ctznshp “Holiday Lights” (2013/2025)

A dreamy photo of a water tower on top of a building

Self Released
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Montreal post-rock band ctznship have just released a record of rare tracks titled Lost Loves (A Collection of Rarities). A mix of studio tracks, live recordings, demos and such, there are two songs on here of note to a dealer of Christmas tunes, “Holiday Lights” and “The New Year.” They may have been released yeaaars ago, as “Holiday Lights” was a b-side from their first record in 2013, which has since been extended to include “Holiday Lights.” Thus, I’m conflicted. I equally love discovering songs I missed, as well as hate that the song snuck by me for so long.

Christmas A Gogo and I have both been talking a big game about this whole shoegaze/dreampop Christmas genre that has exploded, and we may have found a (nearly) patient zero with “Holiday Lights.” Reading about the band, and this specific era of the band, they suggest that they were influence by Robyn, The Knife or Röyksopp as much as any rock band at this time. I hear that wall of sound and am left with… “really?” I certainly need to listen to the non-holiday material, but I’m on a time-crunch here. This song f*ing rocks though.

As for “The New Year,” we’ll see how burned out I am after Christmas as to whether I write about that one. But it’s pretty good too.

Bottom Line: Some more wonderful shoegaze Christmas for those of us who partake.

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Silk Daisys “It’s Just Like Xmas” (2025)

Self Released
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Atlanta’s Silk Daisys have dialed in some indiepop Christmas perfection with “It’s Just Like Christmas.” Those dreamy vocals and shimmering guitars – I feel like this song should be released exclusively on a cassette mixtape. The lyrics are pretty great too, the kind of anti-war, feed the poor, not hating immigrants kind of sentiment I can get behind. I still can’t believe that I opened up Soundcloud and there it was… right there on the top of my feed… waiting for me…

Bottom Line: That is some top-tier indiepop Christmas.

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Oliver Wilde & Herbal Tea “Without You, Die Hard’s Not The Same” (2018)

Gold Day
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There are few topics that alternative Christmas bloggers enjoy digging into more than songs about Die Hard being a Christmas movie (or not a Christmas movie). The topic has become such a trope that I’m fully expecting someone to start a blog devoted to this subject, similar to this now-defunct blog I recall that collected and catalogued all the “Last Christmas” covers. Well, I kinda found a new one – well, technically from 2018. Bristol singer-songwriters Oliver Wilde and Herbal Tea teamed up for a dreamy tune of his and her vocals, trading lines over the phone at Christmas. Let’s look at the title, which is also part of the chours: “Without you, Die Hard’s not the Same.” Implicit in this statement is that Die Hard is a Christmas movie, as it gets name-checked along with the Muppets, Bublé, and Rudolph. The song is about nothing being the same without you at Christmas. Classic premise, clever approach IMHO. While you’re on Oliver’s page, check out the similarly styled dreampop Christmas of “Yuletide,” a collaboration with EBU from 2015. Certainly, some solid dream pop Christmas tunes to be had here.

Bottom Line: It’s early folks – I’ll get over the dreamy songs and into the more acerbic stuff as the season comes closer and new songs get released. My prediction: It’s gonna be a bumpy ride, so enjoy the smooth travels of Oliver Wilde and Herbal Tea while you can.

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Hit the North Pole: A Festive Charity Compilation for the Palestine Children’s Relief Fun (2024)

Hit the North Records
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Who is ready for some more “Last Christmas?” My son would say no. Oddly… I would give a hesitant “sure,” as this year has been especially good. That said – I put this out into the world – BANDS! Pick a new song! Speaking of new songs to cover… The new Christmas comp from Los Angeles’ Hit the North Records has everything you want. Songs not often covered? We got em! More “Last Christmas?” YES! It has three versions! That said, I’d say three solid, distinctly different versions starting off with a fuzzed-out stroll by Steel Wool, followed by the warm pop approach of Jacob and the Moon, and finally the amped up chiptune-meets-punk of Kurupi. These versions live in separate worlds… but having 3 versions of the same song does make this a record to be mined for singles, rather than to be listened to as a Christmas record IMHO.

Another often covered standout for me is Tiberius’ loose and lovely “Christmastime is Here.” The song has a feeling of ramshackle comfort. I really enjoy the back half of the song when the orchestration expands and you get harmonica, melodica, and maybe French horn? Quite nice.

So now let’s talk about two songs not often covered, which I thoroughly enjoy by both reminding me that these great originals exist (sometimes you forget!), as well as enjoying what these bands bring to the song. Little Bit kicks into “Snow Day” at the end of the record, and I immediately jumped in recognition – this was a Matt Pond PA cover! There have been years of my life devoted to loving Matt Pond PA, and that Winter Songs EP definitely sits on my shelf here at home. Little Bit serves the song well, giving it a light, airy feel. Super solid.

