Big Cloud “Christmas Presence” (2017)

Big Cloud "Christmas Presence"

Self Released
Buy: Bandcamp

Scotland’s Big Cloud describes themselves as “fearlessly boring groove-drone & ambient pop.” Descriptions are meant to give you a good general idea of what to expect, and that description left me baffled… and curious. On “Christmas Presence,” Big Cloud has a slow groove that I might best describe as RIYL Low/Spain. In fact, this song sounds like something either of those bands would likely cover beautifully. The ringing guitar notes and strolling beat frame some clever, and at times, rather militantly-secular lyrics (which I would obviously be into): “I don’t care about cards or treeses / I refuse to think of Jesus / Your presence is the greatest gift that there is.” There are many instances of clever turns of phrase, most obviously those inspiring the title of the song: “I don’t need your Christmas present / I just need your Christmas presence / Your presence is the greatest gift that there is.” There is some downright sweetness in this song, which when not handled right can drive a song into a ditch of crass sentimentality. Big Cloud easily navigates the sweetness and keeps “Christmas Presence” on a heartfelt, genuine, and despite their best efforts, interesting path.

Bottom Line: Big Cloud has written a truly sweet Christmas song that is just a few degrees off-center to make it that much more interesting.

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Low “Some Hearts (at Christmas Time)” (2016)

Low - Some Hearts (At Christmas Time)

Sub Pop
Buy: BandcampiTunes | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

Low… what can you say. If you are reading this blog, you know all about Low’s underground Christmas legacy. What I have not (personally) been into, are their Christmas tunes post-Christmas EP. Well, that changed today, as I heard their new track “Some Hearts (at Christmas Time).” It is somber and lovely, heartbreaking and wistful. The production and experimentation within  harkens me back to a slightly less out-there Bon Iver (latest record), and I think it suits them well. In fact, Justin, why don’t you produce their next record? I’d love to hear that.

Bottom Line: Low is regarded one of the titans of underground Christmas music, and this year, they reminded us all why.

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Totally Righteous Holiday Special (2015)

Chill Mega Chill / Very Jazzed Records
Buy: Bandcamp

Chill Mega Chill’s comp from last year, Tape Deck the Halls, had some real solid Christmas tunes, and largely originals! This past year was more of the same… WHICH IS AWESOME. This (hopefully) Christmas tradition is turning into one of the most interesting, original comps out there.

Totally Righteous kicks off with an extremely beautiful, somber song by Guess Genes that, had it been sung by Ryan Adams, would have turned Stereogum on fire. The collaged audio layer adds texture to the shimmering guitar and fluttering piano, and the vocals have a sincerity to them that makes you BELIEVE. Simply wonderful.

The Last Astronaut‘s “Street Lights” may not be as timeless as the Guess Genes track, but its modernity makes it a welcome addition to the Christmas cannon. The chorus is what makes this song really swing… but it makes me wish the whole song was like that!

Deep Cuts return for back-to-back Christmas Christmas classics with “Comatose Come Christmas.” This 80’s jam has the biting lyrics and sense of humor that I’ve come to love from Deep Cuts. I’m also partial to a nice drunken Christmas tune… and this song may get you contact drunk.

Grandwolves‘ “‘Zat You, Son Of God” is my first exposure to this great Houston band, and I’m going to need more. A great layering of male/female vocals amongst killer drums and some shrieking guitars provide the basis for some awesome turns of phrase: ‘Zat You, Son of God? / Asleep in the evergreen, / Next to an old tv. / Sharing your branch, with gold garland, / And a Charlie Brown ornament.” Indie rock Christmas at its finest.

Gangplans break out the drum machines and synthesizers to create their own warm cup of Christmas bitters with “Skipping Christmas.” Peppered with samples from It’s a Wonderful Life, this production duo have succeeded in making me feel warm and happy, nestled amongst their warm beats and dark lyrics.

Benjamin Andrew’s “For a Moment” for some reason makes me think of a stripped down Low – the layered vocals, the fingers squeaking on the metal strings. Bleak, beautiful and wrapped in a sweater.

LA’s Seaweed Salad scored a f*ing slam dunk with “You Won’t See Me.” Fuzzed out vocals surrounded by a cacophony of indie pop orchestration. I can barely hear what they are saying, but I don’t care at all; I loved the music too much to give a shit.

There are a few more tracks on the comp that I haven’t covered. Music is such a personal thing – what is one’s treasure is another’s trash. While none of the remaining tracks were trash whatsoever, they did not grab me nearly as much, despite some very intriguing titles.

Bottom Line: Well hot damn. There could be more than one track from this release finding its way onto my mix this year. Two years in a row, this label has just knocked it out of the muthaf**ing park. Please, while it is a free, name-your-price download, all proceeds go to Make-a-Wish. 

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