Cherrytree/Interscope Records Buy:Amazon (Try to find it elsewhere – eBay is often cheaper)
A side project of both singer-songwriter Marcus Srunegard and Adam Olenius (of the Shout Out Louds), Serenades (now known as “We Are Serenades“) put out a fantastic little EP, Come Home, to indie record stores in late 2011. A friend at our local college radio station proceeded to hip me to the fact that the title track is actually a Christmas song! And what a Christmas song! Melancholy Swedish Christmas songs are pretty much my favorite thing, and add a big chorus and I’m pretty much putty in your hands.
Bottom Line: These swedish songsmiths have created a song worthy of all-year-round listening – not bad for a Christmas tune. And hey, you can get this CD for CHEAP. 5/5
Every so often, I strike gold and pull out a double, as in I love the Christmas song and also find that I love the band. The Wave Pictures are indeed one of those true finds, that hooks me in the Xmas and reels me in for the rest of their catalog. Their 2008 release, Instant Coffee Baby, contains “I Love You Like a Madman,” one of the most interesting and enjoyable Christmas songs I have ever experienced. Their style is as if Jonathan Richman had listened to a good bit of Dexys Midnight Runners while reading Raymond Carver stories (I am stretching here… I can’t find the perfect combo). The chorus begins with “The air in here is dead / But we’re not finished yet / Throw the back door open / Let me see your breath.” It’s this kind of simple, visceral visual that I find in Evan Dando at his best and David Berman at his most poignant, and is indeed, a large part of why I love music.
Bottom Line: Like a weird short story that you can’t help but see yourself in. 5/5
This song is amazing. I’m going to step back and let Spottiswoode explain it though:
“My recollection is that i wrote the opening two melodic lines with the clear intention of composing a Christmas carol (only realizing later that the melody was, of course, similar to “Hark The Herald”). and then the words for the first two lines came out:
Boys in Chelsea holding hands
Whistle as they watch us dance.
“Had I intended to write a gay carol? i don’t remember. My guess is that after mouthing those two lines my curiosity was piqued and I wanted to see where the song would go. i understand that many people may dismiss the tune as a novelty song or just think that’s it’s a little clever and twisted ditty, but to me it’s an achingly romantic song. it’s a love song. it’s not just a love song to the girl the singer is addressing who is about to share a dance with some leather-clad homosexuals in the snow. it’s a love song to gay New York and thereby, in Christmas spirit, to human brotherhood.”
bumbleBEAR/Planting Seeds Records Buy:DiscogsGood luck!
It was only a matter of time until I reviewed the inspiration for my blog’s title. Christmas Underground was a 2001 release by Planting Seeds Records & bumbleBEAR Records, with the 30+ tracks (some are just greetings) shared by both their indiepop/lo-fi rosters. I wish I could say that it was the gem that I was hoping it would be. The main reason I hunted this comp down was the slight overlap with Kindercore Records Christmas 2, one of my absolute favorite Christmas records of all time. When I say slight, I truly mean slight – I think one band overlaps, The Wee Turtles. Their track, “By Golly, They’ve Dehydrated Christmas,” is one of two tracks that I can come back to. The other is The National Splits “Let’s Wrap Each Other,” which is a frolicking song that begins with “My nose just started to bleed / and there’s grass stains on my jeans / aw, there’s your red and your green.” I just like the attitude that comes off that song. Bugs Eat Books also contribute “Waiting on the Sun,” which has a nice atmosphere and contains the title amongst its lyrics. The rest of the album has some somewhat passable originals and traditional songs (which I normally find quite boring), but it also has some stuff that I just can’t listen to for more than 15 seconds.
Bottom Line: Could be the victim of high expectations – I can admit that. That doesn’t change the fact that I just don’t enjoy most of this record. 2.3/5
Jesse Malin has been on my radar since his first solo record, The Fine Art of Self Destruction (which also has a Christmas tune…). Yes, I missed his days in D Generation, but I am not Superman, and I give myself a pass. In 2008, Jesse put out a cover record, and I dutifully picked it up. To my delight, track 12 became one of my favorite covers of “Fairytale of New York” that I’ve ever heard. (Though, it does include the word.) Jesse Malin and Bree Sharp have a grittiness to their version that I love about the original, but Malin’s distinctive voice and phrasing really life to this version. Again, this is one of Jesse’s multiple Christmas tunes (which I may cover later), so if you are intrigued, certainly do a bit more digging.