Finally, Small Shake & Fur Trader team up on the Harvey Danger indie classic, “Sometimes You Have to Work on Christmas,” which they execute perfectly. Dare I say… is this a dream-pop version?? Those effects pedals! The beautiful, floating vocals! Give me that shoegaze/dream-pop Christmas record!

I only scratched the surface on this record, as I only really have time these days to scratch, but there aren’t any duds on here, and you’ll have much here to add to your Christmas mix/playlist.

EDIT: Just an FYI, this compilation is ONLY available on Bandcamp, and will not be available on streaming.

Bottom Line: As of this moment, you are only able to sample one of the songs… but know that this record is quite solid – and for charity. Well worth the purchase price to support children and mine for fantastic singles.

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Have Yourself a Merry Indie Christmas (Volume IV) (2024)

A Benefit for Crisis
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Today is the day. The fourth and final (…you never know for suuuuurrre) volume of this magnum opus of alternative Christmas music has dropped with a whopping 65 songs. Amongst these 65 songs, you’ll find many names that I’ve championed on an occasion or two (Whyte Horses, Dark Horses – ha! – The Photocopies, Skiing, Aux Caroling, and many more) – but unless you’ve been reading this silly blog since 2012, you likely haven’t come across many of these songs. If you have been close-reading this blog, you might even take special notice that Applennium’s “Is this Christmas” is on the tracklist. Not only is this a great track for that imaginary shoegaze/dreampop Christmas mix someone out there is making, but this is the first time one could get an actual FLAC of this song. I honestly had forgotten how great that song was.

This record is a fantastic afternoon listen, one that may very well get you in the spirit enough to finally put up your tree, finish your mix, or dig a bit deeper into that band whose song has just made you hit the back button to listen again. For a quick £7/$8.50, you’re that much closer to indie-Christmas nirvana. That, and ALL proceeds go to  Crisis at Christmas, a UK charity supporting people experiencing homelessness. Sounds like an easy call folks.

Bottom Line: If this is the first you’ve heard of this series – there are 4 of them, totaling 208 songs. They are required listening if you are at all interested in this alternative Christmas music. Now go! Listen!

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Bleu Reine presente La Compil’ de No​ë​l #4 (2024)

Bleu Reine
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Sometimes I get concerned that this site just ends up writing about the same folks over and over again. I suppose there are two ways to look at this – 1. I am lazy and 2. These folks know their shit and do it well. Bleu Reine are #2, and definitely know their shit as they have compiled yet another superb Christmas compilation. (I hereby grant permission for folks to clean up my language if they wish to use a quote as a “blurb.”) The fourth edition is yet again a mix of French bands covering both holiday and non-holiday songs… but you know which category I am most interested in. So… let’s dive into these absolutely killer Christmas songs.

The first, and perhaps the most surprising highlight of a truly stellar record is Summer Camp Girlfriend covering the Pogues “Fairytale of New York.” Who needs another cover of this song… apparently me! This dream pop treatment may just have enough sustain on the guitar pedals to fit on my imaginary shoegaze Christmas mix. Their musical choices feel fresh and exciting… and they don’t use the F word! This thing sounds like no other version I have heard to date – give them a follow wherever you hang (hopefully not Twitter – F* ELON).

Skip down to the middle of the record, and you find yourself with an excellent cover of “You’re a Mean One, Mr Grinch,” by Norma. There isn’t much to the simple orchestration, but Norma does a LOT with a little. She doesn’t throw a bunch of musical color to fill up the space but chooses to add a color or two along the way to the strolling guitar lines that propel the song. Norma does four verses of the original six – and hey – I do appreciate a radio edit! Quicker the better when it comes to Christmas songs… this one was a pleasant surprise.

The fuzzy wall of sound that is Rennes, France’s Eeyora’s “Snowman (The Sleepwalk)” may or may not be a cover – I truly have no idea. However, what I encountered will terrify many folks on first listen… a sonic approach that would have been like seeing space aliens to the early rock n’ roll pioneers. But dammit if it hasn’t grown on me. The seesaw between abrasion and sweetness works wonderfully. I’m way out of my comfort zone, but I’m here for it.

Finally, let’s take a look at the Bleu Reine and their inspired cover of the Love, Actually classic, “Christmas is All Around.” The song is meant to be silly in the movie, and yes, the song is silly in reality. However, Bleu Reine has managed to make it feel damn sexy dressed up in some electro/dream-pop clothes. This thing is fucking cool! How did they do that?!

Hey! I missed some of the Christmas songs! THAT is because they were in French! Sometimes I have the balls to talk about songs in another language, and sometimes I don’t. Today is a don’t! Why do I use exclamation marks with reckless abandon when I review THIS specific compilation? I DON’T KNOW!!!!

Bottom Line: Some stone-cold mixworthy songs on this comp – and it raises money for La Croix Rouge Française / French Red Cross!

