Downloads – Page 42 – Christmas Underground

November 9, 2018

The Bridges – Do Christmas (2012)

Self Released
Buy: Bandcamp

Hey, we all know that I like the dark stuff. I like a nice downer of a holiday tune, a political rant, even a solid anti-Christmas screed. I also like sunshine, lollipops and rainbows. The Bridges, an (apparently) now-defunct 5-piece folk-pop band from Nashville created this charming 3-song EP as their second (and last) release back in 2012. Each song has its own feel, with the leadoff track “I’m Gonna Lasso Santa Claus” is a cover of a 1956 Brenda Lee track which is a nice skiffle novelty track that you won’t hear too often. The second track is the most radio-ready, and if I’m not mistaken, their only original; “First Christmas” has some infectious hooks, and the folk-pop charmer doesn’t wear out its welcome at only 2:37. “Rock N Roll Santa” is their take on a Little Joey Farr tune from 1961. Not only did they pull up a song from the 45 bin under the counter, but they perform it with genuine affection. Too bad that the band’s Facebook page stopped updating in 2013, as they did appear to have something here…

Bottom Line: My inner grinch has to take a Friday off every so often, and perhaps this little EP will find some room on your digital shelf too.

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November 8, 2018November 16, 2018

Sufjan Stevens “Lonely Man of Winter” (2007/2018)

Asthmatic Kitty
Buy: Bandcamp | ~~Vinyl 7″ (Limited to 1000)~~ (Looks to be sold out at the label – in retailers Nov. 9)

WHAT?!?! HERE IT IS!

From Asthmatic Kitty:

In 2007, Sufjan Stevens wrote and recorded “Lonely Man of Winter” and, as part of a holiday marketing contest to promote Stevens’ Songs for Christmas boxset, traded ownership of the song to the winner, Alec Duffy. In turn Duffy gifted his song, “Every Day is Christmas,” to Stevens.

But instead of widely releasing “Lonely Man of Winter,” Duffy held listening sessions in his home and around the world, sometimes pairing the private listenings with cookies and hot chocolate.

In an end to that years-long project, Duffy – now founder/Artistic Director of the non-profit Brooklyn performance venue JACK – has decided to release the song “Lonely Man of Winter” on Asthmatic Kitty Records, digitally and on limited edition 7 inch, with funds going to support JACK’s mission of fueling experiments in art and activism.

So. I have heard it now. And yes, it is a Sufjan Stevens Christmas song, so it will obviously be much, much better than 97% of other Christmas songs. I particularly like the new mix – the electronic percussive touches especially. Had I only heard the first, original version, I might have come out and said that this could be a “filler track” on one of his Christmas EPs; It just didn’t hit me. This is the blessing and the curse of Sufjan, as he has raised expectations of his work by creating a vast, incredible back catalog with such amazing songs like “Christmas in the Room” and “Sister Winter.” Criticism in comparison to his previous work is frankly unfair; I certainly compare most songs against their Christmas music genre, rather than the artist’s past work. Don’t get me wrong, despite my waffling, I’m still damn pleased, and I am so happy to hear that mystery track from long ago. You know what would be an incredible finish to Sufjan’s holiday season though? How about a cover of Alec Duffy’s track, “Everyday is Christmas.” I kinda feel like Sufjan could knock that out of the park…

Bottom Line: Sufjan’s 2018 recording of this mysterious track from 2007 is indeed a worthy improvement.

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November 7, 2018November 7, 2018

Richard Walters “The First Snow in Years” (2017)

Pilotlights Music
Buy: Bandcamp

My friend Kurt over at Festive! wrote a great post about the search for “Christmas (Not Christmas)” songs the other day, and not only did I immediately see myself in those paragraphs, but it got me thinking much more about those gems of the past that skirt around the edges of Christmas. One of particular note is the spectacular “Snow” by Sweet Tempest. Those chilly, not-quite-Christmas tunes always find a way into my heart, and this standout by Richard Walters, “The First Snow in Years,” has done so as well. The synth brass lines create an interesting ground for the fingerpicked melody to float over. Richard’s voice is beautiful, as is the imagery: “Midnight / standing still / streetlight / paints my shadow onto the white ground / the whole world is white. / See how it covers everything. / See how it covers everything. / The first snow in years. / The first snow in years.” Gorgeous.

Bottom Line: I write this as the election results trickle in… and this song has calmed me. No small feat. Let’s all wake up to a better tomorrow.

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November 6, 2018

Jeremy Neale “Christmas (Turn This Around)” (2017)

Dot Dash / Remote Control Records
Buy: Bandcamp

Aussie Jeremy Neale LOVES Christmas. His first Christmas single, 2016’s “Christmas Time (Is My Favourite Time Of The Year)” pretty much sums up his holiday attitude. (That track is great too, maybe I’ll need another post.) His 2017 Christmas single, “Christmas (Turn This Around),” finds Jeremy giving a holiday humbugger a pep talk – they have never found happiness in Christmas, but he is going to turn their holiday around. The driving power-pop rhythm culminates in a flurry of brass and congas that will not be denied, making this perhaps the happiest Christmas song that I can possibility stand at the moment. I mean, can’t you tell I’m falling apart here? I am writing about HAPPY MUSIC. I’m desperately trying to be positive. GO VOTE.

