We are the War on Christmas (Music)
Late Work Records
Buy: Bandcamp | Apple Music | Amazon MP3
Philly’s Besphrenz have knocked out one of the most upbeat and fun “bring my baby back for Christmas” songs of recent memory with the stellar “for christmas.” This is the perfect gift of indie rock Christmas fun. It has me thinking of those stellar Crocodiles Christmas songs of the past – which is high praise in my book. This is their first Christmas song – go buy it so they make another.
Bottom Line: Stone-cold mixworthy
Self Released
Buy: Bandcamp
Aux Caroling, the recording project of North Carolina’s Scott Deaver, is always singing about something he’s not singing about. From the amazing “Bulls vs. Lakers, Christmas 2011,” which framed complex familial relationships and the uncertainty of fate within the guise of talking about a basketball game on TV, to his most recent, and equally gorgeous, December/Headphones.
The first track, the A-side for those who wish to imagine this is a beautiful 7-inch record you are about to drop a needle to, was initially titled “A Long December to Remember Sales Event.” Just seeing that title made me kinda snort and smile. Now off he goes, singing about striking a luxury automotive deal. Then he slips into the chorus, which will subtly change through the song.
“Everything happens at once / that’s how you know it happened / nothing really feels that long / till your memories…”
Just gorgeous. But he dips back into those lines that are about “buying a car:”
“And it’s been a rough year / I think it’s safe to say / have not had one minute / to choose between nebula and cloudburst gray.”
There I go again with a snort, of sorts.
Scott excels in a kind of cheeky depth. He makes jokes that make it feel safe to contemplate your inner feelings of helplessness or inadequacy, or explore your family dynamic, or deal with the unknown.
The B-side is “Headphones,” a track that Scott initially intended to premiere on Jon Solomon’s 2024 25-Hour Holiday Marathon, and to never be played again. He meant for it to be heard in that one moment in time, and that was all. Thankfully, he’s reconsidered. This is simply a beautiful, touching love song. I don’t sense any subtext here; there is just a profound grateful love that the luckiest of us can relate to, in one way or another. “Found out I love you a lot / don’t think it will ever stop / don’t think it will ever stop / don’t think it will ever stop…………”
There are some bands that I like to celebrate here whose unique voice is unmistakable, and I count Aux Caroling among these. He has my ear, from now until he starts inevitably doing those stream-of-consciousness Mark Kozelek-type records. Then, I’m out.
(I couldn’t get too mushy there… Scott would have thrown in a line to take the edge off, and that was my feeble attempt to do the same.)
Bottom Line: Aux Caroling is essential Christmas listening.
Self Released
Buy: Bandcamp
I recently listened to a podcast featuring indie-Christmas legend Kristian Noel Pedersen (KNP), the always wonderful 12 Songs of Christmas hosted by Alex Rawls. It was a great conversation and a peek behind the curtain of our most prolific Christmas-creative. KNP has released sixteen albums of original Christmas music, and after his most recent trio of beautiful, hilarious, and genuinely touching records centered on the fictional, aging pop star Saul McCartney, I was under the impression he was planning to strip things back a bit. Sometimes plans change, though, because we’ve got a mini-album of six new songs (plus some voicemail interstitials), and if the first two tracks are a taste of what’s coming… consider me hungry.
The record opens with “Bullshit & Gift Wrapping,” which might be the best title for a Christmas song I’ve heard in ages. The track is packed with bitterness, profanity, jangling guitars, and—strangely, but in the best possible way—a Gin Blossoms vibe? I don’t know what I ate for dinner, but that’s the only comparison my brain wants to make right now. And I low-key love the Gin Blossoms, so I’m here for it.
KNP has also previewed the second track, “Christmas on Your Own,” where the guitars get fuzzier but the attitude—and profanity—stick around. He paints these small scenes across a few Christmases, following someone leaving a bad relationship and starting over. The song feels frayed at the edges, from the loose feel in the instrumentation to the lo-fi (well, lower-fi) vocals, and that roughness fits the emotional journey perfectly.
While we only have two tracks so far, any longtime reader will immediately clock track six: “Winter,” featuring vocals by Winterval, another prolific and supremely talented songwriter I’ve featured here many times. I absolutely cannot wait to hear that one.