Bottom Line: Makes it his own, without washing the bits of grit and grime from the original. Loses points only because that .2 goes to the original. 4.8/5
High hopes are never a good place to start. Though I know you should never judge a book by its cover, a swedish indie pop band named Annie Hall checks three of my boxes: Swedish, indiepop and a Woody Allen reference. How could it go wrong? Well, first off, this thing was a huge pain to get ahold of. You can’t order from the label (they do not ship to the US), and thus I had to get it from France, and pay more in shipping than the CD cost. Not looking good already, because if you know this blog, cost to obtain certainly plays into the overall rating.
Annie Hall begins the disc with “Morning News,” a fine-enough little song that I can’t for the life of me figure out how its seasonal. Their second song, “Walk Around,” does begin with “It’s Christmas time / Here’s an old song / for a new year.” They also mention snowballs… but really, its a bit of a downer right out of the gate with the dour music. Not something I really want to listen to again. Bummer.
Gonzo48K is the Japanese wildcard of this release – I really had no expectations, as I don’t listen to much Japanese indiepop. “Snowman’s Tears” has the kind of music that I wish Annie Hall had – upbeat, poppy, certainly in a Swede-pop vein. The lyrics, well… “So darling / You make me colder / you make me older / you close my folder?” Not exactly what I’m looking for, but really, english is their second language and they write better songs in English than I do in Japanese. “Turn off the Radio” is a much better attempt. It may even be on a shortlist for future mixes… I dig the backing beat, and the lyrics are much better: “Walk through the street light / in the Christmas time / Back to the starlight / Where the children write / Turn off the Radio / Turn off the Radio.” Still not quite telling a story, but certainly evocative when complimented by the contemplative backing track. I can’t find it posted anywhere, but you can preview 30 seconds of it on Last.fm.
Bottom Line: Good luck trying to buy it, especially in the US. Certainly not worth the price it cost to import, with only one possible song. Loses points for all the wrong reasons. 1.2/5
A beautiful indiepop Christmas tune is hard for me to ignore. Fireflies hit the nail on the head with “Xmas Song” back in 2007, and was featured on my 2010 mix, Write About Xmas. The melancholy, the atmosphere, the brevity… it has it all. While it certainly borders on twee, its so good that those twee-phobes you are friends with may even find this song palatable. As an added bonus (and what prompted me to write this entry), Fireflies has added At Home to his Bandcamp. At Home is a collection demos, alternate version and unreleased songs, and at “name your own price” is a wonderful place to begin. On this record you will find a demo version of “Xmas Song,” along with two other mix possibilities, “Snowstorm (Original Demo)” and “Winter Has Come.”
I’ll get back to the tougher reviews when I get a bit more free time.
This is one of those pretty ubiquitous releases that everyone knows about already, at least, for those searching out indie rock/pop Christmas tunes. That said, its not one of the better ones. I want to single out a great track that you NEED TO HEAR, but I’m at a loss to find one. The entire release is ok, but just that. Nothing on there makes me cringe, but nothing makes me excited. It hurts me to say so too, in that I really like the Parasol label, and greatly miss their distro.
However, don’t take my word as sacrosanct. I may be looking for something that you are not, and again, nothing on this release really sucks to the point where I would discourage you from listening on your own.
Bottom Line: When I think of average, I think of a record like this. 3/5
Sober & Gentle Buy:RoW (as in… not available in the US, barely available to the world)
Did you enjoy Cocoon? Because if you did, you may like Peaks. Why? Because its one half of Cocoon (Morgane Imbeaud) singing a song that has nearly the same name! Officially released on their debut mini-album, Love, this song was also promoted as a Christmas gift from Peaks last year. I do not believe it was ever available for free download though…
As you can imagine, the music is quite lovely. It is unavoidable for a band associated with Morgane Imeaud. Now lets take a stab at the lyrics… if you guessed dark, you guessed right! The song finds the lead character lamenting how wonderful it would be if they were still in love and stuck inside together, while crying that her love is not there and not coming back again. So bring that mix back down to earth with this fuzzy little Christmas dirge.
Bottom Line: You guessed it. I’m a fan. Loses points because of the extreme lengths you may have to go through to actually purchase this song. Sober & Gentle will not ship to the US, and I can’t find it on Amazon/iTunes. 4.2/5
Santa Clause won’t come tonight.
He is never late.
The reindeer may have been shot in the skies of the USA.
For a long time I have been told lies.
Am I dumb?
Am I blind?
I am feeling so fine.
Oh so fine.
Now. If that is the kind of Christmas song you can get behind, then venture forth good sir, because I love this gloomy little song. The French duo Cocoon released this acoustic number on their suggestively dark All My Friends Died in a Plane Crash in 2007. The music is cheery, like you might find in an adorable TV commercial about a new eco-friendly car… then you listen to the lyrics and BOOM! Love it.
Bottom Line: A great song for those who don’t want Christmas to be all candy-canes and gumdrops. 5/5
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Christmas Underground 