Tag: Bandcamp

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Parenthetical Girls – Save Christmas (2011)

Parenthetical Girls Save Christmas cover

Slender Means Society
Buy: Bandcamp

So, we are in an off year here in Christmasland. Why an off year you ask? Because the Parenthetical Girls only release a Christmas single/EP every other year, and they blessed us with this 3-track gem last year. So, alas, we will all have to make do with listing to the wealth that is their back catalog (which I shall review on another date). EDIT: They have thrown me for a loop… and are releasing a new EP this year!

Save Christmas is their second Christmas release in a row that is stellar from top to bottom – 3 tracks of gold. I could have put any of these tracks on my personal mix and been completely happy. The leadoff track, “Christmas Past,” sets the tone for the rest of the release with dark lyrics, surrounded by a shimmering bass line and jingle bells. This ending relationship is a tragic and beautiful song, one that finds my soft spot for sad Christmas tunes and pokes it repeatedly.

“Post-Christmas Time”… from what I understand, being that there are no lyrics, and it can be, at times, a little tough to discern, is about a post-apocalyptic time that no longer celebrates Christmas. Lines like: “Run for your life, its post-christmas time,” have led me to that assumption. Its interesting listening, even outside of the season. And the music is fantastic.

It ends with an absolutely lovely “There’s Always Tomorrow,” from the holiday classic Rudolph, the Red-Nosed Reindeer. Both sad and hopeful at the same time, this version conveys the requisite emotion that the song demands… if you ever wanted a sweet Christmas song out of the Parenthetical Girls, this might just be your dance partner.

Bottom Line: Three great songs, a name-your-own price (pay them!), what have you got to lose?! 4.8/5

EDIT: Looks like this version of the release is gone… but you can pick up their compilation of all things Christmas now!

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Christmas Aguilera – S/T EP (2012)

Christmas Aguilera cover

Self-Released
Buy: Bandcamp

So… to post or not to post. Is it truly selfish to want to keep this to myself, so that I might impress my Christmas music loving friends upon receipt of their mix CD? If it were not for the good cause this EP is supporting… I might have kept it in my back pocket.

The mysterious “supergroup” that claims to be the “greatest band since Wizzard,” has put out a truly excellent 4-song Christmas EP that will be one of the highlights of my personal mix. Four original songs that really push my buttons, be it a love of the melancholy, the political, or the secular… this EP has it all.

The leadoff track, “I Wanna Give You a Present,” is… for lack of a better word… dirty. And awesome. Its dirtiness not only comes from the playful lyrics, but specifically from the singer’s voice, which just sounds like he’s got something in mind for you, and you’re going to like it.

The second song is my personal favorite – “I Want a Car” revisits that classic idea of just wanting your significant other for Christmas… and damn I love that chorus. The vocals are a little rough-around-the-edges at points, but perfectly so. This is no way a knock on the performance; he has a way of making the vocals seem more sincere than a pretty voice ever could.

“Lennon, Oh” is the kind of political Christmas song that I knew I could get behind – “Lennon, Oh, where are you when we need you – Cause War’s Not Over.” Fantastic chorus – man this band can swing a chorus.

The final track, “Red Nose, Red Dress,” has a great groove – and would benefit from offering up the lyrics… because I don’t believe I understand it… “One longstanding misunderstanding, I am Rudolph, I am no man?” Who cares if I understand. It’s fantastic.

Really, this thing is so good that you will wish that it was 8 tracks long – because I do believe they have 4 more! The group will be performing 8 originals at the “Jolly Santa Social Club” benefit show on Saturday December 10 at The Victoria in London. All proceeds of both the EP and the show benefit Crisis, the national charity for the homeless.

Bottom Line: Buy it. It’s only ₤3 – its very enjoyable all the way through, and often quite brilliant. 5/5

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The Rosebuds – Christmas Tree Island (2012)

Christmas Tree Island cover

Self-Released
Buy: Bandcamp | iTunes

Few modern bands have had as much success writing enjoyable Christmas tunes as the Rosebuds have. I have hunted down their Christmas offerings on more than one Raleigh-area compilation, and am extremely happy to have a bunch more songs to sink my ears into.

My expectations were high, and they were roundly met. The two tracks I was familiar with, “I Hear (Click, Click, Click)” and “Oh It’s Christmas” are standouts (of course), but so are a good number of the new (at least, to me) cuts. The moody, saxophone-heavy “Xmas in New York” is truly exceptional. The sorrowful “Thru That Door,” also has some fantastic saxophone parts, that if not done so well, would be cheesy. “Melt Our Way Out” may be my new favorite – great music, and wonderful lyrics.

There are only a few tracks that I’m not too into, as I tend to enjoy the Rosebuds the most when the tempo is quicker. Another word of caution – the lyrical content of the record is largely melancholy. So… perhaps not party music – but its probably better than your party music anyway.

Bottom Line: A wonderful effort. I hope this (sort of) compilation does not signal an end to them writing Christmas songs. 4.5/5

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Happy New Year 2008 (2007)

Happy New Year 2008! cover

Elefant Records
Buy: Bandcamp | CD | 7″ | iTunes
icon

I don’t have much time, so I grabbed a short one for this review. Happy New Year 2008 is out-of-print, and unavailable via Elefant, but still out there for purchase. Nothing really dates it to 2008, so no worries about that.

Anyone familiar with the Elefant label will not be surprised by this indie pop groove. The School kicks it off with “Kiss You in the Snow,” which is a perfectly passable song. Light, happy, and generally a good time. Coming in at 2:18, it is the perfect time – any longer and the saccharine sweetness might wear a bit… but they hit it well.

The second track by Helen Love is probably the one that you’ll come to with the highest expectations, if only for the title, “Joey Ramone Snowman.” Unfortunately, this is the worst song on the album. It sounds like a child is slightly autotuned… and the spoken-word-singing by a child is not only annoying, but ANNOYING. Sorry to be so brutal… but really. It’s just not enjoyable.

Corazón contributes a song in Spanish, which is quite appropriate for a Spanish label. My Little Airport rounds out the disc with a song in Japanese, leaving only the twee-loving Swedes missing from this international celebration of the indie pop new year. With both tracks, the music is quite pleasant, but they don’t catch me as others have in the past. I don’t need to know what people are singing – if the music is engaging enough, that is all you really need. Not quite there.

Bottom Line: Cheap, but nothing truly amazing. The School track keeps this afloat. 2.6/5

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Christmastime, Approximately (2010)

Christmastime, Approximately cover

Where Its At Is Where You Are
Buy: CD | Bandcamp

Christmastime, Approximately is one of the stronger indiepop Christmas compilations of the past few years. This was originally released in 2010 as a free download (500 downloads), and now available as a ₤5 Bandcamp download or as a ₤3.50 CD! I picked up the CD, as I am a sucker for a physical copy.

While every compilation (with very few exceptions) suffers from filler, there are certainly some standouts here worth appreciating. The Social Interaction Foundation (aka Help Stamp Out Lonliness) leads off the CD with a danceable, folktronic version of Low’s classic, “Just Like Christmas,” which is different enough from the original to be interesting. Other standounts are Eux Autres‘s “Teenage Christmas,” The Hillfields‘ folky “Spirit of the Season,” and especially Hexicon‘s “See That Day.”

Bottom Line: The songs are good enough to justify the price. 3.9/5

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