The absolutely WONDERFUL Scottish band Randolph’s Leap has become almost a yearly feature on Christmas Underground, as they have been putting out some of the most wonderful, cleverly-written political Christmas songs that I have ever heard. Sometimes they release songs with a good bit of fanfare, like the amazing “Christmas, Burn it All,” and other times they sneak one in at the last second when I’m not paying attention like the hilarious “Christmas is a Conspiracy.” This year is a bit of both… they’ve quietly added three tracks to their stellar, ever-growing Christmas Album, but did so with plenty of time a few weeks back. Now why it has taken me this long to really sit down with these songs and listen is an indictment of both my intuition and taste level. Why? Because I should have KNOWN these would be great. It is as if I was taking Randolph’s Leap and their incredible ability to churn out amazing Christmas songs for granted, and for this oversight, I apologize. The main track that I initially focused on was the deceptively-titled “New Pair of Socks.” Who would have thought such an innocuous title would house such a timely anti-Tory Christmas song? Let’s dive into this first verse:
I am a simple uncomplicated man.
I take what I get, I give what I can.
Forgive me for saying,
but you’ve got a nerve.
Now there are expenses,
and I’ve got a few.
You’ve got your own,
but I pay them too.
Won’t you give something back
to those who you claim to serve?
Cause all I want for Christmas
is a tree and some decorations,
a nice new pair of socks,
and some cabinet resignations.
So much of my Twitter feed is UK bands and fans who keep me pretty well informed as to the recent corruption scandals in the Tory government, as well as all those incredible photos of officials flouting the COVID guidelines. I find myself oddly invested in the political fate of a country that I do not live in. But we both have a right-wing that is primarily invested in their self-interest, so it is not hard to imagine the song working on both sides of the pond… ah hell, I’m babbling. The song is beautiful, clever and vicious, and only gets more pointed after that first verse. So, if you are like me and like a little anti-asshole politics in your Christmas music, you’ll dig it.
There are some songs that I rarely ever press play for. You know… those ol’ chesnuts that I (unjustly) associate with little-kid Christmas music, rather than the “adult” stuff I’m usually trying to sniff out. I would put “Jingle Bells” and “Rudolph the Red-Nosed Reindeer” solidly in that category… but I may need to reassess this bias after hearing the other two tracks Randolph’s Leap has added to this record. “Jingle Bells (2021 Version)” and “Rudolph the Red-Nosed Reindeer,” are both extremely listenable, at times bordering on astounding versions that have shaken me. “Rudolph” is a revelation, with a beautiful arrangement that elevates this song to the absolute top of the Rudolph pile. However, what makes this (I can’t believe I’m typing this) song mix-worthy is their phrasing; All the notes that you are anticipating from a song you’ve known your entire life are slightly askew, and it is like a drug for your brain.
“Jingle Bells (2021 Version)” isn’t far behind the “Rudolph” triumph, though it hits slightly closer to expectations, so I’m not going to go quite as far in my praise. The arrangement and production, as well as that guitar madness at the end, certainly push the song into the “Jingle Bells” stratosphere. I am completely astounded and delighted and hope you will be too.
What a band. I’m in awe.
Bottom Line: Randolph’s Leap is on an incredible, Christmas song hot streak. If you haven’t bought this record yet, you need to turn in your alternative Christmas music membership card.