waiting for the Man,” as each listen has me bobbing my head a bit more. The chorus is an unexpected surge of energy, which really hooked me. I especially enjoyed the chorus when followed by the bridge… and all those weird little bleeps and bloops… just kinda refreshing, I suppose.

Bottom Line: It’s both 70s cool and 90s weird. Dig it.

LISTEN