Ok. How deep do I go in the bio of Sunturns, a classic indie Christmas band? Do I explain how this Voltron of Christmas combines forces nearly every year to bless us with a new track, a vinyl record, or a live show (which, unless I win the lottery and quit my job, I’ll never attend – Dec 12 this year for folks near Oslo)? Well, if you are new here, click this link and read up.
Now that everyone else is reading the old posts, we can finally talk. Sunturns have a new Live EP, Live at Parkteatret, coming out on December 1! You’ve got four tracks off last year’s Christmas III and one from the classic debut, Christmas. Short, but solid. I always love hearing from Sunturns, and this little live postcard from them is a welcome addition to my holiday. It sounds pretty great, too.
Bottom Line: It’s Sunturns! If you know and love them, add this one to the collection – you won’t regret it. If not – dive in!
Sydney, Australia’s Polish Club put out one of the best — and hardest to get — Christmas 7-inch singles I’ve ever had the pleasure of writing about when they dropped the excellent Xmas Single back in 2017. That thing is amazing! I still don’t have one… Hell, they’ve even got a New Year’s release worth checking out — “Countdown” (which I should really write about) — which was so fantastic that it closed out my 2020 Christmas mix, Christmas Storytelling.
So… when they teased the cover art on their Facebook page the other day, I pretty much freaked out. I found the site, saw the vinyl, tried to buy one, got rejected by geolocation — and here I stand. Not quite sure what to do. But they did respond to my comments… in due time, I’m assured.
Christmas Stinks! is being debuted on Facebook, with a new cover posted each day for 20 days (they’re on day two as of this post), leading up to two shows on December 20 and 21. There was even a write-up in Rolling Stone Australia yesterday — not sure why they didn’t debut it here! This site is massive!
I did love one quote from Novak that really sums up what they’re doing:
“I used to be somewhat of an edge-lord holiday hater, but I’ve grown to really appreciate how the holiday period affords us a sleep-in, a big belly, and some genuine quality time with people you perhaps should spend more time with,” Novak admits. “I’ve also learned that if you’re sick of Christmas carols and holiday tunes, the best way to get over that is to record your own rock’n’roll versions and embrace the Christmas chaos.”
I’m game, folks. I’ll be listening — hoping that one of these covers makes it onto my next mix — and that I can figure out a way for myself (and everyone else outside of Australia) to exchange money for goods and services.
Bone Sound Inc Worldwide/Blank Check Podcast/Mutant Buy: Vinyl | Bandcamp
Coming soon to a Bandcamp feed near you… Slow Xmas 5. The lead single by Death Valley Girls, “Season of Dreaming,” has dropped and is making the rounds on the bigger (normal) blogs, such as Stereogum and Under the Radar. But what do you know… it is getting pressed on vinyl this year, 500 copies on ice blue wax. So, if very slow Christmas music is your jam, here you go!
Available on vinyl for the first time as a Mutant exclusive featuring holiday standards and originals from Meridian Brothers, Shannon Lay, Zach Cooper of Grammy award winning King Garbage, Eric Slick of Dr. Dog, and Dave Hartley of The War on Drugs (Nightlands) among others.
Pressed on 140gm and iced out in a translucent ice blue variant (Limited to 500 copies). Offered in 45 RPM so you have the option to play regular slow or EXTRA SLOW at 33 1/3 RPM!!
And for the analog hogs, the majority of the album artwork is practical with an original sculpture by Matthew Rosenquist and studio photography by Robin Takami.
Bottom Line: Got me – only heard one track so far! Frankly, I’m usually grasping for songs to speed up my mix…
I’ve previously written about how much I look to Scotland (this was just a few posts ago!) for excellent Christmas tunes. The Cords are an excellent indiepop duo from Greenock, Scotland, and this upcoming track has a high probability of being excellent. Normally I might wait to review the track before sharing it here – but as there are flexis available now – and likely not for much longer – and I felt I should let you all know ASAP. So, check out The Cords, decide if they are your jam, and buy it.
Hat tip to @noloveforned for the heads up on this one.
LISTEN
Here’s a non-holiday release to check out the band.
