Bleu Reine presente La Compile de Noel 3 (2023)

Bleu Reine
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The French band Bleu Reine has released some of the best holiday comps of the past few years, while not necessarily always releasing strictly holiday compilations. The first year (2021) is choc-full of Christmas and seasonal tunes. Last year’s release has one(?) song that might be considered seasonal song, a cover of “Holidays” by Poinareff. This year reflects last year’s more than the debut, with two songs (I believe…) lining up as Christmas-mix contenders. Now, you might be wondering, why did I just say they put out some of the best holiday comps? These really aren’t holiday records… true, but the other music is good. They are enjoyable, whether they are holiday songs or not – you’ll find some great covers of Radiohead, Mark Lanegan, Phoebe Bridgers, Wings, Haddaway (ha!), Waaves, The Beatles, etc. So… they are still worth your time!

NOW to the Christmasish songs. The Marinas contribute a very pretty, lo-fi cover of Low’s all-time classic “Just Like Christmas.” (I wish I could find out more about this band – Google is not being very helpful.) There is a warble to this song that begins with the vocals, only to be accentuated by the theremin (?) that I hear in the background. Somehow, The Marinas have managed to construct a version unlike any I’ve heard before, and as this song is the alternative-Christmas gateway drug… I’m always here for a new fix.

The other song that I *believe* to be Christmas-adjacent is the track by Cecilia, “Décembre,” which is an Alex Montembault cover. I did my best (well, a solid try) to find the lyrics to get an idea of what the song is about… but alas… I failed. If can’t speak French, but I can most certainly enjoy the music! Fuzzy guitars! Catchy chorus! So I do! And so might you! Exclamation mark!

Bottom Line: Just a few holiday songs amongst some other great covers… I’ll take it!

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Karakou “Tyst faller snön” (2013/2023)

Ninetone
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Apple Music | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

Sweden’s Karakou came into my life last night, and I’ve been doing my best to get to know them better in the past few hours. A hefty bit of Google translate and this particularly good interview from 2019 have given me a glimpse into this excellent band’s world. This world happens to include a Christmas-adjacet song, “Tyst faller snön (Silently the Snow Falls)” which was originally released, unmixed and from their archive in 2013, then again in 2018, finally being lovingly re-mixed with four new versions here in 2023. The song is quite melancholy, as you could likley discern just from the vibe with no knowledge of the lyrics. However, for convenience’s sake, here are the lyrics, run through Google Translate:

We follow things we know nothing about
And you act like those who see no way out
Oh quietly, the snow falls outside our rooms

Silently the snow falls, so we fall
Like a dream

We talk about how everything actually goes
And say sorry before we hang up
Oh quietly the snow falls
Outside our rooms

Silently the snow falls, so we fall, like a dream
We follow things we know nothing about
And how would we have known how everything would turn out?

The snow falls quietly
The snow falls quietly
Silently the snow falls, tearing up everything we hid
Oh quietly the snow falls, so we fall

Karakou’s initial intention was to release this song when Sweden was bathed in the orange glow of streetlights reflecting off the snow… and wow… just close your eyes and visualize that scene. Cinematic, beautiful, and somehow warm.

When I see the term “remix,” I’m never excited. Growing up, that meant that someone made a dance version of a song that shouldn’t be a club song. However, these four remixes aren’t trying to strongarm the song into something it is not. These versions essentially let you choose your own favorite flavor, which each having their own unique, delcious notes. I may be partial to the Frengen remix currently… or maybe the Einestad remix… Shoot… Please help me decide.

Bottom Line: I’d imagine some folks are going to be walking around singing Swedish this year while their friends and family curiously look on.

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Idaho Green “Christmas Toonite” (2022)

Self Released
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Bandcamp (NYOP)

I get contacted by a lot of bands and PR folks, and I’d say about 97% of them have never visited this silly site before. When I hear from someone, and indeed, they seem to have a grasp of what this site is about… well… it puts me in a very good mood. This site exists both to help you make your Christmas mix… and to help ME make MY Christmas mix. Thus when I received a nice note from Idaho Green, a band that claims both Brooklyn and Huntley Project, Montana as their home, hipping me to a fantastic indie rock/spud punk (ha!) Christmas song of theirs, I simply responded with “Yes. You are my jam.” The result of a bit of extra studio time, a few loose riffs and a silly chorus, their 2022 Christmas single, “Christmas Toonite,” shines with crunchy, dirty guitars, a bit of swearing, and a relaxed swagger not often found on a Christmas song. The song begins with a bit about being stuck in Montana during a snowstorm, but quickly pivots into one of the happiest, upbeat Christmas songs you could ever want. The song is downright joyful. So spread some joy, throw a buck at this song, and add it to your life.

