Jetstream Pony – Grief of a Frozen Sailor / Hit the Snow (2020)

Snowflakes Christmas Singles Club
Buy:
Bandcamp (FLAC/MP3) | 3-Single Pack | Rough Trade | Banquet Records | Juno Records | Piccadilly Records | Jumbo Records

Even during this COVID-plagued monstrosity, when wonderful traditions like the Fowler VW/Blackwatch Christmas compilation are on forced hiatus, the Snowflakes Christmas Singles Club keep the fire burning. Each year, SCSC finds 3-4 bands that are game to record a new Christmas song A-side alongside a classic Christmas cover B-side, and then he unleashes the into the world in limited white vinyl glory. If you read this blog, you know that I often veer towards the indiepop goodies, and this year SCSC has offered a doozy. To describe Jetstream Pony as anything but an indiepop supergroup is absurd since the band features Beth Arzy (The Luxembourg Signal, Trembling Blue Stars, Aberdeen, Charlie Big Time, The Fireworks) on vocals, Shaun Charman (The Wedding Present, The Popguns, The Fireworks) on guitar and backing vocals, Kerry Boettcher (Turbocat) on bass and Hannes Müller (The BV’s, Endlich Bluete), who makes his debut on drums on this release. With a pedigree like that, you’d expect that the songs will be excellent, and I believe the expectations were beautifully met. The A-side original, “Grief of a Frozen Sailor,” begins those indiepop vocals and jangly rhythm guitars that I love until the reinforcements come in, and shoegaze guitars begin to rain down. Throw in some layered vocals and jingle bells, and this is a highlight of both the shoegaze/indiepop Christmas genre.

I’ve been waiting to write about this record until I could hear the b-side, as I don’t believe I’ve ever encountered a cover of the absolutely stellar Aislers Set indie Christmas classic, “Hit the Snow.” Jetstream Pony’s version has added some meat to the production, with heavier guitars than the original, certainly making their mark on an already fantastic song. An unexpected result of my writing delay was that, as wonderful as this release is, everyone else appears to think similarly. The 7″ is sold out on Jetstream Pony’s Bandcamp, as well as for individual purchase through SCSC (still available within the 3-7″ set). However, I do believe I have found a few stores that may be getting some copies and have listed them above.

Be sure to check out the other 2 releases from this year, and if you are new to this alternative Christmas music game, all the other year’s previous releases at Snowflakes Christmas Singles Club. There are some amazing tracks to be discovered, many of which have made my own personal Christmas mix (high praise!).

Bottom Line: Two sides of absolutely stellar indiepop/shoegaze Christmas tunes. This record is going to be one of those folks are going to be hunting down in a decade…

LISTEN

The Stargazer Lilies “Listen, The Snow Is Falling” (2016)

Self Released
Buy: Bandcamp (Free!)

Ethereal.

(The rest of this review is an aside. Up there… that is my one-word review. Pennsylvania’s The Stargazer Lilies have taken the dreamy Galaxie 500 cover and thrown on a glamour shot-shimmery sheen to this John & Yoko classic. This also provides all you mixmasters with a shoegaze version that comes in under 5 minutes! Perhaps you had forgotten that the wonderful Galaxie 500 version clocks in around 8 minutes…a bit long for me. Also of note, The Stargazer Lilies also have a new record coming out Nov. 1, Occabot, produced by Tobacco of Black Moth Super Rainbow!)

Bottom Line: This song’s soothing glow eased my wordy proclivities… (sort of).

LISTEN

figure “Christmas Eve of 1992” (2018)

Figure "Parakalien"

Sauna Cool Records
Buy: Bandcamp

Should you break down the content of this entire blog, you would probably find that I’ve written 50% of my posts about indie pop. Well, make it 51%, as this new track from Japan’s figure is a beautiful, early Wild Nothing-esque indie pop groove that deserves your attention. Figure is the indie pop project of Yoshinobu Hasebe, and “Christmas Eve of 1992” is off his first release in four years, Parakalein. The song starts off with that wistful, indie pop lofi production (which I love), but what really hooked me is when the song swells with emotion as drums and bass kick in. The production does bury the lyrics enough to honestly have no real clue what Yoshinobu is singing about (presumably Christmas Eve of 1992) here… but the vibe itself is enough for me to love this song.

Bottom Line: Japan has always been fertile ground for indie pop fandom, so it shouldn’t be a surprise to hear fantastic Japanese indie pop bands releasing underground Christmas indie pop gems. I suspect figure is only the tip of the iceberg for 2018.

LISTEN