Straight White Teeth “Let Me Be Your Rudolph” (2025)

Self Released
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I am sitting here in my inlaws’ sunroom, perusing the latest releases… my headphones are upstairs and my son is still right next to me. So, I just listened to the first track of Portland, Oregon’s Straight White Teeth‘s new 2-song single, and here we are. As the second single is called “I Think My Dad is Santa” and my son has yet to categorically declare his disbelief, I’m not going to risk that one here on the couch. What I did risk, and thankfully he did not pick up on, was this delightful, sexually suggestive leadoff track, “Let Me Be Your Rudolph.” There are some wonderful lines, which I too will let you listen to around your extended family. I’m not going to ruin ’em here.

Bottom Line: The cheeky jolt of energy I needed today.

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Grace Cummings (featuring Jim James ) “Times Like These” (2025)

A woman laying on a pillow, with the shot of her face, eyes closed, wearing a "Merry Christmas" headband.

ATO
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I’m busy sitting here, waiting to eat. I mean, real busy, just sitting here. I don’t know how I am going to get through all this sitting. So, I’m taking a quick moment, because that is all I can spare from this sitting here, to make mention of this new single by Melbourne’s Grace Cummings, “Times Like These.” The song sure sounds sad, yet if Grace is meant to be believed, it is one meant to bring comfort… but boy, this song sounds sad. Grace told Rolling Stone Australia:

Times Like These’ is for somebody that needs some comfort and some love. The holidays boast joy and happiness and celebration and togetherness but it’s one of the most lonely times I can think of. My friendship with Jim James has helped me to see some beautiful things in the world, and to be grateful for what I have.

Grace’s voice sounds pretty damn incredible, and the harmony that My Morning Jacket’s Jim James brings to the song feels like a damn perfect match. As for the comfort this song is meant to bring… it will probably be a bit of a Rorschach test for how you’re really doing at the time you listen to it.

Bottom Line: Is this a dirge or a comfy blanket? We’ll see…

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Alex Maas “X MAAS (Take Me Away)” (2023)

Innovative Leisure
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Just as he was finishing up some work with his band The Black Angels, lead vocalist Alex Maas released a very interesting, downtempo holiday song, “X MAAS (Take Me Away).” I’ve been listening to it for a little while now, and I’m quite intrigued by the vibe of the song – his voice, the chiming melody, the lyrics that seesaw between fleeing and love. These elements mix and create a complex, disorienting, yet somehow soothing vibe. It sounds like Alex achieved his goal: “I’ve never written a Christmas song. Christmas has a very dark side that not many people take into account. The holidays are as painful as they are beautiful for most people. This song is for people who fall in love during Christmas and for those who want to escape completely from the holiday.”

Bottom Line: There’s something here. Not quite sure yet… but I’m listening…

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Devon “Staying Home…” (2021)

Self Released
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It’s quickly coming up on November — that time when we all start to expect new songs to drop. There have been a few here and there, sneaking onto records (like the excellent Sister Ray track), but these October days are often full of old songs newly discovered. So, let’s flash back to 2021 — which feels like both yesterday and forever ago.

Devon hails from Gloucestershire, England, and back in 2021 he dropped a very COVID-era Christmas single, “Staying Home…” While you can certainly feel those days coming through in this song, the roots haven’t quite anchored it in time, never to leave. This is a song about mental health, compassion, and all those feelings of love and loss that get mixed up and spun around at Christmas.

This isn’t just a COVID Christmas song. Multiple listens, folks — it’s a grower.

Bottom Line: It’s sad, happy, thoughtful, loving, quiet, loud… and worth your time.

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Sister Ray “Christmas” (2025)

cover of Sister Ray's believer album, which is a blurry image of the singer on a green background.

Royal Mountain Records
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Bandcamp | Apple Music

Canada man. I feel each year, one country runs up the score, and this year has me looking north. I keep tabs on Sister Ray, as I own her 2022 album, Communion, a beautiful and vivid breakup record with a fleeting mention of a Christmas tree on “Visions” (for you Christmas mixers with VERY lax rules).” Earlier this year, the musical project of Toronto’s Ella Coyes released a great new record, Believer. I absolutely add it to the listen pile, but when I see a track called “Christmas” on her new album, my ears are hers. I love her voice, and the orchestration with the droning bassoon baseline (that has to be a bassoon, either real or synthesized, right?). However, these lyrics are the star. Some lines made me smile, though the kind of smile I wasn’t quite sure of – a sort of feeling that the line might just be more cutting than you realize. There is a moment in every verse that both feels so loving and sorrowful at the same time, that I find myself spinning. I’ve been trying to sit with this song, figure it out on a deeper level before I write about it… but I got antsy. Maybe you all can help.

