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The Wild Raspberries “Snow” (2017)

The Wild Raspberries

Self Released
Buy: iTunes!

The Wild Raspberries, who already put out two absolutely beautiful Christmas songs the past two season, are back once more. Continuing what is already an incredible day of releases, “Snow” is the leadoff single to a mini-Christmas album, Be Merry Be Bright, slated to be released next week. So, consider this to the first of two December 2017 posts about the Wild Raspberries, because you’re gonna hear about them again. With “Snow,” the Wild Raspberries pull out the big guns, a beautiful overlay of Keez and Hannah’s vocals throughout the entire song. In their earlier single, “A Christmas Song,” the meeting of their voices was the part that just destroyed me. Now, it is as they decided to just give me the straight dope, from start to finish. With “Snow”, the Wild Raspberries maintain their gorgeous melodies, floating vocals, and taste level that can only be described as impeccable. I cannot wait for next week to see what else is in store – even if it is just a proper download of all three (known) season tracks, I’m pumped.

EDIT: 5 tracks! Looks to be four originals and one cover! WAHOO! Link above!

Bottom Line: The Wild Raspberries are the dessert on what has become the best day for Christmas tunes (and poetic justice) so far this year.

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Catholic Action – No Angels (2017)

Catholic Action "No Angels"

Modern Sky
Buy: 7Digital (FLAC/MP3) | iTunes | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

Glasgow’s Catholic Action had a nice track “New Year” on their recent debut, In Memory of, this past year. Checked it out, dug it, but for some reason didn’t find myself compelled to write that very moment. Then, they whip out this holiday single with a brand new track, “No Angels,” along with a new mix of “New Year,” and I just gotta. “No Angels” throws the bar down immediately – “You can’t have sex at Christmas / you can’t make love or screw / celebrate as he intended / with television and food.” Who doesn’t like a Christmas song with attitude? This song has attitude to spare, but hidden amongst that swagger are some damn clever turns of phrase: “I’m old enough to know better / but young enough to want more.” So, the A-side is fantastic, what about the B-side, “New Years – Christmas Miracle Mix?” This song rocks more than “No Angel’s” dirty walk, with dirty guitars raising up the shout-worthy chorus. “Casiotone I’m painfully alone, I’m pining over you.” Even a namecheck for one of the legends of indie rock Christmas! This band obviously know the indie-Christmas canon they are joining, and what an entrance.

Bottom Line: Perhaps the strongest 1-2 punch of the season. I don’t know what held me back before, but this pairing is just what I needed to see the light.

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The Boy Least Likely To “A Winter’s Tale” (2017)

The Boy Least Likely To "A Winter's Tale"

Self Released
Buy: 7Digital (FLAC/MP3) | iTunes | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

The Boy Least Likely To have long been stalwarts in the indiepop-Christmas scene, releasing the beautiful Christmas Special LP back in 2010, compiling older Christmas singles alongside some fresh ones. (Boy I would love that on vinyl) In the following years, Jof Owen (half of the BMLT duo) created his indiepop-meets-country project, Legends of Country, which put out an equally spectacular, 2-song Christmas release in 2014, It’s A Long Way Back From A Dream. This year, after a cheeky response to a tweet I sent their way… I began anticipating a new track. December 1st hits, and viola! The David Essex cover, “A Winter’s Tale,” is a perfect blend of both sounds – the indiepop of Boy Least Likely To with the country of Legends of Country. The main orchestration is the Boy Least Likely To at their most lush, as the Legends of Country accents of slide guitar and fiddle bring the two worlds together beautifully. As with most indiepop, the music is upbeat enough to look past the melancholy, but those country accents do a wonderful job bringing you back down to the lyrics. “It was only a winter’s tale / just another winter’s tale / and why should the world take notice / of one more love that’s failed / it’s a love that could never be / thought it meant a lot to you and me / on a worldwide scale, / we’re just another winter’s tale.” It was certainly worth the wait.

Bottom Line: It sure is wonderful to have the Boy Least Likely To back in the Christmas game. Beautiful, melancholy indiepop, expertly crafted with love.

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Wyvern Lingo “Snow II” (2017), “Snow” (2014)

Wyvern Lingo - Snow II

Self Released
Buy: Bandcamp

Well hot damn. This was too good to keep me from writing. Bray, Ireland’s Wyvern Lingo, a trio of singer/instrumentalists has just dropped an indie R&B jam “Snow II,” that is totally worth your attention. Their voices are beautiful, as are the minimal electronic beats and flourishes of color that support them. However, if that groove is not your bag, how about an acoustic version, with no percussion, mainly guitars and keyboards to provide the bassline? (Stubby found this one back in the day, of course) Then their 2014 version, “Snow” is your jam. Either way you slice it, this is a pretty beautiful song, and I think you might dig it too.

Bottom Line: Sometimes you feel like a nut, sometimes you don’t. Both taste great!

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Bjéar “Silent Night”, “Joy to the World” (2015)

Bjéar Christmas

Self Released
Buy: Stream

Things are getting weird around these parts. We’re all about to get nuked, and I’m sitting here writing the second post in threee days about an instrumental Christmas song. Adelaide, Australia’s Bjéar has a Soundcloud stream full of solid, RIYL Bon Iver/Sufjan Stevens indie folk/rock. I initially heard his excellent Sufjan-esque “Big Sky” and really loved it; I think it was one of those “Soundcloud chooses another song” situations. So I click through to the profile, and discover these two Christmas songs – “Silent Night” and “Joy to the World.” These are two songs that rarely make appearances on this, very secular Christmas blog. However, there is a quality to them that leads me to this moment. Bjéar’s arrangements are the obvious strength of these songs. “Joy to the World” has subtle variations on the melodies you’d expect, and yet it sounds fresh to my bitter ears. “Silent Night” is extremely simple – pretty much a solo piano effort for the first minute. Then, more colors enter, and it opens up. Neither track reinvents these classic songs, but Bjéar’s choices have a sensibility that indie rock fans such as myself will certainly appreciate.

