Bleu Rheine Presente La Compil’ de Noël #5

A black cover, with Compil de Noel #5 written in hot pink

Bleu Rheine
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I worked nearly two days in one day today, and today/tomorrow is likely the biggest release day of the year for Christmas bloggers. I’m going to do my best to feature my favorites, maybe even throw in a new find or two.

Bleu Rheine are back, making magic happen as usual. Those who can count (humble brag) have noticed that Bleu Rheine Presente La Compil’ de Noël #5 is indeed their fifth wonderful compilation of covers. Not all the songs will be Christmas songs, but let’s get busy with those Christmas tunes!

First out of the gate is Vivienne, who provides us with the obligatory “Last Christmas” cover. It’s quite a challenge to tackle a song that everyone covers, and Vivienne does it well. Her voice is lovely, and the instrumentation has me thinking this could be considered for an elusive “Dream Pop” or perhaps “Sad Girl” Christmas mix. Depending on how many covers of this you have heard so far, this may just be the version you’ve been looking for.

Now… the next track… Paris’ Princesse Gilbert busted out a cover of Pedro the Lion’s “Yellow Bike!” I mean… I admit to being a fan of “Last Christmas,” despite the overwhelming number of covers, but would I rather have choices like this? Absolutely. Princesse Gilbert does a great job, stripping back the sound and chilling it out. Truly a wonderful surprise, and a feeling I’m going to cling to for the rest of this season. Give me more choices like this.

The Smiruldes, whom I cannot seem to find any info on, provide a lovely cover of Les Classels’ “Le Sentier de neige.” If you recall, I’ve already written about Klô Pelgag’s beautiful version, and this one shares some similar DNA. They are both quiet, thoughtful, and beautiful, though The Smiruldes play their guitar, and Klô Pelgag her piano. Either way you go, you can’t go wrong – this is gorgeous.

I’m going to talk about the Diane track, though it isn’t necessarily a Christmas song… it is really more like a Jesus song – hence the title “Jésus Christ.” It is one of the more delightful songs about Jesus I’ve heard, as it is incredibly short (bonus) and finishes with the repeated line – translated to English for you: “I wonder if Jesus was funny.” This’ll sneak onto a mix or two, I’m sure.

Sure seems folks are trying to make Elliott Smith’s “Angel in the Snow” a modern indie Christmas staple, kind of like the Fleet Foxes’ “White Winter Hymnal” or something of the sort. Of note, the Fleet Foxes also covered “Angel in the Snow” this year for the Oh. What. Fun. soundtrack. But I digress… Neon Bay really put their mark on this one. It really doesn’t feel like the Elliott Smith song, which I give them credit for. They roughed it up, and I liked that a whole lot. And the stripped back ending.. phenomenal.

Yet again, Bleu Rheine delivers us some fantastic French indie Christmas covers, and as long as they are putting in the effort to put these records out, I’ll be here for them. Even when I’m quite tired, they help me find the spirit.

Bottom Line: There may only be a few Christmas tunes, but I’ll bet you’ll like the normal covers too. Let’s support Bleu Rheine and keep these coming! And hey – it benefits Association MaMaMa, which helps single and isolated mothers!

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Klô Pelgag “Marie-Noël” (2025)

Secret City Records
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I’m apparently back in 2022, when I was in my “somehow writing exclusively about French-language Christmas songs” phase. To be stereotypically American, I don’t speak other languages, and French just sounds so damn nice to the ear. I suppose that’s why the one language I do have some experience with—German—doesn’t often appear here on Christmas Underground… it just doesn’t have the same musical quality. I know, I know… how obvious. Well, buckle up while I do my best to share a song and not embarrass myself once again.

I’ll check out pretty much anything on Secret City Records. When something new drops, I explore. Thus, I’ve found myself over the past year picking up all of Klô Pelgag’s (aka Chloé Pelletier-Gagnon’s) records, and I’m only about one away from having them allllll. Again, I largely have no clue what the heck she’s singing… but I absolutely love the music. And to make it even better—she has Christmas songs.

Looking at Klô Pelgag’s holiday catalogue, they all share one quality: a more spare, classic production, rather than the upbeat alt-pop found on many of her records. So while the vibe is more straightforward, the result is no less spectacular.

Klô Pelgag began her holiday releases with 2019’s “Toute seule pour Noël,” which I believe to be the only original she’s released so far (unless she has another hidden on a proper record). Should you wish to translate it, you’ll find it’s quite a sad song—as the title “All Alone for Christmas” suggests. Her voice begins accompanied only by piano, but then the cello slips in and the emotion builds. It’s beautiful if you can get over the sadness, and sad Christmas songs are largely what I peddle here at CU.

She added to her holiday catalogue again with a cover of “Le sentier de neige,” or “The Snowy Path,” once again using a sparse piano arrangement. Originally released in 1964 by Les Classels, this Christmas waltz is about a couple in love who shared a kiss on a snowy path in the woods. Getting mushy in the mush!

Her most recent holiday track is a beautiful cover of “Marie-Noël,” first released by Robert Charlebois in 1967. You may recognize this song from Elliot Maginot’s 2023′ cover, which I obviously also recommend. Judging by the sheer number of covers, it seems to be a true Québécois Christmas classic. Klô Pelgag continues her sparse, piano-driven approach here, once again singing with an emotion that transcends language barriers.

Bottom Line: I think we all can agree that Klô Pelgag should release an entire solo piano Christmas record… right?

LISTEN