Bottom Line: I sometimes struggle to find wonderful, upbeat Christmas songs… so when a song like “Christmas Toonite” comes to you, close your eyes, smile and say, “Yes. You are my jam.”

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Wake Up and Smell the Sun – The Pedestrian Chronicles Part 2 (2023)

Self Released
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Bandcamp (FREE)

I was talking with a Christmas music friend the other day (Hi Larry!) and found myself expressing that I don’t feel like I am a very good music critic. I don’t know the ins and the outs of production or music theory, nor can I often put a finger on the influences that have shaped a band or a song. I’ve encountered other folks in this world who are a bottomless well of knowledge (Stubby), and I’m amazed. However, that is most certainly not me. Then how do I find my way in to talk about a song or record? Well, I talk about my feelings an awful lot. So, when I get sent a new Wake Up and Smell the Sun song… I get equal parts excited and worried. First off, John Murray, the man behind this WUaStS project creates some of the most interesting Christmas music I have ever encountered… thus it is always a pleasure to see what he has cooked up. However… I find myself struggling to do justice, to express how interesting and important I think his songs are. So, in a wildly appropriate start to this review, I begin with an apology to the reader, and to John, for its pedestrian nature. —- I wrote that sentence without even thinking about the title of the release… woah 🙂

The new single by Wake Up and Smell the Sun, The Pedestrian Chronicles Part 2, is a pair of tracks that I wasn’t quite sure I’d ever hear. John had emptied the vaults at the end of last year with Soft Angelic Jams, a 7-song collection billed as a “final collection” of Christmas songs, released on Dec. 21… at the beginning of my own burnout phase. Regretfully, I have yet to review it, but I don’t have rules for this site and I feel like John would crack a smile if I reviewed it in April sometime.

As the new year began, John began releasing his music within the construct of The Pedestrian Chronicles – not as a record or as singles, just as a continual recording project. With this drop, we get Chapters 5 & 6, two Christmas songs that despite John’s insistence that he must break with the holiday, have found life within the new, continually expanding recording project. John mentioned the existence of “Chapter 5: Jingle Humming” to me last year, and I feel so fortunate that he decided to finish it. “Jingle Humming” is one of those songs that checks so many boxes for me – a melancholy political Christmas song dressed in incredibly clever lyrics and a soaring chorus. That last verse is a killer:

I lit candles for forgiveness. Prayed novenas in my room…
…for the feast of silver linings and the politics of doom. (THIS LINE- wow)
It’s still no near to ever ending. Dim lit blissfulness is trending.
It’s the Christmas that you wanted.
All your consciences are haunted…
…by the energy you’re spending…
…on the partisan positions you’re defending.

As with any Wake Up and Smell the Sun release, you may struggle to pick a favorite… but let me release you from the worry. You can love them, and you don’t have to rank them. They will love you back, in their own unique way. “Chapter 6: The Anvil and the Angel” has a completely different vibe. While Chapter 5 was recorded, engineered, and produced by the wonderful team of Brian McTear and Amy Morrissey at the Miner Street Recording Studio (which is often the home of WUaStS releases), Chapter 6 was self-recorded and produced by John. The song is a series of posed questions, their repetition suggestive of a mantra of someone working through how they feel about Christmas. It is the kind of song that I’d imagine hits differently now than it would a few weeks later, in the thick of the holiday, with all of its emotional baggage.

Wake Up and Smell the Sun records are often low-key chock-full of Philadelphia-area indie rock luminaries. On Chapter 5, you’ll find Patrick Berkery, who has played with War on Drugs, Strand of Oaks, the Bigger Lovers, Danielson, Clap Your Hands Say Yeah, etc, etc, on drums and bells. You’ll also hear Robbie Bennett of the War on Drugs – he plays the piano and organ. I love the way that John describes Robbie’s contribution: “Robbie just sprays his keys all over, lifting, riding, and tapping into the rhythms and melodies. It always works.” You’ll also hear Art Difuria, formerly of Lilys and currently and always of the Photon Band, on both Chapters 5 & 6, adding background vocals and guitar. John’s got some serious partners in crime here, as he often does.

