Tag: 4+

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moi Caprice – Advent (2020)

Glorious Records
Buy: Qobuz (FLAC/MP3) | Apple Music | Discogs (CD/Vinyl)

This is a record that’s been bouncing around my playlists for a long time. Many years ago, I got into moi Caprice, a Danish band that was geographically and sonically close enough to my Swedish pop obsession to get swept up in the search. Their song “The Art of Kissing Properly” became a playlist staple. I picked up a few CDs and very much consider myself a fan. How I managed to miss them releasing a Christmas EP in 2020 is beyond me. I’m only half joking when I say I consider this oversight a personal failure.

Yes, moi Caprice released a Christmas EP, Advent, in late December of 2020, and it is absolutely excellent. Four tracks, each of which could make a strong case for being the best song on the record. “Christmas, the Magic Is Back” has a wonderful rolling rhythm, peppered with evocative lines like, “’cause the magic is back / and I can do the whole thing from a child’s view.”

That song, along with the one that follows, “Year of the Rat,” are very much Christmas 2020 songs—COVID Christmas songs. However, neither suffers from being too firmly locked into that moment. Both retain a timeless quality, especially in the coda of “Year of the Rat,” where they repeat, “And our kids fall asleep to the sound of our heart.” It’s just ridiculously gorgeous. (It is also featured on my 2025 Christmas mix, A Bit of Christmas.)

The biggest song on the record, at least by streaming metrics, is the third track, “I’m Dreaming of a Christmas That Isn’t So Extremely White.” The concept is interesting, as it references familiar seasonal cultural touchstones like Home Alone and It’s a Wonderful Life, while hoping for new perspectives. A good song, but it somehow lacks the emotional pull of the other three tracks. We’re all different; this may be your favorite!

The final song, “Merry Christmas,” closes out the EP with a promise to make a Christmas song that “truly has the sound / of a Merry Christmas,” and it absolutely delivers. The melody is gorgeous as it floats along on lead singer Michael Møller’s wonderful voice. This is the bullseye—a song that could land on just about anyone’s Christmas mix, in any year they decide to dip into moi Caprice. It is undeniably delightful.

For those who love physical media, you can still hunt this record down on either 12″ vinyl or CD. And wouldn’t you know it—shipping from Germany isn’t terrible these days. I’m glad I can finally write about this now, as I’d been nervous about covering something I hadn’t yet picked up myself, fearing it might sell out before I could. But now I’ve got a 12″ on the way, thanks to the generosity of you all, after coveting it for nearly a year. Truly, thank you all.

Bottom Line: This entire release can be mined for mixworthy songs. It really is pretty damn spectacular.

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Daphne’s Demise “Just Like Christmas” (2025)

Perpetual Doom
Buy: Bandcamp

Lord knows this song has been covered to death. But there are some songs that I don’t mind hearing cover after cover of… and Low’s “Just Like Christmas” is most certainly in that camp. Heck, Christmas A Gogo has a yearly post gathering the latest covers. So, another cover… what can you find in yet another cover of this song? Perpetual Doom is a label that I love, often releasing singer/songwriters who have a tendency for alt.country, but perhaps a bit more attitude than would suit the mainstream. I admit, I’m predisposed to be excited to hear something from this label, and thus I’m here chatting with you about Daphne’s Demise, and their new cover of “Just Like Christmas.” Daphne’s Demise (aka Zoë S-Bouffard) takes this song, nearly strips it of all adornment, and lets you bask in the simple beauty that is this classic song. This is my ultimate Christmas song… and when someone can find themselves in it… I’m here for it.

Bottom Line: Simple and beautiful.

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High Tropics “All I Need This Christmas” (2023) and “Lonely Christmas” (2021)

Self Released
Buy: Bandcamp | Apple Music

I have a tough time writing about songs you can’t actually go out and buy. A big part of why this site exists is not only to spread the best Christmas music I can find, but also to point you toward the best place to pay money for the hard work of these talented musicians. Art is work, and work deserves compensation. It really is that simple.

Because of that, I’ve been meaning to write about these two fantastic songs by Australia’s High Tropics for a while, but there’s never really been a place for you to purchase them—until today. I shot the band a note last night and, voilà: Bandcamp. So here we go.

I discovered High Tropics via the excellent Von Pip Musical Express podcast back in 2023 and was immediately smitten. Before diving into the songs, though, I have to address the elephant in the room: yes, these are the best Christmas songs the Strokes could ever wish to write. The similarity is undeniable, but that only serves to highlight the Strokes’ complete lack of original Christmas songs—and High Tropics’ absolute slam dunk in delivering two original seasonal gems.