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Slow Salvation “The Ghost of Last Christmas” (2024)

Velvet Blue Music
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I sure hope someone is out there compiling an incredible dream pop/shoegaze Christmas record… because here is another! New Jersey’s Slow Salvation are bringing their effects pedals to Christmas with the wonderful “The Ghost of Last Christmas.” This genre is often mainly a vibe, with the walls of buzzing guitars and airy vocals creating an atmosphere for the lyrics to live in, though Slow Salvation has even brought some lovely, simple lyrics to the table: The gifts I bring / Are filled with memories / That we sing / Take Me Home.” Just a gorgeous song.

Bottom Line: Shoegaze Christmas is gonna be a thing, and this song is a highlight.

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Socialites “Winter” (2024)

Flower Shop Records
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I have to remind myself every so often that I have this blog so that my imaginary self will discover it, make an incredible Christmas mix for my imaginary friends, and spread the love (in the form of hot tips to the gracious blog proprietor) so that he too can find crafting this labor of love (and pain) just that little bit easier. It is something I have to continually tell myself when every instinct is to hide away these little songs so that I might spring them on you all with my mix. But… you know… I need to get over that shit. So pull up a chair…

San Antonio’s Socialites have this fantastic jangly Christmas-ish song with a seesaw rhythm that is a likely lock for my upcoming mix (Side note – I did the photoshoot for it today.) “Winter” is found on their May 2024 release, Where To, and damn I like this vibe. Rather chill, yet upbeat music with melancholy lyrics… that’s pretty much the formula this blog was founded on. So go, add this to your playlist and just do me one favor… pretend you’re surprised and amazed my Christmas mix despite having heard everything already.

Bottom Line: I suspect “Winter” was scientifically engineered for me to love it. Damn you Socialites… I will subscribe to your newsletter.

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Health & Wellbeing – Christmas Demos (2022)

Self Released
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Who is this mysterious Health & Wellbeing? I can’t find anything on them! Too bad, because I’m jamming to these Christmas Demos and they are quite good. Power/dream/brit pop original Christmas songs. I’m absolutely positive that they are going to be somebody’s favorite from this holiday season. There’s even a little nod to The Rolling Stones in “Take it Easy this Christmas,” and it totally works. These were all recorded in the past 3 weeks, and if these are the demos… look the fuck out for the full versions, because these sound great already.

Bottom Line: Well that was a short, rather shitty review for what are 4 pretty great songs? Well… yeah. But now you know about them at least, even if we know nothing about the band!

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Elliot Maginot “Christmas On My Mind” (2022)

Audiogram
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I bet you thought I’d keep posting French-language songs… so here’s the latest from Montréal, the English-language romantic with the French last name, Elliot Maginot. This singer-songwriter has been writing original Christmas songs for a few years now, each one with a different tone, but always with crisp pop production and big emotions. Elliot’s journey begins with 2018’s “Christmas Ain’t Enough,” with its familiar rhythms and retro feel, as well as some unexpected, beautiful lyrical moments. Take a listen below.

2019’s “I’ll Know My Savior (Christmas All Around),” takes the previous year’s retro pop production and turns the knob to the 1980s, with a shimmering, romantic 1980s pallet. I’m talking precise synths, a saxophone solo or two, big vocals, and even the 80s staple, chimes – the whole deal. It can feel a bit over-the-top, and it is wonderfully so.

Elliot’s 2020 release, “The Ballad of Mrs. Claus,” also has those 80s chimes and sax solos, yet somehow feels the most contemporary of his earlier tracks. The concept of the song – Mrs. Claus singing to Santa, worrying over him and this whole enterprise – is a concept that could easily have been made into a joke, but it is treated with such thoughtfulness that it is easy to forget that it is about Santa Claus.

After a year hiatus, Elliot returns once more with the beautiful “Christmas on My Mind.” This is his most lush production yet, as his voice turns into a choir singing out over a string section, and perhaps a soprano saxophone or two. However, it is the lyrics that steal the show. That first verse is a thing of beauty:

I never claimed to be a modern man/guess it just wasn’t in my bones
I know I used to be so stubborn then/just wandering like a rolling stone
Between my endless need for love/And everything I thought I knew
I should have known it wouldn’t really feel like Christmas without you.

In each of these songs, Elliot proves to have a wonderful, direct pipeline into some deep, emotional worlds… he must have a wonderful therapist. Please give me the number.

Honestly, there was something about Elliot’s aesthetic that initially made me suspect him and the pop sensibilities he gravitates toward. This is very much not a pop Christmas blog. But there is always something a little askew with him… like in “I’ll Know my Savior,” when he goes pop, he leans in so hard that you start to imagine how big and fantastic it might sound on stage in your local venue. He drove right through my suspicions and busted out the other side. It has truly been a journey listening to these songs by Elliot Maginot.

Bottom Line: These songs feel devotional, without being specifically religious – very much the qualities I enjoy in a Sufjan Stevens Christmas song, just with vastly different production. Somewhat of a revelation, I’m 100% on board with Elliot’s unique, emotional Christmas catalog.