These songs are why this blog exists. Holiday music shouldn’t be relegated to celebrating the latest worked-over Christmas cover when there are songs like this, waiting to be discovered, headphones on, nodding your head, and smiling with every beautiful, surprising, clever, touching line.

I leave you with a short paragraph that John sent over, which I do believe captures his work perfectly:

I don’t write candy pop songs for the Christmas Card Committee and I don’t send family pictures to my friends. My songs are not sing-song, feel good, jingles and they’re not soaring springs of praise. Whatever a guitar and a microphone gives me, that’s what I get. Rejoice in the melancholy people! It’s all around. See it. Smile at it. Laugh at it. Wish it well. Screw it, like a volunteer.

Bottom Line: Wake Up and Smell the Sun have created a body of work that is some of the most beautiful, fascinating, clever Christmas music I have ever heard. Go listen.

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A Very Cherry Christmas 17 (2023)

Cherryade Records
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Weirdo, underground Christmas music is a labor of love. Believe me, our community is quite small… small, but dedicated. It would make sense that one of the biggest flagbearers for this scene is a small compilation, released by Cherryade Records and lovingly assembled by Gareth Jones of Dandelion Radio, for 200 lucky collectors each year. This is the 17th year of the A Very Cherry Christmas series, a CD-only compilation that collects underground bands from France, America, England, Ireland, Scotland, Spain, Canada, and Japan this year. There are 16 brand-new tracks recorded for this release, as well as 9 more that have never had a physical release. Highlights for me include the punk-infused “Keep Your Christmas Tree for Burning” from perennial Christmas superstars Goddammit Jeremiah, the indie-rock fuzzy fun of “Christmas Number One” from Problem Patterns, and the percussive “I’m Not Coming Home for Christmastime” by The Photocopies. There is a lot more to dig into on this record, from surf Christmas by The Surfisticats (“Santa Bring Me a Surfboard Please”), the glitchy, electro-infused indiepop of ToyDisco (“A Gameboy for Christmas ’96”), to the oddly-touching emotional comedy of Canadians in Space (“Peace & Gravy”), there is something here for everyone. I wish I could do it justice and highlight every single band, but I don’t want to set any unattainable precedents here. All that said – keep that flag flying Cherryade, I’m here for you.

Bottom Line: It comes out today, so best of luck being one of the lucky 200. Especially if you live in the States (as I do), you best jump on this, as Europe has had the jump on you.

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Heyrocco “Christmas Shopping in Santa Monica” (2022)

Cobraside
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Is a band from the town they started in, or the town they have resided in for a while? Like, are the National a Cincinnati band, or a Brooklyn band? I find myself mulling this over as I think about Heyrocco… who are either from Charleston, South Carolina or Los Angeles. So, pick your flavor, and now that I’ve placed them in the general United States, we can move on. Heyrocco’s most recent release also happens to be their excellent 2022 Christmas song, “Christmas Shopping in Santa Monica.” This song has a late 90s – early 2000’s powerpop feel that I love. The jangling rhythm guitars, the layered vocal harmonies, all the “oh yeahs,” I’m transported back in time. It’s a fun one, you’ll like it.

Of note, this is not the only Heyrocco Christmas song… there are a few Bandcamp accounts that all appear to be associated with the band, and they covered (as did everyone) Wham’s “Last Christmas” back in 2014. Low-fi demo quality, but interesting to hear in comparison. Around 2:20 it gets weird, which is worth a listen if you’re curious.

Bottom Line: This is the kind powerpop that I love.

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Middle Kids “Driving Home for Christmas” (2023)

Self Released
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When Sydney’s Middle Kids dropped Lost Friends back in 2018, that was one of my top-5 records of the year. The goodwill generated within me based on that record alone… well… it is pretty substantial. Thus, when I saw they had dropped a Christmas single, I was pretty excited. Would I like it to be an original song? Yes. However, as this song is less ubiquitous in the States, this version may be the first time you hear “Driving Home for Christmas.” If so, then you’re in for a treat. Middle Kids add nice touches to the song, such as the textures that (if I’m not mistaken) the slide guitar adds throughout. It is a lovely production, from the vocal to the warm bass lines, and perhaps most especially… the shortened run time. I aaaaallllways appreciate a brief Christmas song that doesn’t drag, and they chop off more than a minute from Chris Rea’s original. Middle Kids have surely scored a solid cover, now let’s see what they can do with their own material!

