There are a number of songs out there that just seem to get covered the same ways… and boy is it refreshing to hear something new. Baltimore’s Boat Water has taken the excellent Ramones’ Christmas classic, “Merry Christmas (I Don’t Want to Fight Tonight),” and found a new way inside that is truly engaging. The keyboard lines, the pacing, the phrasing – I don’t believe I’ve heard it done quite like this, and thank goodness I now have. There are so many small changes that are unexpected and just fucking delightful. There’s also a cover of a Blink 182 Christmas song… but I am both unfamiliar with it, and don’t really care. They’re not my jam, but maybe they are yours! Art is subjective! I have terrible taste!
Bottom Line: An absolutely stellar cover of a Christmas classic (and one that I’m not already sick of!)
After last year’s wonderful “Christmas at Sea,” Los Angeles’ Sara Noelle just mike make these holiday songs a tradition. Similar to last year, we get one original song and one cover. Hmmm… sounds like Sara needs to hook up with the Snowflakes Christmas Singles Club – cause that’s what they do too! “Like Snow (Slowly Falling)” has left the Bon Iver-reminiscent acoustic/electronic collage of “Christmas at Sea” for much more ethereal production. As the title suggests (by not referencing Christmas), this is much more of a winter tune, which Sara describes as a “wintry song about getting lost in a swirling snow globe of emotions.” I found it to be quite beautiful, and look forward to next year’s edition!
A perennial favorite, Kansas Bible Company is one of those bands I always look for around the holiday season. Whatever they touch is going to be a lot of fun, and I can’t believe I didn’t get to writing about this song last year. Wait… I can. The later you put out your Christmas song, the better chance it’ll get drowned out by all the other releases (or I’m completely exhausted). I’m doing my best to make up for missing it… as last year’s cover of “Feliz Navidad” was truly a joyful rendition that deserves to be boogied down to. KBC has a wonderful combination of brass and guitars, and their shared solos in the middle of this song is a perfect example of this musical conversation. Of note – they also properly released “Blue Christmas,” their collaboration with Okey Dokey, which had been previously released under the moniker of The Nashville Country Cowboys in 2016. So add that to your Spotify playlist too… you kids and your streaming….
Bottom Line: KBC can make the telephone book (remember those??) sound fun.
Take equal parts Robyn and Haim, and oddly a dash of a more synthy War on Drugs, add them to a glass of eggnog or mulled wine and you have Now, Now’s excellent, 2019 Christmas jam “Lonely Christmas.” All of those comparisons are meant to say, this song is catchy as hell and really well done. Had ANY of those above artists recorded this song, it would be EVERYWHERE. Gotta love that saxophone solo at the end… readers of this blog will know that is like crack to me. Tasteful saxophone… just inject it directly into my blood.
Bottom Line: About as poppy as I get and totally worth the trip towards Mainstreet.
One of the delights I discovered this year in my random Twitter searches was an announcement a month or so ago from the captivating Icelandic indie popster Daði Freyr. So… I check him out. At first glance, the insane videos make you believe that this might just be a joke, but you quickly realize that the songs are absolutely fantastic. As I awaited the new single to drop, I went down the rabbit hole, with every song (and video) poking that spot in my brain that made me smile really, really big. Kinda an uncomfortable, oversize smile that makes you look crazy as if I was in a Daði Freyr video. I was especially happy to find two Christmas songs in Daði Freyr’s back catalogue, though truly… it was only one song – in two different languages! “Every Moment is Christmas with You/Allir dagar eru jólin með þér” has that schmaltzy, classic Christmas crooner feel with modern-synth instrumentation. Be rest assured though, there is a quality to Daði Freyr’s voice that can make schmaltzy go down quite smoothly. The new track, “Something Magical,” is the polar opposite–a short, boogie-down track that is TOTALLY what Chromeo would do if they had made a Christmas song. It is GLORIOUS. I can’t stop fidgeting as I write this review. Just listen to it. This is a Christmas tradition that I am 100% down for.