Bottom Line: This song is so happy it could turn a grinch into a Who! GO VOTE. *smooches*

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November 5, 2018

Brad Peterson “All is Well” (2017)

Self Released
Buy: Free!

Chicago-area’s Brad Peterson has been releasing wonderful, one-off singles for a few years now… he may have even released one already this year! I had originally intended to highlight 2017’s excellent “All is Well” last year, but you know how things go – the holidays can get nuts. Having once shared stages with Radiohead and Jeff Buckley (what a lovely story btw), Brad suffered a spinal injury years ago that kept him for recording or performing. Thankfully, he has healed well enough to get back in the game. Brad writes and records in his little backyard garden shed, concocting these wonderfully written indiepop gems. “All is Well” approaches those memories of loss that can sometimes sneak up at Christmas, and as with an Irish funeral, turns it into an exercise in fond remembrance.

“If we’re fortunate, as we get older, we may recall in wistful reverie -an idyllic Christmas season surrounded by loved ones. For me, that blissful time, before experience and loss, can hurt to contemplate. Rather than the melancholic tendencies I’ve often fallen to, this year I choose to celebrate in fond remembrance, those absent loved ones.”

Truly a lovely sentiment, wrapped in excellent indiepop production.

Bottom Line: Brad’s always one to watch when the holidays come around – and this will no doubt be the first of many mentions on CU.

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November 1, 2018November 5, 2018

Traveller “Christmas Eve at Kroger” (2018)

Traveller, the Americana supergroup comprised of Robert Ellis, Cory Chisel and Jonny Fritz, may have taken three years to follow up the release of their first track, “Western Movies,” but I would contend… this is most certainly worth the wait. Robert Ellis has released four solo records, including his latest self-titled album, Robert Ellis, in 2016. Cory Chisel has toured for years with Cory Chisel and the Wandering Sons, releasing seven records since 2004. Jonny Fritz (AKA Jonny Corndawg) first came to my attention with a gift from a friend, a glow-in-the-dark LP copy of the endlessly entertaining Dad Country. So when you put all three of these already-accomplished alt.country/country/Americana artists together for a proper full-length (also called Western Movies), you are likely going to get something pretty special. And to my surprise, there is the added bonus of an absolutely stellar Christmas song on there – “Christmas Eve at Kroger.” I’ve been listening to this track for a few months now, and the first time my wife heard it – she began to tear up. I certainly wasn’t surprised; This song has a bunch of these little, deceptively-powerful moments. The lyrics are so simple and real, that they feel as though they could have come right out of your own mind. I was hooked upon hearing them name-check Cracklin’ Oat Bran and “watching Die Hard with my mom.” While I would not have watched Die Hard, I most certainly ate that cereal and snuggled with my mom as a kid on many, many occasions. Cracklin’ Oat Bran was that little indulgence that my mom would give herself back when my family was young, and I remember those days like it was yesterday. I may be a bit of a humbug at times, and I know I find interest in the bitterness of the holiday, but I wouldn’t be doing this if I didn’t also secretly (and sometimes openly) love Christmas – and you can tell these guys do too.

Bottom Line: The heart found in the lyrics compliment the warmth of the recording, as all three singer-songwriters trade off verses in this beautifully delicious song.

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October 31, 2018November 16, 2018

UPCOMING: Say Sue Me – Christmas, It’s Not a Biggie (2018)

Damnably
Buy: Vinyl + Digital at Bandcamp

I am terribly torn as to when I should write about this record, and have been putting it off for well over a week now. I have been wrestling with buying a copy, but just cannot bring myself to pay for the shipping. I’m feeling quite poor at the moment, and just can’t do it. I wish I knew of a place in the US that might be carrying this! I will sure update my post if I find one, that is for sure. All I am left with is hope; Hope that I might get a copy for Christmas – and that Santa grabs one before it inevitably sells out – BECAUSE IT WILL. Simply said… if Say Sue Me’s back catalogue is any indication of how good Christmas, It’s Not a Biggie might be – it is going to be stellar. EDIT: I ordered a copy! Bless you Jim!

