Hey! Is The Bret Tobias Set lining up to be a yearly Philadelphia Christmas tradition? Can I manifest this? We’ll see… (I missed 2024’s song… but go check it out!)
I wrote about The Bret Tobias Set’s excellent 2023 cover of Everything But the Girls’ “25th December” earlier this year, with what might be one of my shortest reviews of recent memory. I don’t know why I get sheepish about that kind of stuff – I just don’t want folks to think because I haven’t gone on and on about their record that I don’t really love it. Some days I just have a few minutes to spare, a headache, or existential ennui… you know… shit happens! Do all those words above count towards the review? I hope so!
The Bret Tobias Set is back with a reworking of a 2004 song that Bret wrote with his previous band, The Bigger Lovers, for their last record, This Affair Never Happened… And Here Are Eleven Songs About It. Bret calls the Lovers’ version “blue-eyed soul,” and I suppose I hear that – but it just sounds like a rock ballad to me. When I hear the term blue-eyed soul, I think about half the bands on Colemine Records, not The Bigger Lovers. But I am NO expert, despite this silly site.
Bret’s new version, which he calls a “country pop duet,” has Bret sharing vocals with Krista Umile, and man, these voices sound lovely together. The song lightens with the addition of Krista as well as the increased tempo, and as a result, the length shortens enough to leave you wanting more. I do hear the country twang, but I don’t know if I’d call this “country pop.” I would call it an “alt.country power pop ballad.” Gotta complicate things!
Bottom Line: This song’s arrangement feels like it has found its forever home.
I remember listening to Todd Snider back in high school, hearing “My Generation (Part 2)” and loving his thoughtful, clever, funny songwriting. I believe my art teacher Kate hipped me to him. That was probably most folks’ introduction to Todd — the song, not my teacher Kate, of course! It is an incredibly clever, catchy song. I dipped in and out of his career over the years, owned a few records, and always truly enjoyed his work.
Over the weekend, I saw that Todd had passed. Lord, he was only 59. An undiagnosed case of walking pneumonia was what took him. I hadn’t realized how deadly pneumonia can be — a 30-day mortality rate of 15%, which is wild. Of course… it got me thinking: with Todd’s huge catalog, there has to be a Christmas song. Turns out the only real Christmas track (beyond the odd live cover) that Todd had a hand in was Billy Joe Shaver’s “Merry Christmas to You,” which he performed on (and perhaps helped write?). It was a bonus track on Shaver’s 2002 album Freedom’s Child, and isn’t easily available to buy as a download.
However, Todd does have a spectacular talking-blues tune called “Happy New Year.” Classic Todd Snider — a perfect piece of storytelling with clever lyrics, social commentary, and a big old dose of humanity. There are two versions: the initial release from 2006’s The Devil You Know and the “Purple Version,” a re-recorded version Todd generously offered as a free download on his website. It’s a spooky listen, folks — the song has a good dose of mortality, and now it hits perhaps a bit too close to home.
Now Christians don’t walk out on me just yet You know whose name I’m yelling as I’m clutching my chest The one my dad told me to and his told him to And I probably pray as much or more than you do Believe? shit, every word I sing
That bit is something for sure, but there’s also a moment in the spoken introduction to the Purple Version where he says, “and then there was that late day in November when it all ended.” Spooky.
The song also ends differently:
Father forgive us for what we might do You forgive us and we’ll forgive you. And we’ll forgive each other ’til we both turn blue. And we’ll whistle and go fishing… in heaven.
I’m a bit speechless.
Bottom line: Todd Snider was a treasure. The world is a bit less bright.
EDIT: I received a note from a reader (hi Stu!), and he has provided me with an MP3 of Todd Snider performing an alternate version of “Go Tell it On the Mountain” than I am accustomed to. So there is an official release of a Todd Snider performing a Christmas song.
OK. So we know where it is from now. The song is on a 1995 release called The Sounds Of Starry Nights, a CD/cassette, “presented by MIFA and Union Planters as a musical reflection of the season at the holiday light show Starry Nights.” Starry Nights is a Christmas light show held at Shelby Farms Park in Memphis and is the largest annual fundraiser for Shelby Farms Park and Shelby Farms Greenline. Shelby Farms is one of the largest urban parks in the country – one might call it Memphis’ Central Park or Golden Gate Park, I’d imagine. Pretty damn cool….
Now, if you head out there looking for this release, pay special attention to the track list on the back. There are multiple issues of this Starry Nights release, each from a different year, and with no noticeable change of title. However, the cover art varies slightly, which helps. I have yet to see a cassette edition with Todd’s track on it, though I assume it does exist.