Bottom Line: An extremely solid cover of a UK-Christmas classic. Might be an Australian classic too… because you know… colonialism. Did you know that the Chris Rea song came out the same year as Australia gained full independence? 1986!

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Mallee Songs “Christmas ’93” (2015)

Beko
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I saw a Thread yesterday (YES, I am on Threads… ugh… damn you Elmo) that had me pondering that eternal question… name 10 records to know me better. One of those records was the Silver Jews’ American Water. That record blew me away and helped mold my taste in everything from music to modern art, movies, and literature. Elvis Costello may have cracked the window, but the Silver Jews’ David Berman blew up the house. Thus, when I hear a band that makes me think of David… I’m probably going to start feeling all warm and fuzzy toward them. Melbourne’s Mallee Songs‘ track, “Christmas ’93” off of 2015’s Natural Times most certainly feels inspired by the Silver Jews, thus I’m on board. I know that the song will certainly be filed on the sad side of the Christmas shelf, as the main joy of the narrator’s holiday is trying out every bed in the house. If you read this blog, you know that rarely scares me off. There is no beating around the bush, as the tone is set immediately: “Oh it’s Christmas time / I just want to recoil into myself.” In addition to the obvious alt.country via Pavement guitar lines, it was the lyrics that ultimately led me to the David Berman comparison – “I only get up / to pick at the meat / when nobody is there / My family walks on the beach / yet I don’t care.” This is one of those mundane moments that nobody would put in a song… but here it is. I love those moments, no matter how melancholy they might be. Not all sad songs have to make you sad, you know?

Bottom Line: There is somehow a warmth within this sad song and a beauty in its mundanity. You may feel the same?

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Ella Ion “Christmas” (2021)

Terrazzo Recordings
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Bandcamp

Adelaide, Australia’s Ella Ion delighted us last year with her contributions to the wonderful Bjéar Christmas records, and I very much meant to make a big scene regarding her excellent 2021 single, “Christmas.” However, I got distracted, as I often do. The song deserved to be discovered back in 2021, as it taps expertly into the isolation of Covid lockdown. Ella provides an excellent, descriptive paragraph on her Bandcamp explaining “Christmas”:

“Christmas” renders a common release that overrides the sense of nothingness brought on by isolation over the past two years. The track explores the emotional tension surrounding the time of year when we are forced to spend time with those who raised us while looking back on our growth (or lack thereof) from the year behind us. The song taps into realisations about our childish tendencies and how we might put expectations on those we love before we fulfil the expectations of ourselves.

The subject matter can feel a weeeee bit brutal (as I ponder the line, “If your friend hadn’t died, I would’ve probably made you feel like you did”), but I’ve been known to groove on a dirge or two. Ella’s voice and LOS LEO & Bjéar’s production are so good that you might just find yourself swaying and singing along… which might garner you a hug or two from your more empathetic friends for sure. Here’s hoping that Ella and Bjéar cook up something new for us again, as our warm-weather friends are just killing it down there.

Bottom Line: This is a gorgeous, brutally honest song for a season that often rewards the superficial. So… how do you take your holiday music? Real, or with lots of sugar?

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Eastern Conference Champions “Christmas Time” (2014)

RockHampton Records
Buy:
Apple Music

October chugs on, which means that November is nearly here and I can already feel the stress of finding new Christmas songs creeping in. So, as I did back in 2020, I find myself falling back on that backlog of draft entries for great songs… posts begun, but soon neglected, as a new shiny thing distracts me away. Don’t let that lack of concentration lead you to believe that this song will be less-than-stellar, as Philadelphia’s Eastern Conference Champions were not capable of writing a bad Christmas song and 2014’s “Christmas Time” would be a stellar B-side to a perfect indie rock Christmas single, with 2013’s “Saving Christmas” only edging it off the lead track by the tiniest of margins. The song has a less aggressive pace, but just wait for that epic bridge… damn this band was great. Really wish they were still around. Hope you enjoy this overlooked gem and have your Halloween costume ready. I, for one, will be the Karate Kid from the second movie (the red gi), as I always am. I plan to be a fun anecdote in our local paper one day…

Bottom Line: If indie rock Christmas is what you want, Eastern Conference Champions certainly knew how to provide it.

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