2023’s “All I Need This Christmas” made my mix last year, thanks to its relaxed, synthy stroll through the well-worn “all I need for Christmas is you” territory. The lyrics are simple, essentially repeating the same verse twice, but even within that limited space, the song finds a way to feel fresh and new. Take the opening stanza:

Everybody’s talking ’bout a brand new year
I’m still playing catch-up with the last one, baby
I don’t wanna tell you how it ought to be
I’m just tryna make it to tomorrow lately

There’s something so laid-back and assured about this song—a calm, effortless cool that’s hard to deny. As the song puts it near the end, “I know I could win you over,” and it absolutely has.

“Lonely Christmas” first appeared on SoundCloud back in 2021, along with a demo version, and it’s only a matter of time before one of those makes its way onto one of my mixes. The lo-fi vocals, the sticky chorus, and—once again—that feeling of effortless cool the Strokes helped reintroduce to rock music in 2001 all come together beautifully here. High Tropics have kept that flame alive and turned it into something genuinely special.

The two songs feel like siblings, sharing a similar structure of repeated verses and a catchy chorus. Somehow, High Tropics manage to make yet another classic Christmas trope feel anything but stale.

Bottom Line: I can’t think of an A/AA single that would be quite as good as these two.

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PAL – Christmas Majic 2 (2025)

Self Released
Buy: Bandcamp

As the year winds down, I find my reviews get less introspective, less thoughtful, and frankly, shittier. Why mess with the formula! Here’s a crap review of a great little EP by Cleveland egg punks PAL.

Christmas Majic 2 is obviously the follow-up to their first Christmas release back in 2023. I have it in my “likes” in Bandcamp, which likely suggests that it came out when EVERYTHING was coming out, and I was frantically marking things to come back to. Thankfully, I’m not coming back to this second release and actually telling someone about it! This is the first time that PAL has written an original song, the leadoff track “One Starry Night,” and it is rawkus, synthy screed against Santa’s gift-giving fuckup. The interplay of the talk-singing and background screams is perfection. It is on my mix shortlist right now.

The next two tracks are covers, with the accordion-heavy “Must Be Santa Claus,” which I would normally dismiss as a kids’ song… but they somehow pull it out of that black hole. The attitude they bring to the track, along with choosing Bob Dylan’s version as the inspiration (the ending!), has me sitting here thinking, this might be the only version I’d listen to at a party.

The final track is notoriously my least favorite song. “Little Drummer Boy” is terrible. However….. PAL’s “Little Drummer Pal,” I rather enjoyed. This is their cover of the Red Aunts “Little Drummer Bitch,” which I am unfamiliar with, but perhaps I need to check out. Perhaps another day though… I have precious time, and seeking out more versions of “Little Drummer Boy” is just not at the top of my priorities for today.

You can also pick up a glittery cassette of both volumes of PAL’s Christmas Majic, with $5 from each cassette going to the Cleveland Area Food Bank. Solid!

Bottom Line: I think I need more egg punk in my life, and some more PAL. Also… that was kind of a long one for me right now. Wasn’t expecting to talk about all 3 songs when I started… but here we are.

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ANDEMIC – The Sick Christmas EP (2025)

Self Released
Buy: Bandcamp

When you get a hot tip from Jon Solomon, of the 25-Hour Holiday Radio Show fame, you press play. What was in store for me was extremely appropriate for my past week of sickness, a Christmas EP by Philly native (but LA-based) Andy Williams titled The Sick Christmas EP.

Woof. Hitting close to home.

Let me give you a bit more background on this Andy Williams fellow. First, it is not THAT Andy Williams – he died in 2012! This Andy was the guitarist and vocalist of the Philadelphia indie rock band Lefty’s Deceiver, and recently he’s been recording from his attic in LA under the name ANDEMIC. He’s released a few Christmas singles, which I have missed, over the past few years, and has gathered them along with five new ones on his new The Sick Christmas EP.

The Sick Christmas EP is full of originals, ranging from the driving indie rock of “Everyone is Always Sick Every Single Christmas” to the stellar Get Up Kids-esque “Massapequa Park,” but look out for the almost unrecognizable glory of battling guitars and synths that is “Jingle Bells.” This record is something else.

Thanks Jon, and howdy Andy. Nice to meet you.

Bottom Line: An indie rock highlight of the season.

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Besphrenz “for christmas” (2025)

red background, green writing: the text "for christmas" makes the shape of a christmas tree

Late Work Records
Buy: Bandcamp | Apple Music | Amazon MP3

Philly’s Besphrenz have knocked out one of the most upbeat and fun “bring my baby back for Christmas” songs of recent memory with the stellar “for christmas.” This is the perfect gift of indie rock Christmas fun. It has me thinking of those stellar Crocodiles Christmas songs of the past – which is high praise in my book. This is their first Christmas song – go buy it so they make another.