Today is the day. The fourth and final (…you never know for suuuuurrre) volume of this magnum opus of alternative Christmas music has dropped with a whopping 65 songs. Amongst these 65 songs, you’ll find many names that I’ve championed on an occasion or two (Whyte Horses, Dark Horses – ha! – The Photocopies, Skiing, Aux Caroling, and many more) – but unless you’ve been reading this silly blog since 2012, you likely haven’t come across many of these songs. If you have been close-reading this blog, you might even take special notice that Applennium’s “Is this Christmas” is on the tracklist. Not only is this a great track for that imaginary shoegaze/dreampop Christmas mix someone out there is making, but this is the first time one could get an actual FLAC of this song. I honestly had forgotten how great that song was.
This record is a fantastic afternoon listen, one that may very well get you in the spirit enough to finally put up your tree, finish your mix, or dig a bit deeper into that band whose song has just made you hit the back button to listen again. For a quick £7/$8.50, you’re that much closer to indie-Christmas nirvana. That, and ALL proceeds go to Crisis at Christmas, a UK charity supporting people experiencing homelessness. Sounds like an easy call folks.
Bottom Line: If this is the first you’ve heard of this series – there are 4 of them, totaling 208 songs. They are required listening if you are at all interested in this alternative Christmas music. Now go! Listen!
So everything came out today. I’m writing this in the 15 minutes I have in the morning… after having worked until about 9:45 last night… Wait. Did I say I wasn’t going to complain in a post a day or two ago? I LIED!
With a title like “Dirtbag Christmas,” I knew I had to press play, and I was happy to see I wasn’t being seduced by yet another cheeky title – it was indeed great. This song by Thanks Light has a great “Ballad of John and Yoko” bassline, and a Dougie Poole feel that makes total sense, as Dougie and Thanks Light’s Zane Ruttenberg recorded and produced this track together. The song is about Zane’s entire family coming down with Covid, and him having to drive back home to spend Christmas in his bathrobe, drinking whiskey and playing scratch-off lottery tickets. I dunno… that kind of “nothing to do” sounds pretty damn appealing right now.
Bottom Line: Love the groove, love the sentiment, love the cover art = Love.
Kristian Noel Pederson is so full of Christmas spirit, he just might burst. Year after year, he releases his jolly spirit in the form of Christmas records, and some years are jollier than most. This year we’re getting two records from Kristian and friends. The first one is a front-to-back reimagining of the classic Dolly Parton & Kenny Rogers’ 1984 Christmas record, Once Upon a Christmas. This is Kristian’s wife’s favorite record… so it appears Kristian is putting all of us to shame in the gift-giving department. Teaming up with Rob Currie, Andrew Currie, and Michael McDonald (not that one!), the collaborative project gets a “You, Me & The Curries” billing, with Kristian’s upcoming record continuing his solo series. The guests on this are quite excellent as well, most notably Bet Smith in the pivotal Dolly role!
Christmas a GoGo! did a great job giving more context to the production of the record, quoting Kristian, “I’ve always been a bit turned off by the 80s production, and wanted to reimagine the album as a fast paced, country album. Admittedly, it gets a little wild at times, but all in all, I’m so happy with how it turned out.” They have created an absolutely charming, heartfelt cover record that I’m sure you’ll find a few favorites on. Of particular note, this is the first time (if I am not mistaken) that Kristian is releasing a record on a physical format – the beloved cassette tape! Only 15 available online (2 gone already – ordered one for me and one for @noloveforned), so go now if you want one!
FYI: This is not the first time Kristian has covered an entire record. Check out his cover of Hanson’s Snowed Inn from back in 2019 if you are curious!
Bottom Line: The first of two records from camp Kristian is yet another triumph in a string of steller indie Christmas records.
Los Angeles’ Lolipop Records are ALWAYS a good source for excellent indiepop/rock Christmas singles, having dropped excellent tracks by Jacklen Ro (I can’t believe I missed the cover of “Happy Christmas (The War is Over)” from 2021 – though it is streaming only) and Lost Cat in previous years. This year they are releasing an excellent new track from New Orleans/Los Angeles/Nashville’s (lots of places appear to claim him) Duz Mancini. “Christmas Special” is that kind of laid-back alt.country that pairs well with a cold drink. The lyrics are simple and clever, and the attitude and vibe has me RIYL Dougie Poole… This one is mixworthy, and you may hear it soon enough on mine.