What timing – to announce your new record on the same day as Dean & Britta & Sonic Boom’s album… I’ll let you in on a little secret: I ordered this record first. If you are new to this blog, you may be new to Sunturns, and I’m a little jealous of you. There are two previous records full of wonderful, original indiepop Christmas songs for you to discover. Comprised of members of Monzano, Making Marks, Little Hands of Asphalt, Moddi, and Einar Stray Orchestra, this crew has been killing it since 2011 – which predates this blog! Hell, you might say that they were part of the reason I started this thing… not enough folks were talking about Sunturns! Well, 2024 brings us Christmas III, compiling several tracks they’ve released in the years after Vol 1 & 2, while also gifting us a whole fistful of brand new songs. I’m incredibly excited about this one – and boy does that vinyl look pretttttty. Of note, if you haven’t bought Vol. 1 & 2 on vinyl… it appears they are down to 2 copies on Fika’s website. I nearly bought one today so I could have a backup copy…
There’s a rather extensive press release on their Bandcamp page – I’d say go there and check it out to further pump yourself up for December 6th. I will highlight one paragraph below that I found particularly useful (and endearing):
If previous albums Christmas I (2011) and II (2015) are somewhat different from each other, then Christmas III represents a fusion of the two. Sunturns’ debut is full of youthful exuberance and was recorded with plentiful overdubs in Oslo, while 2015’s follow up is more pensive and somewhat darker, and was recorded live during one week in the Swedish forests. Einar elaborates: “I love making records like this: short, effective sessions with limited time and therefore no bland ‘perfection’. There’s a nerve to knowing you can collectively bring it all together without the luxury of time”. Christmas III represents a return to the lighter tone, on at least some of the songs, but with the wisdom of age that emerged on the second. You can’t just return to your twenties, however much you might want to!
“You can’t just return to your twenties, however much you might want to!”
I don’t have the time for this today. Two of the biggest releases of the season, each popping up in succession on my Bandcamp feed. I’m not going to give away the other one yet (those in the know… know already), so I’ll start with the biggest news – a full-length holiday record from Dean Wareham (Galaxie 500/Luna/Dean & Britta), Britta Phillips (Luna/Dean & Britta), and Sonic Boom (Spacemen 3). While this was not necessarily expected, it is not exactly a surprise. Dean & Britta have long-dipped into holiday music, with Luna’s “Egg Nog” being a particular favorite. Dean did a Lagniappe holiday session a few years back on Aquarium Drunkard, and the pair also booked a full, holiday-themed livestream concert a few years ago (which was wonderful). However, the spiritual ancestor to this release is most certainly the holiday 7″ from back in 2007, “He’s Coming Home,” which features all three of these folks – and was absolutely killer. I’ll drop the press release below.
In a season where we all seek comfort, tradition, and a return to a home of sorts, a trio composed of indie music’s foundational members have gifted us A Peace of Us—an album of diverse holiday tunes filtered through their musical imaginations. Dean & Britta, well-known from their work defining a genre with Galaxie 500 and Luna, join Spacemen 3’s Sonic Boom, another bastion of indie’s collective adolescence, to bring to life a collection that draws from early ‘60s pop, garage, country, James Bond soundtracks, Christmas carols, and electronica. Dean Wareham recalls a sentiment from his DJ friend Chris: “You can experience all the emotions of Christmas through music: love and hate, joy and heartache, nostalgia, regret, anticipation, and frustration.”
Their venture into a holiday album was organic, spurred by a few cover tunes over the years, a Christmas special during the pandemic, and finally collaborative sessions between Dean & Britta in L.A. and Sonic Boom in Portugal. The trio all contributed vocals, with guitars by Wareham, bass and keyboards by Phillips, effects, and mixes by Sonic. The result is an album of exploration as well as comfort, “like Bing Crosby…on acid,” Britta adds, the tracklist a reminder that the holidays are complex and tragicomic.
As is often the case with holiday merriment, the album has a soft undertone of the bittersweet. Wareham sings one of David Berman’s final songs, “Snow is Falling in Manhattan,” one Dean believes is “destined to be a holiday classic.” Its lyrics foreshadow Berman’s tragic death: “Songs build little rooms in time / and housed within the song’s design / is the ghost the host has left behind.”
The Christmas blues surface again with Willie Nelson’s “Pretty Paper,” rendered here as a duet between Britta and Sonic Boom, their pulsing synth-heavy production updating the song for a darkened nightclub rather than a bright honky tonk. This collection steers clear of the usual Christmas chestnuts, but fans of classic indie haze may find a new favorite in “Peace on Earth / Little Drummer Boy” (created for Bing Crosby and David Bowie’s 1977 TV duet). Wareham notes that “Our favorite version is the German one by Marlene Dietrich, so that was our jumping-off point.” All three sing this one together: Wareham’s tenor, then Sonic Boom’s thrumming baritone, and finally Phillips’ soothing contralto making the plea for peace.
If collaboration is the fuel, peace and mutual understanding is surely the fire, and A Peace of Us has us gathered around it. “Christmas is mostly for children anyway,” says Dean. Sonic adds, “Or the inner child in all of us. Goodwill to all men. Hopes and fears for the year to come. And light in the darkness. Where this festival began.”