Bottom Line: Stone-cold mixworthy

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Aux Caroling – December/Headphones (2025)

An impressionist painting of the sky with a moon in it.

Self Released
Buy: Bandcamp

Aux Caroling, the recording project of North Carolina’s Scott Deaver, is always singing about something he’s not singing about. From the amazing “Bulls vs. Lakers, Christmas 2011,” which framed complex familial relationships and the uncertainty of fate within the guise of talking about a basketball game on TV, to his most recent, and equally gorgeous, December/Headphones.

The first track, the A-side for those who wish to imagine this is a beautiful 7-inch record you are about to drop a needle to, was initially titled “A Long December to Remember Sales Event.” Just seeing that title made me kinda snort and smile. Now off he goes, singing about striking a luxury automotive deal. Then he slips into the chorus, which will subtly change through the song.

“Everything happens at once / that’s how you know it happened / nothing really feels that long / till your memories…”

Just gorgeous. But he dips back into those lines that are about “buying a car:”

“And it’s been a rough year / I think it’s safe to say / have not had one minute / to choose between nebula and cloudburst gray.”

There I go again with a snort, of sorts.

Scott excels in a kind of cheeky depth. He makes jokes that make it feel safe to contemplate your inner feelings of helplessness or inadequacy, or explore your family dynamic, or deal with the unknown.

The B-side is “Headphones,” a track that Scott initially intended to premiere on Jon Solomon’s 2024 25-Hour Holiday Marathon, and to never be played again. He meant for it to be heard in that one moment in time, and that was all. Thankfully, he’s reconsidered. This is simply a beautiful, touching love song. I don’t sense any subtext here; there is just a profound grateful love that the luckiest of us can relate to, in one way or another. “Found out I love you a lot / don’t think it will ever stop / don’t think it will ever stop / don’t think it will ever stop…………”

There are some bands that I like to celebrate here whose unique voice is unmistakable, and I count Aux Caroling among these. He has my ear, from now until he starts inevitably doing those stream-of-consciousness Mark Kozelek-type records. Then, I’m out.

(I couldn’t get too mushy there… Scott would have thrown in a line to take the edge off, and that was my feeble attempt to do the same.)

Bottom Line: Aux Caroling is essential Christmas listening.

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Bleu Rheine Presente La Compil’ de Noël #5

A black cover, with Compil de Noel #5 written in hot pink

Bleu Rheine
Buy: Bandcamp

I worked nearly two days in one day today, and today/tomorrow is likely the biggest release day of the year for Christmas bloggers. I’m going to do my best to feature my favorites, maybe even throw in a new find or two.

Bleu Rheine are back, making magic happen as usual. Those who can count (humble brag) have noticed that Bleu Rheine Presente La Compil’ de Noël #5 is indeed their fifth wonderful compilation of covers. Not all the songs will be Christmas songs, but let’s get busy with those Christmas tunes!

First out of the gate is Vivienne, who provides us with the obligatory “Last Christmas” cover. It’s quite a challenge to tackle a song that everyone covers, and Vivienne does it well. Her voice is lovely, and the instrumentation has me thinking this could be considered for an elusive “Dream Pop” or perhaps “Sad Girl” Christmas mix. Depending on how many covers of this you have heard so far, this may just be the version you’ve been looking for.

Now… the next track… Paris’ Princesse Gilbert busted out a cover of Pedro the Lion’s “Yellow Bike!” I mean… I admit to being a fan of “Last Christmas,” despite the overwhelming number of covers, but would I rather have choices like this? Absolutely. Princesse Gilbert does a great job, stripping back the sound and chilling it out. Truly a wonderful surprise, and a feeling I’m going to cling to for the rest of this season. Give me more choices like this.

The Smiruldes, whom I cannot seem to find any info on, provide a lovely cover of Les Classels’ “Le Sentier de neige.” If you recall, I’ve already written about Klô Pelgag’s beautiful version, and this one shares some similar DNA. They are both quiet, thoughtful, and beautiful, though The Smiruldes play their guitar, and Klô Pelgag her piano. Either way you go, you can’t go wrong – this is gorgeous.

I’m going to talk about the Diane track, though it isn’t necessarily a Christmas song… it is really more like a Jesus song – hence the title “Jésus Christ.” It is one of the more delightful songs about Jesus I’ve heard, as it is incredibly short (bonus) and finishes with the repeated line – translated to English for you: “I wonder if Jesus was funny.” This’ll sneak onto a mix or two, I’m sure.