The rest of the record drops on Friday, December 5th, along with probably every other major indie release of the season. Why? Bandcamp Friday—when Bandcamp doesn’t take a cut and the artists get every dollar (minus credit-card fees, I imagine). So add this one to your cart now… and wait until Friday to check out!
Bottom Line: Two songs in, and I’m singing the same songs of praise for the latest Kristian Noel Petersen joint.
Submarine Cat Records
Buy: Juno Download (WAV/FLAC/AIFF/MP3) | Apple Music | Amazon.uk MP3
Well. Of course, I’m not the first to post about this, but at the very least I didn’t learn about this song from NME, and found it the old-fashioned way – I follow Home Counties on Soundcloud! But I’ll at the very least benefit from the background on the song provided. Turns out “Better Last Year (Home Counties for Christmas)” debuted at their gig at Scala last night, and is slowly becoming available on digital platforms today. Hopefully it’ll find its way to Bandcamp… we’ll see.
Enough about how and where to find the song – what is this song about?? Well, I again refer to that darn NME article, as they obviously got a ton of background, and I’m not going to be better about explaining this song than the band will. Quote below:
“Inspired by the dual voices and anti-Christmas sentiments of ‘Fairytale’, the song is split between two narratives voiced by Will [Harrison] and Lois [Kelly],” the band said. “Lois sings about bumping into people you went to school with who have since done terrible things (a common theme from our school). Will sings specifically about Christmas Eve itself, with a feeling that with every year it gets a bit shitter, and everyone a bit less joyous.”
“Together, they shape a story of growing older and how you feel it at this time of year,” they added. “It’s also a plea for everyone to try and regain some of their lost ‘Christmas spirit’, in a slightly problematic boozy call to arms.”
Well, I barely actually wrote anything about a song I actually quite like. I wonder what I would have said had I not found that NME article that kinda ruined my momentum…
Bottom Line: This is certainly going to make some mixes… maybe even mine!
Jansen Records
Buy: Bandcamp
It’s been a while since I’ve had a track sung in Norwegian on my mix, but this wonderful song by the Oslo duo Wold Wiggen may very well sneak its way on there. “Gaver er det meste med jula synes jeg,” or “Gifts are the most important thing about Christmas, I think,” tells the story of someone stealing all the presents from under the tree and hiding them away. It begins nicely enough—full stomachs, everyone cozy and warm while it snows outside. But Uncle Erling is a bit drunk, and something snaps. If the gifts are the best part of Christmas… well, let’s open them and take them all.
The orchestration is simple, driven largely by gentle guitar and bass, which—at least for a non-Norwegian speaker like myself—was the hook that initially reeled me in. There’s no chorus, just a beautiful brass melody line in its place. I’m a bit dense sometimes when it comes to identifying instruments—French horn? Whatever it is, it’s gorgeous, and it’s the flavor that makes this song so delicious.
Bottom Line: Norway is running up the score today. 2-for-2 with mixworthy songs. Amazing.
Hype City Music
Buy: Bandcamp
I honestly had no idea what to expect from “December95” by King Hüsky. You find yourself on his Bandcamp page, and the bio cuts off after “guitarist of the critically acclaimed Norwegian heavy metal band Kvelertak,” so needless to say, I was anticipating something quite different than what I encountered. The song I heard was wonderful, and is by no means the Norwegian metal that I anticipated; I am not into metal – read my submissions page. This song happened to be aimed dead between my eyes. A kill shot.
King Hüsky is the solo work of Vidar Landa, who, besides being a guitarist in a metal band, is also in indie rock/power pop band Beachheads. “December95” sets a beautiful, snowy scene, snug in their home. While the Christmas lights and the VCR don’t work, the scene, the lyrics, and the melody are all uplifting in a way that I was truly touched by. I remain amazed. What an unexpected and extraordinary song.
Bottom Line: Stone-cold mixworthy.