Bottom Line: Wait for the music to really kick in. You’re going to love it. “When the lights turn bluuuueeee……”
I saw a Thread yesterday (YES, I am on Threads… ugh… damn you Elmo) that had me pondering that eternal question… name 10 records to know me better. One of those records was the Silver Jews’ American Water. That record blew me away and helped mold my taste in everything from music to modern art, movies, and literature. Elvis Costello may have cracked the window, but the Silver Jews’ David Berman blew up the house. Thus, when I hear a band that makes me think of David… I’m probably going to start feeling all warm and fuzzy toward them. Melbourne’s Mallee Songs‘ track, “Christmas ’93” off of 2015’s Natural Times most certainly feels inspired by the Silver Jews, thus I’m on board. I know that the song will certainly be filed on the sad side of the Christmas shelf, as the main joy of the narrator’s holiday is trying out every bed in the house. If you read this blog, you know that rarely scares me off. There is no beating around the bush, as the tone is set immediately: “Oh it’s Christmas time / I just want to recoil into myself.” In addition to the obvious alt.country via Pavement guitar lines, it was the lyrics that ultimately led me to the David Berman comparison – “I only get up / to pick at the meat / when nobody is there / My family walks on the beach / yet I don’t care.” This is one of those mundane moments that nobody would put in a song… but here it is. I love those moments, no matter how melancholy they might be. Not all sad songs have to make you sad, you know?
Bottom Line: There is somehow a warmth within this sad song and a beauty in its mundanity. You may feel the same?
Beau Jennings wowed us all a few years back with his stunning Christmas LP, The Christmas Light, and we can all be thankful (it is nearly Thanksgiving!) that he took another stab at a seasonal song – because we all know it is going to be great. “Midnight Service” is a slow burn, with a simple, shimmering guitar line that flutters from ear-to-ear, a delicate flurry of musical snow to encase Beau’s “internal Christmas journey.” The song beautifully captures the transition between a child’s Christmas and an adult’s, and an embrace of something new. This is best captured in his last beautiful lines:
“Now I don’t worry anymore / about the kind of Christmas I knew before I let it come and I let it go / like the northern wind or the falling snow.”
Bottom Line: This song is full of heart and beauty, and is a wonderful addition to Beau and Co.’s stellar seasonal catalog.
A perennial favorite, Kansas Bible Company is one of those bands I always look for around the holiday season. Whatever they touch is going to be a lot of fun, and I can’t believe I didn’t get to writing about this song last year. Wait… I can. The later you put out your Christmas song, the better chance it’ll get drowned out by all the other releases (or I’m completely exhausted). I’m doing my best to make up for missing it… as last year’s cover of “Feliz Navidad” was truly a joyful rendition that deserves to be boogied down to. KBC has a wonderful combination of brass and guitars, and their shared solos in the middle of this song is a perfect example of this musical conversation. Of note – they also properly released “Blue Christmas,” their collaboration with Okey Dokey, which had been previously released under the moniker of The Nashville Country Cowboys in 2016. So add that to your Spotify playlist too… you kids and your streaming….
Bottom Line: KBC can make the telephone book (remember those??) sound fun.
One of my underground Christmas music heroes is Kurt Reighley (AKA DJ El Toro), the fine purveyor of Festive! Fanzine, one of the OG publications in this whole scene. Last holiday season, Kurt discovered Chicago crooner (and self-described queer country singer-songwriter) Andrew Sa after Kelly Hogan (a friend of Festive! and an alt. country luminary in her own right) shared a video of Andrew covering one of my favorite Neko Case songs, “I Wish I Was the Moon.” Andrew’s cover is so haunting and soulful – I was floored. Kurt was writing about a holiday livestream Andrew hosted, which I am so very sad I missed, but it did send me over to his Bandcamp to find out more. There I found a delightful, three-song EP of classic Christmas covers. Yes, covers are never what I am truly seeking out, but I’ll always let some good ones fall in my lap, for sure. On the first two tracks, “Santa Claus is Coming to Town (The Argument)” and “I’ll Be Home for Christmas (The Through),” simple piano accompaniment frames Andrew’s lovely vibrato – the economy of the arrangement is quite refreshing and beautiful. Heck, the Bessie Smith cover of “At the Christmas Ball (The Striptease)” has only a simple snapping finger to keep the time. Strip these songs down to the studs, add Andrew’s beautiful, emotional vibrato, and you hear them as wholly new songs. Truly, discovering this small collection of Christmas covers was most certainly an unexpected-yet-expected (parse that one out) delight.
Bottom Line: There is something there in this Andrew Sa’s voice that (for me) is just undeniable. I’ll like a second serving please, whenever you’re ready Andrew. 🙂
Christmas Underground 