Christmas Aguilera – S/T EP (2012)

Christmas Aguilera cover

Self-Released
Buy: Bandcamp

So… to post or not to post. Is it truly selfish to want to keep this to myself, so that I might impress my Christmas music loving friends upon receipt of their mix CD? If it were not for the good cause this EP is supporting… I might have kept it in my back pocket.

The mysterious “supergroup” that claims to be the “greatest band since Wizzard,” has put out a truly excellent 4-song Christmas EP that will be one of the highlights of my personal mix. Four original songs that really push my buttons, be it a love of the melancholy, the political, or the secular… this EP has it all.

The leadoff track, “I Wanna Give You a Present,” is… for lack of a better word… dirty. And awesome. Its dirtiness not only comes from the playful lyrics, but specifically from the singer’s voice, which just sounds like he’s got something in mind for you, and you’re going to like it.

The second song is my personal favorite – “I Want a Car” revisits that classic idea of just wanting your significant other for Christmas… and damn I love that chorus. The vocals are a little rough-around-the-edges at points, but perfectly so. This is no way a knock on the performance; he has a way of making the vocals seem more sincere than a pretty voice ever could.

“Lennon, Oh” is the kind of political Christmas song that I knew I could get behind – “Lennon, Oh, where are you when we need you – Cause War’s Not Over.” Fantastic chorus – man this band can swing a chorus.

The final track, “Red Nose, Red Dress,” has a great groove – and would benefit from offering up the lyrics… because I don’t believe I understand it… “One longstanding misunderstanding, I am Rudolph, I am no man?” Who cares if I understand. It’s fantastic.

Really, this thing is so good that you will wish that it was 8 tracks long – because I do believe they have 4 more! The group will be performing 8 originals at the “Jolly Santa Social Club” benefit show on Saturday December 10 at The Victoria in London. All proceeds of both the EP and the show benefit Crisis, the national charity for the homeless.

Bottom Line: Buy it. It’s only ₤3 – its very enjoyable all the way through, and often quite brilliant. 5/5

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The Rosebuds – Christmas Tree Island (2012)

Christmas Tree Island cover

Self-Released
Buy: Bandcamp | iTunes

Few modern bands have had as much success writing enjoyable Christmas tunes as the Rosebuds have. I have hunted down their Christmas offerings on more than one Raleigh-area compilation, and am extremely happy to have a bunch more songs to sink my ears into.

My expectations were high, and they were roundly met. The two tracks I was familiar with, “I Hear (Click, Click, Click)” and “Oh It’s Christmas” are standouts (of course), but so are a good number of the new (at least, to me) cuts. The moody, saxophone-heavy “Xmas in New York” is truly exceptional. The sorrowful “Thru That Door,” also has some fantastic saxophone parts, that if not done so well, would be cheesy. “Melt Our Way Out” may be my new favorite – great music, and wonderful lyrics.

There are only a few tracks that I’m not too into, as I tend to enjoy the Rosebuds the most when the tempo is quicker. Another word of caution – the lyrical content of the record is largely melancholy. So… perhaps not party music – but its probably better than your party music anyway.

Bottom Line: A wonderful effort. I hope this (sort of) compilation does not signal an end to them writing Christmas songs. 4.5/5

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The Starside Eight – Kiss for Christmas EP (2002)

Kiss for Christmas EP cover

Electric Frog Recordings
Buy: iTunes

The Starside Eight existed for what looks to be one full length (which I haven’t heard, but will certainly hunt down), and a rather excellent Christmas EP. There are a number of other songs out there called “Kiss for Christmas,” but this is not a cover, and Starside Eight’s song is better than the rest. While released back in 2002, it sounds as thought it could have come out today. Their production falls smack in hard-scrabble indie rock vein, and the sad tale they spin is done with cleverness and a great ear for a hook. The percussions is of particular note – it really keeps this track going. This song alone would make this VERY affordable release worthwhile, and I’m happy to say that the rest of the record is quite commendable too. “Yuki Ya Kon Kon” is a Japanese snow song, and while its not something terribly up my alley, it is done well. “November Fights December Blues” is the second of two Starside Eight originals, and while it shares its predecessor’s melancholy, it does not do so with the driving beat that “Kiss for Christmas.” Later in the song, the guitar work gives it the kick that you wish it had earlier on in the song, but too late in my opinion. Its very good, but not quite up to mixworthy status. The final track is a cover of Lou Reed’s “Jesus,” and while they don’t reinvent the song, they do it very, very well.

Bottom Line: The whole thing is quite listenable, with one particularly strong original song. 4.5/5

Glasvegas – A Snowflake Fell (And It Felt Like a Kiss) (2008)

Glasvegas - A Snowflake Fell cover

Columbia
Buy: Discogs (CD) | iTunes
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So, yes, they are on a major label. However, talk to most people in America, and ask them if they know who Glasvegas are, and you may be asking around a good bit. This is unfortunate – because they put out a very solid debut, and an absolutely stellar Christmas EP, A Snowflake Fell (And it Felt Like a Kiss).

I honestly do not have a song that I do not care for on this EP – though I do have some favorites. Standouts are “Fuck You, It’s Over,” “Please Come Back Home,” and the title track, “A Snowflake Fell (And it Felt Like a Kiss).” Two of those tracks have made my personal Christmas mixes (not in the same year), and one is always in the running… though likely less so as I will soon have a child in the house.

Available as a second disc in a special edition-version of their debut, it was also given away at indie record stores in the US. Hunt one down for about $10 and you are doing splendidly.

Bottom Line: A fantastic, moody Scottish rock record that I could listen to (and do) outside the holiday season. 5/5

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