Sure seems folks are trying to make Elliott Smith’s “Angel in the Snow” a modern indie Christmas staple, kind of like the Fleet Foxes’ “White Winter Hymnal” or something of the sort. Of note, the Fleet Foxes also covered “Angel in the Snow” this year for the Oh. What. Fun. soundtrack. But I digress… Neon Bay really put their mark on this one. It really doesn’t feel like the Elliott Smith song, which I give them credit for. They roughed it up, and I liked that a whole lot. And the stripped back ending.. phenomenal.

Yet again, Bleu Rheine delivers us some fantastic French indie Christmas covers, and as long as they are putting in the effort to put these records out, I’ll be here for them. Even when I’m quite tired, they help me find the spirit.

Bottom Line: There may only be a few Christmas tunes, but I’ll bet you’ll like the normal covers too. Let’s support Bleu Rheine and keep these coming! And hey – it benefits Association MaMaMa, which helps single and isolated mothers!

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Kristian Noel Pedersen – Bullshit & Gift Wrapping (2025)

A photo of a christmas tree, and a man sitting in a chair looking at the light up tree.

Self Released
Buy: Bandcamp

I recently listened to a podcast featuring indie-Christmas legend Kristian Noel Pedersen (KNP), the always wonderful 12 Songs of Christmas hosted by Alex Rawls. It was a great conversation and a peek behind the curtain of our most prolific Christmas-creative. KNP has released sixteen albums of original Christmas music, and after his most recent trio of beautiful, hilarious, and genuinely touching records centered on the fictional, aging pop star Saul McCartney, I was under the impression he was planning to strip things back a bit. Sometimes plans change, though, because we’ve got a mini-album of six new songs (plus some voicemail interstitials), and if the first two tracks are a taste of what’s coming… consider me hungry.

The record opens with “Bullshit & Gift Wrapping,” which might be the best title for a Christmas song I’ve heard in ages. The track is packed with bitterness, profanity, jangling guitars, and—strangely, but in the best possible way—a Gin Blossoms vibe? I don’t know what I ate for dinner, but that’s the only comparison my brain wants to make right now. And I low-key love the Gin Blossoms, so I’m here for it.

KNP has also previewed the second track, “Christmas on Your Own,” where the guitars get fuzzier but the attitude—and profanity—stick around. He paints these small scenes across a few Christmases, following someone leaving a bad relationship and starting over. The song feels frayed at the edges, from the loose feel in the instrumentation to the lo-fi (well, lower-fi) vocals, and that roughness fits the emotional journey perfectly.

While we only have two tracks so far, any longtime reader will immediately clock track six: “Winter,” featuring vocals by Winterval, another prolific and supremely talented songwriter I’ve featured here many times. I absolutely cannot wait to hear that one.

The rest of the record drops on Friday, December 5th, along with probably every other major indie release of the season. Why? Bandcamp Friday—when Bandcamp doesn’t take a cut and the artists get every dollar (minus credit-card fees, I imagine). So add this one to your cart now… and wait until Friday to check out!

Bottom Line: Two songs in, and I’m singing the same songs of praise for the latest Kristian Noel Petersen joint.

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Home Counties “Better Last Year (Home Counties for Christmas)” (2025)

a group of people sitting at what appears to be a table at a pub, wearing santa hats and throwing their arms around each others' shoulders.

Submarine Cat Records
Buy: Juno Download (WAV/FLAC/AIFF/MP3) | Apple Music | Amazon.uk MP3

Well. Of course, I’m not the first to post about this, but at the very least I didn’t learn about this song from NME, and found it the old-fashioned way – I follow Home Counties on Soundcloud! But I’ll at the very least benefit from the background on the song provided. Turns out “Better Last Year (Home Counties for Christmas)” debuted at their gig at Scala last night, and is slowly becoming available on digital platforms today. Hopefully it’ll find its way to Bandcamp… we’ll see.

Enough about how and where to find the song – what is this song about?? Well, I again refer to that darn NME article, as they obviously got a ton of background, and I’m not going to be better about explaining this song than the band will. Quote below:

“Inspired by the dual voices and anti-Christmas sentiments of ‘Fairytale’, the song is split between two narratives voiced by Will [Harrison] and Lois [Kelly],” the band said. “Lois sings about bumping into people you went to school with who have since done terrible things (a common theme from our school). Will sings specifically about Christmas Eve itself, with a feeling that with every year it gets a bit shitter, and everyone a bit less joyous.”

“Together, they shape a story of growing older and how you feel it at this time of year,” they added. “It’s also a plea for everyone to try and regain some of their lost ‘Christmas spirit’, in a slightly problematic boozy call to arms.”

Well, I barely actually wrote anything about a song I actually quite like. I wonder what I would have said had I not found that NME article that kinda ruined my momentum…

Bottom Line: This is certainly going to make some mixes… maybe even mine!

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