I must say, this record sounds incredibly promising. I already know that it features both “Old Toy Trains” and “He’s Coming Home,” both stellar tracks, the first single – a cover of Willie Nelson’s “Pretty Paper,” is an electropop gem. One might say they found some wonderful new wrapping on this track… you could call it pretty for sure. And a cover of David Berman’s “Snow is Falling on Manhattan!” Not the first time Dean & Britta have tackled it, as it was featured on a Section26 compilation a few years back… curious if they’ve reworked this in a similar fashion…
The anticipation is killing me, and boy was this an expensive holiday music day.
I am not usually excited by a Christmas release that is only covers, but Kansas City’s Dragon Inn 3 (featuring members of Someone Still Loves You Boris Yeltsin and friends) has shaken this resolve. I’m a fan of their 80’s synth pop vibes, as well as their choice of songs (well… 2 of 3 ain’t bad!). I’m lowering my expectations for the “Last Christmas” cover, but the other two are far more obscure targets. You may remember the Coconut Records track, “It’s Christmas” from the wonderful 2010 Target (yes… that Target) compilation, The Christmas Gig. Solid song for sure… and certainly reason enough for me to preorder the 7″. They must be big Jason Schwartzman (Coconut Records/many Wes Anderson movies) fans because they also sneak on a cover of the tremendously short Mark Mothersbaugh piece from the Rushmore soundtrack, “Snowflake Music.” I relate to the desire to fit as much music on a disc as possible… and they no doubt had a bit more space! Should be a fun one… and since you are not a dummy like me and preordered it months ago, you now have the opportunity to grab a signed 7″ for only $2 more at their Bandcamp.
Bottom Line: I haven’t heard it, but their last record sounds great!
Last year I found myself stressing out, trying to get a shot at one of those Field Music Christmas 7-inches that were at the Independent Label Fair in London. Tweeting back and forth, seeing what connections I could muster… but alas… it was not to be. They hinted that it would have a proper release this year, so…. I waited, and Lost Christmas: A Festive Memphis Industries Selection Box will be waiting under the tree for me (once I buy it). I haven’t heard much off this record, with exception of the Francis Lung track which I reviewed last year. A track or two has been previously out there in some fashion (Field Music and Cornshed Sisters) from off the top of my head), but there do appear to be some new tracks here for sure. If you are really, really curious, you can go digging on each band’s twitter feed, and you are bound to bump in to some 15 second samples of these songs. That Rachael Dadd track sounds bbbeeeeauuuuttttiiiifffuuullll.
Lost Christmas: A Memphis Industries Festive Selection Box (Release Date: December 4) 1. Field Music – Home For Christmas 2. Haley – Like Ice and Cold 3. Warm Digits – Good Enough For You This Christmas 4. Rachael Dadd (with Rozi Plain and Kate Stables) – We Build Our Houses Well 5. Stats – Christmas Without You 6. The Phoenix Foundation – Have Yourself a Merry Little Christmas 7. Francis Lung – To Make Angels In Snow 8. Jesca Hoop – White Winter Hymnal 9. The Go! Team – Look Outside (A New Year’s Coming) 10. The Cornshed Sisters – Have a Good Christmas Time
Louisville’s Murder by Death released a fantastic, 2-song Christmas single back in 2014 appropriately titled 2014 Christmas Cover Songs. In 2020, they’ve collected those two tracks and added a healthy 9 more release what promises to be a truly fantastic (though melancholy) Christmas record. I’m really looking forward to hearing more, as hopefully they will preview a few more tracks in the coming weeks. Either way, this is one to look out for.
Well well well… this popped up on my radar, either by fate or coincidence…. Mark Lanegan is re-releasing his tour-only Christmas EP, Dark Mark Does Christmas 2012, as a full-length Christmas album – the appropriately titled Dark Mark Does Christmas 2020. Lord knows that 2020 is a year for a dark Christmas record…
2020 has been a dark year and so to end the year Mark Lanegan returns as Dark Mark and releases a full Christmas album. Five tracks were released as a tour only 12″ in 2012 which is now rare and impossible to find. He has recorded five more tracks recently and turned it into a full length album. Lanegan successfully takes some traditional Christmas songs, some Christmas covers plus some originals and twists them into a dark, melancholic affair. Standouts include Burn The Flames, originally recorded by Roky Erickson and Lanegan makes this sinister song, even more sinister. The Everley Brothers Christmas Eve Can Kill You is stripped back and haunting whilst the Lanegan original A Christmas Song is delicate and heartbreaking. 2020 is going be a dark Christmas.
Christmas Underground 