Ah, to tell the story of discoveirng this song. Annie Booth posted this song on Soundcloud back in 2018, but only for a brief period, as it was gone when I first looked. I had been running down random threads on Facebook, stumbled upon Annie and evidence of past Christmas singles (she’s also done some covers!), and immediately messaged her. I must say… it is rare that a band will ever respond to me, let alone send me to the song I’m asking about. However, Annie Booth most certainly did, and I absolutely flipped out. I have been wanting to write about this for two years now, always hoping that Annie would release it properly so that I could encourage you all to pay her money for her wonderful efforts… but alas, it is back on Soundcloud and Annie has made it free for you all to download. So, enjoy the absolutely beautiful, shimmering emotion that is “Christmas Time (Keep It Together),” but please consider buying some of her other incredible music. Musicians are just like you, they don’t sleep in a bed or eat for free. Please remember that.
Bottom Line: A highlight of my 2019 mix (Xmas), this song is a wonderful introduction to Annie Booth, should you not know her already. I trust you will become as big a fan of her as I am.
I assume that Providence, RI singer-songwriter Brooke Annibale has been hanging around my house, peering in the windows these past few years. I mean, baking cookies and playing records is pretty much my holiday jam, and I am extraordinarily unique. In “Christmas, Happy You’re Here,” the vignettes Brooke paints of cookies, records, sipping coffee, and spending time with loved ones is what I want to think about when I think about the holidays. I don’t want to think about all those stressful parts that come along, I want to zero in on that wondeful, often unattainable, ideal. I might as well have a beautiful voice with some warm keyboards to guide me there.
John Mark Nelson & Jenny Owen Youngs are both nostrangers to these pixels I call home. They both write thoughtful, introspective seasonal songs, and this year’s collaboration between the two ropes in Jess Abbott (Tancred) to create a Voltron of emotional, gentle, beautiful strumming and plinking. YOU ARE WARNED! Prepare to look INWARD! The lead single “Fireside” is exactly as Jenny describes,” a crisp homage to indoor rumination in December, and keeping warm with loved ones when daylight is brief and winter nights are long.” Nailed it Jenny. Their voices blend beautifully, most especially during the chorus when the song flares like a flame catching that perfect piece of kindling. They also hit that sweet spot at nearly three minutes in length, this song is that perfect blend of short and sweet, as one does not want a cup of hot chocolate to get cold. Delicious!
Written in 2018, but released in 2020, Seattle’s Anna Preston has crafted one of the most beautiful and intimate Christmas songs I’ve found this year (a year late!). The edges of her voice crack with emotion as she finds herself jealous that she wasn’t the first kiss, or standing next to the jukebox watching her love in the colored lights. The production is simple – Anna’s delicate voice over a strumming guitar – until the song opens up and backing vocals layer to lift the song gently up, swaying on its toes. The ending is a bit devastating, yet comforting, in that nostalgic way that we look back on lost love and share in the universal experience of it all… Truly excellent.
Of note, Anna also recorded a cover of “Have Yourself a Merry Little Christmas,” which you can check out on her Soundcloud.
Bottom Line: Anna Preston’s perfectly-imperfect delivery is incredibly intimate and rewarding.
It may be 2021, but hell, if I find a great song from 2020, I’m going to write about it. Early last December, Los Angeles’ Cartalk released a sparse holiday song born from the distance of COVID that thankfully doesn’t dwell specifically in 2020 (and thus shorten its shelflife). Written in one night for 2020’s final #bandcampfriday, “Merry Christmas Darlin’ or Happy Holidays” is a simply-produced, guitar and vocals song about missing and loving someone on Christmas. A classic premise performed without any unnecessary decoration, this song is better than 99% of those who are writing from the same exact starting point. Familiar, yet fresh, Cartalk deserves to end up on some of your mixes this year, providing a lovely moment of rest inbetween your wall-of-sound classics.
Bottom Line: Carpark only needed one night to create this beautiful song. Hoping they can find a few spare hours again. Love the “chosen family” reference too – chosen family deserves the same (or one might argue, more) appreciation that family does in many situations.