Snow’s light
For a cynic you sure love Christmas time.
I think I might believe in Jesus Christ
At least til things cool down
Carrying a New Testament around
Like a knife
Like a fence in the foreground
Protecting my house

I played that song just to hear you sing along
I love your voice
The way it sounds with mine
I keep your ribbons hanging from my ceiling
I would celebrate anything
Come into my house

In another life
I’m dressed in white
I’ve been your wife
What a beautiful child, what a beautiful sound
Your eyes, my mouth
Coming in from our house
Coming in from our house

Bottom Line: This is the kind of song that keeps you coming back.

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Al Nicol & Evelyne Brochu “On Christmas” (2024)

a painting of a snowy scene in the mountains

Self Released
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7Digital (FLAC/MP3) | Apple Music

Last year, Nashville-based Canadian singer/songwriter Al Nicol and fellow north-of-the-borderer, actress and singer Evelyne Brochu teamed up on “On Christmas,” a great slide guitar and brass-laced Christmas tune. Happily, I came upon this song because Al Nicol recently released a track with Hiss Golden Messenger on it – and this time of year, I click through on EVERYBODY. So here I am, standing in the kitchen, poking at my phone and listening to his excellent new single, “Only Hoping,” and my eyes widen. This song is likely to be good… and it was. A short love song, with church and too much wine. The orchestration is beautiful, the lyrics are original, and clocks in at about 2:30. Bullseye.

Bottom Line: Christmas 2024, and Al and Evelyne are singing a wonderful Christmas love song. Christmas 2025, and I hope I didn’t just send ICE to a young Canadian songwriter’s home.

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Communist Daughter “I Was Thinking I Could Clean Up for Christmas” (2025)

girl reaching out to touch a lit Christmas tree.

Self Released
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7Digital (MP3/FLAC) | Apple Music

It’s official – I’m excited. Saint Paul, Minnesota’s Communist Daughter has announced a follow-up to 2015’s Sing Sad Christmas EP, which featured (IMHO) the definitive version of The Boy Least Likely To’s “Blue Spruce Needles.” This band can take a song, filter it through their fingers, and make something truly special. They just teased us with the first song off their upcoming November release, Sing Sad Christmas Vol. 2, and it’s just what you’d think. Communist Daughter does not shy away from the darker sides of Christmas – so Aimee Mann’s “I Was Thinking I Could Clean Up for Christmas” is right smack in their wheelhouse. I love it when a band looks beyond the same 10 songs to cover – I am very on board and can’t wait for November.

Bottom Line: A dark and delicious tease for what promises to be a highlight of the season.

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Oliver Wilde & Herbal Tea “Without You, Die Hard’s Not The Same” (2018)

Gold Day
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There are few topics that alternative Christmas bloggers enjoy digging into more than songs about Die Hard being a Christmas movie (or not a Christmas movie). The topic has become such a trope that I’m fully expecting someone to start a blog devoted to this subject, similar to this now-defunct blog I recall that collected and catalogued all the “Last Christmas” covers. Well, I kinda found a new one – well, technically from 2018. Bristol singer-songwriters Oliver Wilde and Herbal Tea teamed up for a dreamy tune of his and her vocals, trading lines over the phone at Christmas. Let’s look at the title, which is also part of the chours: “Without you, Die Hard’s not the Same.” Implicit in this statement is that Die Hard is a Christmas movie, as it gets name-checked along with the Muppets, Bublé, and Rudolph. The song is about nothing being the same without you at Christmas. Classic premise, clever approach IMHO. While you’re on Oliver’s page, check out the similarly styled dreampop Christmas of “Yuletide,” a collaboration with EBU from 2015. Certainly, some solid dream pop Christmas tunes to be had here.

Bottom Line: It’s early folks – I’ll get over the dreamy songs and into the more acerbic stuff as the season comes closer and new songs get released. My prediction: It’s gonna be a bumpy ride, so enjoy the smooth travels of Oliver Wilde and Herbal Tea while you can.

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Winterval – Sad Christmas Songs (2024)

Self Released
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We all have some bands where you can simply buy their releases, completely unheard. Those folks who have proven themselves, over and over, to have the talent and taste to earn your trust. For this bloviator of alternative Christmas music, Winterval, the home recording project of Duncan Baird, is most certainly in that category. This new album, his third-holiday release, Sad Christmas Songs, is a warm, beautifully produced collection of original Christmas songs. There is some incredibly clever songwriting here, most obviously expressed in the inspired title track, “Sad Christmas Songs,” which namechecks a host of classic Christmas songs throughout the “alone at Christmas” motif. The way he weaves them all in – it is just brilliant. I’m struggling to not post the whole song here – but here is a healthy chunk to see what I’m talking about:

Hey baby where did this go wrong?
Last Christmas we were something strong
Another silent night alone
Sat here singing sad Christmas songs

The cavalry have stopped,
Santa’s got the blues
I’m the boy that he forgot,
what do the lonely do?