Self Released
Buy: Bandcamp
If indiepop is a genre that you are down with, read on. Frankly, if this website serves any purpose, it is for me to establish some indiepop credibility when I can’t play an instrument. Yeah, maybe I’ll share a few other songs too, but I have some twee punks to impress. Of note, I have often thought about how indiepop and punk are two sides of the same coin – DIY outsiders making cheap records for their devoted communities. But I digress, Michigan’s The Photocopies have done us a huge flippin’ favor and gathered up all his Christmas songs onto one easy compilation, A C26 for Christmas. We no longer have to search every single record (because often there was one) to grab that Christmas single for your indiepop radio show or mix. Sometimes being so prolific is a double-edged sword – you are always making great Christmas songs, but you’re also always making great Christmas songs. It becomes expected. Thus, it was a nice reminder to see all these great songs together, and it brought me back to 2021, when I first found the wonderful Photocopies.
I was so young then. We all were.
Bottom Line: Are you finding the Photocopies for the first time? Lucky you!
Self Released
Buy: Bandcamp
Atlanta’s Silk Daisys have dialed in some indiepop Christmas perfection with “It’s Just Like Christmas.” Those dreamy vocals and shimmering guitars – I feel like this song should be released exclusively on a cassette mixtape. The lyrics are pretty great too, the kind of anti-war, feed the poor, not hating immigrants kind of sentiment I can get behind. I still can’t believe that I opened up Soundcloud and there it was… right there on the top of my feed… waiting for me…
Bottom Line: That is some top-tier indiepop Christmas.
Ursinewave
Buy: Bandcamp
This is it. This is the week. This is the week I try to find everything I can, make a good stab at a playlist, and pray for Friday’s releases to screw the mix tracklist all up (and make it great)! Thankfully, we’ve gotten some great releases overnight, with Roberta Fidora‘s “Christmas Trees” most certainly among those notable songs. Synths and sounds jumping out at you at every turn, this anti-Christmas jam that is sure to add some pace to your mix, and perhaps mine too!
Of note, should you not be familiar, Roberta also has some additional Christmas covers on her Bandcamp page under the moniker Curxes. Of particular note is the excellent electronic cover of Greg Lake’s “I Believe in Father Christmas.”
Bottom Line: Roberta delivers an avant-pop delight, and right on time.
Paradise Records
Buy: Bandcamp (MP3/Vinyl)
Bordeaux’s Arthur Satàn, (The Meatards, J.C. Satàn) has just released a stunning 60’s psych/pop Christmas single, the 2-track I Don’t Give a S**t About Christmas. There’s the spacey psych of the A-side, “Nebula,” which I am honestly having a tough time parsing the lyrics of – I’m picking up “skies ablaze,” “on the brink of madness,” so I’m thinking this is a Christmas + apocalypse song (or maybe just an apocalypse song). However, I don’t have a problem connecting with that fantastic, psychedelic orchestration.
The flip is more obviously Christmas-inspired. “Christmas Might Be Over Soon” begins with a musicbox piano line, but expands into glorious psych-folk as the mantra “I begin to lose control” floats in. The lyrics are less drenched in the grandiose orchestration of “Nebula,” so I was able to get a better grasp on this track. “Too many gifts, for you and me / The others torn (?) in jealousy / No time to waste, we must consume / Christmas might be over soon.” Another dark one it appears…
I loved the description on their Bandcamp, which I happily Google translated for you:
Fresh from their “Journey That Never Was,” Arthur Satàn’s warriors are back on the offensive, but this time it’s a Christmas one!
“I Don’t Give a S**t about Christmas,” the new rallying cry from the Bordeaux-based multi-instrumentalist, features two tracks also tinged with 60s pop influences, making up this collector’s 7″ single, another brick in Arthur Satàn’s sonic and graphic edifice.
These two unreleased songs comprise a limited-edition collector’s 7″ single, whose cover art extends the visual universe of Arthur Satàn, who is also a graphic designer and visual artist: a “Ship of Fools,” populated by warriors piled high in a pyramid, brandishing swords and shields as they aim for the gift descended from heaven.
In the delicate realm of representing the “magic of Christmas,” there’s no doubt: Satàn packs a punch!
The artwork on this baby is something else for sure, which Arthur is also responsible for. And for those who like to hold records in their hands, and maybe even play them… there is a 7″ available. Unfortunately, it carries all the costs of buying records from overseas, so it would be about $35 shipped for that 7″, which I’m just not quite up for after all this Christmas shopping. Blast!
Bottom Line: Some dark Christmas psychedelia!