For the uninitiated, Say Sue Me are an indiepop band from South Korea, and have released a string of fantastic EPs and full-lengths starting in 2014 on a South Korean label, Vitamin Entertainment, and more recently on Damnably out of London. Their most recent (and absolutely excellent) LP, Where We Were Together, is already on its fourth pressing… this band has some heat… and this Christmas EP is limited to 500. IT WILL NOT LAST LONG. Our only glimpse into what the record will sound like is with the title track, “Christmas, It’s Not a Biggie,” having appeared back in 2015 on the South Korean comp, 허수아비들의 성탄절 Heosuabi Christmas. That is one of those releases that I’ve had as a draft post for way too long… so long I forgot I had it as a draft post! Entire comps can bog me down when I normally have just 30 min here and there to try to knock out a post, and I have the thoroughly-encyclopedic Stubby as a role model, which gets me thinking I need to provide much more thoughtful, and complete information on every band. (I am full of tangents today.) Back to the song: The indie/surf pop is jangly and refreshing – a sorbet between courses of sorts – yet the lyrics are melancholy and detached. I totally dig it… but the thing is… I suspect that it is not going to be the best track on the record. Again – just based on how great their last record was, I think this EP is going to be a total highlight of the season.

Bottom Line: BLARG! I want to hear this thing. Perhaps I will do a proper (well, as proper as I do) review when I do.

LISTEN

October 26, 2018

Shame “Feliz Navidad” (2018)

Dead Oceans
Buy: Bandcamp

I did not wake up this morning hoping to hear autotune in a cover of this classic José Feliciano song, but dammit, I should have. London’s Shame have managed to inject this sometimes dusty old song with new spirit, bringing some of the background melodies into the fore and inexplicably incorporating autotune with excellent results. This is Dead Oceans’ second holiday release this season (and it is only OCTOBER!), following Khruangbin’s “Christmas Time is Here,” announced earlier this week. Simply said, keep it coming Dead Oceans!

Bottom Line: Shame shine up an old song to sound all sparkly and new.

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October 22, 2018

Steady Hands “Christmas at the ‘Vous” (2018)

Lame-O Records
Buy: Vinyl | Bandcamp

Perhaps Sean Huber is better known as the drummer to the punk/emo/indie rock (who really knows these days) band Modern Baseball, but as MB is on indefinite hiatus, we should all now consider him primarily the frontman and songwriter of the Philadelphia indie rock band Steady Hands. After a string of EPs and a compilation release of those EPs, Steady Hands’ have just released (Oct 19) their first true full-length LP, Truth in Comedy, which Christmas Underground is happy to find has a Christmas(ish) song as its closer. The grunge-influenced “Christmas at the ‘Vous” is one of those songs that happens at Christmas, but isn’t necessarily about the holiday – which is just the kind of stuff I like here. I’ll let Sean explain from the track-by-track that he did with Punk Rock Theory:

For a few years, when my older family members were still around and living near Philly, I used to spend Christmas day visiting them, then my family would drop me off at my apartment and I’d go out in the city. It was always quiet and relaxing and felt like you got away from reality for one night. I’ve spent a bunch of nights like this with one of my friends after getting off the road – and catching up at home. The verses are all about moments from touring, and at the chorus I’m back home, living a normal life. A bar in Philly was nice enough to charge us by the lot rather than per drink after a particularly indulgent night and we ended up saving some money that way.

I like the approach, I dig the music, and I think you might to.

Bottom Line: Super-solid indie rock from one of the country’s best incubators of fantastic rock bands, Philadelphia.

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October 18, 2018October 18, 2018

UPCOMING: Aidan Moffat & RM Hubbert – Ghost Stories for Christmas (2018)

Rock Action
Buy: Preorder | Preorder + Tickets to the release show if you live in/near Glasgow

Aidan Moffat (ex-Arab Strap) and RM Hubbert (ex-El Hombre Trajeado), both known for their prolific solo careers as well as their past bands, have hooked up of late, releasing the excellent Here Lies the Body back in May. Certainly Aidan is no stranger to Christmas songs, with Arab Strap releasing a few throughout their run, as well as having his own solo Christmas EP back in 2011. Thus, the two began with an idea for one Christmas song, meant to be a one-off seasonal treat. It soon developed into an EP, and eventually ballooned into a full album. The description sounds fascinating:

“These are the ghosts of love, haunting happy homes and fairy-lit bars; these are the ghosts of memory, of haunted mirrors, pagan festivities, and unforgettable friends. As with this year’s critically acclaimed debut album, Here Lies The Body, Moffat’s quiet, pensive storytelling finds a perfect partner in Hubbert’s intimately intricate, flamenco-flavoured guitar. Across eight new original compositions and two deftly executed covers, here they offer an alternative view on the Season To Be Jolly.”

This is certainly one to be checked out! Available for preorder now and will be released on Dec. 7, which is unfortunately a bit late for my mix. However, if you live in the Glasgow area, you can order from Monorail Music and grab a ticket to their special Christmas release party on Dec. 6!

Unfortunately, they have not released a true Christmas song to preview, only a cover of Yazoo’s “Only You,” which was a Christmas #1 in the UK. The original intended one-off, “A Ghost Story for Christmas,” is the forthcoming single and will likely be released in short order. BTW, I don’t consider Christmas #1’s to be appropriate holiday listening… their version here is very nice, but it should have been a digital extra or something 🙂