It’s a Christmas all alone
In the bleak midwinter snow
Turn around and please come home

Hey baby where’s the magic gone
I walked 2000 miles along
A winter fairytale gone wrong
Sat here singing sad Christmas songs

There are about 10 songs worked in there and even more throughout! It was so damn fun to realize what was going on… which I am a bit sheepish to say didn’t happen until the second listen. Absolutely one of the most clever songs I’ve heard this season.

So, the album is called Sad Christmas Songs, and if you want to get into the dictionary meaning of each word… this does make some sense. The title track for sure, despite the fact that you might enjoy the lyrics too much to be caught up in the “Sat here singing sad Christmas songs” of it all. Take a peek at the following song, “Christmas Without You,” and you may very well get more comfortable stating these songs are specifically sad. But listen to the music, and that synthpop-meets-the-Clientele orchestration will get you tapping your feet far too much to feel down. It is rather like those Swedish indiepop songs I love – pretty little pop songs about sadness that make you smile.

Finally, I must mention the closing track, “Making Christmas.” These people are trying so hard to be together, complications at every turn, until they realize “Suddenly, we both know, where we are, we’re making Christmas / Finally, even though, we’re apart, we’re making Christmas.” Throw in this gorgeous, swelling orchestration, and you are playing with my emotions here.

I am only highlighting a few tracks here, but know that there is magic in every song. From the wonderful storytelling of “Krampus,” to “Times Square Elmo,” which is surprisingly funny, and sweet, but also full of longing, this record is a little bit of everything. Truly one of the best albums of the year.

Bottom Line: Sitting here listening to this record… all I can think about is how much I’d love to be sitting in a cozy venue, some Christmas lights hung about, listening to Duncan play these songs. I’ve got a glass of whiskey, and it is the good stuff because Winterval is top shelf in my house.

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Kristian Noel Pedersen – Saul McCartney’s ‘Sauliday Party​!​’ (2024)

Self Released
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How do you end an era? With a big party, of course! Kristian Noel Pedersen (KNP for brevity’s sake) has delivered his 16th original Christmas album, Saul McCartney’s ‘Sauliday Party​!​’, and boy what a journey this has been. For the uninitiated, Saul McCartney is KNP’s imaginary 60’s pop icon, whose ego has been wreaking havoc through two previous records. I have enjoyed this run immensely, penning rave reviews of every installment… and here we are yet again, with the culmination of the Saul McCartney trilogy. RAVE ON!

How the heck does KNP find the time to put these records together?? The production is so fantastic, so much grander than the bedroom pop that a yearly indiepop project like this would suggest. A perfect example would be the beautiful, brass-infused “What Are You Doing (on Christmas Eve?).” This song has all the pop sensibility and production of a vintage Christmas classic, and is one of those songs that I could see being picked up by some big singer to make KNP a pile of money.

The album’s transition from the vintage-inspired sounds of Saul to KNP’s indiepop begins with the Randy Newman-penned, “Snow.” The bouncing synth lines definitely pinch those “Wonderful Christmastime” receptors, as they invade the 60’s pop production. A perfect lead-in for what may be my highlight of the record, the indiepop perfection of the synthy “Christmas Isn’t Christmas Without You.” The songwriting is absolutely spot-on here. KNP takes a classic Christmas trope, the whole “missing someone at Christmas” scene, and somehow writes this incredibly fresh-sounding, upbeat song, and doesn’t reuse familiar “lonely at Christmas” lyrics. So many songs serve us near-lyrical plagiarism, dressed in different musical stylings… but KNP has found a wonderful new POV here.

Finally, the wonderful album closer, “Silver, Never Gold,” where Smiths guitar lines marry beautifully with those classic, Saul-era brass touches. This album is a stylistic journey, wonderfully narrated by the truly delightful Saul McCartney (Harlan Guthrie) throughout, and this final song closes out the Saul McCartney trilogy perfectly.

This record is a wonderful finale to one of my absolute favorite Christmas music projects I’ve had the pleasure of experiencing and I can’t wait to see what Kristian and his crew of merry collaborators have for us next.

Bottom Line: I don’t want to wear you all down with more effusive language… you read the review above if you got here. KNP is on fire.

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