Bottom Line: I find myself in uneasy, instrumental and religious Christmas song waters, but Bjéar helps me swim.

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Rostam “Fairytale of New York” (2017)

Nonesuch
Buy: Stream 😦

Rostam (Rostam Batmanglij), the genius behind the production on those early Vampire Weekend records, put out a phenomenal album of his own this year, Half Light. Couple that with him being the main collaborator on the last two Hamilton Leithauser solo records (with equal billing on the last LP, the absolutely stellar I Had a Dream that You Were Mine), and you are pretty much looking at one of my favorite artists of the moment. That said, Rostam does not have a powerful voice, and I feared this song might just need a some more oomph behind it. I was most certainly wrong. The qualities of Rostam’s voice actually bring a new depth to the song. Rostam has a fragility to his delivery that makes this version unique from those I’ve heard before. The orchestration is beautiful, and has some slight variations to the norm, certainly not the re-imagination that was Daniel Woolhouse’s last year. However, there is a lovely part around 2:45 where the guitar lines lead into a what feels the most like a Rostam-like arrangement, which is lovely. Surprising and wonderful, this version just needs the ability to purchase/download/etc to make me one happy camper. (Thanks Larry for the tip!)

Bottom Line: My fears were unfounded – Rostam continues to impress.

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Cold Fins “It’s Christmas Time” (2017)

Cold Fins "It's Christmas Time"

Self Released
Buy: Bandcamp (NYOP)

London’s Cold Fins specialize in reverb/organ pop, and while they are short on social media presence, they are long on musical taste. The classic, yet contemporary feel of “It’s Christmas Time” takes some basic “it won’t be Christmas without you” tropes and dresses them up in some interesting, fashionably worn new clothes. Cold Fins feel like a kind of band that could play Christmas hits at your favorite bar, and you would suddenly look up from your drink and realize you are at the fucking hippest Christmas party ever. Their organ, the guitar licks, and the steady beat will keep your head bobbing and feet tapping for many seasons to come.

Bottom Line: Soundcloud feeds you a winner every so often, and thankfully tonight, they were serving Cold Fins.

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Jean-Pierre Masseria “Bonne année 1969” (1968/2017)

Bonne Annee by Jean-Pierre Masseria

Finders Keepers Records
Buy: Bandcamp

I can’t even begin to explain who Argentinian-born, France-recorded, UK-reissued Jean-Pierre Bernard Massiera is, but I can say that this track from 1968, recently digitally reissued by London’s Finders Keepers Records, is pretty badass. The release, Bonne Année, technically contains two tracks, “Bonne année” and “Bonne année 1969,” but the first is so much slower and less interesting, and I really just wanted to yell about how much damn fun “Bonne année 1969” is. It is funky, it is trippy, it has off-mic screaming, a driving beat, one hell of a brass section, cackling and ho ho hos – so pretty much everything. It is, simply said, FUN.

Bottom Line: Would you drink water from the kitchen sink? Well no, but this kitchen sink, why yes I would.

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Lab Coast “Yule See” (2016/2017)

Lab Coast "Yule See"

Self Released
Buy: Bandcamp (NYOP)

Originally released last year on Ho! Ho! Ho! Canada VII, Calgary’s Lab Coast have generously re-released this killer track on Bandcamp for our FLAC-downloading fun! This is one of the most interesting approaches to a Christmas song I’ve heard in the past few years. There are no cliches, no “baby, please come home,” rather, the narrator is wondering why they are still loved. Many of you have likely felt inadequate, when faced with someone who loves you more than you think you deserve. “How did I become the apple of your eye? / I don’t know now.” So he walks around, thinking, “Would you still love me as I am / It’s not 1993 / I’m so broke I might as well / wrap myself under your tree.” It’s a powerful song, wrapped up in 2:06 of RIYL Real Estate-indie rock. This is pretty much written for my sensibilities, and thus, here we are. Enjoy.

Bottom Line: This is short enough, interesting enough, and rocking enough to (spoiler alert) make my mix. Maybe yours too! Now with extra FLAC-goodness!

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Color TV “This Christmas” (2016)

Color TV - This Christmas

Self Released
Buy: Bandcamp | Vinyl

The other day while checking out what my fellow Bandcamp enthusiasts are buying… I came across this powerpop gem from LA’s Color TV. The production is great, the lyrics are clever, but it’s the attitude that really sells this song. This band has a polite snarl (yeah, wrap your head around that description) that just works so well. This song could get WAY more eyes, had it only had the “christmas” tag in Bandcamp! Quick side note… BANDCAMP, get your act together and give us a better keyword search! OK, got that out of my system – but THERE IS MORE TO THIS SONG THAT YOU NEED TO KNOW. This track is part of a new, vinyl (or digital download card) compilation on Gearhead Records, Rodney On the Rock Presents: Santa’s Got a GTO Vol. 2 LP, which is available (with no additional track list) at the Gearhead Records website. So, throw some money at them – either $1 at Bandcamp, or $22 if you’ve got money to burn and collect Christmas vinyl! I know there are some crazy folks out there… go now, it has got to be pretty limited.

Bottom Line: Power-pop with attitude that bleeds through the speakers. Brilliant.

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